If I have to describe this drama in one word, I'd say it's "nostalgic". It does seem like an obvious choice since it's a story about past life, but making a mere viewer like me constantly feel warm and comforted by the characters and the bond between them is not something other past life stories can easily do. This is the product of seamless writing, talented cast and their acting, mesmerizing music and phenomenal cinematography. This drama is at the very top of productions of its kind, it will stay there for a long time, and it has possibly exceeded the standard value of other genres as well.
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The story, for me, sums up into a beautiful story about destiny and camaraderie that surpasses the boundary of time. Instead of being something completely new, it surely makes a lot of new choices in characteristics, settings and storyline.
You will experience this simple concept of love and friendship on two timelines: one is back in 1930s Kyungsung (Old Seoul) when Korea was under Japanese rule, and one is in present time Seoul. Although the present time is their main timeline and their past is shown as their recollection, both timelines have their own weight and are laid out equally well.
The main characters are this story's forte. In the present time, we have a bestselling writer who appears snobbish at first but opens up into a very thoughtful person, a ghostwriter who can look both like a caring gentleman and a lonely lost puppy at the same time, and lastly, a fan who is strong, caring and rather very respectful for someone entitled "number one fan". They really are a bunch of good qualities which you can't help but fall for.
These three characters are then tasked with a mission to find out what truly happened in their past lives that makes things the way they are in present time. As they recall past events together, they develop a strong bond just as how they did in the past – if not even stronger because now they also have a chance to learn things about each other they previously didn't know.
At the same time, their past timeline is where the political genre comes in. It's not heavy on politics at all, I can assure you. It rather weaves this setting into the main message very nicely because here our main characters share their passion in fighting against the Japanese for liberation. It's rather super romantic, I must say. "To protect the love I couldn't protect in my past life. To meet again in a liberated homeland and love freely." – This quote says it all.
Other than that, this story gives you a good laugh. Side characters are as three-dimensional as the main ones, and many of them will surely grow on you. Also, this could be because I'm Korean, but even their dialogues and choice of action are three-dimensional. Every word they speak, everything they do, has a good reference and reason behind it. The constant mention of supernatural beings is witty, and how they involve famous quotes, poems and authors really fits with the plot. I can't praise this drama's writer enough for her super well-done research. There's really no plot hole or boring/dragging moments.
And, oh, did I mention? The said writer is Jin Soo Wan, the amazing writer behind Moon Embracing the Sun and MDL users' all-time favorite Kill Me, Heal Me.
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For the cast, I have seen almost every single one of them in their past works, and they still didn't remind me of their other characters at all, which is always important. They were so alive in their roles. I specifically want to praise our leading cast Yoo Ah In, Im Soo Jung and Go Gyung Pyo who had to take on two roles each for their separated present and past characters. They all nailed it. Additionally, Kwak Shi Yang who portrayed the antagonist deserves extreme compliments. The fact that he made me utterly hate his entire being proves that his acting was marvelous. That is an A+ for someone who's been in the industry for merely 3 years.
Another thing I fell in love with was the music. This drama's OSTs are gems – not only because we have golden voices like Baek Yerin and SG Wannabe but because the lyrics were written according to the storyline. The music cues are planned out so well that it's almost cunning. They appear at every right moment to add meaning to what we're seeing on screen, and often times they call for tears. In other words, they are not just background music but part of the storytelling itself. Don’t ever forget to read the meaning of those songs, and you’ll be in awe.
Likewise, the cinematography, the costumes, sets and their props are also impeccable. "Visually stunning" describes this entire production. This is one of those few dramas that you can pause at any moment and get a beautifully-composed still image. Present day Seoul and 1930s also have a clear line between them – both done beautifully from a lot of research. The color is graded in a cozy lukewarm tone and will make you feel like watching a beautiful independent movie on a big screen.
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Romantic, evocative, delicate, sentimental, homely.
“Nostalgic” it is. Nostalgic really sums up everything.
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Witnessing how this drama played out every week felt just like witnessing a piece of art. I never thought I'd have a chance to give straight 10s on a review, but this drama felt like an exception from the very beginning, and it never disappointed me until the end. If this isn't enough to make you decide to watch, I don't know what else will.
