Director Ozu tackles The Depression head on in Tokyo Chorus with his lead character and the man's family. Though a silent film, this quiet slice of life speaks volumes for the economic devastation of the time. The story follows a happy-go-lucky worker in a light-hearted manner with an undercurrent of tragedy.

The film begins playfully at a college with the boys being led in a calisthenics drill with Okajima Shinji in the role of class clown much to the drill instructor's chagrin. Soon he is shown as being a dad of three children and working in an insurance office. It's the yearly bonus day and everyone is excited. His son has asked for a bike and Shinji has made a list of what he will buy for his family. As everyone is celebrating bonus day, an older colleague is fired just before retiring and garnering his pension. Shinji stands up for him and is fired, too.

His son throws a fit when his father doesn't come home with a bike and his wife scolds him for not keeping his word. She soon realizes what has happened and comes around and is supportive. This is a pleasant pattern throughout the movie. When the little family is faced with setbacks and challenges, they let themselves hurt for a minute and then do what needs to be done.

Shinji is thrown into the world of the unemployed, the Toyko Chorus, which is substantial, even for a college-educated man with good work experience. Jobs are either not available or he's deemed over-qualified. When the family suffers a mishap, their dire situation is made clear. Shinji takes a job handing out restaurant flyers for his old professor/drill instructor. His wife sees him and is devastated that others will know they have lost their social standing.

Aside from showing the effects of a tragically high unemployment rate, Ozu excels in bringing this family unit to life. The children bicker and throw tantrums like children do, even if the son could be a bit much at times. His wife, Tsuma, may suffer a brief moment of tears or despair but then faces reality and refuses to let her children or husband down by wallowing in them. Shinji's fun-loving smile is often present though watching him closely you see the cracks in his effervescent personality. He's a man willing to suffer a blow to his honor to protect and provide for his family. One poignant scene portrayed this perfectly. After Tsuma's kimonos had to be sold, the family is playing a game on the floor. The children are unaware of the financial and emotional situation assailing their parents and laughing and singing. The parents join in the game initially downcast but let the joyful moment overtake them and bond together.

This film is in dire need of someone lovingly restoring it. Much of it was faded or had salt and pepper pock marks. Though I have seen films in much worse shape from only the 1970's. The music was jaunty and carried the story along, even when not much was going on. Once fully immersed, spoken dialogue wasn't missed much. The actors perfectly portrayed their feelings without resorting to hamminess to show the meaning behind their actions.

In many ways, the film comes full circle at the end, with a wiser, sadder Shinji. This film is not perfect. The first half felt slow to me, barely making any progress. And then like a flower opening we see more sides to the characters as they work together believing things will get better. It was the love of this family that I enjoyed the most about this film. Tokyo Chorus was a sweet film of perseverance never letting itself be swallowed by melodrama. Ozu rarely disappoints, and for me, he didn't with this film either.