This is such a massive underhanded criticism of homophobia that uses heteronormativity to make its point, I love it.

Gong Yoo and Yoon Eun-hye. They're so cute! No wonder the former became such a big star in Korea.

The secondary leads are the main reason why I can't give this a perfect score. The character played by Lee Sun-kyun (RIP…) was annoying and the actor didn't do a very good job in my opinion. He was over-acting his scenes and he never came across as believable to me. That was one of his first roles though, as he would go on to have much better roles in the future, namely in Parasite.

However, the others did a good job.

I love it when people mistakenly answer the phone with something other than the phone itself. This time, it's a toy cube. If I remember correctly, the other times I've seen this so far are in Dreaming the Reality (1991) (Sibelle Hu answers a Coca-Cola can) and The Stunt Woman (1996) (Michelle Yeoh answers a brush). These are the only other such instances I can recall right now. Fun gag.

It's strange because, although the writing is a bit forced, contrived and overly dramatic sometimes, I would still praise the writing in this show, mainly because they managed to make realistic, believable characters that feel human and unique. They all have quirks that make them endearing, even if sometimes the story forces them to act in a certain way. It's an odd dichotomy but it is what it is. Imperfect writing can still manage to be absolutely great when it sets its aims high enough.

If you're trying to flee the soap-opera cliché nature of kdrama (especially the OST, this one is refreshingly silent in all the dramatic moments), then this should be your next destination.

I'm not queer and/or LGBTQ+ so it's hard for me to say whether it's good representation.

But it's a killer gender-bender story for sure. Hella hard to beat on that front.