I don't think I'll be able to get over this drama in a very long time. This drama is my home.
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And in the end when you reach its final piece, you start to really appreciate every single item. Although each of them has their own shape and characteristics, you notice that special bond that connects every part, smoothly like a cogwheel. And when you put it back together afterwards, it matches perfectly again.
That's how I experienced Chicago Typewriter. I was sold from the first minute. The start was slow and the show takes its time to tell its story. But I never even once complained about the pace. I enjoyed every second of it. Why? Because I simply savored every interaction with the characters. It felt like they took me along on their journey.
The people in this drama - and yes, I call them people because they felt real to me, no matter how estranged they appeared sometimes - will grow on you, especially the female lead. She's one wonderful fangirl many of us can relate to. Being obsessed with her crush in a totally unharmful and charming way, you can't help yourself but root for her. And who wouldn't take the chance and meet his/her crush when an opportunity arises out of the blue? Even if that means to maybe get disappointed by that one person you dedicated your life to. Even if that means you maybe should decide about ending that long-lasting one-sided relationship. So, hands down for the first honorable mention in this cast: Im Soo Jung. An endearing actress who not only impersonates our everyday fangirl but also a devoted freedom fighter per se.
And who is the counterpart to every fan? Of course, the star. That ray of light we see whenever we feel down. Those people who have all the rumors floating around them. Charming on the outside and... either exactly the way we imagine them to be or shockingly different. Being a nationwide renowned bestseller author in the present (and a seemingly resigned writer in his past life), Han Se Ju is certainly one interesting figure. Reserved towards strangers, with a proud and confident demeanor, he might appear paranoid, rude and self-centered. But he learns to change his ways and views, and certainly grows with time. Yoo Ah In is one brilliant actor whose magnificent performance impressed me deeply.
Finally, the third to be in league and a must to be mentioned here. Go Gyeong Pyo. He plays the handsome and classy Yoo Jin Oh who stirs up the daily lives of our other two leads. His appearance triggers a chain of unforeseen events that will certainly change everyone's path. Without telling too much, Go Gyeong Pyo clearly nailed this role.
These three are telling a story about fateful friendship and love in desperate times, that will eventually engrave its signature into your heart. Their tale has "passion" written all over its face. Passionate love, passionate friendship and the passionate desire for your people's freedom. It's captivating in every point, once you let your guard down and allow yourself to be swallowed by its mysteries. Emotions are raw and daring, and an important pillar for its partakers. It's like fire, burning hot and dangerous. And the leads are doing a phenomenal job on conveying that driving emotion.
The mystery surrounding this drama may not be completely new, but still be a rare kind in its execution through neat hints that will be revealed step by step. Starting with visually beautiful scenes, the drama takes a constant pace with a fluent transition between the past and present story. This helps building up the layer-by-layer suspense which ultimately vents into a poignant finale. On a side note, you have of course your usual suspects as well, your lovely sidekicks who add some fun and comedy to the story. And you have that villain that you will hate with utter disgust.
And before I will conclude my review, let me tell you that once you got to listen to Chicago Typewriter's haunting soundtrack, you won't be able to turn back. It's like the icing on the cake and you'll be lost for good.
Don't hesitate to watch this mesmerizing gem. Let yourself be swayed, and take on this incredible journey with an exceptional love for details in every aspect. Even though you might not end up with a 10 like me, because you perhaps find some things only normal or average along the road, it's worth the watch nonetheless. In the end, I might sound a little biased but this one just hit all the right spots for me. It never let me or down or disappointed me.
