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MusicalVeggies
'Bpoop Phaeh Saniwaat' is a wonderful light-hearted romantic-comedy lakorn which feature underlying themes of history, karmic retribution and fate.
STORY (No spoilers)
Time-travelling dramas are not new, even amongst lakorns, but I think that this show is a bit more inspired because it certainly knows how to make use of this premise and give us a lovely light-hearted walk through 17th-century Ayutthaya without making either the history-bits or the political-bits too heavy and overwhelming. On the contrary, from the title of the show itself - ‘Love Destiny’ - it makes it pretty clear that this show is primarily a romance show, which it fulfils to a tee.
It was very clever of this show to transport a budding archeologist back into ancient history because the show gives us a natural teacher in her. As she gradually meets one historical figure after another, we get wonderful internal monologues about the various characters’ positions and their impact on history. And when she gets all excited over ancient historical sites, we get lovely little expositions of the significance of those sites. And through her fish-out-of-water personality and conversations, we are seamlessly introduced to the culture and customs of the times, as well as their hilarious reactions to her modernisms. History becomes so much more accessible and digestible as we follow Kadesurang/Karakade through some of the definitive times in King Narai’s reign in history. It’s a brilliant piece of writing and a brilliant way of introducing a slice of Thai history to viewers without making it too heavy or boring.
One would think that with so much historical setting, background, characters and events, the romance would be short-changed to accommodate it all. Wrong! Very wrong! As a romance tale of hate-to-love, and of fated love, this show not only provides generous amounts of time to introduce our main leads and develop their relationship, it actually also spoils us with plenty of fan-service and squeal-worthy scenes. If you’re a romance-junkie like me, you’ll be pleasantly surprised with how much fixes you’ll get.
This show does many things well but one of the best things about it is the character and personality of our main leads, particularly our main female lead.
Suddenly transported from the 21st-century into the 17th-century, she is very much a fish-out-of-water and it doesn’t help either that the body she inhabits is one which has a reputation of being a rather evil witch. Having to not only adjust to her new environment, but to also redeem Karakade’s reputation amongst the community, is a tall undertaking but Kadesurang rises to the occasion magnificently. To see her slowly but surely win person after person around to her side is a lesson in human gentleness, kindness, patience and poise which has personally inspired me to try and do the same. She is resilient, resourceful and empathic, and she takes every hit she receives in her stride but without losing a shred of her dignity or determination. She is beautiful and amazing.
Our main male lead is very much a product of his status and his time but his evolution from him despising the woman he is affianced to, to learning to see her for who she is in her new personality, and then to be curious about her, and then to accept her (quirks and all), and then to love her - deeply love her - is both funny and very heart-warming.
They also make a pretty compatible couple. They don’t dwell on their fights for long; they take pains to listen, understand and learn about each other; and they learn how to accommodate, give-and-take, and be flexible with one another. Theirs is no childish playground-bickering juvenile romance, nor is it those demanding, personality-clash, dramatic ones. It’s quite wonderfully mature and steadfast, but losing none of its charm or warmth. I love it!
Before I say a few words about our supporting cast (because they are deserving of their own little section), I would like to say that another good thing about this lakorn is its great absence of your typical thai lakorn tropes.
No evil nangrais (aka second female leads)? Check.
No love triangles? Check.
No mad antagonist/ crazy villain? Check.
No plot-filler? Check.
No long-drawn-out misunderstandings? Check.
No lack-of-communication angst? Check.
No revenge plots? Check.
No slap-kiss? Check.
No cartoon/ cardboard characters? Check.
No inconsistent or irrational character portrayals? Check.
Wow, too good to be true? Yes.
There is, however, one - ONE - lakorn cliche that does feature itself heavily in this show and I would be remiss in not pointing it out. It’s your ‘tripping-and-falling-into-arms-followed-by-long-stares’ trope. Not gonna lie, this one gets quite a bit of air-time but they’re all variations of the trope so it might be interesting to see just how much they can stretch it, lol. They do water it down to just ‘turning-and-staring’ as the show progresses, and perhaps it may be a matter of taste but I personally thought the show did okay in giving this particular trope quite a bit of spice through its variations.
Finally, a word about the supporting cast. SOLID is the word that comes to mind. This show’s supporting cast have added extra layers of life, depth and breadth to the show. They sparkle and shine in their own different capacities, and while some might be a little more intense and heavy in terms of presence and personality, the show also gives us little insights and glimpses into their thought-process which makes them all comes across believably real and human. The scintillating supporting cast is truly a massive plus.
ACTING/ CAST
POPE THANAWAT - as Thun Muen Suntorndewa/ Por Date. I’ve seen Pope before in the 'Suparburoot Juthathep' series as the 2nd brother and I knew he had it in him to give his character an aura of gentlemanly dignity and authority where needed. And I also knew he could act and pull out the emotions and the tears if required. He did not disappoint. Our main male lead did a great job in taking us through his emotional journey from start to finish, and if he has not won for himself new fans after this show, I would be very much surprised. His eyes and his smiles are his best assets here as they are beautifully expressive.
BELLA RANEE - as Kadesurang/ Mae Ying Karakade. I’ve always liked Bella from her 'Padiwaradda' and 'Khun Chai Puttipat' days, but she blew me away here with her incredibly versatile portrayal of Kadesurang/ Karakade. I think this show/ script is also great as it allows her to really expand her acting ability and show us just how versatile and capable she is as an actress. I am so glad that she took the script by the horns and threw herself into it with gusto. She really is the main character and the lynchpin to the entire show and she shone brilliantly all the way through. Wonderful performance.
Best of all, the chemistry between these two in this show is on fire! No words - It has to be seen to be believed and after you’re done curling your fingers and toes, squealing into your pillow and rolling all over the floor in romantic ecstasy, you’ll get up and want more. For a show that doesn’t have many skinship scenes, this is a masterclass on how to do restrained romance in dramas. Goodness.
The supporting casts of actors and actresses are all stellar. Standout performances for me were:-
Nirut Sirichanya as our dear old Khun Loong/ Ork Ya Hor Thibadi (Por Date’s dad) was absolutely lovable.
The girls playing Karakade’s personal maids P’Pim and P’Yam killed every single one of their scenes - they are a dynamic duo and such an example of sisterhood girl-power.
Ampha Phoosit as Nang Prik, and Chamaiporn Jaturaput as Khun Ying Jumpa (Por Date’s mom), were an unforgettable double-combo act.
Punjan Kawin was charming as Khun Reung, and Chartchai Ngamsan had that on-screen gravitas as Kosa Ban.
Louis Scott added vulnerable dimensions to a power-hungry Constantine Phaulkon, while Got Jirayu stole all his scenes as a charismatic and hot-looking Luang Surasak.
And the actor playing Joi? Adorable.
Really, the supporting cast all outdid themselves here and I’m so glad this show’s hit-status has brought them into the limelight.
MUSIC
The OST for this show has apparently been outselling itself so it can't be bad. Holistically, taking into account everything from the soundtrack, the background music and the sound effects, I thought this show did very well in incorporating the various elements of it into the scenes. I particularly enjoyed the way they employed their sound effects - it definitely added pep and pop to the scenes!
RE-WATCH VALUE
This show has so many things going for it - sweeping romance, liberal sprinklings of humour, good introduction into Thailand’s ancient history, beautiful sets and costumes, a memorable set of cast of characters, and a storyline which doesn’t spin itself into unnecessary knots or is packed with fillers.
One of the best light-hearted romance dramas I’ve seen to date. Definitely re-watchable.
EDIT TO ADD:
There are 2 versions of this lakorn - it's original 15-episode (1 hour 50 mins per episode) version, and a Director's Uncut 40-episode (40 minutes per episode) version which features a few hours worth of extra footage scattered throughout its entire run.
This lakorn became such a massive hit in Thailand during the year it ran (2018), it single-handedly cleared Bangkok's notoriously terrible traffic jams on the evenings when an episode was airing and spawned an Uncut version release. Unheard of. Yes, this lakorn was THAT good.
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What a difference an extra 10 minutes can make
Whether you've watched the original mini-series or if you're considering checking out this version, look no further because this is the version you should watch if you can. Why?1) Because this version has the entire content of the original mini-series. Not a single scene or dialogue or soundtrack has been changed or omitted. So, if you watch this version you'll miss nothing from the original mini-series. The only difference for those who watched the mini-series is that you will become extremely well-versed with the opening and ending theme songs because you'd have heard them 4 times within the 4 short episodes, while in this movie they only turn up once.
