You know you’ve come across a hit ensemble cast of characters when you’re equally vested in all three of them. In other words, you never find yourself sighing and wishing that the story would go back to the one character you like the most. This is far rarer than people realize. As far as ensemble casts go, the only other K-drama I can find myself saying this about would be “Hospital Playlist.”

Three women from different backgrounds live together. They all work in the entertainment industry. Eun Jung Lee runs a production company, and she finds herself working on a documentary about actress, So Min Lee. Jin Joo Im is a screenwriter who is initially working for a more famous and seasoned screenwriter, until she realizes that their ideas are very different, and she has the courage to branch out on her own. And finally, we have Han Joo Hwang, who works for a small production company, at first as a marketing director, but soon as a producer herself. All three women are thirty.

Eun Jung Lee is the glue of the trio. She’s sharp, independent, and finds herself struggling to deal with a personal tragedy. The love of her life recently died of a terminal illness. She sees him everywhere and even engages in conversations with him. If you have ever had to deal with the loss of a loved one, you can easily sympathize with Eun Jung. And while she’s a strong woman, especially when dealing with anyone who tries to bring her or anyone else down, the cracks in her armor are growing by the day until she finally decides to seek some professional help. Eun Jung is the mother hen, and we can determine that she’s always been this way. Her brother, who lives with the them, is a gay man, and it becomes painfully obvious that their parents never accepted him. In short, Eun Jung has always felt compelled to be the pillar of strength for those closest to her. But here is the age-old truth: you can’t take care of anyone else until you first learn to take care of yourself. You have to be the priority.

Jin Joo is a woman who has the courage to face the unknown; to strike out and become and independent screenwriter. Of course, it helps to have the encouragement of friends, but when she meets film director Beom Soo Son, he helps her become more confident in herself. She is the most cautious member of the group, who isn’t as prone to simply “jump in” to a new romance or situation. Having got out of a long-term relationship, we can see why she’d be hesitant to start another one. But then again, life is about risk. Love is about risk, and you can never get anywhere in life by sitting on the sidelines where it’s safe and secure.

Finally, we have Han Joo Hwang, who arguably has more life experience than the previous two. She found herself in love at a young age, had a son, and suddenly found herself all alone when her husband divorced and left her high and dry. Now, as a seasoned marketing director, she takes on a young intern in Jae Hoon, and does her best to pass along what life wisdom she has to help him navigate his own romantic problems. While it becomes obvious that Jae Hoon is infatuated with Han Joo—and we can also see that Han Joo is a bit smitten with him as well—she already knows that getting involved with Jae Hoon is a bad idea. First of all, she’s his boss at work. And second of all, Jae Hoon has a lot to learn about himself and how to be in a relationship. There is a very touching scene in the last episode in which Han Joo maps out perfectly Jae Hoon’s most recent relationship that ended badly and why it failed. Han Joo already knows, that even if they were to enter into a relationship, Jae Hoon would end up treating her the same as he had his previous girlfriend, and Jae Hoon realizes this.

This series is about three women who navigate life’s ups and downs. In some ways, life is like a big K-drama, starring you and those around you, and those with whom you have friendships and relationships. It’s about dealing with one crisis and preparing yourself as best you can for the next one. In a show, you as the writer and director control and dictate what happens to your characters as well as the situations they are in. In life, you can only control yourself. However, in both, you still have to deal with moments of happiness and moments of disappointment and learn how to move on. It’s human behavior. It’s life! And this show does a fantastic job of mirroring life within the confines and world of this sweet and often touching, drama.

And, yes, that also means enjoying yourself and not following some arbitrary rules. As soon as you try to grasp love and life by putting rules and boundaries upon them, you’ve already failed to realize that life and love are like the wind. They are there to be enjoyed, not to be harnessed and held onto. Jin Joo and Beom Soo make this mistake when they try to separate work and love by some silly rules.

Performances in this series are rock solid across the board. As with so many K-dramas, we have hilarious moments, cute moments, and heartfelt moments. We find ourselves cheering for most of the characters, and by the end of the series, we can say that they have come out the other side of things pretty well. But life isn’t about stopping or sitting on our laurels, thinking we’ve finally crossed a finish line. There is no finish line. There is always the next thing. Bruce Lee once stated that a plateau in life makes a nice, brief rest stop, but don’t ever stay there. You have to keep going. And by the end of the series, you are confident that our three protagonists have already come to that realization.