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Touching. Exciting. Stylish. Passionate. Atmospherically dense, especially regarding the 1930s
For me, "Chicago Typewriter" needed a second attempt. The first time I didn't really know what to do with it. ...A smart spring chicken, but somehow paranoid writer, spoiled by success and money, and a cute girl as his fan? The story - fancy as it may come along - at first glance appeared a bit all too playfully shallow for my taste. I wasn't convinced. Although I actually really like actor Yoo Ah-in.Actually, I was mainly curious about the past (around 1930 when ´Korea´ was a colony of Japan). One of "Chicago Typewriter"'s two storylines is set in the context of the 1930's Gwangju student movement. With regard to the KDrama´s historical plot line though, it felt like nothing really happened for a long time. Accordingly, when I first had tried to watch "Chicago Typewriter", I didn't make it past the "beginning". However, somehow I kept stumbling across this KDrama and it wouldn't let go off me. Eventually I gave it another try. Lo and behold, with a little patience, the KDrama took me by the hand and developed an exciting story with a lot of passion and atmospheric density, especially when it came to the 1930s. The insight into that time had lasting impressions. Still, the relationship dynamics between the leads especially in the present time story line sometimes were little too light-weight, harmless and on the verge of silliness for my taste. However this was perfectly balanced in the context of their mission in the past and got more profound as the story proceeded.
------------------------- SIDE NOTE: --- Japanese colonialism ---
During the 1930s Japanese imperialism had reached its peak. In relation to Korea, a rigorous policy of assimilation, using force if necessary, was pursued, e.g. the Korean language, culture and history were systematically suppressed as part of a Japanese colonial education. The first Gwangju student movement, which culminated in a nationwide anti-Japan demonstration, happend in November 1929 after a female Korean student having been molested by Japanese students. This attack was certainly not the first, but the Korean student movement had formed in such a way that a large-scale street demonstration in Gwangju spontaneously took place after this incident. The mood swept across the whole country...
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As a premise, the KDrama plays with the concepts of reincarnation and the concept of spirits remaining in near-earth realms after their death, until their unresolved past experiences are somehow redeemed. Both are popular motifs that are often picked up in KDramas. In this case, the producers have created a particularly beautiful and profound story, especially with regard to redemption. In 2017, the characters get a second chance, so to speak: they have the choice of whether they want to continue in their familiar pattern or make new decisions. There´s an opportunity to reconcile past guilt or open questions, to let go of the energy that still hangs in the past and to move on in the NOW. This aspect of time jumps is unabashedly and creatively juggled with an undeniable love for details. One of the protagonists, whose spirit since 1930 hasn´t been able to leave the earthly realms, becomes the connecting and driving force that knots both timelines. A special charm: The ghost from back then becomes a "ghostwriter" in 2017 when he meets his reincarnated comrades-in-arms. Another punchline: the title "Chicago Typewriter" is ambiguous, referring both to the typewriter as a "weapon" (with typed words) of the student underground movement, and to the Thompson machine gun - a rapid-fire weapon that was fashionable at the time, its nickname being areference to its characteristic rattling sound when launched.
As the story progresses, the rhythm of the present day being intertwined with the past - in the form of sudden memories or dreams - accelerates. The faster the time jumps, the higher the tension rises. It's actually going to be really dramatic, both in the past AND present...
In sum: the KDrama is giving you a clear idea of living under Japanese colonialism and of the resistance movement that rebelled against it. "Chicago Typewriter" is also a feast for the eyes in terms of fashion and equipment - both 2017 and 1930! "Chicago Typewriter" is first and foremost a moving story about friendship. And not to forget: a touching love story ...
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Suddenly you had your typical K-Drama over-dramatic melo shit everywhere. Everything became a thousand times more sappy, illogical and emotional in a try-hard way. The pacing became shit. Plot-holes tumbled in and things that should’ve been huge just ended up being anti-climactic. And before you know it, Chicago ends on a note so “MEH” that it’s a disservice to the once precious drama. For sure, most people are probably going to love Chicago’s ending episodes too but for me since this drama was all about being subtle but powerful the extra turns it took, did not slide.
