Funnily enough, I almost passed by this drama and, had I not been practically forced to push the play button, I would have missed out on the best drama I've seen in my twelve years of drama watching experience. Even the fact that this is my first drama review on MDL shows how highly I think of this drama and how strongly I feel that the overall rating of #2 and popularity of #1 is completely well deserved. Healer has become my top favorite drama, dethroning my previous favorite, which had held onto the top spot for the last seven years. That's the power of Healer.
If strong characters all around, both male and female, are your thing, watch it. If a solid love line without stupid, nonsensical love triangles and noble idiocy break ups are your thing, watch it. If you enjoy a good action, romance, political, and gripping-the-edge-of-your-seat-intense drama, then this is definitely, definitely for you. Watch it.
The acting by the ENTIRE cast is flawless. The OST is amazing and so well suited to each scene that its played in. Healer will make you experience the widest range of emotions throughout its 20 episodes and you'll still feel like you didn't get enough. Heartwarming, touching, beautiful, intriguing, heartbreaking, action-packed, downright hilarious, and so perfect! That's Healer.
In fact, I don't think there are enough words in the world to describe Healer and the effect it has on me and this is coming from a writer. The plot was solid, the pacing was perfectly balanced while never slow, and the characters were so natural and realistic. I walked into this drama unfamiliar with the cast and walked away a fan of all three leads and then some.
If you've ever fallen so in love with someone or something to the point where your heart hurts and throbs with the pain of overwhelming emotions, then you'll understand what Healer has done to me. But, quite frankly, it would hurt more to never experience this drama than to deal with the withdrawal of a perfect in every aspect drama.
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STORY
Marriage contract is your average, predictable and cliché kdrama. We get our over-used closed and shut-down, borderline rude and arrogant rich, chaebol male lead; the younger, naïve, kind-hearted and poor girl and we see their love story develop through a very foreseeable melo plot-story. However, even if you feel you can predict everything from the first episode, MC manages to pull you in with its incredible and unique feel of raw-ness.
The characters are ordinary, and yet they are so original. The male lead is overly rough and mean on the outside, but with such a marshmallow core that makes him completely loveable from the first moment; the female lead is your average girl in need, but she is a fighter and you will root for her and her wonderful personality to be happy. Characterization and character development are commendable and one of the main reasons i would recommend this.
The drama is packed with small, simple moments of everyday life that superficially are skippable, but they ultimately make the drama what it really is. Small moments, like hugging a friend, trimming your hair, talking to your kid, playing with pets; moments that are insignificant in dramas, but mean so much for a person in real life, because they express happiness and sadness; life’s core traits. THIS is what this show is, and this is where it is unique, this is where it is extraordinary and this is where it exceeds expectations and becomes an amazing show.
Basically, what exactly is Marriage Contract? MC Is a story about how family can completely destroy you as a person, destroy your life, destroy your dreams, destroy your hopes, destroy everything you love. It depicts perfectly the bittersweet/love-hate feelings someone can have towards their family, and how these problems can be confronted. Opening up to a special someone is the key to being happy. Letting go, forgiving yourself and others, and ultimately loving and sharing your life with someone else; and when you've found that someone, live in the moment, don't spend your time restlessly thinking about the future. Be happy, in the moment!
The background of the drama is the very dysfunctional family of the male lead who desperately tries to find an organ donor for his sick and troubled mother. This is where the female lead comes into the picture, hence the marriage contract. See? Super simple, super predictable almost enough for someone to skip/drop this. And yet…. the drama is exquisite, in many ways it reminded me of It’s Ok, That’s Love.
Lastly, I would like to talk to you about the chemistry here, because it is probably the best thing this drama has to offer. I think i can safely say that real chemistry between the leads is rare in kdramas. Some people can ship any pretty faced actors together, I can’t. I need sparks; I need them to prove to me that they are worth my tears, my time and my frustration! Lee Seo Jin and Uee not only had sizzling and magnificent chemistry, not only they looked phenomenal together, not only each of their moments was heart-wrenching and mind-blowing, but they re-invented the term 'on screen chemistry' for me since they managed to actually seem like a family.
What’s more, the most astonishing thing of them all, the kid actress Shin Rin Ah managed to develop such an amazing chemistry not only with Uee (mother-daughter relationship), but with Lee Seo Jin as well (father-daughter relationship). The three of them looked so unrealistically wonderful together they will destroy and revive your feelings over and over again. One of the best overall on-set chemistries I’ve ever seen.
This drama is arguably a masterpiece, not because of an innovative plot or anything like it, but because of its raw simplicity and flawless chemistry.
ACTING
I’ll be frank. I’m tired of people hating Uee’s acting. I am not completely familiar with her previous projects, I’ve watched bits and pieces of them, but she certainly gave the performance of her life here, and I pity people who couldn’t see that! She is an actress who is improving, and she should be praised for this. She puts effort in her acting, she cares! She was impeccable, exquisite and luscious in every way here, there wasn’t a single moment where I didn’t feel what she was feeling, amazing facial expressions, great body expressions, very emotional crying, really mature deliverance by Uee overall. People, who disagree, apparently need someone to hate, please hate yourselves and leave Uee alone!
As far as Lee Seo Jin is concerned, for one, he was so hot, manly and handsome I was taken by surprise. Secondly he managed pull off brilliantly, a pretty complicated character, who could have been easily hated. He delivered a great and sensuous performance; he made his character understandable from the very beginning - he apparently took the time to actually understand his character before taking the role. What I’d like to especially mention is his terrific deliverance on the emotion of happiness. His character was largely depressed, the worst kind of depression; the kind, that is not visible and seem ok on the surface. Happiness is a funny thing, everyone can imitate and say they are happy but which of us actually are? Lee Seo Jin send shivers down my spine, specific moments made, not only his character feel more raw and real, but also it enhanced the whole point of the show and helped the drama have more impact.
Lastly, I feel the need to congratulate the kid actress Shin Rih Na, she is deadly talented, best kid actor I’ve seen thus far. Her role here, wasn’t just to be cute, her role was essential for the drama to make sense and she was exquisite in it. She has a bright future in this industry. These 3 should act together in the future again!
RECOMMEND/REWATCH
This is a melo-romance. People who like melodramas, you’ll like it, it is not overly sentimental (although it does get increasingly depressing), people who like rom-coms, this might be too much for you, but since I know you love a good romance, this is recommended. This kind of chemistry should not be missed or ignored! I will definitely rewatch this at some point!
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1Machiavelli in love.
The first thing that comes up in any discussion of the Rise of the Phoenixes is that it has a bad ending. I put this in cold storage because I didn't want to be punched in the face after 70 episodes. After watching, l can confirm that it does indeed have the worst ending ever: 5 bad minutes that make little sense. The rest of it is so engaging that I loved almost every moment, plot flaws and all. It is one of my top 3 dramas. There is a spoiler discussion of the ending at the bottom if you scroll down.This was adapted from a popular novel (which I did not read) that had tragic elements but did not end in tragedy. Most of the flaws can be traced back to a fatal decision to change the book ending. That resulted in plot inconsistencies and several main characters making odd and uncharacteristic decisions in order to force this outcome. This begins from about episode 50. The last arc (~10 episodes) are the least convincing and closes the drama at its weakest moments. There are excellent reviews here that analyze the plot holes and flaws with this drama so I won't deep dive any of that. I will focus on what makes this hidden gem irresistible and unforgettable in spite of the negatives.
This is a political drama about the ascent of Ning Yi, the 6th prince of Tiansheng. Raised amidst palace intrigue, betrayal and murder, Ning Yi is a somewhat dark character who is an ultimate survivor. He is the quintessential Machiavelli; a ruthless manipulator and a consummate Go player both literally and figuratively. Wrongfully banished for eight years, he claws his way back to favor, methodically eviscerating his scheming brothers along the way. Initially his purpose is uncover the mystery behind his mother's disappearance and avenge his third brother's deposal. As he gains power, the goal posts change as he aspires to unite the kingdom and make it a place where all are equal in the eyes of the law. Like all characters destined for political greatness, Ning Yi believes that the ends justify the means and ruthlessly and deftly eliminates anyone in his way. He is a guarded character that conceals his true self behind a mockingly care-free and cynical façade. Shards of radiant light emerges when his core convictions are tested and when the people he cares for are threatened. Chen Kun's deliciously portrayed Ning Yi is brilliant, dramatic, wicked, ferocious, daring, charismatic, mischievous, sentimental and utterly unforgettable. I could not get enough of his wandering eyebrow, the wicked gleam in his eyes, his vehemence and his diabolical sense of humor. Ning Yi is an endlessly fascinating, one of a kind character that is by far my all-time favorite c-drama protagonist.