2) There is a 2-minute extra scene in this Director's Cut [it's at the 1:02:06 to 1:03:58 mark] not in the mini-series which provides additional context and explanation to the decision and action of one of the main leads.
3) There is an extra 8-minute ending in this Director's Cut which isn't featured in the mini-series. The extra 8 minutes were really what the whole show needed to round it off properly. The original mini-series felt a bit too rushed and cut-short at the end and while I still loved it, the ending never really properly satisfied me. But here... what a difference an extra 8 minutes made.
Personally for me, this show is the most balanced and complete BL show I've ever seen so far. I really liked it for its adorable beginning and subsequent realistic depth of struggle. It provided an introduction to our main characters from an early part of their life, and it tracked the growth of their relationship throughout the years that followed.
The show also efficiently depicted their ups and downs, whether it be internal insecurities, societal & familial pressure to conform, and the hurt and pain of bad decisions and mistakes. It's actually a surprisingly realistic and reflective representation of the everyday normal pressures of the average LGBT person living in society.
There are also not many BL shows where one can truly visualise or see the couple really outlasting the distance but here, it's all that and more. The ending here is one of the most satisfying endings ever and it will leave you with tears in your eyes but with a smile on your face.
ACTING/ CAST
Both actors did well in their roles but I was particularly impressed with Shirasu Jin in his portrayal of Itou Akira in this show. Itou Akira had the heavier weight and the bigger character development & personal growth in the show and I'm so glad Shirasu Jin was able to wonderfully portray Akira's nervousness, fears, anxieties, worries, sadness, pain, joy and happiness (it had not escaped my notice that all of Akira's biggest smiles were for Yuki) all in the right place and time.
MUSIC
Can I just say that I LOVED the soundtrack in this show. Some scenes were made extra memorable simply because they came paired with an amazing and catchy song whose lyrics were also very meaningful and fitting for the occasion. To me, the music score was one of the best things in this film, along with the story itself.
RE-WATCH VALUE
Considering that this Director's Cut is just under 2 hours long this movie is so very easily rewatchable.
But it's ultimately the realistic, moving and heart-warming love story, and the lovely couple, that really keeps me coming back to it again and again and again.
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STORY (No spoilers)
For me, the idea of a couple gradually growing to love each other through an arranged marriage is an appealing concept because I am someone who carries the belief that while passion and romantic love is great for its drama and high tension, it doesn't stand the test of time. What stands the test of time is the love and devotion that comes from slowly knowing a person for who he/ she is, faults and all, and still choosing to forgive and accept the person into your heart, and to strive to make things work. Warm, gentle love vs explosive passion = warm gentle love wins for me. So, the fact that this is not your average dramatic, explosive slap/ kiss Thai lakorn, already makes this a very different beast.
The story is set in a sort of 1950s setting - love the period feel of it with the fashion and the sets. The pace might be a bit slow for those who are used to fast-paced, snappy, dramatics. By contrast, it has a relaxed, dreamy feel here. The show takes it sweet time in showing us the background of the main characters, and bulk of it is focused on your everyday living during that era.
However, this show is not exempt from the some of the usual drama tropes of bitchy second female lead. I am honestly shocked at her outrageous and ridiculous behaviour. And I am not sure if it is dramatic license or not, but some of the scenes with her come across incredibly unrealistic to me. There is also a running plot through the series of a criminal group which the main male lead is supposed to apprehend. The leader of the group, the White Tiger, practices black magic and uses it for nefarious purposes. Some of this will probably seem rather far-fetched to a viewer who does not subscribe or believe in this sort of thing, but as I come from an Asian/ Oriental culture myself, I do know that some people really do believe in this sort of thing. So, if this aspect of the show does not float your boat, feel free to ignore or fast-forward those scenes. I certainly did that myself and found that it did not detract much from the main storyline which was about how the two main leads fall for each other gradually through living with each other and discovering more about one another.
There are other secondary couplings (the 2 sisters of the female lead), but I freely confess that they did not really catch my attention because my main focus throughout this series was on the 2 main leads. But these events certainly lend some drama and also break what some people might deem as monotonous from watching the 2 main leads interact.
I personally did not find the slowness and the gradual budding love and understanding between the main leads to be monotonous or boring in the slightest. In fact this was really the sole reason I kept watching this series to the end because, as I mentioned earlier, I am a sucker for gradual building of love and trust, and for gentle and warm love.
I also particularly liked the sort of themes the show explored, about the type and kind of person one looks for in a life partner, and the kind of flexing and compromising one has to make in a relationship in order to make things work. Because life can be long and paths can be difficult, and it is good for the characters to examine what sort of life partner they would want to have with them as they make this sort of journey. Not many lakorns explore such wide, over-arching concepts and values, so this lakorn has more depth and dimension in itself, compared to loads of others out there.
PS: The editing can also be rather choppy - one of the negative things about this show. Scenes are abruptly cut with the accompanying background music also suddenly ceasing and before you know it, a completely new scene and background music jumps in. This makes for a jarring watch, especially when it happens at particularly emotional/ poignant scenes. The editing could definitely do with more work.
PPS: On hindsight, those sudden breaks of scene could very likely be due to advertisement breaks during the show's airing.
ACTING/ CHARACTERS
As I was mainly fixated on the 2 main leads, this will be my main review point.
BELLA RANEE - who plays Rin aka Brulalee, did well in portraying her to be the sort of noble gentlewoman of high society. Generally restrained, gentle and refined, I enjoyed her character and personality very much. I also like that she comes across very hands-on with the housework (though who really cooks in the kitchen with those outfits?), and is not a wilting wallflower when she feels strongly about something. Rin is not a one-dimensional character, and I like that she is relatable and realistic (unlike the caricaturish second female lead).
JAMES JIRAYU - who plays Saran, looks rather young to be a Deputy Sheriff and the male lead, but I warmed up to him because unlike your alpha-male dominant character, Saran comes across confident but not too aggressive or over-bearing. He is also humanly flawed. What I do like about this lakorn is that Saran rather quickly warms up to Rin and is willing to give her a chance and make things work out with her early in the show. James makes it easier to like his Saran character and understand his conflicts. He has a sweet smile and can carry the occasional cheeky look, which makes his character rather cute at times.
Also, I thought that the 2 main leads looked good together and there is a comfortable natural-ness to their acting which makes their love and warmth believable. It is on the strength of this great chemistry that I enjoyed the series as much as I did, so well done to both James and Bella for their portrayal of their characters in making me like them and root for their happy ending.
MUSIC
I actually like the soundtrack and thought that it suited the mood and the pace of the show very well. There is this slow, dreamy mellow feel to the music which is very reminiscent of the period itself. However, towards the later half, I thought the theme songs for Rin and Saran were starting to get over-played. it would have been nice if they had changed the songs from the second half of the show onwards to prevent song-fatigue.
RE-WATCH
I probably would not re-watch the entire show again but I may re-watch certain bits of it for the Saran/Rin interactions because they were lovely and sweet. Overall, it is a lovely, sweet, warm and slow-build little show. If you like this sort of style and premise, then you really should consider giving this a try - it certainly won't disappoint you on that front.
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The Cornered Mouse Dreams of Cheese
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A story of a cat and a cornered mouse
Note: This character-driven movie has explicit sexual content and nudity.STORY (No spoilers)
What happens when a cat who fell in love with a promiscuous mouse long ago decides to back it into a corner? Both are from different worlds and both come with their own personal baggages. Can they make it work?
I've read the manga on which the movie was based - it's one of my favourites because the main characters in it were incredibly flawed and insecure people but their insecurities and issues were just so relatable and understandable, I found myself immersed in their characters and in their story. Now, as an adaptation of the manga itself, I'd give this movie a 65% score in terms of its closeness to the original work i.e. it was generally faithful in broad strokes and in some detailed places, but there were still fairly noticeable differences, especially in terms of character vibe and personality and in some event modifications. Hence, I can understand why fans of the manga might feel disappointed or dissatisfied with this adaptation.