Here are some aspects of the show and my take on it:
-Yoo Ah In’s BeWhy inspired shitty haircut:
We are all superficial people to some extent and Yoo Ah In’s egg shaped haircut is no doubt a fashion disaster but there are some actors who don’t need appearance to make things work because their talent is enough. And Yoo Ah In tops the list. He just gets how to handle me and he always manages to wring my emotions like a masterful puppeteer. So much so, that at this point I think that he’d be able to perfectly emote even if he had a giant garbage bag on his head. He is spectacular as always here, playing two roles with different personalities all at the same time and excelling at both. And just for those of you, who simply cannot get over the hair-do, the drama comes with a sexy as hell past version of Yoo Ah In, with great hair and a lot of badass. ;)
-Weak female lead:
I’ve said this before and I’ll say it again. If there is one person who can sell me a damsel in distress it’s Im Soo Jung. I remember her brilliance in MiSa about 7 years ago and I still find her really likeable. Unfortunately because of her doe eyed look and an eternal stupid expression, she is often typecast into the “dumb but kind” roles. But I feel like despite that she always manages to shine through with her inner strength and true, she does exactly that in the first ten episodes. But after that, the writers started to confine her in a box again. Too much crying. Too much need saving. Too much “woe-is-me” bullshit. That her personality just falls under. And it’s a shame too because she is supposed to me this “bad-ass sniper” with like a trillion qualities and so sadly this whole thing made me realize that while I do like Im Soo Jung, I hate damsels in distress more. And soon for me, Jeong Sol turned from being adorable to annoying real quick.
-Han Se Ju:
A lot of people think that HSJ is just one of those “bad boys” who are actually bad guys but that’s just not true. Sure, the writers tried to force the image on him with the whole “wrist grabbing, temper tantrum throwing, macho alpha asshole” bullshit but it still isn’t true. Because Han Se Ju is an actual sweetheart. A passionate, sensitive and thoughtful man who can act like a complete petty toddler at times but an admirably strong old soul at others. For me, he was a character close to my heart ‘cause I know I’ve myself thought so many of the things that he believes in, I have felt so many emotions that he goes through and that makes him so relatable to me. He’s a beautiful man inside-out, with all his lows and trust issues intact.
Sound track:
While Chicago has a brilliant soundtrack and the show makers did get the play timing right most of the times, there’s one weird ass instrumental that they unfortunately play in the most poignant scenes in the later episodes, effectively ruining the impact. Tragic.
Bromance:
By far, my favorite bromance, simply because of how natural and heartfelt it is. It stays strong from the first episode to the last and soon became the only reason I continued with the show.
Other:
The romance is good. The side characters are endearing. The kisses are enjoyable. The antagonist does a very good acting job. The past and present weave effortlessly and are interesting to follow. The cheeky and often hilariously cringey supernatural effects are a delight. While the ending episodes are mediocre at best, the first ten are so emotionally powerful that at the end I couldn’t help but give it an 8.5, still.
Do I recommend? Yes. Definitely. Because despite its flaws Chicago in its core is a beautiful story about friendship, loyalty and the inseparable bond between three people that transcends time. This is a show that you absolutely have to give a chance to. It doesn’t matter whether you like it or not, it’s worth at least a try. This isn't a drama you should judge by reading other people’s opinion, you simply have to experience it yourself.
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The beginning is really good and you get hooked because you want to know what happened in the past. It is really lighthearted with a few good comedy scenes and the small dramatic scenes that are dropped in between prevent it from being boring.
But the series drops in quality after the exposition. It seems as if the creators had a really good idea but didn't expand it enough. After you have seen the idea the series has nothing more to offer. The whole middle of the series feels really stretched and filled with useless scenes that don't advance the story nor the characters very much. I have the feeling that the romance aspect of the show was supposed to be subtle and in the background but because the actual story wasn't really fleshed out they had to fill in the blanks with romance. This is not bad per se, but the relationship between the couple doesn't go anywhere. Their relationship doesn't get deeper and most of the time don't even feel like a couple.
The characters are not bad, but their characterisation is not very stable. When the creators of the show didn't know what to do, they just let characters act dumb and against their initial character traits just to advance the story and make it more dramatic. However this has the opposite effect and keeps you from being immersed in the story and empathizing with the characters.
For example, it is established that the characters in the present have the same traits as their past life counterparts. So Han Se Joo should be very clever because in his past life he was the head of the resistence, made perfect plans and was always cautious of the enemy. But when Baek Tae Min calls him and wants to trick him, he plays dumb goes to the place and then acts as if he knew that he was tricked all along. Then why go there in the first place and not call the police or something? That is just one example of accute dumbness.
Then it seems the writers just threw in things that don't make sense at all. When Se Joo falls down the roof the ghost Yoo Jin Oh possesses him, which isn't the problem, but why can he make Se Joo float and cushion his fall? Yoo Jin Oh can't even float by himself, so why can he float when inside another body? I hope you see what I mean.
