As I listen to the English ver. of "Adrenaline" I am reminded of the two, no, three main threads of this show. I went in pretty much blind (which I usually do anyway), but, it is a K-drama, so a certain cherished element was proposed, strengthened, and finalized to a dual satisfaction and void. Now - it is done, and just like with My Mister (with its rewatch almost complete) and Twenty-Five Twenty-One, there is quite simply, no more episodes left (crying like Mr. Nam under the table), and my time with this iconic duo of a cold, brutal Mafia corn salad and a hotshot lawyer with an attitude is at an end... The other two threads are the fact that this show for the majority of its run is a comedy/heist/overture in performance theater shenanigans. I'm not sure if both Hamlet and Hector would be proud, or neither, as the two brothers would be - for this show is replete, schlock full of Hectors, a cast that with its communal and gag-driven tenacity reminds me most nearly of the town cast of Gintama. Most, if not all, of the cast besides Vincenzo has a primarily comedic role (in terms of how they were enjoyed on-screen). The third wave is action, and because Vincenzo not only knows how to completely manipulate his opponents, the corrupt bureaucracy of the Korean justice system, but also dominates the hand-to-hand combat scene. As such I'd pit Vincenzo's time in Korea with three genres, two main genres, for only the third really kept me going personally. But I still much enjoyed most of the gimmicks - the Vincenzo fanboy's jumping into the hallway and into Vincenzo's arms, "hwaitak", all of Vincenzo's own acts. The action would only have been better had Hockey Boy, Chief Hector, been good at fighting/doing anything himself. The Chairman Hector is probably my favorite character after Hong Cha-young, who I fell in love with in watching her with Vincenzo. I think what this series does most prominently, in bringing together two genres that really shouldn't go together - the kind of humor you see in Korean C-tier movies, but elevated to the television form, and Mafia political action thriller - is doing just that, bringing an Italian consigliere to the Korean lawyer scene where the first courtroom drama is theater and Italian music perpetuates the first episode and Italian comes out of the perfect mouth of Vincenzo Cassano. Going as far as they did against Babel to the very end was fantastic, and the constant emphasis by Vincenzo himself that he is not a good guy but someone with a Mafia background bringing his own evil against a big law firm and a big corporation. This sort of premise can only be done in Korea - with its own brand of humor, utilizing the influences from Italian Mafia tropes in the West, honor system, and their #1 skill, human relationships. It continues to appear to me that K-drama can't go wrong here, and I look forward to kicking my suit jacket back and heading on to the next one.