Céu e Inferno: Troca de Almas (2021) poster
Sua Avaliação: 0/10
Avaliações: 8.3/10 de 1,756 usuários
# de Fãs: 4,125
Resenhas: 17 usuários
Classificado #1068
Popularidade #3365
Fãs 1,756

Editar Tradução

  • Português (Portugal)
  • Português (Brasil)
  • Español
  • Türkçe
  • País: Japan
  • Tipo: Drama
  • Episódios: 10
  • Exibido: Jan 17, 2021 - Mar 21, 2021
  • Exibido em: Domingo
  • Original Network: TBS
  • Duração: 54 min.
  • Pontuação: 8.3 (scored by 1,756 usuários)
  • Classificado: #1068
  • Popularidade: #3365
  • Classificação do Conteúdo: 13+ - Teens 13 or older

Onde assistir Céu e Inferno: Troca de Almas

Grátis (sub)
Subscription (sub)

Elenco e Créditos


23 pessoas acharam esta resenha útil
Mar 24, 2021
10 of 10 episódios vistos
Completados 0
No geral 10
História 10
Acting/Cast 10
Musical 10
Voltar a ver 10
An absolutely RIVETING conclusion to Tengoku To Jigoku, the body-swapping drama which had been EASILY my FAVORITE drama of 2021!!!
The tale of a determined detective who switches bodies with the psychotic serial killer she is chasing took the best acting efforts from both Haruka Ayase and Issei Takahashi, and I have to say that by the show’s conclusion this may be some of the finest acting I’ve ever seen by either of them!!!
Also props to Kazuki Kitamura, the brash, arrogant and yet highly intelligent and motivated detective Mitsuo Kawahara who is always hot on the heels of the body-swapped duo as they try to wrangle themselves out of their predicament- This was a character that I never quite knew what to expect from and he surprised me every time!
An A+ drama that had me on the edge of my seat as the show took you through its elaborate twists and turns culminating in an entirely satisfying Wrap-up!!
I was excited about this ever since first hearing about it in the new drama announcement, blown away by its first episode and throughout its entire run, Tengoku to Jigoku has always been my #1 favorite drama on the air! A definite 10/10!!!

Leia Mais

Esta resenha foi útil para você?
6 pessoas acharam esta resenha útil
Jan 20, 2022
10 of 10 episódios vistos
Completados 5
No geral 8.5
História 8.5
Acting/Cast 9.5
Musical 8.5
Voltar a ver 8.0

When heaven and hell collide

Tengoku to Jigoku: Psychona Futari is a body-swap drama that focuses on the central characters of a female police detective and a suspected serial killer, and what happens after they “switch bodies''. With their roles now reversed, from the pursuer to the pursued and vice versa, how will both characters deal with the aftermath? Will justice somehow prevail or will the serial killings continue? And will these two characters revert to their original selves before the story ends? These are the questions that will be answered as the story unfolds in what has been an intriguing roller coaster of emotions.

This TBS “Sunday Theater” production is co-directed by Yuichiro Hirakawa (Tenno no Ryoriban, Tonbi, JIN), Takahiro Aoyama (Grand Maison Tokyo), and Aya Matsuki (Hanzawa Naoki, Tokyo MER). The story is based on the original screenplay by Yoshiko Morishita, who has written for many well-known dramas such as JIN 1 & 2, Tonbi and Tenno no Ryoriban, among many others. The prolific composer Yu Takami (BG: Personal Bodyguard, Library War, Ichiro) serves as music director. The 1st movement Allegro con brio of Beethoven’s Symphony No. 5 (Fate) is used as the opening theme where the famous motive recurs throughout the drama.

The concept of the body swap is based on the Japanese myth of the Moon and the Sun that originates from Kagoshima and Amami Oshima, where legend has it that “the moon was supposed to be the sun and the sun was supposed to be the moon" in a dark twist of fate that changed the positions of the two entities forever. Interestingly in the drama, the body swap actually takes place during a full moon.

This drama attracted much attention on MDL last year and I can finally comprehend why. The hype is truly justified, so much so that it had garnered a number of accolades including the 24th Nikkan Sports Drama Grand Prix with Leading Actress Award for Haruka Ayase and the 107th Television Drama Academy Awards with Leading Actress Award for Haruka Ayase and Supporting Actor Award for Issei Takahashi.

What I Liked

The acting is truly phenomenal, as reflected by the awards won. The thing with body swap stories is that the role reversals have got to be very well executed, otherwise the entire concept would fall flat. Fortunately that is not the case here and the portrayals by both leads are absolutely on another level, particularly that of Takahashi Issei. How he switched personalities from a gender perspective and utterly assumed the personification of both distinctively disparate characterizations is remarkable beyond doubt. Seeing is believing and having witnessed the performance firsthand, I’m completely mind-blown! From the overall body language down to the intimate mannerisms and subtle quirks, Takahashi Issei killed it as both female detective Mochizuki Ayako and psychotic Hidaka Haruto.

Ayase Haruka is no less impressive herself and demonstrates a masterful display of juxtaposition between the freneticism of Mochizuki Ayako and the ultra coolness of Hidaka Haruto. Generally the more subtle of the two leads, Ayase Haruka brilliantly projects the nuanced microexpressions that convince viewers to immediately buy into the personality switch. The interactions between Takahashi Issei and Ayase Haruka are a particular joy to watch and certainly elevates the storytelling even further because they share such wonderful chemistry that adds profound depth to their characters’ dynamics.

As far as the story is concerned, there are two components to the plot - the criminal investigation and the body swap mystery. I was actually more captivated by the body swap segment, for obvious reasons. Nonetheless, the investigation aspect is quite smartly written although it isn’t a particularly inventive or refreshing take on the crime genre.That said, I do appreciate a certain unexpected twist thrown in towards the end. In fairness, this isn’t a drama that is overly complex on the uptake and it does not take itself too seriously either. Despite the gruesome nature of the crime and depictions of gore, as well as certain dramatic moments of emotionally heavy dialogues, the drama is mostly lighthearted with instances of comedic relief interspersed throughout.

From a technical perspective, the art direction and set designs are quite decently rendered. There are gorgeous vistas of the Amami Oshima filming locale on full display while I also enjoyed the costuming aspects where both leads sported rather fashionable wardrobe selections. The poignant theme song Tadaima (I’m Home), beautifully performed by Aoi Teshima, is one of the highlights of the drama as well.

Final Thoughts

Tengoku to Jigoku: Psychona Futari is a relatively engaging viewing experience that isn't without imperfections. Where it leaves a deep impression is through the acting of its leads. It is the one single aspect that literally blew my mind away and because of that, I won’t be forgetting the performances any time soon. If you weren’t a fan of either lead before this, you might have to change your mind after watching this drama.

Leia Mais

Esta resenha foi útil para você?


Diário de um Psicopata
O Cara em Mim
Afeto Profundo
The Count of Monte-Cristo: Great Revenge
Estudante Samurai
New Face


  • Drama: Céu e Inferno: Troca de Almas
  • País: Japão
  • Episódios: 10
  • Exibido: Jan 17, 2021 - Mar 21, 2021
  • Exibido On: Domingo
  • Original Network: TBS
  • Duração: 54 min.
  • Classificação do Conteúdo: 13+ - 13 anos ou mais


  • Pontuação: 8.3 (avaliado por 1,756 usuários)
  • Classificado: #1068
  • Popularidade: #3365
  • Fãs: 4,125

Principais Contribuidores

edições 85
edições 54
edições 32
edições 29

Notícias e artigos

Listas populares

Listas relacionadas de usuários

Assistido recentemente por