let me preface this review by stating that i have not read the novel or engaged with any other forms of this story. i am rating+reviewing this drama on its own merits rather than on its quality as an adaptation. (this review is spoiler-free!)

instead of a plot summary, i will say that the untamed is a story that explores:

- personal morals vs. cultural morals
- the structure that rules—spoken or unspoken—uphold 
- what being loyal means
- the pros and cons of selflessness
- when the norms of society must be questioned
- the complex, morally grey nature of revenge
- groupthink and its consequences
- when violence is(n’t) justifiable

all of these concepts (and more!) are but branches stemming off from the narrative’s thematic core: what is good, what is evil? what makes the untamed special is how it handles that question; although the theme is extremely familiar, it is executed in a fresh, unique way. it doesn’t feel like an examination of morality you’ve seen hundreds of times over already in fiction. it is rare to find media that approaches such a common theme from a new angle.

the mischievous, unorthodox wei wuxian and the scrupulous, rule-abiding lan zhan are our protagonists, and the relationship that grows between them is the heart of the drama. their development is just gorgeous. the love and trust the two have for each other is staggering. you can feel the incredible intimacy between them; sometimes i feel i should look away from the expressions they share with each other, because it’s not for me to see, it’s for them.

it too cannot be emphasized enough that as individual characters, both wei wuxian and lan zhan are intricate, amazing, and fascinating in their own right. i don’t want to say too much, as their arcs are best to discover and experience on one’s own, but it’s been a good long while since i’ve met characters i love as deeply as i do these two. their motivations, mistakes, development, and flaws all make sense, and their stories are satisfying to the very end. 

the supporting characters are also wonderful, and the time the narrative spends with them is not time wasted. jiang cheng is frustrating and fascinating; wen qing is intriguing and heartbreaking; jiang yanli is steadfast and loveable; xue yang is over the top and extremely fun; i could go on and on. the entire array of characters is worthy of praise. 

on that note, the acting is superb; both of the main actors fully inhabit their characters. xiao zhan is a powerhouse. he is an incredibly dynamic actor, and he portrays the richly layered wei wuxian with care and dedication. he has great control of his face, and is able to convey a wide array of emotions with nuance and delicacy. xiao zhan makes you truly feel what wei wuxian is feeling. 

and then there is wang yibo’s lan zhan. lan zhan’s stoicism and way of internally processing emotion demand that the actor utilize subtlety to the utmost degree. with just his eyes (just his eyes! i can’t get over it!) wang yibo is able to reveal the sheer breadth and depth of the character’s feelings and internal workings. he speaks a thousand words with one look. it’s such a stellar performance—he’s a treat to watch. 

beyond the protagonists, the entire cast does a magnificent job. while watching, you lose yourself in their performances; they succeed in making the characters seem not like characters, but like people. the antagonists too all obviously had a good time playing their roles; there are some performances that can come off as a bit too much, but as long as you lean into that particular brand of cheesiness, it all works. (there are certainly some smaller roles where the acting is pretty eh, but frankly? it’s easily overlooked.)

the production is not something i really want to linger on here, but to touch on it for a moment: the cinematography is usually pretty adequate; rarely, there are shots that are truly stunning in their inspiration and symbolism. the costuming is lush and lovely, and most of the outfits communicate symbolism through color and patterning. and the music! it is such a beautiful and transportive score, and there are some really great moments of diegetic instrumentals. while some pieces of the score are used often, none are overused to the point of annoyance.

but to get to the point here: the important thing i want to say in this review is that the untamed is not quite like anything else i have watched. i didn’t expect this at all going in; i was just looking for something to pass the time. instead, this drama evoked emotions in me that no other piece of media has, and it has carved its way into my heart. i am in awe of this story, and i am going to be thinking about it for a long, long time.

i rarely, rarely give a perfect rating to anything. but the untamed deserves every 10/10 it receives; it’s on a whole different level to anything else. it has something special. i cannot recommend it enough… everyone should get to experience this story. it is absolutely incredible. 

Leia Mais