Fang Zhiwei for the first ~50 episodes is the rare strong female lead character we don't see enough of. She is the lowly niece of a powerful minister that is raised in his household on sufferance. She is highly educated, clever, idealistic and audacious enough to take charge of her own destiny. She encounters Ning Yi for the first time in a bold attempt to foil her uncle's plot to marry her off to this powerless prince in her cousin's place. He is intrigued by her and recognizes her resourcefulness could be useful to him. But she has a mind of her own and does not fall in with his plans that easily; as often as not they end up on different (though not necessarily opposing) sides. With Ning Yi's help, she disguises herself as a male scholar Weizhi and enrolls in the most prestigious school in the capital. She gains recognition as the Ultimate Scholar and becomes an influential member of the court and trusted confidante of the emperor. I love strong female characters like this and Ni Ni really shines in this role, especially when she goes toe to toe with Ning Yi. She is as persuasive as the boyish, accomplished and cunning Weizhi as she is the exquisite, vulnerable and overly idealistic Zhiwei. Zhiwei/Weizhi is a consistently awesome character until she sheds her identity as Weizhi and becomes Zhiwei again. At that point, in all the moments that matter she loses her common sense and regresses into a naïve, overly emotional and easily manipulated Zhiwei who no longer knows what she wants. Unfortunately this remarkable character was thrown under the bus to facilitate the dreadful ending.
Ning Yi and Fang Zhiwei were just made for each other. Only actors of Chen Kun and Ni Ni's caliber can express intense passion and longing while barely touching and the wordless communication of two soul mates who just know each other. All of their interactions are mesmerizing - their spirited and witty banter, the way Ning Yi chokes with unholy mirth every time he teases her and of course the biting scenes that I couldn't stop re-watching. Every time they part ways, I am devastated by how dejected Ning Yi is; how their body language conveys the true feeling behind the false bravado of their words. Ning Yi is proud of, not threatened by Zhiwei's abilities and independence, even when she challenges him. Thus Zhiwei bails out Ning Yi as often as he saves her. They are the ultimate power couple, a force to be reckoned with when they are united against some rather formidable villains. By no means invincible, they suffer crushing personal losses and setbacks that among other things forces Ning Yi to make the hardest sacrifice to keep Zhiwei safe.
The romance is so consuming it sucks you into rooting for them through many obstacles; blithely ignoring the blatant warnings throughout that it doesn't end well. This overshadows the fact that this drama is actually about political strife both internal and external. Together our main protagonists deal with internal conspiracies, ambitious princes and politicians, rebellious fiefdoms, remnants of the former kingdom, encroaching neighbors and a devious and paranoid emperor. The emperor is a distant father with too many sons that he treats as little more than pawns and potential usurpers. He is the one person that Ning Yi cannot protect Zhiwei from once her origins are revealed. Their worst enemy however is misplaced fiduciary to an older generation that can not let go of the past so that the younger generation can follow their hearts and dreams.
While the plot is complex with multi-faceted main characters, the overall narrative is clear, well paced and easy to follow. Despite some messy transitions and plot holes (likely due to censorship), the meaning and general thrust of the storyline is intact. The dialogue is witty and sprinkled with light humor that balances politically heavy tone of the drama. The characters are colorful and many have lovable quirks: Nanyi's odd eating habits, Ning Sheng's priceless facial expressions and Helian Zhang's parody of a lovesick fool. Both main protagonists have meaningful and independent relationships with the other core characters; they are not just defined by each other. Ning Yi's key friend, ally and confidante is headmaster Xin Zhiyan, an ambitious and wily strategist. He is protected by the fiercely loyal Ning Cheng, who is the couple's greatest champion. Zhiwei is aided by the dependable Yan Huaishi and protected by the devoted and silently lethal Gu Nanyi. The characters are well written, with their own priorities and agendas and have free will. Ning Yi and Zhiwei's relationship and their actions create uncertainly and friction in some of these surrounding relationships that sets in motion a number of unexpected and exciting plot twists with some heartbreaking consequences.
Though the last ten episodes are the weakest with pathetic and unconvincing villains, I still wanted to see the last main villain go down. Although I was warned, I won't lie: the last 5 minutes were still despicable and unforgivable. It was also completely out of character for Fang Zhiwei and thus not convincing. It was so bad I didn't even feel sad, I just kept shaking my fist at the TV. That said, this drama must be judged in its entirety and remains emphatically one where the journey is much more important than the destination. What a thrilling and riveting journey! I started to re-watch it almost immediately, something I haven't done since TMOPB. I really want to give this a 10 because I love it so much I just don't care about the flaws. But I knocked off 0.5 anyway as my petty and impotent vengeance for the ending.
On re-watch I realized that the ending can be interpreted as open which I discuss below (MAJOR SPOILER).
Warning: Major Ending Spoiler
In Zhiwei's last conversation with Nanyi at their base in the capital, he reiterates that he goes where she goes. He asks her if she is really going to marry Ning Yi and be his empress. She asks if that would be such a terrible thing? We may not have been shown the whole conversation which ends with Nanyi saying that he will wait there for her, implying she is coming back (and not marrying Ning Yi). The ending jump scene had a very surreal quality to it, almost as if it were a dream and not real. It can be argued that she fakes her death and disappears with Nanyi. This would be much more in character for Zhiwei. It would also be closer to the book ending which has her faking her death and eventually reuniting with Ning Yi who gives up the throne for her (credit to @Skibbies who shared the book ending with me). I think most viewers (including myself) were so shocked and dismayed they missed this subtlety. Though less obvious, it is the ending interpretation I prefer. I understand why Zhiwei wouldn't want to be empress when their path to the throne is littered with bodies but she is also smart enough to know that their cause was never her cause and that would be too unfair to Ning Yi. Ning Yi and Zhiwei have done enough for king and country and deserve a chance to enjoy their uncommon love as common people.
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Anyone disappointed after watching this? NOT ME.
An incredible series that GMM25 has delivered and a dangerous new standard for the upcoming series. Why? Read below. This is a longer review than usual, but this series is INCREDIBLE and therefore incredibly hard to only put into only a few paragraphs. :))(Quick recommendation. Listen to this while reading: https://youtu.be/__6Eb2jhceo)
The story is unique and nothing that anyone has easily come close to achieving. Political topics have a high risk of not being well received by the viewers because the pacing often becomes very sluggish and boring if it is not implemented correctly. Another danger with this trope is that romance can often feel redundant and inappropriate, thus degrading the quality of the story. Neither is the case here. Why? The answer is not very simple.
PRODUCTION
Let´s start with the production and filming/ writing of the scenes. Throughout the entire series, one can not deny the beautiful shots that were taken. Everything seems to have gone under detailed planning of how to use the natural light the best and how to film beautiful scenes at locations, that doesn´t depend on much editing. However, one thing is certain, professionals are at work. Both in the filming and editing, but also in the individual usage and choice of music. Incomparable to other series.
Praise to Nuchy Anucha Boonyawatana, Noolek Sureechary and M Rittiktai Kanjanawiphu for the incredible screenwriting. I did not stumble across any grievous mistakes. Personally, I want to thank the creator of "Not Me”, Dem Thanutnun Vitsivakun, for creating this incredible story. She has succeeded in merging the topics of politics, injustice, LGBTQ+ and revenge to a point where you can only be amazed.
And of course, praise for the cinematographer Beat Pramett Chankrasse, he gifted us with captures of breathtakingly beautiful moments. The scenes embody the emotions of all the characters and carefully embrace them. But how are other series supposed to keep up now, mister? I have no idea.
