Twisted dream then reality based romance for teens
Its an odd drama, I both like and hate it. Perhaps because it targets a younger audience, teens to mid tweens so there is no realistic grey been good and bad.
There is a high degree of idealism with the legal system being a white horse and going the cliche route of vilifying the more grey aspects of it. A realistic view of it with witty interactions between defendants and prosecutors would have been more interesting but the plot used the cliche illegal countermeasures instead of the real nitty gritty law battles using law intricacies. Those might have worked in a gangster world but we are talking about a law firm and a corporate here, things can't be concluded by just dealing with the direct belligerents... I felt like the show downgraded to a 90s Indian film.
Romance is nothing phenomenal and is just OK. As per the known Chinese predicament, three is a reset after the fantasy part which spanned longer than half the drama.
This writer does the same thing they vilify in their story as some pitch black evil thing; going against the original intention/spirit behind a law. They play with the Chinese fantasy law's spirit by ending it early, using the same stories inside it as material for plot progression in real life, thus, legitimizing its existence and possibility.
For me, it really just went more of the same and by episode 27, I was bored out of my mind.
There is a high degree of idealism with the legal system being a white horse and going the cliche route of vilifying the more grey aspects of it. A realistic view of it with witty interactions between defendants and prosecutors would have been more interesting but the plot used the cliche illegal countermeasures instead of the real nitty gritty law battles using law intricacies. Those might have worked in a gangster world but we are talking about a law firm and a corporate here, things can't be concluded by just dealing with the direct belligerents... I felt like the show downgraded to a 90s Indian film.
Romance is nothing phenomenal and is just OK. As per the known Chinese predicament, three is a reset after the fantasy part which spanned longer than half the drama.
This writer does the same thing they vilify in their story as some pitch black evil thing; going against the original intention/spirit behind a law. They play with the Chinese fantasy law's spirit by ending it early, using the same stories inside it as material for plot progression in real life, thus, legitimizing its existence and possibility.
For me, it really just went more of the same and by episode 27, I was bored out of my mind.
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