The Double was a wild ride revenge lollapalooza that didn’t seem to take itself too seriously at times. There were plot holes deep enough to bury bodies in and 30-year-old actors playing teenagers. I didn’t really care that it was messy for the most part as the two leads were engaging to watch and I love a good case of comeuppance for evil doers.

Long story short, Xue Fang Fei has to take the identity of Jiang Li in order to avenge both of them and right injustices. Despite looking exactly like XFF, everyone seems to accept the new identity since the real Jiang Li had been hidden away for 10 years. Duke Su is hard to fool and initially uses XFF as a pawn though he also enjoys “the show” that usually surrounds her as she takes down her enemies and Jiang Li’s one at a time, occasionally asking for his help. XFF’s compassion and intelligence help her make allies and friends along the way. A constant fighter for justice, she also makes numerous enemies prepared to end her life.

I enjoyed Xue’s calm demeanor as she plotted and planned. Her relationship with the equally scheming Duke Su who also needed to right wrongs and protect the country was a delight to watch. Xue Fang Fei was fairly well developed and while not realistic in some cases, I was happy they let her solve many of her own problems with an occasional assist from the Duke. She was laser focused, fiercely protective of those around her, and never stooped to her enemies’ methods in her desire for revenge and justice. Duke Su lacked the complexity of other characters but Wang Xing Yue’s performance at least made him moderately interesting as the fan waving mastermind. The murderous and increasingly deranged Shen Yu Rong was given more writerly care. However, I never connected with Liang Yong Qi’s bland portrayal of the cowardly, whining, court officer who simply could not cognitively accept responsibility for his heinous actions. Li Meng as the Princess Wan Ning made up for his stone face as she chewed the scenery when she wasn’t throwing it. Several of the villains were given all sorts of reasons for becoming the way they were which did not give me one ounce of sympathy for them. They made choices to pass the buck and pass on the pain.

For whatever reason, I’ve never had a problem with cross-dressing. I was even able to go along with everyone buying that Xue Fang Fei was Jiang Li. Where my brain seems to have drawn the line is 30+ actors playing 15–17-year-olds. The hardest part for me was in the early episodes when the writers kept reminding me that Jiang Li and her friends and sisters were teenagers. When the Jiang family said Li looked different, that was because the seven-year-old they sent away ten years ago came back a grown-ass woman! Despite some of the other actors playing up being immature, Wu Jin Yan didn’t look or carry herself like a teenager. The character was also written with a wealth of knowledge and experiences that seemed beyond her age. When they finally stopped mentioning how young she was it helped me to accept her as the crafty, complex, elegant adult she acted like.

This drama loved its overly dramatic moments. So much twirling, whirling, and cape wearing. The drama world also suffered from insane climate change as one scene had petals falling from the sky, the next had snow, then back to petals, and for most of the drama, Duke Su’s tree at his mansion was ever autumn. Very few scenes passed without something falling from the sky or the Duke flying in for a visit. The wind usually only blew on the one showing emotions, even when characters were standing side-by-side! There were magic pigeons who always knew the address of the current villain- not exactly how carrier pigeons work. The non-disclosure agreements were lethal. And there was no shortage of knockout karate chops, people going insane, princess carries, and amazing guyliner! The only thing underdone was the anemic white makeup for the women.

While I enjoy corrupt officials and lying, murderous family members being brought low, the story had a tendency to become redundant in order to fill the episodes as XFF righted wrongs in the Xue family, the Jiang family, and in the country. Characters, conflicts, and backstory were being added right up until the last four episodes. There were times I lost interest as the villains (so many villains!) monologued about how they were going to bring XFF down. Maybe if they’d cut down on some of the villainous plotting there would have been time for a more well-crafted ending. It felt like they had a closing scene they wanted to show and tried to twist the plot to make it happen which came across artificially. I would also like to have seen more meaningful scenes with the leads. XFF and the Duke suffered physical and emotional wounds that were often forgotten the next day. I will not even get into that coitus interruptus candle.

If it sounds like I didn’t like The Double, that would be wrong. While it was deeply flawed, it was also fun and I have a high tolerance for cheese, especially with a truly strong female lead. Wu Jin Yan and Wang Xing Yue had great chemistry and I enjoyed many of the side characters, especially the bickering and loyal Wen Ji and Lu Ji. I liked Xue Fang Fei and thought she was a memorable heroine for being intelligent, resilient, and compassionate if not a little too perfect. What would have made it a better “show” is if the writers had developed Duke Su to be as memorable a player in the revenge tour ensemble as his leading lady.

7.75

26 July 2024