Let’s be honest. Very few Korean dramas are original. Yes, they can explore different concepts and themes, but many are inspired or borrowed from other shows or movies across years, cultures and genres. Of course, there’s nothing wrong with that. Writers and directors are influenced by other works, and Destined With You is no exception.

The series was written by Noh Ji Sul and directed by Nam Ki Hoon. It follows Lee Hong Jo ( Jo Bo Ah), a bright underdog civil servant, who works hard despite being overshadowed by others. When Hong Jo comes into possession of a mysterious object, she becomes intertwined with cold and stoic lawyer Jang Shin Yu ( Rowoon). Shin Yu has been cursed to live with an incurable disease, yet, Hong Jo may just hold the cure in more ways than one..


Off the bat, I will give it to Destined With You: it is an interesting premise. The cursed setup had been seen and done before, but the sense of the horror element being so spooky early on was quite well done. Some Korean dramas are fairly mild when it comes to horror or jumpscares( especially over censorship concerns), but Destined With You was surprisingly chilling in its opening episode . ( Moments such as the infamous “ bloodied-hand scene” , felt as though they were taken from shows like OCN’s The Guest and CW’s Angel .)


Yet as much as the horror element thrived, the show struggled with attempting to balance the horror and romance element to work well together. It is not necessarily that horror and romance cannot work well. In fact shows like The Master’s Sun and Arang and the Magistrate were able to use this formula fairly well in execution.

The problem is that while both predecessors were aware of creating and broadening characters and balance , Destined With You really struggles to do the same. As the series progressed the horror element was pretty non-existent and turned more into a cutesy rom-com. As a result, it was really hard to work out what this show was going for in thematic setup and messaging, even early on. The early episodes would suddenly go from menial moments of Hong Jo being stuck in a rom-com moment in front of a cute guy, to law procedurals and bickering, to full out body horror with Sin Yu. The constant flip between cutesy romance moments, courtroom drama and disturbing violence and horror , rubbed against one another in the wrong way because the show was never really settled to balance it out . Simply put, it felt like watching three very different shows at times, without a lot of opportunity to fuse them together.


Another major problem lay with character writing. The acting was decent enough. Rowoon is okay here too. He is certainly a good actor, and the idol has proven it in shows like Extraordinary You and Tomorrow. The problem is that Rowoon is not given an opportunity to really shine. His character is the trope-inducing “ cold male lead”.

Admittedly this is not entirely the fault of Rowoon as it is the writing. The cold male lead trope is a preference in romance dramas. It is not bad per say and can be used well in romances to explore characters’ backgrounds and fears. The problem with Shin Yu is that he is a bit of a paper-thin character. Yes, the audience gets he lacks social etiquette, a few “ sob” moments in his backstory and is stoic, but what else is there to say about him?


He is seemingly self-assured and confident in public , and suffering from his curse in private, but his composure rarely breaks beyond this even early on. We see some loose plot threads into Shin Yu’s mysterious family and their weird connection to shamans, but aside from being a necessary plot device, we are never shown the full effect on Shin Yu and how this has influenced any form of backstory or careful character development. In some later episodes we do see a “ softer” side to the male lead by playing into the romantic element and some angsty plot backstory , but aside from this, it’s hard to really see any pivotal or particularly poignant development, apart from going from being churlish then jealous to lovey-dovey with the female lead. This is the a little disappointing considering the fact that he could have been a really interesting character, especially from his written role and introduction with the female lead.


Hong-Jo is unsurprisingly Shin-Yu’s polar opposite. Jo Bo Ah is a good actress and does have some good moments of the show. However similar to Rowoon, her talents are never really given an opportunity to be explored further as a consequence of the writing.

It seemed like a really good writing point to have Hong Jo as the “ underdog heroine”. In theory, she has so many parallelisms that could have been explored to parallel metaphorically with the male lead’s literal “ cursed” predicament. She is outcasted at work, has an abject love life and often feels lonely. She is by all accounts, a “relatable” underdog heroine.


Before I go into the problems, I will say a few good aspects of Hong Jo as a character. She is fairly headstrong, both getting the job done such as the demolition case, confessing to her crush ( even if she was a little childish ) and remaining resilient against the toxic culture of her workplace. They were good attributes in the female lead, and did show off some of her strengths.


