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Oh and you'll have this song running thru your head after each ep like so;
'LUUURVE IS DERRR MOMEEEEEENT' Most. Annoying. Song. Ever.
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Afterall, I think this drama is recommended for a teenager, it's really good and for Hey!Say!JUMP lovers, you must watch this!
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Story: actually there's nothing so special about the story. Typical school romance story, with all those puppy love, friendship, and even the school gang. But aside from that, the story itself got a nice flow. I found myself enjoying every scene, even though the story might be pretty predictable for most people (and yes, for me too). Even though it only have 4 episode, I think it end well. Nothing was dragged or rushed. And to add the points, this drama makes me reminiscing my high school days alongside the story.
Acting/cast: I have to admit, that saying that Kwak Dong Yun is the next Yoo Seung Ho, is appropriate. His acting is really good, considering that he's 16 years old! Lee Se Young, I have seen her in Missing You. But I think even though she's the main role here, her acting is just so-so. As for their chemistry, I can't say that it's good, but I can't say that it's terrible either. It's just.... flat? For Choi Tae Joon (he's soooo handsome, we agree?), his acting is actually pretty good! I just don't know why he didn't star in more dramas (currently watching him in Ugly Alert btw). The rest of supporting role is also did a good job.
Music: not much musics there, but the musics are pretty good! It fit the drama atmosphere nicely. No complaints..
Rewatching value: solely because I don't rewatch my dramas.
Overall, watching this, give me a good nostalgia. A light, heartwarming, innocent love stories in school. With a good music, and good looking actors. The storyline is ordinary, but I find myself enjoying how the story progressing. If you like school romance, or you didn't like long dramas, this drama is then suitable for you.
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As implied above, Yakou Kanransha delves into the effects a shocking murder has on two families (and the town in which they live). It is an emotional story marked by highs and lows, much like the ever-rotating path the titular Ferris wheel follows. Other issues tackled over its course include bullying (by neighbors and classmates), ostracization, domestic violence, and societal pressure. Unlike many other Japanese dramas with such a focus, family is not held on a pedestal. Instead we're shown a realistically flawed structure, full of secrets and misunderstandings. Despite this, beauty remains to be found in the connection between friends, brothers and sisters, parents and children; something so imperfect can still be wonderful.
Most incredible might be how deftly these emotive aspects are combined with exciting, cerebral ones. Character development intermingles flawlessly with shocking revelations and startling secrets. Scenes are rarely lingered on; the pacing maintains a seamless stability throughout the series.
Japan excels at the ensemble piece; Yakou Kanransha boasts a large cast which more than lives up to this standard. Suzuki Kyoka clocks in a believable and solid performance as Endo Mayumi. This role is written simply so she might serve as our eyes into this fantastic circumstance; despite this, Suzuki-san completely brings her to life. Among the other adults, Yasuda Shota and Natsuki Mari are of great interest. Natsuki-san plays an especially polarizing part, yet her consistent and complex portrayal makes quite the impression.
But young actors Nakagawa Taishi (15) and Sugisaki Hana (16) completely steal the show. Both deliver honest and affecting performances beyond their years. Particularly Nakagawa-san; it floored me how drawn into his scenes I became as the series rolled along. Definitely a budding career to watch.
If like me, music comprises an important part of your viewing experience: take heart. Yakou Kanransha posesses an immaculate soundtrack, full of richly mysterious strings and hollow piano. There are also fine vocals, such as those from Ai (ending theme "Voice," which exudes action), and Reiko Oshima ("Daydreaming," a hopeful ballad with a bittersweet feel). Other highlights include the masterful use of sound effects; during particularly intense scenes, one can sometimes hear the grinding machinery and clacking carts of the Ferris wheel. Also take note of its use as imagery between scenes; you'll never forget the way it looks, brightly lit at night.
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Otherwise I would further impale it to look!
I think that this is drama Excellent because the story is good the have the actor played well and the music circuit and so on very well, the whole drama is simply Superb!
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Lee Dong Gun, Jung Yong Hwa, Yoon Eun Hye and Han Chae Ah did a great job with their characters. I know that some people have problems with a few of these actors, but I think they all did an excellent job.
The music is annoying.
I won't rewatch this.
I think that if you like dramas that make you think, then this is a good one for it. Especially if you like the thought of time travel and parallel universes.
