Standout characters immediately grab your attention, and Do You Like Brahms? starts with one of the strongest first 4 episodes of 2020 premieres, second only to Flower of Evil. The two main leads, a burned out superstar and a struggling artist, seem cliché, but their foil is fully explored and surprisingly relatable. However, little substance is built on the foundation of their relationship. You better understand and relate with each character, with each episode, but the evolution of their relationship stagnates. Either DYLB? should have been told in fewer episodes or bigger dramatics were needed to stimulate a more engaging reaction.

Story:
The contrast between the quality of characters vs plot is stark by the ending of Do You Like Brahms? From leads to supports, the characters have an incredible amount of depth. Even the motivations of the antagonists are mired in complexity. As a character drama, DYLB? excels by making the unique lives and challenges of musicians relatable to casual drama viewers.

As a thrilling romance or gripping melodrama, it falls short. The love triangle(s) that is crux to the plot of DYLB? is presented in the first couple episodes, and its potential outcome feels inevitable (i.e. miscommunication, confusion, heartbreak). The lack of suspense transforms into frustration as the middle segment of DYLB? trundles toward the finale following a subdued climax.

I want to include one last comment about time skips and flashbacks. They were not always crystal clear, but I appreciate that the director did not baby the audience with title cards like “1 year ago”, “1 month later”, etc. Overall, the plot is the main weakness in an otherwise well directed drama.

Acting:
The combination of character design and cast brings to life the fictional characters on screen. Park Eun Bin adds another excellent role after her underappreciated performance in Hot Stove League. Kim Min Jae has a long list of great roles for such a young actor, almost comparable to Yeo Jin Goo. Their interpretations of their characters just make sense. They act and behave like genuine human beings instead of characters.

The rest of the cast is equally decorated, but I will specifically praise Choi Dae Hoon and Baek Ji Won for creating characters that knew all the right buttons to push for maximum irritation. The way they frustrate the viewers and the main leads is the definition of entertainment, in stark contrast to my frustration with the flat plot.

Music:
More so than the characters and cast, the music within Do You Like Brahms? rises above First, the use of classical music is slightly cheesy and often used as a plot device, but it is refreshing to hear a different sound from the standard drama ballads. Second, the OST of DYLB? is anything but “standard”. The same musical producer from Hotel Del Luna worked on this drama, and the quality of the OST is unparalleled in 2020. It is hit after hit sung by some of the biggest names in Korean music, from Taeyeon to Heize. It is good enough to listen without even watching DYLB?

Rewatch Value:
The lack of dynamic plot and explosive confrontations make it hard to justify a rewatch. This weakness even bleeds into the strong character designs. The main female lead starts off as a relatable, struggling young adult, but she seems too perfect as the story drags on. Being untalented or soft-spoken is far from a real character flaw, and her immaculate actions wear her initial relatability thin. I may be overly critical since I started DYLB? with high hopes. Unfortunately, it falls short of the best drama of 2020 which currently belongs to Crash Landing on You (depends if you consider it a 2019 or 2020 drama) or Flower of Evil.