The difficulty that this series has met was the decreased amount of episodes because of budget problems. This problem was briefly felt towards the end, but the overall presentation is so brilliant that the few inconveniences can be overlooked, really!
PLOT
Black and White are twins with a powerful connection but the two are as different as day and night. White is very dedicated to reveal the truth behind the state of his hospitalized brother, but his personality is FORTUNATELY too different to not cause other problems, incidents, etc. This fact is very well implemented by the writers: Without being too obvious about it they make White purposely misbehave in his role as Black. The story and its execution go hand in hand in this series.
The entire plot had so many risks in its adaption, but the series succeeded in not getting trapped by them. On the contrary, they used this fear to create a masterpiece that will amaze everyone, probably even the people involved themselves. The expectations were more than met.
The side stories also have their unique charm, and the introduction of a mute person just gives the overall picture that certain something of realistic scenario that you get addicted to watching. No matter if politics, injustice, LGBTQ+, revenge or disadvantages, each topic is accurate and not exaggerated.
The female characters did not meet the cliché standards of many other BL, on the contrary, they were no tools for the story but - and that should be the norm - they were their own masters, had their own lives and did not have any unexplainable toxic trades. All their reactions were understandable and well implemented.
The characters aren't denied their mistakes either, rather in the series these people try to work on their mistakes. That's what makes them so human and the series so perfect.
ACTORS
Before I get to Gun´s outstanding performance, I start with the supporting cast. The acting of all of them was solid and no one seemed to be uncomfortable to look at. Additionally, I also want to praise whoever cast this outrageous cast. Because even smaller roles like the parents or the antagonist have proved themselves well and worked fine with the plot.
Film (Eugene) and Lookjun (Namo) delivered two incredible performances as two female characters in a gay romance oriented series. They acted very naturally, and one could sympathize with their portrayed roles. Especially Film was well cast for her role as Eugene. Filmshy was also doing a good job, but she didn´t have much screen time, so it´s hard for me to review it.
Let´s get to the boys. Oh. I have so much to say but I don´t know where to start. I have never imagined Sing to ever get this kind of role, but he succeeded in any means. If you ask me, he deserves to get more main roles in series because he is such a flexible and good actor.
The leader of the garage, Gumpa played by Papang. Two words. Unexpected Gem. This guy did such a good job in his role. He also deserves more screentime because he is truly gifted. The same goes for Mond, who portrayed Gram. Personally, I like this actor a lot because he always managed to meet my expectations and I love the control he has over his facial expressions.
When it comes to emotions and portrayed intimacy, First (Yok) and Fluke (Dan) were blowing my mind. I loved their shots and on-screen scenes. Everything in this series worked incredibly well together but especially these two. After watching their sequences, I got inspired and overwhelmed by a sudden wave of motivation. I will miss them. I will miss the PAIN. THE PAIN.
There was also incomparable harmony between Gun (Black/ White) and Off (Sean), again ... but honestly, how do they do it? How crazy can one succeed in their role? The two are a great match and I hope to see more of them in the future. Speaking of how incredible these two are, Gun deserves a special mention. He managed to draw a clear line between Black and White. Cold and warm. Physical and psychological. He was playing both twins, but you could tell them apart. Manifestly! What an incredibly good actor! Mastering a twin role alone is something many have attempted and failed, but none has been as good or compelling as Gun. Give him a huge award and lots of love and attention.
OVERALL
At this point I´d like to cite our POP-Queen Lady Gaga:
NOT ME is “talented, brilliant, incredible, amazing, show-stopping, spectacular, never the same, totally unique, completely not ever been done before, unafraid to reference or not reference, (…)”. In a nutshell, this show is everything and more the LGBTQ+ film community has ever wished for. The sceneries and shots are breathtaking, the actors outstanding and the edit incomparable. Even the use of music has been merging with the entire awesomeness of this show. Every expectation is being met and it´s honestly nothing you should miss.
The upcoming series has a lot of work ahead if they ever want to meet this extreme standard of perfection.
Who am I lying to ... it´s impossible.
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This is the new standard for bl shows
Wow what can i even say about this show, like for the past 10 weeks I've went thru so much emotions that i couldn't believe i could exude.Tale of a thousand 1000 stars is one of the best bl shows to air this year. The cinematography, acting, music literally everything was perfection. If i was being honest when i first heard about the show i wasn't that that excited but still interested but oh wow my expectations went thru the roof. Both actors held their ground and proved they will be running gmm for years to come. Tian and phupha had so much chemistry and tension you couldn't even deal if you tried.
I honestly don't even know what else do i have to say like its just that good so EVERYONE GO WATCH
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Fifty Shades should disappear so Love and Leashes can become the introductory standard for BDSM
Going into this movie I was afraid they would make a joke out of BDSM or portray male submissives as pathetic, but I was ecstatic to see that it was not the case in the slightest. This movie is a very solid introduction for what BDSM is and means if you have no clue about it-- even putting up definitions and explanations of terms on screen to make it easier to understand.The portrayal of male submissives is scarce at best, but actually good, respectful, judgement-free depictions of male submissives are almost nonexistent in mainstream media. That was my primary concern, but if it's yours as well I am here to reassure you that you've got nothing to worry about. The movie does an incredible job of framing Ji Hoo's submissiveness as something that is simply his preference and there's nothing wrong with it, even when others may judge him. Another common problem with the depiction of men who have more submissive personalities is that writers tend to end up delving in the territory of trying to reassure the audience that the character is not *actually* 100% submissive in bed, which is a huge pet peeve of mine. That. Never. Happens. Here.
On the other hand, Ji Woo's character is absolutely incredible because she is the inexperienced Dom that had never been able to put into words what she is actually into. Maybe TMI, but that was me, once. Her quick ease into the Dom role even if she is unsure about doing a good job clearly stems from the fact that this has always been who she is-- she just never had a chance to explore it with anyone. The inexperienced Dom trope also sometimes falls prey to the sudden role switch where the male character takes charge because she is *so* inexperienced and gets *so* easily flustered because of it-- or he was actually in charge all along even if he "acted" submissive, but this incredible movie avoids that completely. He is the submissive, she is the Dom, and even when she may falter and worry she is not doing a good job, those roles remain the same.
You may think this should've been a multi-episode drama instead, but I disagree. Had they done that, the conflicts would've been dragged and many people who may give this a chance because it's a movie simply wouldn't have watched it. The movie is incredible just the way it is.
This was made by people who took the topic seriously and approached it with nothing but respect, and I am eternally thankful for it.
*It should be noted that I have not read the manga, therefore my opinion is solely based on the movie as a stand-alone story about BDSM.
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Esta resenha pode conter spoilers
I WAS NOT PREPARED FOR THIS
From beginning to end, this film was a true masterpiece. If you want to experience a beautiful story filled with authentic feelings of affection and true love then watch this. It evokes nostalgia for items like DVDs and payphones, and the overall melodramatic, nostalgic, dreamy mood only adds to the plot.Watch it if you want to be left feeling like a complete and utter wreck. Also don't watch it for those same reasons. I just feel the same as I did after completing 2521. It's literally so similar to that with the youthful, coming of age storyline filled with miscommunications and missed opportunities except there's a very big plot twist at the end.
Be warned, there is no happy ending to this story. I'm still not over it. Bo Ra and Woon Ho deserved sooooooo much better.
It's a solid 9/10 for me but I am so mad / confused I want to give it less but it was a really good movie, I think the actors did a really good job portraying these characters and sharing their love story. I was literally up at 3am watching this sobbing for 15 minutes after it ended. This film truly made me feel so many emotions.
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1Esta resenha pode conter spoilers
AN UNFORGETTABLE CINEMATIC MASTERPIECE !
***DISCLAIMER: This is just my opinion. We don’t have to agree and I’m not here to argue with anyone.***THIS DRAMA IS BRILLIANT, INCREDIBLE, AMAZING, SHOW STOPPING AND SPECTACULAR. It may seem like I am over exaggerating but it was seriously so intense! I can’t even properly articulate how captivating it was. Not gonna lie the CHOKEHOLD this drama had me in for MONTHS definitely NEEDS TO BE STUDIED.
