Underrated fun, hilarious and sweet show!
Starting with the opening scene illustrations, I found this drama funny and quirky. It did not feel like a big-budget production, the sets were nondescript, and the costumes were not that memorable. Still, those did not detract from the show's charm. Instead, it is ultimately entertaining, mixing cute romance, just the right amount of melodrama, and on-point comedy.
I thought that the drama did well in combining romantic and "slice of life" scenes featuring the different characters with the political shenanigans in the palace and courts. It stood out for me because it was a historical drama accompanied by non-traditional touches like the gender role reversal between the main couple. In this show, the male lead played the traditionally weaker and gentler role, while the female lead was the strong one, unpolished like a diamond in the rough.
As individual characters, the leads were likable, and together, they were endearing. Hu Jiao, played by Baby Zhang, was strong and domineering, the daughter of a butcher with some impressive knife skills. She had no formal education and was blunt as well as impulsive, but she was perceptive and street smart. She was also honest, principled, and upright, just like the male lead, Xu Qingjia, played by Tong Men Shi. In contrast to A'Jiao's physical strength, Xu Qingjia can be considered a xiǎobáiliǎn or pretty-faced boy, delicate and frail. However, he was incredibly intelligent, a learned scholar who was rational and thoughtful. His level-headedness tempered A'Jiao's fiery personality.
I enjoyed the sincere and simple romance between A'Jiao and Xu Qingjia. Their love was adorably dorky. Despite being new to marriage and still trying to work through their feelings, both did not shy away from sharing their thoughts. I also appreciated their care and respect for each other, especially regarding their relationship and life goals. Even when one did not want the other to make sacrifices, they still listened to each other and understood that they wanted to protect each other. There was no noble idiocy which is a trope I find most annoying.
It was great to see A Jiao's character develop. Typically straightforward, she did not usually mince her words, but she slowly started to consider Xu Qingjia's feelings. She learned to yield, saw things from his point of view, and did not hesitate to show her admiration for his brilliance. Xu Qingjia, on the other hand, would acknowledge that even though A'Jiao's words hurt, there was truth in them. He was always sweet towards her, so giving, but he would stand up for his beliefs when it came to important matters, at the risk of being beaten by A'Jiao.
These two managed to find common ground and reveled in each other's strengths, rather than expecting each other to possess the traditional gender-related skills. When conflict appeared, it was not a test of whether it would break them up but more of a testament that their relationship was strong enough to adapt and overcome. They were partners through and through.
The second couple, Yu Niang and Gao Zheng were equally delightful, with Gao Zheng just as dorky as Xu Qingjia but more emotionally clueless. Yu Niang was another awesome female character, and along with Lin Cui, A'Jiao's best friend, and other characters, there was a message of female empowerment. Actually, both ladies and men shone in this show. I liked the sismance, bromance, and the lack of tiresome third parties or love triangles. My favorite aspect of the show was the emphasis on wholesome masculinity and strong female characters.
It was also fun to watch the dynamics of A'Jiao's family members. They were hilarious and so supportive and protective of each other. Some characters fell flat, like the villains, but the cast did fine overall. It is the first time I watched the main actors, and while they were pretty good, they do need to hone their acting skills.
Musically, the song tracks were memorable, and by that, I mean the songs were effective in evoking memories of the scenes for me. I like the closing song, sung by our main couple, Baby Zhang and Tong Men Shi, but my favorite is Guòmén (Cross the door) by Liu Fengyao. It is incredibly romantic and, when played during the scenes of the couples, heightened the watching experience for me. For posterity, I included the track list at the end of this review.
