Final Do Outono (2011)

Why, of why did I read Violet's review? I had somehow fallen into a sort of quiet limbo regarding my favourite actor and almost forgotten about this movie accordingly, when I read her review, ran to watch the movie myself - talk about patience - and was instantly thrown into my most familiar obsession: Hyun Bin.

My bad. To top it all, I agree with her: this movie is beautiful. I know this is a remake of an older Korean movie with the same title which I haven't seen, but from the start it reminded me a lot of the american/french film "Before Sunrise", with the two leads carving out for themselves a tiny bubble in space and time, far from their present lives and the world outside.
The difference - a notable one for me - is that while in Before Sunrise the two protagonists talk a lot, too much for my taste, here silences are a lot more poignant and meaningful. I am actually glad I watched it raw, to the point I think everybody should do so. To elaborate: most dialogues take place in English, but there are moments when Anna speaks in Chinese and Hoon in Korean. English is their communication tool, but the reason why they understand each other is not a language. Apart from the dance scene mentioned by Violet, I fell in love with another, in which she tells him her story in Chinese and he only comments "bad" or "good", depending on what he feels is her mood. Watching it raw, made me live the entire surreal dialogue as if I were him, not grasping one word, but trying to understand what she conveyed with her posture and eyes.

I also agree about the direction, and I have come up with a sort of theory of my own as to why the colours are so subdued. What we are offered is the world outside the prison as Anna sees it. Since colours only depend on our perception, there isn't much reason for her to paint her life. No wonder she wears make up and happier clothes only for a brief moment: they look fake, in contrast with her mood. The only colourful moments are those in which she imagines.
I guess the choice of Seattle wasn't accidental either: as I recall, it is known as the rainiest city in the States.

The acting is spectacular. Hyun Bin is a gorgeous man, but that's definitely not the point of this movie, where he doesn't have to be good-looking: he has to look vain. And I'm glad it is so, for dwelling on his looks would be an offence to his acting skills.
Wei Tang's performance is outstanding. As I said, she expresses a world via silences.

Beautiful music. I wouldn't have minded a little more of it.

I recommend this movie, but only if you are prepared for its pensive pace and all the untold. Not a fluffy watch by all means, and not for anyone looking for comedy.

Leia Mais

An outstanding movie, actually. Why I didn't give it a 10? Only and only because of the colors... I'll explain. The movie is full of symbolism, most of the time very clear and eye catching... and absolutely fitting. My only complain is, that the director tried too hard with grey colors to make the characters seem more lonely and lost. The only 3 sparks of color were when Anna wore that gorgeous red lipstick and the green dress, the dance of the unknown couple (by the way, this scene is mind blowing and breath taking, silent, and at the same time telling so many-many things)and, of course, the kiss... it was a firework of colors, like the sky suddenly became so bright with sun, you couldn't even look straight...
To talk about acting... to say anything... really won't mean anything... as everything was just perfect, perfect, perfect!
And the music... sometimes it made me dizzy, if I wasn't sitting while watching, I'd fall down for sure...
This movie really made my day!
Totally recommended!!!

Leia Mais