However, I'm going out on a limb here to say that I actually still appreciated this work despite the changes made to it. The movie had none of the internal monologues of the original but through the way scenes were presented and acted, we could still understand the internal turmoil and struggles of the characters and their changing perspectives/ feelings and that was a personal testament that both the acting and the direction of the movie was excellent.
There were also quite a few things about this movie that really fascinated me - some of the dialogue, the choice and arrangement of certain scenes, the camerawork, the use of imagery, lighting and sound, etc. The way it was filmed and presented gave off a gritty, moody, sometimes lonely and desolate vibe, and there was something about the whole combination that made me come away from this movie feeling this interesting mix of unsettled yet at peace, curious yet satisfied, sad yet happy. It's a movie that somehow struck certain chords with me and resonated in a curious way.
The best analogy I can give for my experience of this movie was like listening to a piece of music being played in minor key - the melody has certain notes and chords which give the piece a sort of asymmetrical form or disharmonic sound, but the overall tune still flows as a cohesive melodic piece which somehow evokes a myriad of feelings for the listener after it's all finished. It was beautifully haunting to me.
ACTING/ CAST
OKURA TADAYOSHI as Ootomo Kyouichi. He played a rather different Ootomo vis-a-vis the manga.
Manga!Ootomo was sort of your weak-willed-straight-guy - too accommodating, too eager to please and too easily seduced by women. Movie!Ootomo was a lot more reserved and inscrutable, more introverted and quiet, hiding a lot of thoughts underneath a silent facade. Viewers who don't know about Ootomo's background, habits and tendencies will probably find this movie!Ootomo to be very difficult to read or understand, and sometimes, even I had to pause a scene or rewatch it to try and figure out what was going on inside movie!Ootomo's head.
But, to be fair, if one takes the time to observe a little closely and to put his actions into the movie context, I found that movie!Ootomo was a very interesting and enigmatic character whose inner thoughts can actually be perceived through his actions (or non-actions, as it were). It's like, you can almost see the wheels in his head turning as he observes the situation and the people around him, especially Imagase, and internally forming his own conclusions and decisions. I liked this very subtle and nuanced portrayal.
NARITA RYO as Imagase Wataru. Again, another different portrayal from the manga counterpart.
Manga!Imagase was a very cold, aloof and well-dressed man who, only in Ootomo's presence, would become hysterical and paranoid due to his insecurities and fears. Movie!Imagase had a more laid-back and Bohemian vibe but I liked how you could so totally see his constant desperation and insecurities over Ootomo which he tries so hard to hide beneath a lackadaisical and nonchalant facade. His constant questioning and inquiring, his constant snooping and monitoring, totally expose his paranoia and his fear, and personally for me, some of Imagase's scenes were particularly beautifully directed and shot to show just how lonely and forlorn and pained he felt at times. I liked how the actor Narita Ryo was able to give off this fragile feeling during the key moments of the movie.
MUSIC
Honestly, this was the least memorable part for me. Very subtle soundtrack and score which is probably very suitable for the subdued and muted mood of the film.
RE-WATCH VALUE
If you're not too put off by the disappointing adaptation or by the fickleness and weirdness of the characters, I'd like to encourage you to consider rewatching because I personally found that I understood a lot of the hidden and subtle messages and scenes better upon a rewatch, and that made the movie even more fascinating and interesting to me.
The movie might feel a bit abrupt and truncated vis-a-vis the manga but it still a complete cohesive piece and I found the choice of certain scenes and the way the whole thing was directed gave this movie a very different style, tone and story from its original work, and I personally appreciated its almost indie-like feel.
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STORY (No spoilers)
Actually, I read the manga (also helpfully entitled "Seven Days") on which this short 2 episode series is based on, long before I realised that they actually made a live-action version of it. Having enjoyed the short but sweet manga itself and having never seen a proper live-action Boy's Love series prior this one, I was curious enough to check it out.
I will get into the acting for this series in another section but story-wise, both episodes were amazingly faithful and accurate to the manga itself. Here is a short list of just how accurate it was:-
a) The manga itself consists of 2 volumes. The 1st volume being the Monday to Thursday sections, and the second volume having the remaining Friday to Sunday sections. The way the series is split is exactly the same way.
b) Dialogues from the characters are almost word-for-word from the manga.
c) Scenes and events that happen also mirror very closely to those in the manga.
d) What impressed me the most was that even the styling - from the hair, to the way they wear their school uniforms, to even their school bags and the way they carry them, mirrors that in the manga.
It was really as though the manga itself came to life - there were hardly any deviations of it in the live-action series. So, for those who read the manga and enjoyed the story, you would be surprisingly satisfied with this production.
Story-wise, the synopsis is a pretty good summary so I am not sure if I have anything further to add. It really is a simple premise of what started out as a high-school tease between 2 boys to date for a week (seven days), ended up creating feelings which neither were prepared for, and their various insecurities and misunderstandings arising from that. Like the sound of it? Then do watch. If not, then feel free to give this a pass.
Another thing to note is that the pacing of this live-action short series is rather deliberately slow. I believe that the production team and the director had in mind a pace that was meant to deliberately focus and pause onto the main characters, either to emphasise a scene or an emotion, because this is done consistently throughout the show. It's almost manga-like: you know, that scene where the 2 main leads stare at each other and the wind and leaves just keep blowing by... yeah, that kind of manga-like feel. If you're not prepared for it, it may sometimes appear as if the scene is being paused, but it's actually a deliberate drawing out of the scene. Some people might find this draggy or boring or weird, but I personally see it as an artistic approach and directorial style, and quite enjoy the slow, deliberate pacing of the show. Most Japanese series tend to be rather snappy and excitable so a mellow, calm-almost-to-stillness show is rather interesting and refreshing as a change.
ACTING/ CHARACTERS
I've mentioned how the whole setting, down to the styling and the outfits, were practically a mirror to that of the manga. Now how about the actual portrayal of the characters?
JAMES TAKESHI YAMADA as Shino Yuzuru - the senior whose cool looks apparently seem at odds with his playful and unpredictable personality. Looks-wise, I think James does have that cool look befitting the character but I had hoped that he could have acted a bit more "fly-away" or ditzy just to emphasise the dichotomy between his looks and his personality which many people around Shino keep banging on about. It would have made some of the comments from supporting characters a bit more believable and understandable. As it stood, I felt that we had to just accept what we are being told i.e. that Shino's personality is very different from the way he looks. More tell, rather than show, in this aspect, for me. Having said that, I thought the rest of how James portrayed Shino was well done. The curiosity, the internal dialogues, the progression of feelings and its by-products of uncertainty and jealousy - I thought these were all expressed pretty well by James in his role.
PS: I also liked the way he holds his bow and arrow, and his shooting stance. It did look very cool and natural.
TOMOKI HIROSE as Touji Seryou - the good-looking junior whose inner desire to find The One has led to an appearance of being indiscriminate when it comes to dating and partners. Looks-wise, I personally found Tomoki to look too old for the junior he should be portraying - and not a little older, but quite a lot older, which was was initially rather jarring when I first started watching. Looks aside, Tomoki did not do too bad a job in bringing out the emotions and the feelings of Touji onto the screen. His acting did not come across as natural or as at ease as James playing Shino, but neither was it so bad that it was too awkward to watch, so I would consider his portrayal to be serviceable for the role.
PS: Tomoki's shooting stance looked awkward, stiff and unnatural to me, compared to James and the supporting cast. Pity because he was supposed to be rather effortlessly good at archery and it does not really come across in this live-action adaptation. But this is a minor quibble.
MUSIC
Befitting the deliberately slow pace of this show, the background music is instrumental, mellow and rather poignant in tone. I thought it matched the mood and the pacing of the series well and personally found it to be a good enhancement to the scenes in bringing out the moment or the mood. Nice.
RE-WATCH VALUE
Seeing as it is a very short show of only 2 episodes or parts, this is easily re-watchable. Overall, it is quite a well done series, barring my minor quibbles outlined above. I can see myself viewing it again.
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STORY (No spoilers)
As a stand-alone movie, the way the story was told was choppy and incoherent - there was often little connection from one scene to the next, and from one character's actions to the next - so the viewer is often left confused and disoriented with what is happening and why the characters are behaving the way they do. Therefore, in terms of story-telling, this movie falls down pretty hard. For those who don't know the story behind the movie beforehand, the film would come across not making much sense, which, I can imagine, would be a pretty disturbing and disappointing watch.