Since Part 1 this drama hooked me from the very beginning. The story is a long an tumultuous one, a rollercoaster ride with many many ups and downs for lack of better words. I feel I am truly blessed to have experienced this drama in 2023. I have always loved historical's especially in western shows but this drama made me realize my love for Saeguks in particular. This kdrama reminds me of every classic novel I've ever read. It’s filled with political intrigue, war, power struggles, women’s issues, survival, camaraderie, found family, societal expectations, class relations, love, marriage, the importance of reputation and so much more.
If you are debating whether to watch it or not I suggest you go for it. I don’t want to give too much away but it’s definitely an experience you do not want to miss. I know some will disagree with me and find some fault but there is something interesting and captivating in every episode. Even if you don't want to admit it this drama is ADDICTING. It managed to evoke a lot of feelings whether that be frustration, annoyance, anger, sadness or adoration – THE WORKS! It put us ongoing watchers through the wringer each week but I wouldn’t have had it any other way. I feel so grateful to have known these characters and followed them along their journeys, both individual and together.
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IN MORE DETAIL (SPOILERS AHEAD):
They exceeded my expectations in every episode. I can't express how wonderful this drama is. This show understands that every episode is important and that every single scene has a purpose. I'm astounded at the progress of the primary leads; they've come a long way. From the first episode, you can observe the difference and transformation. The intensity of the episodes, particularly their first reunion, the separation / goodbye, the "death" and their final reunion took a heavy toll on my emotions.
I’d like to give a big thanks to the crew members that brought the cinematography to life. The same is true for the writer for having this degree of commitment to the story. Additionally, with each successive episode and scene, our main characters improved their craft. I really hope they win many awards!
Firstly I want to commend the talented Namkoong Min and Ahn Eun Jin for bringing our dearest Gil Chae and Jang Hyun to life. Our beloved Jangchae will be remembered forever and always. For me at least, they will go down as one of the BEST and MOST WELL WRITTEN CHARACTERS IN KDRAMA HISTORY.
Gil Chae was My Dearest's actual heart and soul. She is undoubtedly my favorite character in 2023, and one of the top 3 in all of the dramas I have ever seen. Ahn Eun Jin's emotive and exceptional performance was profound. There are no words to express how much I adore Gil Chae. This drama proves that a strong-willed, feminine, kindhearted, sensitive, and perfectly imperfect female lead may exist without being annoyingly childish or portrayed as damsel in distress. Gil Chae truly matured throughout the course of this drama, and her character development is one of the best. I’m pleased Gil Chae never tried to define herself as a victim or force others to pity her. She remained resilient, resourceful, quick-witted, clever, and tenacious to the bitter end. Though she seemed overly understanding, selfless, and shortsighted at times, particularly when it came to Ryang Eum, the Qing Princess, and attempting to sacrifice her happiness in order protect Jang Hyun, her character was very nuanced, and I am grateful I got the opportunity to know her.
In a world of men, Jang Hyun is a "gentleman." I just felt compelled to make this point because he is by far the only male in this story who was kind, caring, compassionate wise beyond his years. Though I wished for more of his backstory as to how he became the man he is today, I believe the last two episodes neatly tied it up and as we watched him grow throughout the entire drama, you could always see and understand his motives because of the powerful messages he always managed to leave with other characters. I treasured watching him mature and prove himself to everyone. It was amazing to see him change his ideas after meeting Gil Chae and discovering someone he wanted to protect and stand by for years to come. Though he was a morally grey character in Part 1, he evolved into the guy he is today as a result of his experiences and the people he met along his journeys. He was more than just a merchant or an interpreter. He was the true diamond in the rough – the only one who saw everyone as a worthy human being and regarded everyone's life as important as his own.
He is the only man in this drama who ever took the time to understand people and the world. Jang Hyun's gentle and compassionate remarks to Young Rang, his reprimand of the Qing Princess, his advise to the Crown Prince and Princess, his powerful heart-breaking confession to Gil Chae and his final appeals to his father will never be forgotten.
The fact that Jang Hyun never once reduced a woman to her experiences needs to be recognized. He accepted Gil Chae as she was, never asked her to change and adored her and cherished her wholeheartedly. He is the epitome of what a guy should be. I know I've said it before, but he is the GOLD STANDARD. The fact that he had no intention of falling in love or even marrying until meeting Gil Chae years ago after saving her from falling from the swings says a lot. I will never ever forget the fact that after he first laid eyes on he he heard the sound of flowers and likened her to the marvel of Peru blooming. THAT IS A MAN HOPELESSLY IN LOVE. I admired how his loyalty to her never faltered for even one second. She was constantly at the back of his thoughts, no matter where he went or what he did. Even when his memories were erased, it was her voice that lingered.
Again I want to reiterate that Gil Chae and Jang Hyun are each others true equals. Their parallels and similar experiences say enough. They became daughters and sons to no one, yet they somehow found a home / safe place to land in each other. In their heart of hearts sworn by the moonlight and tied by the red thread of fate they were destined to always find each other. The ending of this drama is proof of that soul connection. Although people, places, and times changed throughout time, their love never wavered. That is more pure and sincere than any love story I have ever witnessed.
While love is not the main point of this drama, I can’t help but think it must be highlighted as the driving force that allowed them to be so courageous, endure, persevere and fight to protect the people they cared about.
I have never seen a kdrama where all the actors were actually flawless and nailed and sold their parts. I must applaud the actors who were members of the Royal palace, the Qing people and The Joseon captives who were so compelling! The supporting cast, which included children, intruders / invaders, and prisoners of war. I appreciate you putting your heart and soul into these performances. With the captives especially, you could feel their struggle, grief, frustration, heartbreak, and suffering. Even though they were only in a supporting role, they captured my attention and more than delivered in helping to make this drama feel more real and riveting.
I loved Gu Jam, he was always able to make you laugh especially in his interactions with Jong Jong. Even though I disliked Yeon Jun, you knew he was doing something right when he was able to make people hate him. I was proud of Eun Ae for making a comeback in the final episodes and shedding light on the patriarchal and sexist culture that has no regard for the rights of women. Even though I despised Gak Hwa, she managed to make us almost feel sorry for her when she changed her mind and released Jang Hyun. Although she was by no means a good person, I'm satisfied that she was able to find some sort of closure in the end. Yang Chun will always be remembered as a hero for giving his life to save the captives. From having mixed emotions towards In Ok to entrusting her to take care of his son Taeng Taeng, he has come a very long way.
DISLIKES:
(NB: This is about characters I disliked & pacing, not necessarily issues with the plot)
Ryang Eum – Oh boy! I definitely had a love hate relationship with him. I couldn’t stand him at all because he was the obstacle from part 1. If only he actually passed on Jang Hyun’s message and didn’t lie to Gil Chae that Jang Hyun had passed away our leads could have been together sooner. In part 2 you thought he would have learnt his lesson but no, he continued with his obsession and jealousy. He was so possessive over Jang Hyun even though he knew how much Jang Hyun and Gil Chae loved and would risk everything for each other. I also wish Ryang Eum's storyline was better developed because we just see him in a handful of scenes in prison wondering what happened to Jang Hyun after disclosing everything he knew and then nothing. I'd like to know how he was apprehended, why they thought he was insane, and why he was locked up for so long. I didn't like his character at first, but he matured and deserved better than the hand he was dealt. I'm sure he had no qualms about being imprisoned for Jang Hyun's sake / in his place, but it's unfortunate that he'll most likely have to live all his days in this manner. (Crazy bc I never thought I’d feel sorry for him either)
Yeon Jun - The last 2 episodes confirmed my hate and disdain for this man. His mindset is so ugly it shows that he does not care about women’s struggles. He doesn't really have a sense of direction or mind of his own. That’s why when Jang Chul hung himself and Eun Ae left him he tried to kill himself. He was such a pathetic coward to the very end. Out of all the characters he’s the one who never really changed for the better. He proved to be that same boy Gil Chae kept on pining over in the village because she did not know him better. Gil Chae dodged a bullet for sure, but Eun Ae who is such a sweet woman deserved so much better.