And sometimes there are flashbacks, which are repeated throughout the series to waste time. All in all what I want to say is that the pacing of the series is really bad and you can clearly see where the writers put in extra stuff to stretch the runtime of the show. They should have made a mini series or fleshed out the story more, but in this state it feels like an unfinished prototype of a good show.
I really liked the part where they are sent back in the past by the ghost and explore the past. They should have told more of the past in this way or let the characters remember parts of their past after experiencing something emotional that triggers their memory. Instead almost all of the past story is told in episode 14 or 15 in one piece.
I really can't understand why it has such a high score here. I was really interested in this show after reading the summary and seeing that so many people liked it but unfortunately it really isn't all that great.
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The best of best!!
I have no words to describe this drama. Totally amazing wonderful journey that will make you laugh, cry, you will be surprised and shocked but in the end you will be satisfied and there will be smile on your face I assure you.I would say this is most underrated drama having so much potential in it, but you just need patience because you won't understand the story until you finish episode 6. The best thing about this drama is it's originality it's plot is amazing and very well written without any plot holes which makes it perfect. It's like solving puzzle all pieces joined together perfectly. I usually skip boring scenes but I didn't skip any of it.
The acting was amazing all actors played their rolls perfectly. The ost was amazing so the soundtrack is also thing which made this drama special.
So this is story between three friends. Actually their are two stories one is in present and the other is in the past. I usually prefer modern dramas I don't like 19s aura but I would say I love the story of their there past more than the present I waited eagerly in every episode for the glance of past. It made me sad also because it was very heartbreaking to see I cried very much but it was worth it and I got huge second lead syndrome I never have felt this much for second lead before, but let me tell you it's not at all typical love triangle like usual dramas that's what I loved most and it also don't have k-drama cliches. Talking about ending it was happy ending but it was kind of open ending but it was satisfactory. This drama was best. The only thing I regret is I discovered it late...
Must watch....but have some patience!!
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Every week I waited in front of my laptop, hoping the next episode to air a little earlier. Because I was in love with the story, the characters, the cast, the songs - oh the songs! - the cinematography and every thing that makes this drama so unique. So this will not be a fare review but something to do until my heart can cope with its farewell.
Lets start with the story.
Its amazing. It's a TvN drama, so I expected nothing less from the beginning. And the writer is Jin Soo Wan, author of 'Kill me heal me' thought I haven't tried that, but I have heard nothing but good things. I am going to watch that very soon - once I am over this one, off course.
When i first read the synopsis I thought it was cool. I like the idea of a drama about a writer and his fan and ghost writer. The whole supernatural thing didn't even came to my mind. Because I thought it will play a small part, or nothing - I was wrong.
I gave it a try. From the moment it started I knew it was going to be good. Because from the very first scene you are on the edge of your sit, mouth wide open and - if you were anything like me - in love.
The story is not only well written but thought out too. There are two stories happening in this drama. One in 1930 and the other in the 2017 which is our main line. And you want to know about both. Because everything that is happening with them - the character- now is part of what happen in 1930. That story that was never finished is tied with everything that is happening with them in the present. And so the tied with string of fate the story starts.
Everything the characters said, does, the little items - even the smallest of it - was for a reason. And I love this type of thought out stories. It makes me connect more. It makes me fall in love with it more.
The mystery in this drama is something that will wrap you around it. You can't get away. It's a true mystery because until the very end you don't know what happens or how. And that's how they holds you in front of your screen.
Its a writers/ readers drama. For people who likes to read, people who likes to write and people who just loves a good story. This drama is for them. Because there is references about many big writers and their works. 'Mystery' by Stephen King is one of them.
The romance and comedy will make your heart ache. And by the end of the first episode you won't be able to do anything but wait for the next.
It's very very well written and characters are well developed. And the whole production team did a hell of a job behind the camera to make it as great as possible.
The cinematography is beautiful. Specially Han Se Ju's house. Books are every where. I wanted to live there!
The cast was fabulous.
Yoo Ah In, Im Soo Jung and Go Kyung Pyo were perfect for the characters. They not only acted but they brought out the little thing that made those characters more...real. Because they felt real to me and I felt their pain.