Those who do know the story beforehand are generally able to fill in the blanks and insert all the backstory in between scenes but even speaking as someone who knew the backstory beforehand, I still found myself trying to figure out what was happening on screen and where the scene fitted in within the whole. It was terrible because your mind is having to adjust and place the characters and circumstances in the right place as each scene flashed by so you're always playing catch-up and whatever emotional connection you had with the characters ends up getting lost. You're no longer feeling the story or the characters any longer, you're playing catch up to what's going on.
It is worth noting that as the movie attempts to condense and reduce a very lengthy story into a 2-hour telling, the production team naturally had to make some changes to some characters and events which will inevitably differ from the original source material. While this is entirely understandable, it can also hamper the watch experience because in addition to the 'playing catch-up' process, the viewer is then also having to make sense of the changes within the movie-context in itself.
I personally found some changed plot-lines and new scenes baffling and bizarre, and to this day, still have no real idea why certain things happened, or what the director was trying to tell. A good example was the way the movie ended - haphazard, chaotic, baffling and bizarre.
In terms of pacing, the film was rather inconsistent. Some scenes were given plenty of space and air-time while other scenes flashed by so quickly that just before the viewer had time to absorb who was on screen and what was happening (especially for those having to read subtitles), it has ended and you're confronted with a completely different and new scene and your mind is having to adjust from the whiplash.
It made for a very scattered and disconnected viewing experience and I can't help but think that if the director or editor had spent less time dwelling on certain scenes (e,g, the long pan and introduction into Qing Qiu being one of them), there might have been more time to allow other scenes to breathe better.
I also found myself wondering why the director chose to use or dwell on certain scenes which do not really add value in advancing an already fast-moving plot e.g. there was an extended sequence of Ye Hua cooking for Bai Qian (let's not even go into how that scene was depicted). Precious minutes spent on a cooking class when there is still so much ground to cover.
ACTING/CAST
The choppy incoherent story-telling and inconsistent patchy pacing issues probably did not help (maybe even compounded to) the perception of underwhelming acting from the cast. Characters were not given enough time to establish their roles and personalities what more for them to show us their evolution throughout the movie. As a result, it made it difficult for the viewer to understand their motives and their actions as the movie progressed. With the lost emotional connection, it is easy to pan the actors/ actresses for bad portrayals of their characters. Perhaps some of it can be put down to lacklustre acting ability, but I do also believe that another part of it was down to poor scripting of the characters, and to poor directing and editing of the movie.
Yang Yang and Crystal Liu were suitable for their roles - looks-wise.
I thought Crystal was serviceable as Bai Qian but some key scenes which required her to exercise her haughty authority as the Queen of Qing Qiu did not have as much impact as I would have hoped for.
Yang Yang portrayed a rather different Ye Hua from the original source material in terms of personality and attitude. Some viewers might enjoy this fresh take on Ye Hua's character, while others like myself might have found it off-putting and borderline disturbing.
The rest of the supporting cast had too little airtime to really provide them with proper personalities therefore a lot of them came across as one-dimensional, one-note characters with a very set purpose to fulfil in advancing the plot along. They were there to do this, or do that, or say this, or say that, and their job was essentially done.
MUSIC
As I was too focused on trying to follow the plot and the happenings on-screen, I had very little time to appreciate the music score, except during that long pan of Qing Qiu.
RE-WATCH VALUE
Unfortunately, all things considered, I have to say that it was an unpleasant watch for me. There was very little I enjoyed or liked about this movie, therefore a re-watch is not even a consideration.
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Screwed-up adults living in a screwed-up house
I'm probably going to get a lot of stick and downvotes on this review but I still want to share my dissatisfaction with this show.STORY (No spoilers)
This show is about 4 adults with various emotional and psychological problems living together and, as a result, messing each other up with their screwed-up-ness. And fair warning: there is sexual content in this show with issues of a sexual nature raised. If you're in the mood for a rather disturbing, ambiguous show with heavy sexual content but with no proper character progression or story development then this show is for you.
With 10 episodes at around 30 minutes each, this show has very limited time to address any of the deep, fractured emotional problems and psychology the characters have. Unfortunately, this ambitious undertaking falls far short of its mark because seriously, nothing really gets addressed. The show never really delved deep into the psychology of our screwed up characters, nor into their healing process. It's a glorified 'slice of life' show about dysfunctional people being dysfunctional with a sexual twist embedded, period.
I personally thought that this show could be really intriguing and even ground-breaking with the kind of issues it raised in the early episodes but was sorely disappointed with the lack of development, growth and progression of the characters as episode after episode went by. There was no effort made by the show to address any of the problems the characters were facing in a healthy and considerate way. These people need help - serious help - but the show doesn't tell you how to get it. This drama came across pointless and aimless and I have no idea what sort of message this show wanted to send but I was certainly getting nothing positive from it.
ACTING/ CAST
Serviceable. Nothing particularly outstanding because each character seemed to represent an extreme end of the spectrum of dysfunctionality.
I have to hand it to Masaki Nakao who plays the withdrawn and socially inept Hongyo though - the ability to deadpan some of what would be the most embarrassing lines under some of the craziest situations is noteworthy.
MUSIC
Nothing particularly outstanding or memorable.
RE-WATCH VALUE
I personally disliked the show. I have no problem with shows that introduce dysfunctional people who suffer from emotional, psychological and sexual problems but I do have an issue when a show does that without really addressing the problems it raised and simply lets its characters mess about with one another, stirring up pools of muddy water for the sake of entertainment.
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STORY (No spoilers)
In the 'Fated To Love You' style cliche of having main leads being thrown together through an intoxicated 'one-night-stand' which leads to pregnancy and all the resulting drama that comes with two unprepared parents-to-be, this show can be quite dramatically funny with occasional touches of poignancy.
There were comedic situations for our main leads but that was mainly during the first one-third of the show. The remaining two-thirds were surprisingly rather grounded and warmly heart-tugging as our main leads settled into an agreement to see through the pregnancy process together. This show is more involved in showing viewers the changes and stages a mother goes through during a pregnancy, more than any other show I've seen which involves this trope. I don't know about you, but this was really one of the best parts of the drama, for me.
I absolutely loved seeing how Rachen (Chen) quickly stuck right in and transformed from being an impulsive man-child into a dedicated, caring and responsible man through it all. He embodied your modern metrosexual man in that he not only didn't mind, but actually wanted to know all about what a woman goes through during pregnancy. He took pains to read, learn and get as involved in the process as he possibly could, and nothing was too squeamish or personal for him - from breast pains to morning sickness to foot massages and ante-natal classes. This guy is just such a precious sweetheart from start to finish!
On the other side though, you have the aggressive and hot-tempered Napat's detached and annoyed reaction at the whole pregnancy thing. She didn't want the baby, knew it would hamper her modelling and acting career, and she behaved exactly as someone who didn't want to get pregnant but had little choice but to suck it up and see the whole thing through - ill-tempered, quarrelsome, reckless and uncaring.
The difference in attitudes and in the characters between the would-be parents, and to have the male/ father being by far the more dedicated one of the pair, is a surprising but interesting twist to your average pregnancy trope. I liked this change in dynamic and I loved how this show so excellently depicts it. I'm glad to say that Napat eventually grows more emotionally engaged as her pregnancy advances, and with that comes another change in the relationship dynamic, which was another compelling watch.
What I thought was another good thing about this show is that a lot of the emotional heft and moments come from the agreement and arrangement which the main leads have settled amongst themselves. What was thought of as a good and suitable arrangement slowly grew fangs and they were gradually feeling the bite of it as time passed. For me, some of the best emotional moments in the show was when both leads were individually feeling that bite themselves. How nice is it that bulk of the conflict and issue within the drama was one of the main leads' own making, rather than a third-party interference?
And on that note, yes, of course this is a tv drama, so you will always have interfering third-parties, but for me, their interference was really of the pot-stirring kind, rather than the bomb-chucking sort. There were no real villains here - just interested parties trying to stir up an already rather finely-balanced situation. But those pot-stirrings didn't really last that long (another great thing about this show). The main leads generally know where their priorities should be and they are rather good at keeping their focus on the right ball. Seriously, how many shows are like this? Love it!