Officer Won Moo – Hated him from the moment he refused to believe Gil Chae was kidnapped. He spent all that time investigating and trying to find out whether she was actually taken or chose to run away with Jang Hyun instead of going out there, chasing down the intruders who took her and preventing her from crossing the border to Qing. Even after he found out the truth he was convinced by some men that she had already been defiled and that he would be better off re-marrying. He eventually abandoned her because he was weak and not able to endure her shame. The moment the husband chose his reputation over her wellbeing was the moment I considered them legally divorced. People are so quick to crucify Gil Chae and never hold Won Moo accountable but I am not one of those people. He literally went home, lied to everyone that thieves stole his goods, returned and then managed to knock up another woman all while Gil Chae was out their suffering and fighting for her life. I am glad he did not make an appearance in the last episodes after his exit in episode 16.
King Injoo – Senile and psychotic as ever. From day 1 we knew he would become an operative out to get everyone. I can’t believe he allowed the concubine Lady Cho to poison his mind against his own son and the captives. She prayed for their demise and in the end her curse came true. He was a fool and thats why he suffered in his last moments knowing he completely destroyed good people (the Crown Prince and Crown Princess)
Qing Princess – If you were here since the beginning you already know my sentiments towards her. Nothing changed for me because I hated her until the end. She had a change of heart in the end but that does not take away from the fact that she was ruthless, manipulative and selfish. She was 1 of the 2 obstacles in between our leads and I grew tired of her character. I felt like she took up a lot of screen time for such a boring character. It seemed like her entire existence revolved around Jang Hyun and trying to win his heart. That was disappointing since they made her character description seem like she was this badass princess. In my opinion she was all bark, no bite.
I believe that this drama could have been 4-5 episodes longer to fully delve into Jang Hyun and his sister's past. I was particularly interested Sam Do and his family – how they were murdered and how he became a slave. I also did not like the fact that Yeon Jun was used at the last minute to create unnecessary tension and strife in the last 2 episodes. To me, it just seemed like they tried to cram all that information in the eleventh hour. While I enjoyed it, as a lover of flashbacks and backstories, I wish there had been a bit more.
Additionally, the concept of time between events in this drama doesn't really make much sense and trying to figure it out was a struggle. Nevertheless, I looked past these minor flaws and just appreciated the drama for what it was.
FINAL THOUGHTS:
I loved this drama so much, I don’t think anyone could have possibly loved this story more than me. I was there through it all –the back and forth, the miscommunication, tribulations, suffering, the pushing each other away, the tension, anguish, desire, the pain, the war, the heartbreak, and now the post series depression (PSD) that has ensued because this drama has ended. I'm not sure how another drama can ever equal this or fill the emptiness left by My Dearest.
My heart is overflowing with love and excitement knowing that our dears – Gil Chae and Jang Hyun, are safe. They got to live the life they always wanted together, they got to grow old together, even if we couldn't see past their reunion on that beach. The emotional high at the end had me crying my eyes out. I didn't need a kiss since their hug and facial expressions told me all I needed to know. They survived the storm and all of their trials and tribulations. THAT IS THE EPITOME OF TRUE LOVE AND DEVOTION. The fact that he lost his memories but remembered her voice and tracked it down to the precise location where she stated she wanted to live in the future is really full circle writing.
Some may argue that the ending was a fan service, but to me it seemed appropriate. It took time for Gil Chae and Jang Hyun to reconnect and find each other again, which was realistic. I loved the parallel of the conclusion with the first episode where we see Gil Chae’s dream of her following the red thread she dropped, crossing so many terrains, weathering all seasons, seemingly running forever until finally sees her husband’s silhouette and meets him again on that beach. In the last scene Jang Hyun seems to remember Gil Chae and gives me so much peace knowing that she will be there every day from then on to remind him and ensure he never forgets her, himself or their story.
The OST is hauntingly beautiful and stays with you long after finishing the entire drama. I found myself listening to the OST while waiting on new episodes each week. Our lead, Ahn Eun Jin, sang one of the best songs, With My Heart. Additional appreciation goes to The Stray's My My Dearest, Lim Jae Hyun's Floral Shoes, MIYEON's Painted On The Moonlight, Kim Feel's My Star, and 2NB's Love Affair.
Would I recommend this drama to others? Yes. It's the BEST kdrama I've seen this year and my roman empire. I will never move on. I'll also never forget how much time I spent sitting and waiting for new episodes to come out week after week, or participating in discussions here. I met so many new people because of My Dearest. This drama may have started underrated and overlooked but I want to thank those that stuck around and made this whole experience unforgettable.
I know “My Dearest" will go down in history as a K-Drama classic. It has some of the greatest writing, acting, and directing, intriguing topics coupled with the tragedies of war, survival, sorrow, finding light in the darkness, healing / coping with trauma etc. In simple words it is everything I hoped for and more.
This drama explores consequences of war, love, duty, responsibility, and power shifts in history. The most pertinent message of the drama lies in the idea that there is hope during a time of war. It's a juxtaposition of love and war + sin and sacrifice. It demonstrates how GC and JH fall in love despite the war setting and develop a relationship with each other and overcome their perils and adversity. It also emphasizes patriarchal society's bleak outlook and the disastrous implications it has on its victims. The most important lesson is to acknowledge how fleeting life is and to seize each moment of happiness while it lasts.
Please be advised that this is not a happy story. It depicts the hardships of war in a realistic manner. If you're prepared to endure it, then watch this drama. I guarantee you won’t be disappointed. Each episode finishes on a cliffhanger that literally reels you back in and leaves you wanting more. If you don’t believe me then just watch and see for yourself.
With everything said I give this drama a 10/10.
Review of part 1 here: https://rb.gy/vplfh0
Thanks for reading & happy watching!
❤️
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A BLAST TO THE PAST ⏰✨
***DISCLAIMER: This is just my opinion. We don’t have to agree and I’m not here to argue with anyone.***This drama explores the conflict many young individuals encounter: whether to seek happiness by following their passions or to conform to their parents' expectations. Eun Gyeol, the protagonist who is a CODA (Child Of Deaf Adults), grapples with prioritizing his interests against his family's needs until he receives a golden opportunity to alter his destiny by traveling back in time to when his parents were in high school. We accompany Eun Gyeol on this journey of self-discovery as he learns about friendship, family, music, and love. Furthermore, this drama raises the thought-provoking questions, “Would our lives improve if we could change the past? ” and “Do past mistakes or failures define your future? ”
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Likes:
The plot is excellent. It basically combines all of my favorite genres, romance, humor, mystery, parent-child relationships, friendship, high school life, adolescence. This drama keeps you entertained and hooked throughout, providing stories that touch your heart. I don't want to give away too much or spoil, but it is a fantastic drama. While watching this drama, I felt warm and nostalgic, and I wished I could travel back in time to experience how my parents lived in the 70s and 80s. This show made me cry so much lol… I cried maybe 6 times out of the 16 episodes.
We witness some of the pleasures, tensions, and uncertainties of adolescence as the drama progresses. It explores the demands from parents and society, as well as mental health concerns and anxiety among teenagers. Beautiful friendships, misunderstandings and familial bonds are also portrayed in the drama. Even if it's pointing out details, there are flaws in the series. Logical issues arise with time travel – the characters broke almost every rule known to man. Additionally, a lot of cliché tropes are used to put the characters in difficult situations.