Yoo Ah In is as good as his hair style in this drama. I think I have a crush on his 1930 laid back writer self. Who loved to party with his friends. And then the present version where he is even more cuter.
I want to thank that person who came up with his hair styles. Because of him/her we have the hottest hairstyle of 2017 in front of us. Thank You!
Im Soo Jung plays Jeon Seol, the fan who gets her wish to come true. She is the obsessive fangirl that we all are in the inside. And to see her dream come to true - as a fan - made me root for her. Its one fan to another. Her 1930 character is what made me drawn to her even more.
And then we have Go Kyung Pyo. Everything I say about him or his character will be considered less. His acting was phenomenal. Its the little things that he did made me love him even more. And those adorable moments with him and the dog. CUTE.
And applause for Kwak Shi Yang. Because he fooled us all. That is a hard thing to do, with that face.
The songs...oh the songs.
Every single song in this drama is beautiful. They are not only songs but stories told in the lyrics that makes your heart hurt. And every scene is perfected with that well timed OST playing in the background. They bring out the emotions that are shown in screen. You can't get over the songs.
In the end if i had to describe this show in one word, it will be unique. Different, beautiful and unique.
At first sight you might not fall in love like I did. But I will tell you to give this a try. I promise you that its a not a time wasted. Because the next thing you will know, its top in your favorite list. Like mine. So watch it!
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The 1930s storyline overshadowed the mediocre present narrative
Was it worth enduring 14 episodes? I'm not sure. The middle was so bad. This is a time travel drama that went on for much longer than necessary. If it shaved off maybe 8 episodes, it would have been much better. They took a really good plotline, the 1930s narrative and weave elements of it into the present. That's where it failed. I was more invested in the past storyline than the present.In terms of rewatch value, I wouldn't be able to do it. I found the first two or three episodes strong and consistent, but then the female lead stops being the badass shooter she is, just so she can became a damsal in distress, which makes no logical or narrative sense at all. She should be carrying guns in her pocket like she does in the beginning.
This starts off as your typical romcom with a famous writer who experiences writer's slump. He receives an old typewriter from the 1930s in Chicago and from there meets two people, a fangirl and a guy who becomes his ghostwriter. They both end up starting a novel about freedom fighters who fought for independence from Japan in the 1930s. When all three meet, they remember their past lives as freedom fighters. It's a romance, fantasy, and historical drama. If you love strong narratives that's rooted in history and stories about friendships that transcend time, then I highly recommend this. I wasn't really hooked on the story until the final two episodes. That really sealed it for me, hence why the highly rated reviews. It really had the best ending, which is rare in kdramas and tv in general. Not even Sky Castle had a good finale. I was about to drop it around episode 10. I wish I had skipped all the way to episodes 15 and 16 instead of enduring the terrible present subplot. It was that bad.
I had no interest from the melodrama of Han Se Joo's adopted family. It was honestly hard to relate to the characters midpoint.
There was the concrete narrative of our gang's lives from the 1930's, but too much was spent meandering in the present.Tonally it was pretty all over the place. It tried to be serious, then jumped to being funny.
It should have been 8-10 episodes shorter. Pacing was horrendous until the final two episodes. That's where the praise is coming from.
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Story
As you can see, Chicago typewriter is a dual era drama. And it delivers. It goes back and forth between present day and the Japanese invaded korea. The subtle writing, going beyond your usual kdrama cliches and at the same time gives you this strong, beautifully tragic story. A drama that stays true to its plot and doesn't ruin it with overused "plot twists" and "romance cliches" we've all had enough of. Chicago typewriter is really a feast if you're a sucker for good plots.
Acting/Cast
How would you feel if you carried the weight of your past life with you? Met your friends after 80 years? What would you do to get answers long gone in the past? Watch as the cast of Chicago typewriter bring those emotions to life for us. Honestly i didn't expect much from the main cast since it was my first time watching them, except Im Soo Jung. But i gotta say, i underestimated them. From the comedy scenes to the stressful plot twists, the romantic dokey dokey moments to the heart wrenching tragic scenes. The acting made me go "someone give them an oscar pls" everytime.
