K-lover61
UK
Different; engaging; surprising
Not at all what I was expecting. I thought it might be some kind of supernatural, light, action/mild horror, comedy. Apart from supernatural, it's none of those.
From the moment Shiro/Makoto wakes up from death, on a slab, in hospital, with no memory of any past events, the story is abruptly explained.
We are introduced to a Guardian, who tells Shiro he has died, now inhabits this body and to stay in it and get a second chance at life, he must find out why that person died too. He's given 100 days and 3 chances at answering the question.
The film then follows Shiro's journey as he gets to know the person behind the body he is inhabiting, and struggles to find out why he passed away.
He meets Makoto's disconnected family, a close friend and a crush.
School life is nondescript and it becomes apparent that Makoto was pretty much invisible, with a quiet, socially awkward and weak spirited personality.
Shiro is nothing like that and this is where the story faulters. Apart from 1 character (who still treats it like no big deal), no one seems the slightest bit surprised by the difference.
He's meant to have total memory loss, of which his family and close friend are aware, yet everyone still expects him to know stuff and the interactions don't fit at all.
Due to what Shiro was told about himself, by the Guardian, I also expected his character to be very different and that puzzled me for the whole film, until it was addressed towards the end. In that respect, the story's direction was not at all obvious and pretty engaging.
The outcome was quite a surprise. I think it's intended to make people think, take stock of themselves and their reality, especially when life gets dark.
I actually felt it was quite harsh and yet it offers another perspective that I've never seen before and perhaps when one's mind is not in a place of reason, a person could miss this themselves.
It isn't a film I'd watch again, but the charm and gentleness that Nagao Kento brought to the main character, and the nicely acted supporting roles, lead me to not regetting having watched it one bit.
From the moment Shiro/Makoto wakes up from death, on a slab, in hospital, with no memory of any past events, the story is abruptly explained.
We are introduced to a Guardian, who tells Shiro he has died, now inhabits this body and to stay in it and get a second chance at life, he must find out why that person died too. He's given 100 days and 3 chances at answering the question.
The film then follows Shiro's journey as he gets to know the person behind the body he is inhabiting, and struggles to find out why he passed away.
He meets Makoto's disconnected family, a close friend and a crush.
School life is nondescript and it becomes apparent that Makoto was pretty much invisible, with a quiet, socially awkward and weak spirited personality.
Shiro is nothing like that and this is where the story faulters. Apart from 1 character (who still treats it like no big deal), no one seems the slightest bit surprised by the difference.
He's meant to have total memory loss, of which his family and close friend are aware, yet everyone still expects him to know stuff and the interactions don't fit at all.
Due to what Shiro was told about himself, by the Guardian, I also expected his character to be very different and that puzzled me for the whole film, until it was addressed towards the end. In that respect, the story's direction was not at all obvious and pretty engaging.
The outcome was quite a surprise. I think it's intended to make people think, take stock of themselves and their reality, especially when life gets dark.
I actually felt it was quite harsh and yet it offers another perspective that I've never seen before and perhaps when one's mind is not in a place of reason, a person could miss this themselves.
It isn't a film I'd watch again, but the charm and gentleness that Nagao Kento brought to the main character, and the nicely acted supporting roles, lead me to not regetting having watched it one bit.
Esta resenha foi útil para você?
