Spiritual Kung Fu (1978)

5 > 7

Five red-headed ghosts visited Jackie Chan in Spiritual Kung Fu. In this kung fu flick there wasn’t just one secret kung fu book, there were two!

Long Yi Lang is the dull, mischievous, often bordering on unlikeable, student at the shaolin temple. One night a thief sneaks into the temple and steals the forbidden Seven Deadly Fists book. The Luk family took it in their plan for revenge against the monks for preventing the father from becoming the Wu Lin leader a decade before. Using the techniques in the secret book, the Luk son will be able to eliminate the competition and gain the leadership role. The only counter to the Seven Deadly Fists style is the Five Style Fists and that book has been lost. Right on cue, a sparkler from heaven crashes into the temple library depositing 5 red-headed ghosts who just happen to reveal where the Five Styles secret book is hidden and begin training Yi Lang in Dragon, Snake, Tiger, Crane, and Leopard styles. Meanwhile, the Luk son studies his book and begins killing off his competition. The inevitable duel between the two men will determine whether 7 is greater than 5 in a kung fu battle.

Jackie Chan’s Yi Lang was more irritating than funny or endearing. When the fights started in earnest, the mugging for the camera and whining finally stopped. James Tien often played a bad guy as he did in this film. Dean Shek and Wong Ching both played comic relief buddies to the two fighters. Wu Wen Siu had the rather thankless job of being the only female in the cast but made the most of it when fighting Jackie and James. I deducted points for the spanking scene she had to endure that detracted from the film for me.

The beginning of the film was slow and the humor decidedly low brow. One low point was when Jackie was putting live frogs and an eel into his pants. Some of the characters integral to the first half of the story all but disappeared during the second half. Maybe they had to rush to do another kung fu movie being filmed. The movie improved when the ghosts dropped into the temple and shook things up. They were funny but the first encounters with them became repetitious as if the director needed them to fill time, especially when he resorted to fart and urination jokes. Jackie choreographed the fights. They weren’t as slow as some of his earlier efforts, but were still indicative of the time and nothing like his more inventive fights he would create later on. It took nearly half the movie to begin the fighting. The pole fights were interesting when he had to fight the 18 Lohans though like the ghost scenes went on too long. Jackie and James’ duel was entertaining as was the fight with the secret Luk father, which didn’t take a genius to figure out early on. Jackie showed off the five styles with a minimum of wire and trampoline work.

Once the training and fighting began, I started to enjoy this film. The clownish mute ghosts in their tutus were low tech but their antics were engaging most of the time. When watching an older Jackie Chan film like this one, it helps to remember that this was near the beginning of his starring roles and his comedy and fight choreography would evolve.

10/23/23

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