We do have a couple of other side stories running alongside the main couple. Both are secondary couples also trying to have a baby and finding it a lot harder than our main couple (who basically just hit the jackpot in one sitting). Both couples have very different dynamics in dealing with this, and I also liked seeing this difference. One is there for comic relief/ humour, while the other is more heart-wrenching. I thought both were lovely complements to the main coupling, even if the comedic couple were often a bit over-board in their characterisations.
ACTING/ CAST
The supporting cast and the secondary couplings were generally solid. Aside from the two second leads who were pretty one-note i.e. Mark (who is interested in Napat) and Jasmine (who is interested in Rachen), the other supporting characters and secondary couples had distinct personalities and motivations which made them more emotionally relatable, at least for me. I particularly liked Rachen's family unit and their portrayal through the show.
JAYME BOOHER as Anna, Napat's best friend (whom I also recognised as playing the rather annoying second lead female in 'Neung Nai Suang'), was great in her portrayal of Napat's BFF. She is what every BFF should be like - entirely supportive through thick and thin from buying pregnancy test kits to arranging doctor visits to lending a listening ear and offering sound advice. She was a huge advocate of Rachen having rights as the baby's father too, and made every effort to keep our main leads together - something I whole-heartedly supported. Her portrayal here is very different from that in 'Neung Nai Suang', but she pulls both off well.
ANNE THONGPRASOM as Napat (Pat). She did not impress me that much in the first few episodes - partially due to her character's arrogant and abrasive personality, and partially due to her looks which were not to my personal taste.
But she grew on me as an actress, especially when her character started to take her pregnancy more seriously and when she also started to reflect on her relationships and her future with her baby. Anne was able to show a lot more range and emotions when the show progressed, which was really wonderful to see. It is not an easy task to show conflicted internal turmoil (the hallmark of any good actor/ actress is whether they can pull this off well, for me), and Anne nailed her scenes here. She was able to show Napat slowly evolve and mature from your selfish and prideful woman into one who has learned to love and to seriously consider how to balance her future of career vs baby. She had her insecurities, hang-ups and doubts too which played a part in her making some of the decisions she chose to make, but there is no denying that her character had evolved through the show, and that Anne was able to show that progression all the way.
KEN THEERADETH as Rachen (Chen). What can I say? I was amazed and impressed by his portrayal of Anawat in 'Neung Nai Suang', and here he plays a very different character in Rachen and he nailed it once again. This guy has officially won me over for his stellar acting prowess and for his charming smile.
Rachen is a very different character from Anawat. While Anawat was in essence a gentleman of his time, Rachen is your modern day cocky and temperamental man. He is impulsive, loud and emotionally driven.
Unlike Anne's Napat, Rachen's emotional outbursts come across more childish than annoyingly offensive, and I think this is something only Ken can pull off. He can make a dislikable character, or dislikable character traits, less dislikable for some reason. I think it is a combination of his looks (yes, being that handsome helps a great deal), and his ability to imbue subtle nuances to his character's looks and actions.
Ken has great expressive ability and this show gives him lots of opportunity to showcase it. There is a lot of playfulness and cheekiness on show here (which is just great because Ken's smiles are so lovely, and his comic expressions hilarious), but there is also plenty of internal doubts and disappointments too. His character's earnestness in wanting to be involved in every aspect of the pregnancy process is also just too adorable and sweet for words.
Best of all, Rachen, like Napat, grows and matures throughout the series and from the man-child he was at the start, he slowly grows to be a man who takes his responsibilities seriously and carries them as best as he possibly can. This evolution was also wonderfully portrayed here.
In short, Ken plays every aspect of Rachen like a maestro and best of all, he makes it all look so effortless and natural.
This is my first time seeing Ken/Anne and I can't deny that Ken's chemistry here with Anne is a lot better than that with Janie in 'Neung Nai Suang'. Perhaps it is also Anne's acting ability (she is head and shoulders above Janie from what I've seen so far) because Anne is able to emote a lot better and so perhaps Ken is able to capitalise on that and also bring out more ability from his side. Or maybe they are really comfortable with each other from the start.
Whatever it is, I can see why they make a great on-screen couple. Their acting is very balanced between them - when one is being over-the-top, the other is equally over-the-top, but when one is being quietly emotional, the other can also be equally quietly emotional. There is a very good and equal balance when they both interact on-screen so both characters develop memorable and individual personalities that play off each other well and none are really completely overshadowed by the other.
MUSIC
I loved the background music and the sound effects on this show. I thought it really added to the tone and mood of each scene, and even though I don't understand Thai and the meaning behind the vocals of the songs, the melody is still a nice scene and mood setter.
RE-WATCH VALUE
Yes, definitely re-watchable, even if it is just for Ken's cute smiles and adorable sweetheart actions. A brilliant romantic comedy - it brings on the laughs but it also brings along the feels. Honestly, it has been a long time since my heart was so emotionally touched during some of the poignant and emotionally-driven scenes, and 'Oum Rak' has now become one of my favourite romantic-comedies.
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Well, in the end, I decided to take a chance and plunge straight into Brother #3 and see if I can somehow find my way and make sense of the situation. And I'm glad I did because I did not get too lost after all and was able to enjoy this show on its own - yippee! So, for those who are thinking of watching this without the benefit of watching the earlier 2 shows of the series, IT IS POSSIBLE. Just do a bit of reading of the synopsis of the first 2 brothers (so that you roughly know their names and their partners), and you'll be all ready to go!
BACKGROUND/ STORY
What I'm going to say here are NOT spoilers at all (because they are background info and also relate to the first 2 brother's stories and so if you've come after watching those, you won't be spoiled in the slightest), but for those jumping into this show without watching the first 2, this will help give some context.
Set in the 1950s, the 'Suparburoot Juthathep' ('Gentlemen of Juthathep') series comprises of 5 separate dramas (each about 10 or 11 episodes long), with each drama focusing on the romance of one out of the 5 brothers of the Juthatep family. Born into the title of 'Mom Ratchawongse', the 5 brothers are not only blue-bloods of their society but they are also blessed with good-looks, success in their individual careers, and an immense reservoir of funds (i.e. very very rich) courtesy of their prestigious lineage.
All 5 brothers lost their parents rather early in their lives and were brought up by their grandmothers. Grandma Aied is the matriarch of the family while Grandma Oon is her younger sister. Before their father had died, he had promised to have one of his sons marry one of the daughters of another noble family - the Taewaproms (3 daughters). Cue massive familial pressure on the 5 brothers! As of timeframe of this show, the first 2 brothers (Chai Yai, the eldest; and Chai Ruj, the second eldest) are already either engaged or married - but none of them to any of the Taewaprom girls. So, here is Khun Chai Puttipat (Chai Pat), son #3, under immense pressure from his grandmothers to fulfil his late father's promise.
This show, of course, showcases Chai Pat's own romance story and it comes as no surprise that it was going to be an interesting ride when his love interest is also not a Taewaprom girl, but actually a girl belonging to a lower class of society. The familial conflicts and class divide issues arising from this is probably already enough to fill the show but there is an added layer of drama because the girl - Krongkaew (aka Kaew) - had won the Miss Thailand beauty contest. This incites the interest of an old and lecherous but wealthy and powerful man who then tries to purchase her as a mistress. So, there is a morass of all sorts of issues and situations which the couple must navigate before they can get their happy ending.
Like any typical thai lakorn, this show is peppered with your typical nasty second female lead, vile antagonist and an assortment of over-the-top portrayal of side characters. However, I'm glad to say that despite all the complicated issues arising, the show doesn't really allow those issues to side-track our attention on the main couple too much. There are, in my opinion, a sufficiently good number of scenes of the couple, from their first meeting to their subsequent interactions which build on their budding interest in each other, which then blossom into love.
ACTING/ CAST
As with most Thai lakorns, the second female lead and the main antagonist will probably come across as pretty one-note i.e. hateful, annoying, despicable. You have to get used to it (if you're not), and move swiftly along. Having said that though, I do confess that they are not as overdone as some others which I've seen. Yes, they are pretty over-the-top, but I've seen a lot worse.
The 4 brothers of Chai Pat did have some screen-time, especially the 2 youngest and unmarried ones (Chai Lek and Chai Pee). I really liked the fact that the family dynamic amongst the 5 brothers were not ones full of envy, jealousy or dislike, but was in fact very warm, loving, supportive and even playful at times. So nice to see the brotherly camaraderie and unity on show here.