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There are two things that bothered people the most. 1, the main female lead is a bit hard to get used to at first and isn't very appealing, and 2, the ending isn't what most people were expecting and they were a little disappointed...BUT it's not a horrible ending, it's just different from the other Hana Kimi endings. As for Rui Xi, you get used to her and realize she isn't all that bad, and she definitely pulled off being a guy VERY well.
What I liked the most about this version was the chemistry was amazing between not only the main roles, but everyone else as well. Quan(main male lead), was the BEST out of all versions. He didn't come off as a jerk, his acting was brilliant, and you could just feel his emotions throughout his role. Not only that, but he is definitely the best looking in my opinion. I started this mainly for Jiro Wang and for the story of Hana Kimi that I love, but I did not expect to fall head over heals for Quan aka Wu Chun.
This version was also the funniest for me as well and I caught myself with a permanent grin stuck on my face as I was watching this...which was pretty embarrassing, but that's just how good it was, it makes you smile!
I loved everything about this, sure it's cheesy, but you should already be expecting that going into Hana Kimi, it's supposed to be horribly cheesy, but that's what I like about it. Yea, I wish the ending would of went a little differently, but that doesn't stop me from recommending this to you guys, it's worth it.
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MHIYD chose to present itself as a romantic comedy. In other words, it promises its viewers funny moments while its protagonists develop a sweet or maybe light-hearted romance. Of course, any regular k-drama watcher knows that even a romantic comedy gives its couple harsh obstacles which can become tiresome at some points, but they eventually overcome them and everyone would be happy in the end. MHIYD's biggest flaw was that it actively made 'the obstacle' the center of the story and managed to ultimately rob the show out of its comedy and romance altogether. So, instead of watching two couples fighting obstacles to find love, we had to suffer as they fought love to NEVER be together. Consequently, there was only distress through most of the last third of the drama. Forget opposing parents and meddling second leads, crazy future ahjummas are the worst!
And after all the trouble, we were told that all of this meddling was much ado about nothing. I won't spoil it for you but here's a close metaphor. Imagine that someone crashes a wedding just before the "I declare you husband and wife" part arguing that the couple can not be wed because they're in fact blood-related siblings and if they get married, a horrible disease would plague the nation and everyone would die. Fifteen episodes later, said-wedding crasher discovered that it was the wrong couple, to begin with, and all the created mess was a big mistake. Oops!
The finale could have worked out if the drama wasn't fixated over the romance and chose to focus on the characters' personalities and lives challenges.
The saddest part is that MHIYD had a strong cast and refreshing characters. I would have loved to see more of Kim Shin and my favorite So Yoo Kyung. The pairings had chemistry and charm. Watching all of those interesting characters becoming dull and running through empty circles when they could have easily shined (if crazy ahjumma just let them be on their own) was such a pity, even a shame! Such a waste of potential.
The acting was good. The music was fine I guess.
Obviously, the rewatch value is low.
One more major flaw: I still can't believe that the production cast K-drama's Kissing Queen as their female lead and we still got no kisses! (I'm sorry I had to get it off my chest!).
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The biggest problem with this drama was the story. It started out really promising. I loved the time travel concept and all the characters had interesting stories and motivations. Then somewhere in the middle it became a huge mess. Suddenly there were complicated time travel rules that contradicted themselves. The characters started to contradict themselves as well, and lose a lot of their motivations and, in some cases, likability. Everything became a big mess, but I held out hope for a nice, neat, happy ending, only to be extremely disappointed.
It's such a pity. I really loved most of the characters, mostly thanks to the actors and not the writing. Mi Rae was a very strong lead. She didn't fall into the usual annoying female lead cliches. Kim Shin ended up being really likable despite his first impressions. His smile killed me (in all the best ways). Yoo Kyung was a surprisingly likable female second lead, and I loved so many of the secondary characters, like Mi Rae's brother, Writer Bae, and the rest of the production team.
And then there were characters who couldn't be saved despite their charming actors. I'm looking at you, Se Joo! He started out so well. I was cheering for him like I usually do second leads. But then when the plot started getting messy, so did his character. The motivations became unclear and the charm disappeared. The other mess of a character was Future Mi Rae. After awhile I found her really annoying and lost all sympathy for her.
The music was okay, but if got pretty repetitive and wasn't always used at appropriate times. Overall, this show was a big disappointment. The only reason I finished it and gave it as high of a rating as I did was because I ended up caring about a lot of the characters. I really wanted to know what happened to them each week. If only they'd gotten a decent ending...
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