Yoyo Jae
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Hell is empty and all the devils are here
This disturbing series is loaded with mental and physical violence partnered with philosophical symbolism and deep psychology.
If you have worked in or experienced the dark underbelly of human existence, the scenarios presented in this drama are not dissimilar to reality at all ... how a series of events and/or encounters with certain people over time can tip a person to lose their humanity ... childhood abuse, workplace abuse, societal abuse where you have to toe the line or face the consequences ... all leading to the buildup of intense suppressed rage ... and then implosion or explosion. Passive aggressive people seem to better manage this suppressed rage within the societal confines of propriety, but this method doesn't work for everyone one ... like Jong Woo ... he couldn't vent that rage into passive aggression, instead he could only imagine what he really wanted to do. The times he went 'physical' he got 'punished' which lead to more suppression.
It was fascinating how Moon Jo kept encouraging Jong Woo to be "truthful" ... to be authentic. It is very commonplace in the workplace and in social media to hear people telling you to "be your authentic self" ... people spew this phrase out like they were gaining merits or treasures in heaven. What does it mean to be your authentic self when you have all this suppressed rage that cannot be expressed in the family or the society or the workplace or the country you are in??? It is impossible ... especially when you have been psychologically 'invaded' and 'conquered' by abusers in your life.
The seeds of Jong Woo's metamorphosis were always there, even before he came to "Eden". Jong Woo just needed a little 'nurturing' to tip the scale... and that is exactly what Moon Jo did ... in the same way that Eom Bock Soon did to him and the twins ... Moon Jo hijacked Jong Woo's mind like a virus and psychologically became wedded to him ... calling him 자기야 . How symbolic was the name "Eden" for the place where this metamorphosis occurred ... like Adam and Eve, Jong Woo became 'corrupted' in 'Eden' and was then cast out into the world.
When Moon Jo said they could never kill him because there were too many of 'him' ... he was 100% right ... with a plethora of "Eom Bock Soon" and "Moon Jo" type parental figures / institutions / work colleagues etc ... the next generation is guaranteed.
Jean-Paul Sartre (existentialist philosopher and playwright) said in his play "No Exit":
"Hell is other people"
They mentioned this quote in this series. Sartre was of the view that humans were very much aware of how other people perceive them and that because of this awareness and the subsequent changes they make in response, they lose their freedom to be their original authentic selves. Not being able to be your authentic self and even be punished for it ... well that leads to all kinds of dramas ... just like this one ... an age old drama. Even William Shakespeare was across such a theme ... in his play "The Tempest" he wrote:
“Hell is empty and all the devils are here.”
Acting: The performances of Yim Si Wan, Lee Dong Wook, and Park Jong Hwan (played the twins) were outstanding.
Script: The scripting was generally of a high standard, but I felt that it went too slow in some places particularly some of Jung Hwa story scenes with her family/father and investigation processes ... I didn't think that really added much value to the story. I am glad that it was only 10 episodes (in my view it could have been less) as to flash it out to the usual 16 episodes would have totally destroyed the point of watching this blood bath and psychological descent into hell.
I found the scripting for the police scenes annoying and tropey - arrogant, presumptive know it all seniors and juniors going off half cocked doing their own thing (even though it was with good intentions and reasonable suspicion and because she got no support from her colleagues/line supervisors).
Rewatch - if you are into heavy brutal psychology and existential philosophy ... yeah it is worthy of a rewatch.
Overall: A disturbing series, but brilliant in its profound look at the human psyche in a repressed social context.
If you have worked in or experienced the dark underbelly of human existence, the scenarios presented in this drama are not dissimilar to reality at all ... how a series of events and/or encounters with certain people over time can tip a person to lose their humanity ... childhood abuse, workplace abuse, societal abuse where you have to toe the line or face the consequences ... all leading to the buildup of intense suppressed rage ... and then implosion or explosion. Passive aggressive people seem to better manage this suppressed rage within the societal confines of propriety, but this method doesn't work for everyone one ... like Jong Woo ... he couldn't vent that rage into passive aggression, instead he could only imagine what he really wanted to do. The times he went 'physical' he got 'punished' which lead to more suppression.
It was fascinating how Moon Jo kept encouraging Jong Woo to be "truthful" ... to be authentic. It is very commonplace in the workplace and in social media to hear people telling you to "be your authentic self" ... people spew this phrase out like they were gaining merits or treasures in heaven. What does it mean to be your authentic self when you have all this suppressed rage that cannot be expressed in the family or the society or the workplace or the country you are in??? It is impossible ... especially when you have been psychologically 'invaded' and 'conquered' by abusers in your life.
The seeds of Jong Woo's metamorphosis were always there, even before he came to "Eden". Jong Woo just needed a little 'nurturing' to tip the scale... and that is exactly what Moon Jo did ... in the same way that Eom Bock Soon did to him and the twins ... Moon Jo hijacked Jong Woo's mind like a virus and psychologically became wedded to him ... calling him 자기야 . How symbolic was the name "Eden" for the place where this metamorphosis occurred ... like Adam and Eve, Jong Woo became 'corrupted' in 'Eden' and was then cast out into the world.
When Moon Jo said they could never kill him because there were too many of 'him' ... he was 100% right ... with a plethora of "Eom Bock Soon" and "Moon Jo" type parental figures / institutions / work colleagues etc ... the next generation is guaranteed.
Jean-Paul Sartre (existentialist philosopher and playwright) said in his play "No Exit":
"Hell is other people"
They mentioned this quote in this series. Sartre was of the view that humans were very much aware of how other people perceive them and that because of this awareness and the subsequent changes they make in response, they lose their freedom to be their original authentic selves. Not being able to be your authentic self and even be punished for it ... well that leads to all kinds of dramas ... just like this one ... an age old drama. Even William Shakespeare was across such a theme ... in his play "The Tempest" he wrote:
“Hell is empty and all the devils are here.”
Acting: The performances of Yim Si Wan, Lee Dong Wook, and Park Jong Hwan (played the twins) were outstanding.
Script: The scripting was generally of a high standard, but I felt that it went too slow in some places particularly some of Jung Hwa story scenes with her family/father and investigation processes ... I didn't think that really added much value to the story. I am glad that it was only 10 episodes (in my view it could have been less) as to flash it out to the usual 16 episodes would have totally destroyed the point of watching this blood bath and psychological descent into hell.
I found the scripting for the police scenes annoying and tropey - arrogant, presumptive know it all seniors and juniors going off half cocked doing their own thing (even though it was with good intentions and reasonable suspicion and because she got no support from her colleagues/line supervisors).
Rewatch - if you are into heavy brutal psychology and existential philosophy ... yeah it is worthy of a rewatch.
Overall: A disturbing series, but brilliant in its profound look at the human psyche in a repressed social context.
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