Chicago Typewriter has so much going for it. By far, the best quality is that none of the characters (that matter) are annoying and our three leads can seriously ACT. Plus, the story is intriguing — dual timeline shows can feel choppy, but somehow the past and present were weaved together smoothly.

This is a story of passion: passion for one's country, passionate love for the ages, and passionate youth burning brightly. It strikes deep chords of nostalgia and showcases unbridled joy in the midst of chaos. It's hopeful and full of life. Above all, the friendship was worth witnessing. It's true that this show may be a bit frustrating in the first six episodes, but it really does pick up steam. I'm glad I stuck with it.

There were a few minor lowlights. There were a few too many flashbacks and repeat scenes — or perhaps it felt that way since I binged the show instead of watching it week-to-week. I felt that the stalker's subplot was left hanging. I wish we got some hope for Seol's friend, who just wanted to be loved. Then again, all the other characters were less compelling and less fleshed out (thinking of people like: the Shaman, Han Se Ju's dad, his agent, etc.). The story was so complex that I'm glad the show focused on its leads above all else.

I laughed out loud and I cried. What more could you want from a show, really?