However, the problem is Hong Jo is never really fleshed out to the extent for the audience to truly connect with her. Sure, there were moments of pity for this character when it was needed in the plot, but on a deeper level, it was hard to really feel as strongly as the show wanted us to do so for her. For example, one major driving point early on is that she is very bullied and isolated from her work colleagues. She is not invited out after work for drinks, and spends most of her time alone. Yes, this shows she is alone, but why is it so significant for Hong Jo? We do learn a bit of history of being bullied, but, why is she so determined to be friends with people who have hated her? These may seem nuanced, but the show seemed to have multiple opportunities to really go into character’s backstories or growth early on, yet rarely did so even in later episodes.


Then there’s Yoon Na Yeon ( Yura), an interior designer with a bad history with Lee Hong Jo. There’s definitely a lot of mixed things about Na Yeon as a character.



On one hand, she is fairly complicated in the fact that she she puts on a lot of different sides as well as being a bully , and is more than the meets the eye, especially when Hong Jo renters the picture. On the other hand, while it feels like Yura has been typecast once again, the character feeds into a bit of a tiresome cliche of the cruel second female lead.


This isn’t to say that there can’t be animosity between a bully or victim, or alternatively see the character’s pettiness come to light, but rather than using this as an opportunity for Na Yeon to either be explored further in a more subtle manner,this storyline still seems to perpetuate a lot of archaic stereotypes . ( Particularly the oldest cliche in the book of two women at odds with one another being pitted against one another further for a man .)

Adding to this, there’s also the actual fact Shin Yu, probably one of the most misanthropic and seemingly “ isolated” characters in the drama, is in a dating relationship with Na Yeon. Understandably, relationships are not always straightforward and people can meet in a lot of different circumstances. Shin Yu never seems truly happy with Na Yeon, often trying to break up things with her or sitting in sullenness, while Na Yeon fawns over him and becomes more obsessive when she sees Hong Jo as a threat and love rival. Shin Yu does attempt to put their relationship on hold, but Na Yeon is obsessed and does not back down. The relationship displayed a good aspect of difficulties between dating partners, but, aside from just adding fuel to the fire on plot devices and drama, it did seem a little questionable as to why Shin Yu would even agree to date someone like Na Yeon, ( knowing about her past or not) .


The potential romantic pairing between Hong Jo and Shin Yu is fairly good, even if the screenwriting does not always justify it. One of the major parts that came to play here was the romantic sparks flying between Rowoon and Jo Bo Ah’s onscreen characters. They have surprisingly good chemistry as actors. For the characters, it’s a bit of a mixed bag. There is certainly romantic development ( in typical romance fashion) early on, but it was admittedly a little hard to root for the characters when Shin-Yu was often just plain rude to Hong Jo from gossip he overheard as well as his attitude. To make matters worse, even later on, he never really apologised for his actions. Later episodes improve this a little, but then there’s also the elements of Shin Yu’s obsession and later actions ( though there is a suggested cause), as well as feeding into some overused cliches.

On the pacing side, Destined With You is very slow to begin with. It’s understandable even in the first episode alone, there’s a lot to get through, but the first few episodes were fairly slow with pacing . Later episodes did pick up the pace more briskly, but there were later moments, which struggled to really get off the ground, even by the ending. Speaking of which, the ending was a little anticlimactic. Sure we saw a few loose threads tied, but it felt as though some characters and plot was left greatly unresolved.


The cinematography is definitely one of the show’s major highlights. It’s fairly stylish and sleek, with a glossy element of different palette schemes to reflect the mood and tone of the scenes. There are later episodes which feel a little insipid on the staging side, but scenes with the cursed hand, definitely helped capture the more horror and fearful element, with careful attention to detail.



Destined With You is a very odd show. It has a good cast, an intriguing premise and beautiful cinematography, but in execution, it has some very noticeable inconsistencies. The themes were so imbalanced that it was hard to work out what the show was going for in its general setup. While there’s nothing wrong with using classic tropes with a new spin or using them to address a message, Destined With You took them with a fairly copy and paste manner and nothing more . At times, it often made the show feel like it would have been less out of place in 2013 than 2023.


Writing and pacing is another major issue. There were some potentially brilliant characters in the show ( particularly the main leads) , but rather than fleshing them out to their full potential, they were rarely allowed to change and grow ( a key stage in any character’s development). Overall, Destined With You is an average show which is probably best to watch during a forgettable binge-watching session to pass the time .