Whether you need to cure bad-day blues or just a distraction, this drama might do the trick. I recommend that you try this drama out and decide for yourself.
https://www.youtube.com/watch?v=_4liQrjrq1M&t=547s
佟梦实&张含韵 - 春日愿 (Spring Day Wish - Tong Mengshi & Zhang Hanyun)
入梦 - 袁咏琳 (Into a Dream - Yuan Yonglin)
过门 - 刘凤瑶 (Cross the Door - Liu Fengyao)
许你清嘉 - 戴欣梦露 (Xu Ni Qing Jia - Dai Xin梦露)
牵红 - 曹璐 (Bringing Red - Cao Lu)
I thought that the drama did well in combining romantic and "slice of life" scenes featuring the different characters with the political shenanigans in the palace and courts. It stood out for me because it was a historical drama accompanied by non-traditional touches like the gender role reversal between the main couple. In this show, the male lead played the traditionally weaker and gentler role, while the female lead was the strong one, unpolished like a diamond in the rough.
As individual characters, the leads were likable, and together, they were endearing. Hu Jiao, played by Baby Zhang, was strong and domineering, the daughter of a butcher with some impressive knife skills. She had no formal education and was blunt as well as impulsive, but she was perceptive and street smart. She was also honest, principled, and upright, just like the male lead, Xu Qingjia, played by Tong Men Shi. In contrast to A'Jiao's physical strength, Xu Qingjia can be considered a xiǎobáiliǎn or pretty-faced boy, delicate and frail. However, he was incredibly intelligent, a learned scholar who was rational and thoughtful. His level-headedness tempered A'Jiao's fiery personality.
I enjoyed the sincere and simple romance between A'Jiao and Xu Qingjia. Their love was adorably dorky. Despite being new to marriage and still trying to work through their feelings, both did not shy away from sharing their thoughts. I also appreciated their care and respect for each other, especially regarding their relationship and life goals. Even when one did not want the other to make sacrifices, they still listened to each other and understood that they wanted to protect each other. There was no noble idiocy which is a trope I find most annoying.
It was great to see A Jiao's character develop. Typically straightforward, she did not usually mince her words, but she slowly started to consider Xu Qingjia's feelings. She learned to yield, saw things from his point of view, and did not hesitate to show her admiration for his brilliance. Xu Qingjia, on the other hand, would acknowledge that even though A'Jiao's words hurt, there was truth in them. He was always sweet towards her, so giving, but he would stand up for his beliefs when it came to important matters, at the risk of being beaten by A'Jiao.
These two managed to find common ground and reveled in each other's strengths, rather than expecting each other to possess the traditional gender-related skills. When conflict appeared, it was not a test of whether it would break them up but more of a testament that their relationship was strong enough to adapt and overcome. They were partners through and through.
The second couple, Yu Niang and Gao Zheng were equally delightful, with Gao Zheng just as dorky as Xu Qingjia but more emotionally clueless. Yu Niang was another awesome female character, and along with Lin Cui, A'Jiao's best friend, and other characters, there was a message of female empowerment. Actually, both ladies and men shone in this show. I liked the sismance, bromance, and the lack of tiresome third parties or love triangles. My favorite aspect of the show was the emphasis on wholesome masculinity and strong female characters.
It was also fun to watch the dynamics of A'Jiao's family members. They were hilarious and so supportive and protective of each other. Some characters fell flat, like the villains, but the cast did fine overall. It is the first time I watched the main actors, and while they were pretty good, they do need to hone their acting skills.
Musically, the song tracks were memorable, and by that, I mean the songs were effective in evoking memories of the scenes for me. I like the closing song, sung by our main couple, Baby Zhang and Tong Men Shi, but my favorite is Guòmén (Cross the door) by Liu Fengyao. It is incredibly romantic and, when played during the scenes of the couples, heightened the watching experience for me. For posterity, I included the track list at the end of this review.
Whether you need to cure bad-day blues or just a distraction, this drama might do the trick. I recommend that you try this drama out and decide for yourself.
https://www.youtube.com/watch?v=_4liQrjrq1M&t=547s
佟梦实&张含韵 - 春日愿 (Spring Day Wish - Tong Mengshi & Zhang Hanyun)
入梦 - 袁咏琳 (Into a Dream - Yuan Yonglin)
过门 - 刘凤瑶 (Cross the Door - Liu Fengyao)
许你清嘉 - 戴欣梦露 (Xu Ni Qing Jia - Dai Xin梦露)
牵红 - 曹璐 (Bringing Red - Cao Lu)
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