The young actors outshone the older actors. I was thoroughly impressed by Ryeoun, Choi Hyun Wook, Shin Eun Soo and Seol In Ah. Shin Eun Soo's portrayal of a Cheong Ah is quite remarkable, my heart broke every time she got abused by that horrible principal and they locked her away attempting to dim her shine. Choi Hyun Wook is a master in encapsulating youth's energy and enthusiasm, he was a delight to watch and I couldn’t help but laugh / kick my feet giggling in most of his scenes. I started crying at the last moment when he was recording the song on the cassette and referred to Eun Gyeol as his son and thanked him. Ryeoun is a young actor with a lot of promise. It was amazing how much heart he brought to every single scenario. You couldn't help but adore him, support his character development. I was so impressed and I will definitely be watching his future projects. Seol In Ah was a lot of fun. The fact that she and her mother were portrayed by the same actor bothers me since they were so strikingly similar (basically twins). She tried her hardest, and her performance was good, but I believe she's a little too old to be portraying a 17-year-old. I also liked the chemistry between the actors and their pairings. Both couples demonstrated that there is hope and that there are people out there who will embrace you for who you truly are. As many have said before, YI CHAN IS THE STANDARD (AND EUN GYEOL LEARNED BY EXAMPLE)
Overall, they mastered their roles seamlessly and you couldn't help but be captivated by their on screen presence, they truly brought their characters to life. I loved the use of sign language – it is such a beautiful language to learn and I wish more people would use this drama as an example to see how inspiring it is when someone steps outside of your comfort zone and strengthens / improves their overall communication skills. You never know when the opportunity will arise and you will be able to help someone.
Dislikes:
I did not watch this drama from the beginning like everyone else, and I believe that is why I enjoyed it so much more. I was able to binge-watch episodes 1-14 all at once, and I honestly felt that this drama was something extraordinary, as other commenters had stated. Having said that, I became uninterested after waiting a week for the last episodes. I believe that episodes 15 and 16 could have been fleshed out and developed further. It appeared rushed, as if they were attempting to assemble the final parts of the puzzle and conclude everything on a high note. But imo that's typical of most kdramas so I won't hold it against them. The entirety as a whole was really interesting and held my attention. It's just that, I was curious about what happened to Yi Chan and Cheong Ah and how they eventually reconnected. I wanted to know what life was like for them, especially Yi Chan, who had lost his hearing but still had so many goals. It's clear that his aspirations came true, but I wish they'd shown me more of his backstory instead of only telling me.
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Quotes I Loved:
"Life didn’t have to be perfect for it to shine. It’s the little moments that make your life twinkle, and happiness is what you experience when those moments come together.”
“If you push the wall, it becomes a bridge. If you fall somewhere, there will be a hidden treasure.”
“You don’t have to try so hard to be impressive. Continuing to live is already a great feat.”
“I was always lonely. I felt lonely and isolated as if I were stuck on an island by myself and couldn’t join the world where my family was living. But you see, I now have a chance to live in the same world as you do. I want to seize this opportunity.”
“I’m done being the girl who is only loved when she is needed or useful. I don’t want to be anyone’s trophy, war booty, or accessory.”
“Music isn’t something you listen to just by ear. Music is something you can feel with your eyes, mind, and heart.”
“There’s no scale that can measure who’s hurting more, and there’s no one who can judge that. No one has the right to judge others’ pain, and we have no duty to have it acknowledged by others.”
“I can’t hear your voice but I see it. I can feel it. You shine the brightest when you’re doing music.”
“Looking back, I realized that this song wasn’t the only thing you helped me complete. When I wanted something, when I felt like I lacked something, when I was in despair, and even at my most radiant moments, you were always there with me.”
“You lied that you were my son. But you know what? For some reason, I felt as though you were like my father. Even though I have never experienced a father’s love, I got to experience something similar thanks to you.”
“The moment you give up, it’s game over.”
“Here’s a thing about life. It may not give you everything you want. But it does hide a small present for you from time to time. I hope you can endure the cruel hardship life throws your way. So you can receive the present life has tucked away.”
“Life is filled with all kinds of metaphors. Interpretation is solely up to the receiver. There are no right answers.”
“When your life can twinkle again on its own, I hope it twinkles as radiantly as possible.”
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Final Thoughts:
Would I recommend this drama? Well yes, after I watched it I immediately begged my friend to watch it and she was hooked as well. I think this drama is very comforting / healing especially during this time of year and I feel like everyone no matter what age people find some enjoyment in it whether that’s nostalgia or portrayal of friendship, love, family etc.
My advice is don't allow the drama's title or the ensemble of actors stop you from watching it. I guarantee you will be surprised. It took me some time to decide to press play, but it was an absolutely incredible experience!
The premise is that if we can identify our flaws and limits, we can rectify them and grow as people. The other recurring theme is that change is inevitable. We can try as we might to control and assume personal responsibility for our own fate but nothing in life is certain. It seems as though life has selected a predetermined path for us, and we are simply just along for the ride.
This drama reminds me of this quote that says “You can be the master of your fate and you can be the captain of your soul but you have to realize that life is coming from you and not at you – and that takes time.”
With all of that said I give this drama a 8.5/10
VIVA LA VIDA! || LONG LIVE LIFE! ₊˚⊹♡
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(Tysm for reading!)
❤️
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I Like You, Always Have and Always Will
Shining For One Thing tells the story of a woman who is unsatisfied with her current life. One day, she gets a chance to time travel back in time by deleting messages in her old phone. She goes back and tries to do well on her high school examination in hope of changing her future, but she was always sent back. It was only after several times that she realizes that there is more of her return to the past.Shining For One Thing indeed has cliche troupes: childhood sweethearts, unrequited love, smart guy-cheerful girl, high school memories, and more. But what makes this drama stands out from other drama is that it has a logical, coherent, and tear-jerking plot, top acting, beautiful OSTs.
The drama storytelling is progressively paced and satisfyingly engaging without hardly any dull moment or substantial fillers. I particularly enjoy the fusion of romance, youth, and time travel. Furthermore, the love story between Zhang Wansen and Lin Beixing is very touching, if I were to use a word to describe it, their love is eternal. No matter what time and space, they would always eventually find each other and be there for each other. The cinematography is generally adequate, but some shots were beautifully shot and the color grading and filter used makes the drama even more fleshed out! In addition, the use of music scoring and the Impeccable OST encapsulated every essence of the story. The OST added so much emotion to the drama, it complements the drama montages and also the cinematography.
Zhang Jianing (Lin Beixing) and Qu Chuxiao (Zhang Wansen) did exceptionally well here! They added so much emotional nuance in the character, that makes the characters feel real so vivid to the audience. In addition, there is depth and richness from both the characters, each of their story and development arcs is also fleshed out. Not only the main characters, the supporting characters also did very well! Mai Zi is one of the characters I really applaud for, as a character he always does his best to protect his friends, even if he suffered physically and mentally.
All in all, if you love angsty time travel romance drama, do give this a try!
For those who have finished the drama, here are some easter eggs and theories:
1. Zhang Wansen didn't die in 2010, if you search his phone number (+86 13021991397) on WeChat, you can find his contact! Meanwhile, WeChat was launched in 2011.
2. Zhang Wansen didn't die, he's comatose and brought abroad by his parents. Years later, he woke up. But knowing that Lin Beixing is about to get married to Zhanyu, he doesn't come back. But he has the opportunity to time travel with Lin Beixing again - this explains why he always predicted the exam questions correctly and how his speech is exactly the same with what happened in the future, because he was from the future
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A MEMORABLE MINI MAKJANG!
***DISCLAIMER: This is just my opinion. We don’t have to agree and I’m not here to argue with anyone.***I'm gonna keep this brief because I don't have the time to say everything I want to say.
Main Takeaway: "Revenge is a dish best served cold."
IDK IF THEY PUT CRACK IN THIS OR WHAT BUT FROM THE VERY FIRST EPISODE THIS DRAMA HOOKED ME AND I’VE NEVER LOOKED BACK. IT IS SOOOO ADDICTING!
First things first, "What’s better than a contractual time travel romance with mystery, revenge and lots and lots of drama?!" This show legit has it all. They said spicy makjang in 12 episodes and thats exactly what they meant!
When I tell you the pacing feels just right and no episode feels like a filler, just know I’m being so serious. I have never been bored for even one second. This drama starts out confusing in episode one but by the end of the episode and onwards you understand everything perfectly.
I LOVE LOVE LOVED the chemistry between Do Guk and Yi Joo!!!! These two are masterful performers and you can literally feel the tension, angst and passion dripping from them anytime they have a really intense scene together. The chemistry between these two is to die for and I feel like they truly fed us with the development of their relationship. They have definitely made top 5 best kdrama couples of 2023 for me.
