Whereas the film industry has field days in dealing with controversial issues, it’s rare to find dramas nowadays which do the same. Understandably so, given that delivering hours upon hours worth of social commentary in the form of an entertaining television show is no trivial feat. Doctor John charges face-first into this challenge and—overall—dominates it.

Doctor John separates itself from every other medical drama due to its willingness to address an issue that is more social than it is medical and/or political. Euthanasia is an extremely risky question because there is no single correct answer. One color to describe this drama’s dealings with euthanasia: gray. Very gray. As a human being, you probably have a preconceived opinion about it before you begin watching. And, amazingly, no matter what opinion that may be, it's more than likely that there is a character in this show that shares it. This show consists of the interactions between all different sides of the debate and how each is a combination of "wrong" or "right," depending on the context. Through these characters' actions and thoughts, Doctor John does the job of telling you that it is extremely dangerous hold one opinion as true across all situations.

That was one of my favorite parts about watching Doctor John. It doesn’t constantly preach one single answer and try to brainwash you into agreeing. It always shows you the multiple facets of every conflict. Whether it be through witnessing the physical and mental pain of terminal patients or the emotional turmoil of those close to them and their doctors, the writers create a bond between you and the characters. Once you begin empathizing (and with characters of different opinions!), the issues of life and death become less and less easy to decipher.

For me, the one peeve I have with plot comes in towards the end. It's one part of the umbrella issue that I like to call K-drama Syndrome, in which something about the latter episodes of a show seems to have an inner need to stray from the original conflict. I get it: it’s hard to continuously talk about something as sensitive like euthanasia without feeling like a piece of propaganda. But there’s a difference between quietly shifting focus and doing a screeching turn onto some unpaved path in the middle of a forest. Fine, this metaphor is an exaggeration—it was more like a kind-of-loud turn onto some unpaved path in the middle of a forest. Euthanasia becomes less prominent of a topic as the plot moves away from patients' stories and more toward less emotional conflicts. It isn’t quite enough to damage my positive opinion of the story, but I did spend the last hours of the ride with a tiny inkling that we might’ve gone in a weird direction.

The cast was lovely to watch. Some of the characters could have done with far more development, but amidst all the chaos of a hospital setting and the constant ins-and-outs of patients, it’s impressive that each character possesses as much individuality as they do. I feel like it’s insulting to him that I even have to explicitly say so, but Ji Sung is fantastic. Cha Yo Han is the right balance of mysterious and endearing; and he’s intelligent, yet not annoyingly so. It’s hard to match Ji Sung’s level, but Lee Se Young did a great job at depicting a capable but scarred young doctor. These two actors have a fantastic dynamic and the ability to simultaneously counter and support one another’s characters without being overwhelmingly cheesy. The romance between them is okay—I didn't care for it, but I also didn't mind it. It just isn’t as interesting as what the rest of the show presents; but luckily, it isn't too much of a main focus, either.

I’m content with Doctor John. Despite some rocky roads at the end, the high volume of tears that I shed and how it got the gears in my head turning are testaments to how attached I was to its story. Should you be in the mood for something thoughtful, emotional, and down-to-earth, Doctor John is a good way to go.