Admittedly whilst the quality of these fantasy dramas are often variable upon screenwriting ,‘ My Roommate Is A Gumiho’ surprisingly hits most of the marks by portraying well-rounded characters, strong chemistry between the main leads and an intriguing premise which felt enjoyable and surprisingly heartfelt for viewers.

Taken from the eponymous webcomic and adapted by screenwriters Baek Sun Woo and Choi Bo Rim , " My Roommate Is A Gumiho” revolves around Shin Woo Yeo( Jung Ki Yong)- an ancient nine-tailed fox ( Gumiho) who yearns to be human. Woo Yeo must turn his fox bead marble blue before reaching his 999th year, otherwise he will never be able to attain this possibility of becoming mortal . However, nothing ever runs smoothly for supernatural beings in K-dramas. When young and feisty university student Lee Dam (Hyeri) swallows his bead, Woo Yeo soon finds himself battling between his desires and a new obstacle of affections for Lee Dam…

Starting off his performance on a slightly lacklustre note, Jang Ki Young soon proved his talents to animate the sagacious and mysterious onscreen persona as Shin Woo Yeo to life through his surprisingly heart-rendering scenes of Woo Yeo’s complex past and sweet interactions with Lee Dam.

It is surprising how underrated Lee Hyeri’s acting talents are by truly delivering a resonant performance as headstrong Lee Dam. Lee Dam ( as a character) is arguably an evidently "down-to-earth heroine" than a lot of K-drama female leads out there- deadpan expressions, shamelessly honest comments and straightforward priorities ( not least the fact that she was more worried about not being able to eat fried chicken again with the bead) helping to epitomise this.

However to be more brutally honest with Lee Dam’s characterisation, it was evident to see some nuanced problems here also. This didn’t mean her sentience as a character was non-existent. Early on in the series, Lee Dam established she was no pushover when calling out the sexist remarks of second male lead Gye Sun Woo ( Bae In Hyuk)’s friendship group upon her body. She comments defiantly that she is a human being; ” not an object" in a moment which truly brought forward the taboo issue of misogyny in South-Korea . ( Kudos as well for screenwriters Baek Sun Woo and Choi Bo Rim for having addressed this issues overtly than burying them under the carpet also.)

In addition to this the screenwriters also used the opportunity to explore more with her interactions outside of romances alone, with her two best friends; Do Jae Jin( Kim Do Wan) and Choi Soo Kyung( Park Kyung Hye) . The " best friends" archetype in K-dramas is often used to present “animosity”( either through love triangles, lies or relationships) or as “unnecessary” ( they are used to fill-in time or for comical relief). At times, the duo were manipulated into both roles in order to heighten drama, however, they was something oddly sweet here ; they genuinely cared about Lee Dam.

However, the biggest problem occurred sometimes in between this development of " comical" and " serious" Lee Dam scenes, there was a opportunity to use this time to sketch-out more about Lee Dam’s sense of identity . Admittedly , this also fuelled more tedious interactions between our main leads in the beginning as we had little to truly grasp ( as viewers) about their characters.

Arguably, however, it this was necessary to foreground who are characters were as individuals and to get to know one another first. This seemed to remain evident in later episodes with a more fortified pairing feeling refreshing, gradual and healthy-both for the characters, and the logic of the plot without having to define Woo Yeo merely as the ‘ supernatural and inhuman’ character of the series for angst and tension. Although some viewers have risen red flags about the “ improper” relationship between Woo Yeo and Lee Dam’s addressed name to him ( “ Elder/ Sir”) in Korean, there was undeniably something well-matched about the chemistry between these two characters. The storyline could’ve presented Woo Yeo as a “ callous” or “ disruptive” towards Lee Dam, but the male lead was fairly respectful towards our female lead and likewise with Lee Dam towards Woo Yeo. Their relationship was undeniably slow-burning but built upon gradual mutual respect and symbiotic feelings, rather than the stereotypical causes which often reduced the main pairing in fantasy dramas being there “ for the sake of plot”.

The supporting leads were in a similar boat. Second female lead Yang Hye Sun ( Kang Ha Na) was an absolute delight with her wholesome friendship with our male main lead . There was initial fear that perhaps Hye Sun would go down the stereotypical ” female animosity” route due to her close-knit relationship with Woo Yeo ( due to her established " vixen-style and mischievous ”personality). However, thankfully the show allowed Hye Sun to steer clear of this route. Instead Hye Sun is paired together with an unusual side character which you won’t see coming . Now, without spoilers ( to either the drama or the webtoon), there is a particular reason why the storyline paired these two polar opposites together, however, first-time viewers will possibly feel disconcerted with this pairing choice due to the more ” comical" approach taken on at first. (Although admittedly there are some surprisingly heartfelt moments between these two also.)

Our second male lead Gye Sun Woo ( Bae In Hyuk) was a little bit of a curve ball. Bae In Hyuk was undeniably delightful as our main lead. However although the series did attempt to present Sun Woo as the “ forlorn lover with unrequited feelings” towards Lee Dam, lacking character growth and missed opportunities to use Sun Woo’s egotism in order to explore more about his backstory, truly derived from the screenwriters’ intended desire of presenting him as this sentient individual rather than merely a story writing trope.

On a more positive note the ending was fairly well-matched for the series and did leave a sense of completion towards the overall events of the drama.

So aside from the seeming abundance of high ratings for this series giving it “10/10”, is “ My Roommate Is A Gumiho” actually that good? Well, the drama undeniably has its flaws in parts. Whilst it hits the mark with good acting, prominent messages and brilliant relationship chemistry between our leads, the fresh spins upon tropes are sometimes mismatched against more tiresome cliches particularly with later storyline developments, slower pacing in parts and evidently the character development of Sun Woo. On the other hand, “ My Roommate Is A Gumiho” was an entertaining watch with chemistry which sparked alive onscreen and will definitely win the heart of any avid romance fan.