AHHHH I LOVED EVERYTHING ABOUT THIS DRAMA. Even the characters I hated… you must know they’re doing an amazing job for me to want them to die, rot in jail or be hit down by the infamous big white truck. I know I keep saying it but drama is just so so so so good!
Like many others I do believe it is one of the best webtoon to drama adaptations. They kept the major plot points and original webtoon readers seemed to be satisfied with the outcome. So there aren't much complaints here!
One of the main things I disliked about this drama was the 3rd act conflict breakup. It was cliche and unnecessary to say the least. I also feel like Yi Joo struggled and endured so much even when she set out to get her revenge. It was heartbreaking watching her be in constant pain and agony as she uncovered all the secrets as the story unfolded.
Another minor thing I disliked was Do Guk's wardrobe. It was evident the production team went ham and spent all the money on the women's wardrobe leaving very little for the men. They definitely could have budgeted better and put more of an effort into our leading man's fashion. To be honest I just ovelooked it because Sung Hoon's visuals and performance made up for all of that.
Additionally there are some plot holes and aspects that could have been more properly developed but I feel like they did the best they could with the 12 episodes.
In my opinion, more makjang's should take a leaf out of this one. Unlike others it did not need 100+ episodes to make a good and convincing story. I feel like had the drama been any longer then people would have started to lose interest.
Perfect Marriage Revenge is definitely one of the most enjoyable dramas I've watched in 2023 and I would rewatch it in a heartbeat!
If you are on the fence about starting it I suggest you do so immediately! It’s seriously such a treat and you do not want to miss out.
With all of that said I gave this an 8.5 rounded up to a 9/10.
Tysm for reading!
❤️
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If you want lots of drama, love triangles or misunderstandings that drag too long... look elsewhere.
If I had to use three words to describe this drama they would be soft, fluffy and heartwarming. It falls into a very well known category, which is Coming Of Age School Drama, but unlike so many others before it, it does not care to create unnecessary plots where our leads suffer too much in their relationship (by breaking up out of nowhere, for example) or act stupidly for the sake of creating conflict; one of its greatest strengths is that characters trust each other and as a result, they won't blindly believe what outside forces try to convince them of when it comes to one another, which is something that happens way too often in dramas like this one.Are there misunderstandings? Of course, but misunderstandings *are* a part of life and having them in small quantities in dramas and done realistically adds to them, and When I Fly Towards you manages to sprinkle them in a way that feels organic enough that you believe it could easily happen in real life.
This drama is something to watch when you need something cute and uplifting with the certainty that good things will keep happening as you watch and problems will be solved. It's comforting and wholesome, and manages to be those things without its characters leaning too much into being cheesy, corny or cringeworthy. An amazing feat, without a doubt.
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Esta resenha pode conter spoilers
This is my first movie comment. I felt compelled to write this review because many viewers and reviewers haven’t given this movie credit for how good it is primarily because they have a preconceived notion or expectation of what the movie is before watching it and feel unsatisfied at the end because they don’t fully understand it. If you think this story is a gay coming-out/love story or a horror movie the you’ve been badly misled but give it a chance and you’ll find it to be a pretty worthwhile watch.I will admit that the first time I watched it I was confused as to what happened. Much like the movie the Sixth Sense this one made you think and required you to watch it a second time. The second time around it makes more sense. This is not your conventional horror movie or a gay coming of age love story. Think of it as the reaction of the mind because of horrors that it has to endure.
The title The Blue Hour is very significant to the meaning of the movie. The Blue Hour, also known as Onthakan, is the time between day and night; dream and reality; good and evil. This is where this movie lies.
My personal thoughts on what the movie means after watching it a second time. Don’t read the next section till you’ve watched the movie at least once,
The story is about Tam, a High School student who’s bullied at school and physically and mentally abused at home by his family for being gay. To escape, his mind creates an alter ego named Phum. The movie goes back and forth between Tam’s reality and dreams — hence the blue hour — with the majority of the movie in Tam’s dreams. Phum is strong, independent, self-aware and confident, traits that Tam doesn’t have. Phum essentially acts as the trigger (imagine that little devil on Tam’s shoulder) that unleashes the horrors that lie within Tam’s mind. Phum frees Tam sexually; makes him feel at peace with himself and who he is (any of their poolside chats and the rooftop scene); allows Tam to metaphorically see what his parents have taken away from him (the empty field with so much potential that became a garbage dump - Tam is accused of everything that is bad with their family, including being gay), rationalize murder to save himself (stuff that happens while he’s in the dump); and to learn how to mentally get away from it all (I think this is what the whole holding breath thing is, to be dead without being dead). The pool represents the dirty section of Tam’s mind. The random images that show up on the pool walls that look like images of people made from crap are manifestations of Tam’s problems specifically his family that keep on showing up no matter how hard he tries to remove them. Tam nearly drowning in the pool is essentially that, Tam drowning in his problems. Not sure what the meaning of Phum saving Tam from drowning means. However, after Phum saves and revives him, Tam admits that he can’t remember anything that happened - thereby admitting that he’s struggling between dreams and reality or maybe even good and evil thoughts. The gangsters, who Tam and Phum meet at the pool, are the manifestations of Tam rationalizing murdering his family and a willingness to give up parts of himself to do it - the whole negotiation and Phum listing all the things he’s willing to give up. The ending scene, Tam and Phum meet at a calm river representing Tam’s mind at peace and calm.
I too struggled with this movie at first. A second viewing with an open and objective mind will really make you appreciate the movie and its subtle complexities.
Gun and Oabnathi did a great job acting in this movie that you wanted to believe that they were “real” couple/friendship as opposed to just that little devil on Tam’s shoulder. Thats the genius of movies like this and the Sixth Sense.
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When fiction meets reality...
As a sociologist and someone from a country that went through two dictatorships, Youth of May, a drama that addresses one of the most tragic moments in South Korean history (which took place during a dictatorial period, it is important to emphasize) caught my attention.I usually believe that art in general, including dramas, has a social function, which is to remember, even what we most want to forget, because even what causes us sadness is part of the stories we experience and it is of course, the stories that make up a country and its people.
And in Youth of May it is possible to identify this effort to revive the collective memory, mixing fictional aspects and others that go back to the often cruel reality. For, against the background of the Gwangju massacre, Youth of May portrays the multiple deaths that can be experienced in traumatic events.
"Death" does not always refer to the body, but to dreams that are not lived, hopes that are dashed and reputations destroyed. Making you question what it means to live? Is a person who has given up on their dreams alive in some way or is they dying with each passing day?
That's the question I asked myself when I was introduced to the protagonists, especially Myung Hee who, for various reasons, is forced to give up her own future until finally the opportunity to leave for another place arises. But what to do, when meeting Hwang Hee Tae, our male protagonist, she finally decides to live...
Giving up a "fair" path that allowed her to live securely in sacrifice of her own happiness, Myung Hee experiences love, fear, self-pity, while questioning herself and her own values. Feelings that are interesting, as the protagonist starts to question herself and her choices, while she sees the self-control she had slip through her hands, replaced by the possibility of living a love...
Already with Hwang Hee Tae we learn somehow about remorse, about autonomy and responsibility and, in a way, submission, while he is willing to exchange his own future for the possibility of saving someone from the past, aspiration ruined for an "exchange" , who made him meet Myung Hee on a blind date. He who was willing to give up on himself found a reason not to abandon himself...
It is from this exchange that Hwang Hee Tae and Kim Myung Hee live their love, intensified by the almost instantaneous attraction and historical moment they were experiencing, as well as by the networks of relationships that tied them to a reality that cannot be defined in any way. positive. After all, the use of repression against the innocent will never cease to be regrettable.
The relationship created between the historical event, the novel presented and the other relationships demonstrated allows us to think about abstract concepts such as justice, injustice, insurgency, freedom and the false feeling of being free, as in the case of Soo Ryeon and Soo Chan's family, our secondary characters. Being Soo Chan awakened from his illusion in the final part of the work.
