Though anticipated, the ending of “One and Only” gives the viewers tears and broken hearts. Most have been waiting anxiously for its sequel “Forever and Ever” which is believed to have a happily-ever-after ending that is needed for closure. This drama (“Forever and Ever”) is originally a story about karma and reincarnation but as the Chinese government bans the reincarnation subject in all drama productions, this essential element becomes subdued, if not totally eliminated, rendering a great shift of the story away from its original work.

From the beginning, our main couple from “One and Only” meets and gets married, almost instantly in their modern lifetime. For three quarters of the drama, viewers are shown a chronicle of daily life of the newlyweds, with a hint of something nefarious lurking beneath what seemingly a blissful life. As much as I love watching the love development of the couple, I find the over extension of love play rather boring had it not for the exquisite ancestral home and antiques hidden in a tranquil city. The daily life of the inhabitants of such a traditional home with complicated extended family members, is a reminder of how some large Chinese families still live today - with a lot of useless protocols and mindless burdens. The plot thickens slightly from episode 23 on, but still takes a leisurely slow pace till the end.

Many characters in the drama are said to have reincarnated from its prequel “One and Only” which is supposed to have taken place some 2,000 years ago. However due to the censorship, all the character links are downplayed or totally non-existent, except for some weak inklings for the main couple Zhou Sheng Chen (Ren Jialun aka Allen Ren) and Shi Yi (Bai Lu); they retain the same names in both dramas. Had it not been the repeated mention of the Xiao Nancheng Wang (Prince Nancheng Junior) in the FL’s voiceover project, there is really nothing linking the two dramas until the last episode when Shi Yi describes her dream which is also the story of “One and Only”. Not totally brilliant, but at least it manages to tie the 2 stories at the end (well, kind of).

Zhou Sheng Chen is a prodigy and a chemistry researcher working in a university in Germany. He returns to China to try salvage his family’s declining traditional businesses that are being run to the ground by his younger brother. His mission is to promote traditional crafts and to ensure their sustainability in modern times. As the oldest son in the family, he is entrusted the family inheritance and all the baggage that comes with it, with a caveat that he has to first get married, as stipulated in his father’s will. As a hermit, Zhou Sheng Chen doesn’t date nor know any eligible girls for marriage. Comes Shi Yi. He figures he could make do with her. Little did he expect himself to fall in love with her so deeply, and for her, she has known the name Zhou Sheng Chen from her work and falls in love with him when she hears his name mentioned, which to me, is a rather weak explanation.

Zhou Sheng Chen is passive, bashful, unromantic and uneasy with public intimacy. You can say he makes a very boring boyfriend as he doesn’t really know how to reciprocate a kiss, a hug, or any romantic play. But then again, romance, like beauty, is in the minds of the beholders. Many readers are angry over the adapted character as they claim the original Zhou Sheng Chen has a much more forceful and proactive personality in the novel. Many even lash out on the actor for changing the character or for not portraying it right or even for poor acting. I have not read the book but from my understanding of the adaptation, I find Ren Jialun delivers 100% of the Zhou Sheng Chen character in the drama. He captures every nuance in his every hesitation, embarrassment, bewilderment which is so real and so authentic, and very appropriate for the adapted character traits.

Bai Lu is natural and beautiful. Her portrayal of Shi Yi is commendable. As for her chemistry with Ren Jialun here, I find it not as great as in the prequel “One and Only” despite there is hardly any intimacy in the earlier drama as compared to the more kissing and touching scenes in this one. Understandably, as “Forever and Ever” was made before “One and Only”, this may explain the slight missing spark.

My Verdict

Not having read the novel, my expectation is quite different from what is delivered here. Perhaps I had expected a more arduous journey for our characters to find each other, and to overcome multiple challenges and tests - the usual drama stuff which may be less realistic. Here, the story is very realistically portraying life of very traditional big and complicated Chinese families with undesirable feelings and occasionally unfortunate events taken place.

The two dramas, “Forever and Ever” and “One and Only”, don't really connect to each other except for the repeated references to the historical one by Shi Yi in her work and finally in her dream. Initially there seems to have no plot and no story, merely a chronicle of the daily life of a couple. The overall plot is rather subtle and only in the last 8 episodes, it becomes more apparent, making the story realistically ordinary.

I love how artistic and poetic the whole drama is, from the poems to the antiques, to the traditional crafts passed down for generations, encapsulating the overall Chinese culture and treasure we want to preserve.

A drama well made and deserved to be loved.