Takara no Vidro (2024)

A sparking marble in the grass

The first couple of episodes, while charming, had me fearing mediocrity. But over time, I grew to see a surprising level of quiet depth and maturity in the leads. These young men have been hurt and are still dealing with hurt. One is more naive and hopeful, though, while the other is disillusioned with reality and terrified.

Takara's fight to not fall into the same depths as his mother and fear of himself the moment he mirrors her behaviors, even slightly, in particular, stood out to me.

"If I want something, I must have it."

What it must be like to fear your own wants and feel the need to push your desires aside in case you just might take a treasure into your hands, keep it from the world, and unwillingly crush it.

I would like others to see what I did, but I understand if you don't. Regardless, I found this a precious watch that I almost want to keep to myself. My own "treasure."

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Losing your marbles

"Nothing happens. Twice." Vivien Mercier famously said this of Waiting for Godot, but as a compliment. Of Takara no Vidro, I can say: "Nothing happens. Ten times." And that is not a compliment. Godot, in the most common interpretation of the play, is supposed to be death. Here, we wait for any semblance of life.

There is one, and only one, reason to watch this show. Iwase Yoji. If you do watch it for him, I suggest doing so at 2x speed, though even then, the show will seem slower than seeing a tortoise run a marathon. But if you care at all about plot, acting, script, direction, chemistry, charm, or some insight into human life -- rather than, as the title appropriately hints at, a vitrified vision of it -- I suggest you give it a miss.

Also, can someone please do a cut of Taishin's "Eh, Eh, Eh, Eh, Eh" set to Rihanna's "Umb(u)rella? It might not only justify the suffering he inflicted on us, but also offer a plausible explanation as to why it is the only syllable he can muster.


Reader's Digest:
DO SAY: Eh?
DON'T SAY: Uh oh, uh oh, uh oh, oh no no.

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