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Good but shy of Great
On the positive side are the three main characters and their shared shattered backgrounds from their childhoods. Over several episodes they are brought back together and their shared pasts are unlayered through a series of satisfying reveals. The support acting was well done and other overall production values high.
On the bad side the antagonist was so powerful - as we learn through slow reveals - that we wondered how they planned to defeat him. This is the main flaw in the show - a structural problem is that the main characters and we the audience never understand the how and why the big bad can be defeated. In an early episode it's said they will exorcise him/it when they catch him/it. At times they behave like impulsive middle schoolers talking about catching the bad guy with no clear idea what they'll do with him should that happen. There are scenes where they rush towards the big bad, especially true for the taxi driver, Hwa Pyung, with absolutely no expressed plan how to get through bodyguards or other obstacles or what happens when they 'catch' him.
One common problem with media centered on exorcism is that they contain exorcism scenes in which the priest or shaman endlessly chants some holy words that fail over and over and over until they work - or not. This show has the same flaw in that we (and the main characters) never learn (until they very end) what MacGuffin - thing or rule or process - will defeat the big bad evil spirit, and in fact as the episodes progress it becomes obvious that the big bad, Park Il-Do, is seriously powerful and far stronger than we were given to believe in early episodes.
And because of this structural flaw the close had to - literally - reveal a Deus Ex Machina. Notice the prayer the priest uses at the very end in the water. He calls upon God directly, and God delivers. And the last scene where the three are reunited is as pure DEM as it gets given where we last saw Hwa-Pyung.
Despite the serious structural flaw the good (main character arcs, relationships, story arc) out weighs the bad for at least one watch through.
On the bad side the antagonist was so powerful - as we learn through slow reveals - that we wondered how they planned to defeat him. This is the main flaw in the show - a structural problem is that the main characters and we the audience never understand the how and why the big bad can be defeated. In an early episode it's said they will exorcise him/it when they catch him/it. At times they behave like impulsive middle schoolers talking about catching the bad guy with no clear idea what they'll do with him should that happen. There are scenes where they rush towards the big bad, especially true for the taxi driver, Hwa Pyung, with absolutely no expressed plan how to get through bodyguards or other obstacles or what happens when they 'catch' him.
One common problem with media centered on exorcism is that they contain exorcism scenes in which the priest or shaman endlessly chants some holy words that fail over and over and over until they work - or not. This show has the same flaw in that we (and the main characters) never learn (until they very end) what MacGuffin - thing or rule or process - will defeat the big bad evil spirit, and in fact as the episodes progress it becomes obvious that the big bad, Park Il-Do, is seriously powerful and far stronger than we were given to believe in early episodes.
And because of this structural flaw the close had to - literally - reveal a Deus Ex Machina. Notice the prayer the priest uses at the very end in the water. He calls upon God directly, and God delivers. And the last scene where the three are reunited is as pure DEM as it gets given where we last saw Hwa-Pyung.
Despite the serious structural flaw the good (main character arcs, relationships, story arc) out weighs the bad for at least one watch through.
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