Ok so there are already like 80 reviews for Story of Yanxi Palace so I'm going to concentrate on the power politics of the show. And my god, is it juicy.

First, the class politics of Yanxi Palace was what snagged my interest in the first place (I'll get to the gender politics too, don't worry). Wei Yingluo hits the bottom of the Palace rung very quickly in the story. In most palace dramas, servants are either loyal, obedient and therefore good. Or they're ambitious and put their own survival before their master's and therefore bad. In this case, we follow Wei Yingluo as she rises the ranks but she is neither demonised nor condemned by the storyline in the process.

At one point, she is literally cleaning out chamber pots and dealing with faeces everyday. Yanxi Palace is not afraid to show the ugly and brutal lower end of Palace activities, when most other Palace dramas would only ever let it happen off-screen. But it's here, at her lowest, that Wei Yingluo befriends an equally disgraced eunuch, Yuan Chunwang. Eventually, the two decide to stick by one another and promise to never betray each other.

The first half of the series sees Yingluo forge powerful protectors, even as she lands herself in trouble, and portrays her positively as a maid on a mission for revenge. In most other palace dramas, a servant who defies authority in the way she does would only get a few lines of dialogue before they're taken off to be brutally punished or killed, normally off-screen.

However, Wei Yingluo is individualistic in her ambition. And despite promises made to her confidante, Yuan Chunwang, she makes a bid for power when she finds a strategic opportunity to do so. From this point on, the class politics of Yanxi Palace folds in on itself. Yingluo ends up conforming to the same class system that had sent her to scrub faeces off barrels. She fills in the shoes of a master and plays the part.

Meanwhile, Chunwang supports a failed overthrow of the emperor and loses. He pays the ultimate price and Wei Yingluo never does provide a convincing answer when he declares that she betrayed him first. Of course, Emperor Qianlong's power is never called into question. I think you're just meant to assume he's a good emperor.

And this is where the class politics and gender politics overlap. I like harem dramas because it's all about the power pull-and-push among women who struggle in the most difficult circumstances. Because, at the end of the day, none of them hold absolute power. In the palace, that belongs to the emperor. Before marrying, that absolute power would've presumably resided with their fathers and/or leader of their clans.

So the ending of Yanxi Palace was, for me, infuriating. Yingluo now declares – after admitting many times in the past to be really only in it for the hustle – to love the emperor. Not only is this very hard to believe canonically given the lack of chemistry between the two characters, but also undermines a lot of what Yanxi Palace had going for it.

As I said before, Emperor Qianlong's power isn't really ever critiqued (even with the coup). All the evil consorts, concubines and servants have been duly punished for their deeds, and yet the emperor, despite his sins, goes unscathed. It almost feels like Yingluo has lost because she admits to falling in love with the emperor. All that work she put in to defy the odds over dozens of episodes seems to unravel.

If anything, the only score any of the women get against Qianlong is when the Fuca Rongyin refuses to play the role of Empress by taking her own life. None of Yingluo's backhanded quips compare to this 'f–– you' moment from Fuca who, even if momentarily, pulls the rug from out under Qianlong's feet.

I will finish this off with just a quick point of reference to Ruyi's Royal Love in the Palace given it covers the same characters and time period. While Ruyi's Royal Love did poorly on its class positioning (my review on the series goes into that more), what it does do better than Yanxi was appropriately vilify the emperor. It is interesting to see how much Yanxi Palace's depiction of Fuca Rongyin and Ruyi's Royal Love's depiction of Ruyi had in common. Both dramas are tragedies if you read them a certain way.