It is noteworthy that this symbiotic relationship (dramatized historical event + romance + family) also allows us to think about how hard reality can be. Because, through the characters, it was possible, at least for me, to somehow establish a connection with the feelings evoked and delve a little deeper into the presented historical fact.
It's as if somehow it was possible to bring, with the plot presented, an understanding even if shallow of the difficulties of those who did not have their stories told. I wonder if I'm traveling, but I got this feeling while wandering.
And finally, with the sum of the novel, with the representations (which still do not represent the full complexity of such violence) accompanied by worthy performances, the doors are opened to seek to know a little more about the true Youth of may.
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Love is a many splendored thing.
A Dream of Splendor has rocked the staid, tired, cliché infested Chinese period drama world. It is an alluring adult romance that has set the internet on fire. It is a powerful and exhilarating story about downtrodden women who work together to stand up against feudal society. Written and directed by women, it is a story about how women survive, thrive, bond and love. The production values are astonishing, with meticulous attention to detail and appreciation for history and culture.This story is about the plight of fallen women or jian ji 贱籍 during Northern Song Dynasty. Jian ji are pariahs or outcasts; people who exist outside of the four social classes of scholars, farmers, workers and merchants and are practically slaves, beggars, prostitutes, actors, musicians or fallen people below commoner status. This status is passed from generation to generation and cannot be easily changed and the women are not considered suitable for marriage into gentry other than as concubines. Promising beauties like Zhao Pan'er and Song Yinzhang are trained from a young age in the fine arts and performance to potentially become renown entertainers to the imperial court. Too often, like Zhang Haohao they become courtesans who flourish at the most elite levels of society and are almost indistinguishable from upper class women. Many hope to marry their patrons and leave this existence behind them. This explains both Pan'er and Yinzhang's insecurities and their strong desire to shed the taint of the jian ji 贱籍 status.
The drama was mocked for its preoccupation with chastity which does not fit in with the societal norms of the day. In Guan Hanqing's famous original zaju 杂剧 or Yuan opera 赵盼儿风月救风尘 (Zhao Pan'er Flirts to Save A Harlot), both Panér and Yinzhang are courtesans. Guan Hanqing's works are known for championing the oppressed and courtesans were historically viewed sympathetically. The grace, beauty and education of legendary courtesans is often celebrated in Chinese vernacular literature. The production decided however, that Chinese audiences would not be receptive to a Song dynasty version of Pretty Woman. While some may feel this does not respect the original works, it is not important. The drama adaptation in its entirety is far from prudish and remains faithful to the spirit of the play in its criticism of the hypocrisy of traditional morality. That is all that really matters.
After crushing personal setbacks, Zhao Pan'er, Sun Sanniang and Song Yinzhang make a fresh start in the capital Kaifeng. They are bonded by the hardships they endure due to their low social status. They are realistic characters with flaws aplenty who make mistakes with consequences. They don't always agree and when they fight, they can be woman style mean to each other. Pan'er is a talented performer and a connoisseur of tea, tea art and famous paintings. Despite her serene demeanor, she has her own insecurities but is determined to leave her painful past to become an independent and capable business woman. She won't be bullied, is vengeful and does not hesitate to seek legal redress for injustices.
Pan'er is overprotective of the immature and temperamental Yinzhang, a rare and talented pipa player whose ability is only exceeded by her arrogance and desperation to escape her low status. Together with the feisty and loyal Sanniang, a fantastic cook and pastry chef, the three friends start a teahouse with their pooled resources and combined abilities. On the way to Kaifeng, Pan'er clashes with the Living Devil Gu Qianfan, commander of the powerful and secretive Capital Security Office and all kinds of sparks fly. Liu Yifei and Chen Xiao are the stars of the show with their thrilling, combustive chemistry and screen presence. Both actors have matured considerably and it is fair to say Zhao Pan'er and Gu Qianfan are their best roles to date respectively. Even though Yinzhang is the character that shows the most growth, Lin Yun's portrayal lacks complexity and is not empathetic. It is the weakest link among the main cast. Liu Yan's Sanniang saves the day as the best friend everyone needs with her wonderful mixture of comedic belligerence, endurance and wisdom.
This drama's greatest attraction and also its greatest drawback is the incomparable romance between Zhao Panér and Gu Qianfan. The fervent, ardent chemistry between Liu Yifei and Chen Xiao has me grinning like a giddy, lovesick fool every time they light up the screen. I love how Chen Xiao communicates passion with heat in his eyes and how his expression can suddenly turn from guarded to vulnerable to hopelessly smitten. I leapt up from my sofa and yelled "liar, LIAR" at him in the very first episode when Gu Qianfan claimed not to find Panér beautiful even as his eyes oozed with pure male appreciation. Liu Yifei's Panér is such an exquisite and feminine foil for his masculinity that it is just entrancing to watch their courtship as it evolves subtly from friction to unwelcome attraction as she slowly beguiles him with her grace, independence and soft-spoken sincerity. Yang Yang is a phenomenal director whose gorgeous and intimate camera angles enhances the thrill of their budding romance and build up in passion to the point there are moments I feel like I am invading their privacy. The drawback of course is that the story is much bigger than the love story which is too engrossing and spectacular. All the other plot threads pale in comparison.
At the point I am in serious danger of diabetes from the sugar highs, Pan'er's and Qianfan's romance gets put on ice for a number of episodes for a flimsily crafted misunderstanding. I am less dismayed than most by it, because I like to see a relationship tested for duration by challenges. While their conflict could be better conceived, the writer has fewer degrees of freedom to work with because the plot is embedded within true events and historical figures of the day. This won the praise of many history buffs who got a huge kick out of deciphering who's who and which events, as was analyzed in detail by other viewers such as @CloudA. Panér's heartbroken but enlightened insight that her father fully knew well the consequences of his actions but chose to do so anyway is a resonating fresh twist out of a tired trope. Despite their hiccup, the couple remains honest with each other about their fears and have realistic expectations that it may not be smooth sailing all the way. Du Changfeng and Sanniang's story is charming and heart warming while Chen Lian and Zhaodi's is more youthful and high spirited. I have high hopes that both Yinzhang and Chi Pan will find happiness down the road.
The digression from the main romance plot makes way for the women's story to be properly told, for their bond to mature and for them rescue each other and themselves; to be mistresses of their own destiny. The debut of their fabulous Yong'an Restaurant showcases their combined business sense, artistry and ability to innovate and is for me is the highlight of the drama. Pan'er's riveting tea art performance at the beginning is eclipsed by the extravagant and absolutely decadent dinner performance where famous paintings came vividly to life. I love how spectacularly it involves most of the supporting cast. Both the cheeky He Si and Chi Pan made me laugh and the women looked stunning. It is analogous to how this production breathes life into the famous historical works of art and literature that inspired this story.
For me, the comedy mostly misses the mark. I find Guan Yunping's (Chen Lian) more subtly hilarious brand of humor more appealing than Dai Xu's (Chi Pan) more slapstick and exaggerated approach. The actor tones it down nicely in the second half and manages make me laugh and impresses me with his acting but unfortunately that is where the plot loses momentum. This is somewhat forgivable since it is more of a character story but nonetheless they should have kept things simpler. The political aspects of the conspiracy to disgrace the empress becomes overly convoluted and leaves loose threads. Even though Ouyang Xu's final confrontation with Pan'er is well acted and satisfying, he becomes the embodiment of too many bad men and love to hate stereotypes. The interpretation of Empress Liu-E, a brilliant and powerful historical figure as a woman pushed to try to conceal her humble origins is fascinating and aligns well with the dramas feminist theme. It is well known the Emperor was aware of her background and did not care. Theirs was surely another splendid love story for the ages.
Pan'er and Qianfan's addictive chemistry and their story convinces that love is a many splendored thing. They are certainly bound for the Drama Couple Hall of Fame. Despite the disappointment in plot, which is at best worth an 8.5, I am compelled to rate this a 9.0 for the romance and for getting the important things right including the empowering themes, the originality and the director's magnificent and distinctive visual composition style.
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