Music
Good music is something that stays with you. And every OST of Chicago typewriter is definitely here to stay a long time. The music itself will bring you to tears and honestly that's all i can say right now.
Overall
This is a drama i would absolutely recommend. Get your tissues and heart ready beforehand though. All 16 episodes do justice to the drama. Every episode leaves you wanting more. The ending was actually beautifully written, which i'm glad about since alot of dramas ruin the whole thing with rushed endings or nonsense ideas. Chicago typewriter leaves you with feelings of sadness but at the same time mesmerized. It definitely does well portraying both the past and the present. A dual era tale of love and friendship overcoming the very concept of space and time.
10/10
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this drama had it all; the romance, comedy, friendship, bromance, sad moments, happy moments, and mistery. Everything was served in the most beautiful way. No less and no more than it should be, but everything was always on point, especially the way they slowly reveal the secret episode by episode. It was so well written. Also the cinematography, it was very good just like Goblin or Tomorrow With You.
All the characters are also amazing especially the main characters. Han Se Ju had the best character development tho, but Yoo Jin Oh was my favorite.
Don't ask about the acting, they were the best. Yoo Ah In's and Im Soo Jung's acting never failed to satisfy us. And for Go Kyung Pyo, I think he had his best performance in this drama. Especially in the 15th episode when he cried, it was so painful. The trio acting and chemistry stole my heart. And also the one who played as Baek Tae Min, he was also amazing. I hate Baek Tae Min character, but at some moment I pitied him too.
For the music, it was perfectly fit with all of the scenes in the drama. I love all of the soundtracks. Satellite and Be My Light were my favorites.
Overall this drama was amazing and brilliant. I enjoyed this drama so much. When I was watching this, it felt like I was on a journey. I can watch this drama over and over again and I will still be enjoying it.
DAMN, I LOVE THIS DRAMA SO MUCH!
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Yoo Ah In leads the cast as Han Se Joo, an arrogant, eccentric, and celebrated young writer, and he nails it. He's unrecognizable from who I saw in "Sungkyunkwan Scandal", but that just shows how much hair can make a difference in appearance... but more about hair later. Im Soo Jung plays obsessed Jeon Seol, who is another unique character in her own right. It took a while before I realized who she was, because I don't watch as many Korean movies, so I basically missed her whole career since "A Tale of Two Sisters" (one of my favorite movies), and "I'm Sorry, I Love You". It's nice to see her mature version, and I'm so glad to see her return to dramas for this one. The main trio is then completed by Go Kyung Pyo, who I don't really want to say too much about, so I will just say he continues to never disappoint. The chemistry between these 3 will stay with me for a long time. For romance fans, yes there is romantic chemistry, but it's their friendship that drives the show, and got me in the feels.
The supporting cast is also excellent. Many of the supporting characters help to lighten moments, or serve as comic relief, which they did well. Quite a few of the supporting cast members, like the main trio, also have to essentially play 2 characters, one in the past and one in present. I loved how well the cast played the roles in the past, and how they were similar to the present but distinctly different, making the past scenes as interesting as if I were watching a completely different show without it ever feeling disconnected. I also loved that all of the characters had some depth, even if it isn't always as obvious at first. The only characters I had any issue with, and the only reason I didn't give the cast a perfect 10, is because of Tae Min and his mom. I was underwhelmed by the mom as such a bitter villainess yet forgettable character. She wasn't necessarily bad, I just didn't find her very interesting. I also thought Kwak Shi Yang started to over act a little towards the end of the drama, which started to feel a little comical. He was excellent in his complicated dual roles, for the most part, but in some of the final moments his acting really bothered me.
A lot of what made this drama so haunting to me is it's connection to the past, which is set specifically during the Japanese occupation of Korea in the 1930's. There's a nostalgic feel, as well as a definite patriotic feeling, but without it being too sentimental or corny. It pays homage to the artists and revolutionaries of that time, and you don't have to have any historical knowledge to be touched by it. Also don't be worried that the scenes in the past will be too heady or heavy. Many of my favorite romantic, comedic, and action driven moments happened in the past. The past and present scenes work seamlessly together, and don't feel as forced as it can sometimes feel in other dramas.
