I will be the first person to say I enjoy BLs. I tend to watch Thai BLs which are generally cute and fluffy and easy to watch. Bonus are the few that have genuinely good messages and ideals. They also tend to be full of tropes and there are a fair number of them that have problematic ideals or are just problematic in general. This drama, however, doesn't just break that mold, it shatters into a million pieces. This is what BLs should aspire to be.

With Karl and Vlad, we get two very different perspectives of their sexuality and identity which is what the story focuses on.
-Vlad has known he's gay from a very young age whereas Karl has never had the freedom to really explore his sexuality or identity until he spends the semester break on his own. And for each of them, its a different journey. Vlad blamed the fact that he was gay for his father's leaving the family. He felt that he had failed in his purpose to save his parent's marriage. He thought his mother was ashamed of him being gay. It was a hard journey for him to become comfortable with himself and find pride in his identity and sexuality and once he did, he wasn't willing to go back into hiding, and rightly so. He's come to a point where he's not only proud of who he is, but he's able to educate others. When Karl flounders, dancing around the word "gay", telling Vlad that he doesn't look gay, rather than getting angry or defensive, Vlad gently corrects and guides him and Karl learns.
-For Karl, he's been living his deceased older brother's life for his entire life instead of living the life he wants, studying architecture instead of film like he wants. Fear rules his life, fear of telling his parents that he wants to transfer majors, fear of his feelings for Vlad, fear of his own sexuality, fear of what others will think, fear of the outside world. This drama highlights just how incredibly hard it truly is for someone to come out. Its not all sunshine and roses, even when they know the people around them will support them, coming to terms that their sexuality and identity does not match what society deems as "normal", that they are faced with telling family and friends who may or may not be supportive, that has to be terrifying. And I feel like they portrayed that so realistically here. But Karl does start facing his fears, little by little, first by telling his parents that he does want to transfer majors and then at the end, with Anna's encouragement, by going out into the world.
What this drama also highlights is the struggle of relationships where one person is out and the other is not. Despite their love for each other, Vlad and Karl are faced with a situation where Vlad is out and he is, understandably, not willing to go back to hiding his sexuality and Karl is still discovering himself and isn't quite ready to take that step. The scene there towards the end in the condo is bittersweet because of that discrepancy. But the open ending of them together watching the movie outside the condo in the open gives me hope that things will work out for them.

I loved our two female characters of Anna and Judit. BLs tend to do female characters dirty either by using them as objects, fangirls for the leads, or villains to cause conflict. Not the case here. They were both well developed characters with their own stories and reasons behind their actions.
-I honestly wasn't sure if I was going to like Judit at first. Her over the top behaviour and constant line that she was an ally seemed very fake. I didn't think she was a bad person, I just didn't really believe her to be as supportive as she said she was. But when she and Vlad had dinner together and he calls her out and everything unfolds, it suddenly all made sense why she acted the way she did. For the first time, he made her face her actions, the damage that her words had caused, and she finally apologized and she admitted that she was still learning too. It was a really great moment between the two of them. What I also appreciated about her character was that even though they had that conversation, Judit was still Judit, there was no immediate change, she was still over the top, she was still spouting her, "I'm an ally" spiel, which I found realistic. Change takes time. She'll get there eventually.
-For Anna, I also found her to be realistic. If a woman has kids, she's expected to be a mother 24/7, 365 days a year and if she takes a break, for some reason, that's looked down on. That is such a damaging concept, and I loved that Anna realized that she needed a break from mothering and she took it. Her comment that she didn't want to blame her daughter was so powerful. Mothers are human beings too, they needs breaks, they need time to themselves and there should be no shame in taking that time. I think she highlights the fact that just because you become a mother, that does not mean your life is over, you can still have your own hopes and dreams and strive for them. And in doing so. she is being a role model for her daughter to never give up. She was just such an amazing character to me and I loved her.
As a side note, although she wasn't a big character, I also really liked Sue. She was always supportive of Vlad and was someone he could really talk to. She gave it to him straight and was pretty no nonsense which I appreciated.

My favorite dramas are the ones that are like puzzles. You have all these pieces, actions or items that you don't think much of, that end up being part of a bigger picture and in the end everything come together like a puzzle. This was one of those dramas. Things like Vlad not liking his hair touched , the corpse in the closet story and then Vlad finding the picture of Karl's deceased brother in the closet, Vlad having a keychain that was a match to Karl's, there was just so much symbolism, so many little moments that turned out to have a bigger impact, it was fantastically brilliant.

The OST can make or break a drama for me. Music is what brings it all together, makes you feel more deeply, immerses you in the moment. The OST for Like in the Movies was flawless. I loved it. Each song was perfect for the scene it was used for and the lyrics too just fit so beautifully.

Literally everything about this drama was just so well thought out. The credits scenes were absolutely genius. I loved how they showed the progression of their relationship each episode. It was perfect. And the icing on the cake was the quote at the end of each episode. Each one was clearly carefully chosen and I looked forward to seeing them.

This was truly such a beautiful drama. I loved every second of the emotional journey it sent me on. I laughed and cried and came to love each and every one of the characters. I cannot recommend it enough.