The 2 grandmothers: Grandma Aied was the epitome of a matriarch of a royal and noble family. She exuded class, poise and authority befitting her status. I liked that while she was keen to advance and fulfil the promise made by her late son, she was also the more reasonable and open-minded of the two. Grandma Oon, on the other hand, is one who is quick to judge, quick to be prejudiced, and quick to disdain, which at times really makes her quite dislikable.
Onto the main leads:-
BELLA RANEE as Krongkaew, daughter of a janitor and a Miss Sri Siam. Good casting choice, in my opinion, because Bella is really believeable in her portrayal as a poor, humble but hard-working and principled person who is also beautiful enough to win a beauty pageant. There is an elegant nobleness in her posture and in her mien which lends much to the personality of her character here. Her smiles come across warm, and her dark doe-eyes are able to convey the feelings of sadness, anxiety, care and love wonderfully. There are quite a few key scenes where Kaew had to express her feelings with her eyes alone, and I thought Bella rose to the occasion incredibly.
JAMES JIRAYU as Khun Chai Puttipat, from the house of Juthatep and a brain surgeon. James looked a little bit too youthful here to be such an established brain surgeon but I suppose his spectacles helped to give him a more serious and professional look. But his youthful look has some advantages - they give him a more friendly and softer look so his scenes as a stern and strict doctor did not come across as too cold or unapproachable (which good doctors should not be). And they also made his loving gazes and warm smiles so much more mesmerising. James' eyes, are, to me, his greatest asset, really, because they are not only large enough that even the viewer feels as though they could drown in them, but they are also able to bring out some of his emotions and feelings onto the screen. For a debut series, I have to admit that I am pretty impressed with James' acting here.
Most importantly for me, James and Bella had good chemistry together which makes this couple come across as compatible and believable. I also felt that their on-screen characters as Chai Pat and Kaew matched each other well, personality and character-wise. They each complete one another in different ways. As a Chai Pat & Kaew couple, they both complement each other by filling a void, or adding colour to each other's lives, or teaching each other to grow and change for the better, through their different personalities. It does come across as a match between equals here - love it!
MUSIC
I love the 'Suparburoot Juthathep' theme song: "Rak Tae Yoo Neua Gaan Wayla". Each brother has a different version of it and I like all 5 different renditions.
Other than that, the theme songs for each of the leads are lovely - well, at least I liked it. I thought it told of the couple's situation and feelings, particularly Chai Pat's, spot on. Lends more depth to some of the scenes. Background music is rather old-school and fitting for the time period in which this series is set, so I thought it very appropriate and sets the mood and style of the show.
RE-WATCH VALUE
Since I like this couple and their interactions and development, this show is naturally re-watchable. But will probably skip on the extraneous scenes where neither are present. Overall, a true Cinderella-style romance with your sprinkling of drama.
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STORY (No spoilers)
Aside from an initial round of confusion when watching your first run of the first 3-4 episodes, there is nothing further I can think of that really mars the perfection that exists for this drama - storywise.
And may I just say that even the initial confusion of the first 3-4 episodes which is mainly due to the large number of characters being introduced, and the fact that you are thrown literally right into the show without any prior setup of what's going on, no longer exists upon re-watching.
In fact, you will actually realise and appreciate just how intricate and how detailed the writer has been because lots of foreshadowing and information actually exists within the first 3-4 episodes which would have flown by your head upon a first watch, but which makes complete sense upon re-watching.
It really gives you a sense of respect for the writer who has clearly and thoroughly thought through how her story would flow, and has been diligent in embedding subtle but key information throughout the episodes so that as the series progresses towards the mid-way mark, those individual and seemingly disparate threads then come together to form a brilliant picture which then takes your breath away.
The story appears simple - a man who survived a tragedy returns to the capital 12 years later under a new identity to re-dress the horrific wrongs committed.
The execution of the story, however, is FAR from simple.
Like a grandmaster, this man kick-starts things into motion which will change and transform everything, and the way he does it is simply masterful and marvellous to watch.
The pacing of this show is neither fast nor agonisingly slow. The show takes its time to dwell on certain threads longer than others, which may come across slow and a little boring for some viewers, but patience is a virtue with this series and if you patiently keep on watching, it will become evident that the time spent on those disparate and seemingly unconnected threads will bear much fruit when things come together. You will find yourself marvelling at the level of care and craft that has gone into the storytelling, I promise you.
The best analogy I can give is that of a master sculptor working with a block of wood or ice. At first, all you see is a block. Then, he starts hewing and hacking at certain parts of the block and slowly, a rather vague shape is being formed. As you keep watching the sculptor at work, seeing how he starts to focus on first this section, then that section, the vague shape becomes more discernible and you're able to get a glimpse of the art he is producing. Keep watching and observing and you will see that what was once a block is starting to be transformed into a beautiful piece of artwork and at the end of it, as he puts on the finishing touches, the little carvings here and there, you then marvel to yourself at how amazing it is that he is able to visualise and produce such an outstanding piece of work from just a block of wood or ice.
Since there isn't a section that talks about the cinematography or the sets or the camera-work, I will mention it here.
The cinematography, the scale of the sets and the camera-work is just beautiful. I was informed by friends conversant with the chinese netizen community that some of the directors for the show were art/photography directors, which explains why almost each shot being framed can be screenshotted into a piece of art in itself with its colours and its composition. This makes the show an incredibly beautiful one to watch with every frame and shot a feast for the eyes.
The costumes and the sets were apparently incredibly faithful to the time period in which the show is set, down to the bronze teapots and hand warmers. Court etiquette and forms of greeting and respect were appropriate and in-line with the time period too and apparently the actors had been rigorously trained by experts so that their carriage, their conversation and their movements all conformed accurately and naturally.
A great deal of care and diligence had been put into producing the series and it shows.
ACTING/ CHARACTERS
The show being so large and sprawling with its cast of characters, there is insufficient time to dwell on the merits of each one of them. Suffice to say that each supporting character played their parts to perfection, nary a redundant character or scene in this series. Every conversation bears some significance or the other.
Another marvel is that, in most drama series, supporting characters, even those that pitch up for maybe just an episode or two, tend to been given short-shrift in terms of their characters or personalities. Not so here. There is hardly a one-dimensional or caricature personality here. All come across real and believably alive in this series whether they be a passing character, or an antagonist, or a protagonist.
This show is alive and full of layered, nuanced and complex characters whose motivations, goals and actions are believably real and understandable, if not sympathetic. You understand where they are coming from and why they behave the way they do as more about them gets unveiled. This is a brilliance of not only the writing, but also the acting of actors playing those characters, in being able to bring them so wonderfully alive and to come across amazingly real.
Spotlight on the main lead.
HU GE, playing the main protagonist of the series is simply outstanding in his subtle, layered and nuanced portrayal of his character, Lin Shu/ Mei Changsu/ Su Zhe - why does he have so many names? Please do watch to find out, and no, it is not confusing in the slightest. Powerhouse performance from Hu Ge who has to play a sickly, restrained and controlled man who, for good reasons, have to hide his true self and keep many secrets and cards close to his chest. His quiet and subtle responses to events and news which directly affect him but which he cannot allow to give him away is mesmerising to watch, and utterly heart-breaking to see. Simply stellar stuff which I've not been able to see the equal of since.
MUSIC
There is not a lot of soundtrack for this series. 3 songs with vocals, and all employed sparingly but impactfully throughout the series. Most of the series is carried by brilliant moments of silence and traditional chinese instrumentals which heighten the tension where it needs to be heightened, and gives poignancy to the scenes which require poignancy. Another masterpiece in music direction as nothing detracts from the scenes but only enhances. Beautiful.
RE-WATCH VALUE
Can i just say that this show is an absolute MUST for re-watching. Not only because it is just THAT GOOD, but also because of the level of intricate detail and storytelling that goes in it. A first watch will never really allow you to fully unpack and appreciate the masterpiece that you have just seen. Scenes, conversations, camera close-ups on objects that seem inconsequential, all of these which did not make too much sense upon a first watch will make complete sense upon a re-watch, causing you to marvel even more at this show.
Seriously, if you have time to watch episode after episode of some sub-par K, C or J-drama, why not spend that time re-watching Nirvana in Fire instead?
