Olympic no Minoshirokin (2013)

TV Asahi presented the special, "Olympic no Minoshirokin" (The Ransomed Olympics) as part of its 55th Anniversary in broadcasting. What began as an award-winning novel by Okuda Hideo was likely selected for this purpose due to its relevance to current events. After all, this short drama aired two months before the start of 2014's XXII Olympic Winter Games in Sochi. This story centers on the 1965 Summer Games in Tokyo, where a possible terrorist attack looms over the event and its attendees.

While I found the investigation aspect tight and fascinating, palpable suspense falls somewhat low. There was definitely an air of “racing against the clock,” but the actual culprit becomes apparent too soon. Nevertheless, learning about that person’s mindset and motivations retain interest. My attention often caught on the atmosphere built by the depicted time period; the clothing, cars, and social activities truly seemed accurate. And the feeling of a city ready to host the biggest sporting event in the world? That was well presented too, though the viewer’s time is spent primarily with the case. I would note that this SP leaves me with little desire to see it again; enjoying it once seems to be enough. Time will tell.

How about that cast? If one takes a quick peek at the listing, one might be taken aback at the sheer amount of star power contained there. Names such as Amami Yuki, Kuroki Meisa, Sawamura Ikki, and many more represent the supporting cast alone. Of the leads, we have Takenouchi Yutaka and Matsuyama Kenichi, both remarkable whatever the role. Matsuyama-san in particular performs with great energy and depth, though Takenouchi appears fresh-faced and blue-collar heroic. My only complaint would be how crowded the drama feels at times; it’s a little weird to see so many familiar and famous faces at once, even should they perform well.

Incidental music suits each scene nicely. Most offerings add something to the instance they are used in. Unfortunately, none are particularly memorable after the fact. This also accounts for the lack of vocal pieces, which typically add to score memorability.

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