You will notice that I don't really have anything really bad to say about this drama, so my criticism will be pretty petty, but I guess worth mentioning (at least for my own amusement). Like wanting to know who was the horrible barber in charge of Yoo Ah In's terrible uneven hair cut. The present day cut was awkward and just kept getting worse with each episode, but meanwhile his past hair was sexy as hell. See? Petty! lol. I also had a problem with Im Soo Jung trying to play so much younger than she is. Don't get me wrong, she looks great, but there's no way she looks younger than the two male leads, and her mom looked like she could be her noona. Petty? Perhaps, but I cant be the only person who thought that, right? lol.
Ok, back to the writing, which I can't praise enough. I just loved how well thought out it all was. It's also the kind of story that with a second viewing would reveal even more connected moments, so of course my rewatch score is a 10. If you start watching and don't get what's happening and why, just trust that it will all be explained, and that some of the most random moments are actually happening for a reason. I was admittedly confused, but instantly hooked, from beginning to end. The ending is also one of the most beautiful ones I've seen in a drama, and made me appreciate the whole story even more. It's also a serious tearjerker, making me cry for a full hour, without being completely sad, but definitely feeling emotional. Even the preview of the last episode made me tear up. That's the power of good storytelling. I'm sure one can find flaws if they wanted to, but there is really too much done right to focus on any of that. The episodes are also very long, but always felt like they went by quickly to me, which is dangerous when binge watching! You could lose a whole day with no problem.
The soundtrack is also perfect. I immediately wanted to listen to it after watching the last episode. The song "Writing our stories" in particular stands out, and will probably make me tear up every time I hear it.
Overall this drama often feels more like a film than a typical drama, and hits the bullseye on so many of the things that make us fall in love with dramas in the first place without losing it's originality, no matter what genre you prefer. I would definitely recommend it highly, especially for those who rarely leave their drama-genre comfort zones. This one has a little something for everyone. Do you love characters falling in love in spite of themselves? Check. Rom-com chemistry? Check. Or do you prefer Bromance? Check. Do you love rivalries and revenge? Check. Do you love mystery thrillers? Supernatural tales that blur reality? Emotional melodramas? LOL moments? Historical references that make you curious about the events and people that inspire them? Butt-kicking Action? Girls who defy the damsel in distress routine? Crime stories? Or just good story telling from start to finish? Well, "Chicago Typewriter" has checks straight down the list!
I'm so glad that people's posts about this show made me curious enough to check it out for myself. It's only fitting that I shout out the writer Jin Soo Wan, who wrote "Kill me, Heal me", a drama that I also rated a 10. I will definitely look forward to anything she writes in the future. If there was ever a drama that made me appreciate writers, down to the hilarious "Misery" references, the hilarious naming of Go Kyung Pyo's character "Yoo Jin Oh", or even the perfect title choice, it's definitely this one! And if you've ever thought about writing this will either inspire you to do just that, or scare you away from the profession completely!
Ok, enough praise! I guess I'm still on a high from watching this! Who knows, I may even start rewatching it again immediately. Yes, it's really is that good.
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Messy and unsatisfying
This show had an interesting premise with people trying to figure out who they are and how they are connected over lifetimes. The real-life historical incidents could have given it some interesting and valuable dramatic aspects as well as relational intersections between the characters.However, the show just didn't deliver. The beginning was littered with silly, over the top misunderstandings that lead all the characters to dislike each other. Furthermore, the characters are one dimensional and flat. They never share enough with us through dialogue or action, about who they are, what they think, and the challenges they face. Then suddenly, all the characters start to care about each other but we're not sure why. At this point the baddies start doing bad things, but we never really figure out the depth of why either. And then finally, there are a bunch of melodramatic scenes as they sacrifice for each other, in sort of a love triangle version of Romeo & Juliet.
The relationships between the characters never solidified. The historical story could have been so much richer, depicting the danger and risks they were taking and the suffering they were living. And then in the present day, we could have seen the characters overcome their personal challenges and grow their relationships and support each other.
Instead, there is not much for us to care about because there is so little depth. It was a waste of time.
And finally, the most memorable thing I have to comment on in this drama is that Yoo Ah In's super short haircut in the present day was completely the wrong style for him. His longer style in the historical scenes was spot on.
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