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STORY (No spoilers)
For the C-novel readers:
To manage expectations, I'd like to take a short section to address those who've read the C-novel on which this drama is based and are thinking of watching this show. Firstly and most importantly, please kindly put aside your preconceptions because while this show does follow the novel, it does it in very broad strokes. Key events and key character actions are retained but the journey/ route to those events and actions can be very different. This might disappoint some of you if you're going into the show thinking that it will be a completely faithful reproduction of the novel. In order to help you enjoy this show, I'd like to encourage you to watch it with an open mind. If it helps, I personally found that by doing so and by following the story the drama itself is trying to tell, the plot-threads and character portrayals all hold together very well and this show becomes a more substantial adaptation and, I'd even venture to say, a more glorious homage to its original source material.
For non-novel readers & newcomers:
This show is more than just a pure xianxia romance. I was pleasantly surprised with how meaty and more substantial this show was, and how multi-faceted it can be. It will surprise you with its twists and turns, and with the evolution of our main characters as it progresses. Love (particularly star-crossed love or ill-fated love) and obsession are key themes but they are not the only ones. Themes of filial piety, integrity, loyalty, ambition, vengeance/ revenge, sacrifice, atonement and redemption are also wonderfully built into this show. This is a dish of many flavours. It's not pure sugar though it may start off on the sweet side. It will surprise you with its turns of fiery spice, bitterness and sweet-and-sour, with a touch of savoury thrown in.
Also, to help you understand a bit of what the show is like so that you're prepared, here's a broad outline:
The first half is full of sweetness and comedy, light-hearted and fluffy with some small build-up of plot threads. The romance development here is eminently ML-focused (he falls in love first and fast) and it runs the gamut of playful to moving as it progresses.
The 2nd half will start to bring together several plot threads introduced in the 1st half and so side characters have more screen-time as the show fleshes their story arcs and motivations. The main couple will also encounter love trials along the line of star-crossed love/ ill-fated love (hence the Romeo & Juliet premise). The trials have sound basis and foundation though, so it's not stupid misunderstandings and noble idiocy type issues. But the trials eventually prove and confirm their love and in the end, they overcome them for a suitable end.
I'd really like to encourage you to watch this show as it is quite amazingly crafted and if you like romance shows with a bit more complexity to it and to have more substance to it, this will suit you very well.
ACTING/ CAST
With over 60 episodes, this show's cast is not small. Screen-time for our characters will fluctuate depending on the plot thread in focus at the time so please don't expect our main characters or main couple to continuously dominate the screen. The show takes some pains to explore and flesh out some of its key side characters too, which is really great because it makes the show less riddled with one-dimensional/ cardboard cut-out characters. Even our 'stock villains' are given realistic internal motivations and drivers, and the 'comic relief' characters surprisingly have a core of values in them too. I personally found myself growing fond of many side characters (e.g. Yuanji Immortal, Moon Immortal, Yan You, Water Immortal and Lian Yuan) which makes this show extra enjoyable/ watchable to me. Love them!
Spotlight on our main leads:
DENG LUN as Xu Feng (aka Phoenix), the Fire Immortal. C-novel readers will probably be a bit surprised at Deng Lun's portrayal and take as our God of War, but I liked this different characterisation of our main male lead in this drama. He's not your perfect male lead, not by any means, but he has a strongly loyal, warm and loving heart. This central and core aspect of his character is wonderfully and consistently portrayed throughout the show and Deng Lun's less imposing physic and his warm voice (I just loved the fact that he voice-dubbed his own character!) makes him a more approachable and less dominating character than his C-novel counterpart.
Acting-wise, I think Deng Lun did well in portraying Xu Feng's emotional and character development. I think he does his character justice and that's good enough for me.
YANG ZI as Jin Mi, our Little Grape and Flower Immortal. I personally think that this is not an easy role for any actress to portray as her character undergoes a lot of ups-and-downs, internal conflicts and changes in this show, but kudos to Yang Zi for being able to make her a naively cheerful Little Grape at the start, and to showcase her evolution as the show progresses. She had me invested in her character and in her character's story and progress throughout the show.
LEO LUO YUNXI as Run Yu, the Night Immortal. Like Jin Mi, his character also undergoes a lot of ups-and-downs, internal conflicts and changes in this show and I have to also hand it to this actor, he rose to the occasion in this drama. As one of the 3 main leads in this show, he certainly has not been overshadowed by his fellow co-stars on the acting-front and some of his key scenes really brought the emotions out through the screen.
I personally think that our 3 main leads were well-balanced on the acting-front. No one consistently overshadowed or out-acted the other, everyone was on more or less equal footing in terms of screen-presence and screen-impact, to me. The well-balanced nature of it made the show good, because there is nothing worse than to have a co-star consistently overshadowing or out-acting you in front of the screen, making the scene imbalanced and making the actor and character being overshadowed to be out of place.
MUSIC
There appears to be 3 theme songs for this show (male and female version of the opening, and the ending theme song), and while they are lovely and beautiful in their own right, and when well-employed in a scene they really elevate the moment, I personally felt that the limitation of songs later on became a bit of liability to the show as, with over 60 episodes, there is going to be inevitable song-fatigue. I personally think that this is one area in the show which could really do with additional work and improvement to make it truly great, but well, it is what it is.
RE-WATCH VALUE
I personally loved the first half of the show to bits and can see myself re-playing a lot of it in future. The second half where the real business end of the show starts picking up steam is compelling and addicting to watch for the first time because of the breathless anticipation of wanting to know what happens next. I am not sure how re-watchable this section will be in future once the suspense and excitement is over but it doesn't make this show any less impressive on its own merits.
EDIT: Since writing this review, I've re-watched almost the entire show twice more so clearly my fears about the watchability of the 2nd half was unfounded. In fact, a lot of the emotional scenes in the 2nd half were some of the best scenes in this show.
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Don't look down on househusbands!
What can I say, this show was pure comedy with Tamaki Hiroshi totally hamming it up on-screen as a yakuza househusband dead-set on establishing a well-run home for his little family. His approach to everything is totally gangster and it's hilarious to see how everyone reacts to his antics as he goes about his business. His facial expressions are just gold!Side characters here are totally comic caricatures with their own quirky theme songs and cartoon personalities, and if you're expecting anything meaningful from either a plot or story or even character development perspective, forget it! Each episode is gag-driven with over-the-top hijinks and in-jokes and parodies meant to bring on the laughs.
This whole drama is like an amusement park - each episode is an individual attraction on its own - so you can either savour the whole show as a day-tripper bingeing on all the rides, or you can take your time and enjoy an episode or two here and there as a mood-lifter or distraction.
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It was by sheer luck that I came across a random recommendation for this seriously overlooked show and since the title intrigued me (it had 'Kyoto Love Story' in it, how could I NOT check it out, lol), I decided to check out the synopsis and when I read that the show was about a traditional Japanese confectionery shop in Kyoto, I excitedly decided to watch it because I've always had a soft spot for shows which depict age-old traditions and cultures - there is just so much rich history and traditional customs embedded within them that really fascinate me.
Well, this show did not let me down or disappoint me, both from a traditional and cultural standpoint but also from its cinematic and absolutely breathtaking shots of historic Kyoto. This show is a marvellous showcase of the city, of its famous cultural landmarks and of the lives of the people who descend from established traditional families with the grand weight of history and legacy supporting them. While the show does centre around the 3 daughters of a traditional Japanese confectionery and the interesting workings and operations behind it, there are also brief introductions to other age-old Japanese cultural aspects such as kabuki, tea ceremony, ikebana, geikos, etc. And characters all speak with a delightful Kyoto accent. For me, to be able to see all this come alive on-screen was one of the absolute best things about this show.
Within such a rich cultural context are our 3 leading ladies - the daughters of an old established Japanese confectionery shop, the 450-year-old 'Fukuyado Honpo'. The show depicts their budding love lives and it's quite interesting to see how each girl grows into her own skin through their different characters and personalities. Their own love interests present different challenges to them and it's quite the ride to see how each couple work through their own issues and their own imperfections.
There is one thing worth mentioning though - a lot of the characters have one thing in common which is being TIGHT-LIPPED. Perhaps this is a natural result of living in a city so steeped in ancient culture and traditions but our characters all tend to hide away their thoughts, feelings and their emotions, maintaining a strict sense of decorum and propriety as far as they are able. This problem seems to be prevalent in almost all our characters and is the source of bulk of the conflicts within the show. It can be a source of frustration for viewers but patience is a virtue because thankfully our characters learn to work through their weaknesses and grow into better understanding of themselves and their partners. The ride can occasionally be rough but there are rainbows after the storm!
MUSIC
The OST for this show consists mainly of our opening and closing songs which are lively and catchy and very memorable. I particularly loved the closing song - the way it comes in at the end of the episode always lands with impact and gives additional oomph to the drama.
RE-WATCH VALUE
While the show might have been interesting in terms of its setting and the character journeys, it was not captivating enough for me to want to rewatch. I might just check out some of the scenes here and there but certainly not a full rewatch by any means.
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STORY (No spoilers)
It was only after I had completed watching this show that I later discovered that this was a re-make of an older and, at that time popular, Taiwanese show titled "Prince Turns Into A Frog". Having never seen that older show but afterwards read about its content, it would appear that the overall storyline for both shows essentially remains the same. So, for those of you who have seen "Prince Turns Into A Frog" and loved it, you might want to consider giving this re-make a try.
I think it is also worth mentioning that the overall vibe of this show is that of a cheesy, light-hearted, funny and rather silly show. This show does not take itself seriously at all and has a lot of cartoonish, slapstick funny moments liberally sprinkled with your over-the-top dramatic scenes which, in another show, would probably make you roll your eyes. Since this show doesn't take itself seriously, viewers intending to watch this should also leave your brain at the door and just sit back and enjoy this crazy ride.
If you enjoy a bit of fun and silliness, as well as willing to suspend belief and swallow the cheese as well as the salt as this show turns on the drama, this show is a great one to watch.
ACTING/ CHARACTERS
LIU XIAO BEI - Tiffany Tang plays the loud, cheeky and bubbly Liu Xiao Bei really well here. While the vibe of the show promotes cartoonish actions and caricature personalities, Tiffany gives Liu Xiao Bei enough of a personality to make her a bit more than just a one-dimensional character. I found her character to be actually cute and likeable in this show, despite its inherent silliness, and that speaks of Tiffany's ability to breathe more life into her. She also enjoys good chemistry with her co-actors, especially with the main male lead (no surprise as they were actually dating in real life at time of filming).
XIANG TIAN QI - Roy Qiu plays this cold, rich, genius CEO as well as can be, given the craziness of the show and what the character himself has to go through. The first round of memory loss brought an almost complete change of character personality to Xiang Tian Qi, and Roy did a good job in making that difference palpable, believable and utterly charming to boot. I thought he portrayed the various personalities and emotions of his character pretty well, especially considering the playful nature of this show.
The second leads, as well as the supporting characters in this show, were played by actors who didn't mind looking a little silly or participating in scenes that were extremely cheesy and almost cringe-worthy. Not all characters were one-dimensional or one-note all the time in this show. There were moments of poignancy and feeling which added depth to certain key scenes and moments in the show, but on the flip side, there were also moments where suspension of belief was required and you'd need to roll with the punches.
It is difficult to therefore rate the quality of acting in this show, simply because of its rather quirky and erratic nature.
MUSIC
In line with its let's-not-take-ourselves-seriously vibe, the music in this show varies from hip-hop and rap, to pop and rock, to love ballads. A truly eclectic mix of genres rolled into a show, but you know what, it works. I actually enjoyed the music a lot (if you are a fan of JJ Lin, a lot of his tracks are played on this show), and thought it added life and beat to the series.
RE-WATCH VALUE
I guess this is a love-it or hate-it kind of show so if you liked it, you probably would not mind re-watching some of the scenes over and over again, even if it was just for kicks, giggles and laughs.
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Esta resenha pode conter spoilers
Since the synopsis didn't really tell us that there are 3 lifetimes/ reincarnations of our main leads, I thought it might be useful to let those who are potentially interested in watching this lakorn have a rough overview of how the lakorn panned out.STORY (mild spoilers)
1st Lifetime (Episodes 1 - 8):-
The first lifetime, set in the 1900s (King Rama V reign), takes up bulk of the lakorn airtime. I guess this shouldn't be a surprise because the 1st lifetime has a lot of groundwork to cover. It has to introduce the background of our main characters (our male lead is of noble blood, while our female lead is essentially from the servant class), set up the groundwork for how they met and fell in love, drip through ingredients that make the situation ripe for all sorts of misunderstandings and conflict, put our main characters through this recipe of a wringer and then spit them out bloody and broken at the end.
Typical lakorn formulas abound like flies in this section.
One of my pet peeves - screaming characters - was out in full force here. It wasn't only the females that were guilty of this offence, even the males here were screamers and shouters. Considering the fact that one of the reasons I prefer to watch period lakorns was due to the fact that most period lakorn characters tend to be more soft-spoken and dignified in their speech and demeanour, the number of screamers in this show was an unpleasant surprise.
You also have your famously evil 2nd female lead, all decked out in her signature bright red lipstick and flaunting her two-faced personality with impunity. Thankfully, our male lead has got her number and never really falls for her tricks or for her. It's one of the saving graces in this show - our male lead stays faithful and single-minded on our female lead all the way to the end.
This lakorn also has your honorary villains and bad characters seeking to stir up trouble or increase their powerbase. Irritating, over-exaggerated side characters with their bulging eyes and twisted smirks are not exempt from this lakorn too, and strange leaps of logic or missing pieces in the plot puzzle are not uncommon. Convenient plot devices are regularly used (I can't count the number of times a character 'conveniently' leaves behind or forgets a significant item), and illogical reactions or situations can also feature in this show.
In short, this is your cookie-cutter Thai lakorn.
The pacing in this section can be inconsistent too with some parts or scenes being very long drawn or dragged out with lots of slo-mos, while others skip abruptly onwards to the next.
2nd Lifetime (Episodes 9 - first half of 12):-
This section of the show is set 50 years later after the 1st lifetime and had a lot of supernatural elements with ghosts being the main feature. Our main female lead is a vengeful spirit here and she has plenty of company with her too.
Some of our reincarnated characters undergo quite significant character changes too which can be a nice relief, and the plot starts to come together, or at least head towards a resolution. This section has more unpleasant and scary scenes with vengeful ghosts and weird CGI so viewers with a more squeamish heart might want to be aware and prepare themselves accordingly.
The interesting thing about this section? Our male lead falls in love with a ghost. Welcome to the world of 'Pee Mak'!
3rd Lifetime (last 30 minutes of Episode 12):-
The calm after the storm as our main leads get reborn in modern day time and meet again without all that crazy baggage and issues that featured in the first 11 and a half episodes.
ACTING/ CAST
While I have always liked Bella as an actress and thought she did not disappoint here, it was really the 2nd female lead actress (Kao) who played the more interesting and multi-layered character. Bella's character in the 1st lifetime was very subdued and her 2nd lifetime was full of resentment and anger so I found her characters to be quite fixed and almost stereotyped, rather than complexly nuanced.
Grate was very handsome and very fine in this lakorn in all his incarnations/ lifetimes, and his character stayed very much consistent all the way through but again, it was the 2nd male lead actor (Alex) who played the more interesting role.
The side and supporting characters were pretty much forgettable, really, except for our female lead's father's moustache which was terribly distracting in its monstrosity and degree of inconsistency. It made him look ridiculous but certainly very memorable.
MUSIC
Very heavy-handedly done. The music score literally bludgeoned you over the head with its 'mood' music and it is SO OBVIOUS what the show is trying to tell you within the scene simply by its background score. I found it clumsy, in-your-face, distracting and uninspiring. One of the worst music scores in a drama, for me.
RE-WATCH VALUE
I watched this through all the way to the end because I was intrigued with how our main leads' lives get so complicated that it needed 3 lifetimes to unravel the problem (it's definitely an interesting story, lakorn formulas aside). It's an interesting plot and story but I personally wouldn't be interested in re-watching it again after knowing what happened plus it had too many lakorn formulas for my liking.
The romantic scenes were softly sweet and even sometimes sexy. I would only re-watch this if I wanted to see more of Grate's beautiful and warm smiles and hear him say some of the cheesiest love lines, or to see him in his shirtless glory (because there's quite a lot of that to be had in this lakorn).
It is not a bad watch if you're interested in plots involving star-crossed lovers and re-incarnations and ghosts.
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