
Ji Gang Hui cresceu no “Hotel Califórnia”, o singelo hotel de seu pai que ficava em uma pequena cidade do interior. Lá, ela teve de lidar com o bullying frequente devido à sua ascendência mestiça, o que fez com que ela se tornasse amiga de Cheon Yeon Su, que também sofria bullying e por quem ela se apaixonou. No entanto, aos 20 anos, ela decidiu se mudar para Seul para seguir uma carreira no mercado de design de interiores. Doze anos depois, Gang Hui retorna à cidade e reencontra Yeon Su, que agora trabalha como veterinário. Sem que Gang Hui saiba, Yeon Su esconde o que sente por ela há anos, mas permite que circulem rumores de que já está namorando para evitar propostas indesejadas. Agora, após décadas mantendo “segredos correspondidos”, eles enfim terão a chance de revelar o que sentem um pelo outro. (Fonte: Viki) Editar Tradução
- Português (Portugal)
- 한국어
- Русский
- Українська
- Título original: 모텔 캘리포니아
- Também conhecido como: Motel Kaelriponia , Motel California
- Roteirista: Lee Seo Yoon
- Diretor: Kim Hyung Min
- Gêneros: Romance, Drama
Elenco e Créditos
- Lee Se YoungJi Gang HuiPapel Principal
- Na In WooCheon Yeon SuPapel Principal
- Choi Min SooJi Chun PilPapel Principal
- Gu WonGeum Seok GyeongPapel Principal
- Choi Hee JinYun Nan UPapel Principal
- Seo Ye HwaPark EstherPapel Secundário
Resenhas

A complex story with many more deep-seated conflicts and emotional drama than it initially reveals
Prologue:"Motel California" piles up drama in reverse, so to speak. The more we learn about the past, the more we understand of the tragedy...
Dramatic. Grievous, too, yet rounded in itself. Not joyful, yet the ambivalent emotions subtly creating a strange kind of warmth, because it's about human beings. Deeply hurt, insecure, imperfect and even embittered human beings who try to put aside their suffering, even suppress it, and still live their lives as best as they can.
Demanding, because as audience we might initially be somewhat reluctant to open our hearts to these people in "Motel California". (But we should, it´s worth it.)
A bitter, moving, and yet beautiful story about despite their defect nevertheless lovable people.
"Motel California" is a healing story amidst a structurally sickening, toxic work and living environment. It's primarily about the 'good, true and proper' origin, the outer impression, the 'right' educational institution, the 'right' gender (male). Additionally it is as well about exploitation, discrimination and bullying. It is also a story about love. Primarily between a boy and a girl. The girl ultimately struggles through life as a deeply sad lone fighter after having to leave behind the only much loved, loyal companion – the only one who, in her eyes, ever made her feel warmth, unconditional trust, reliability, and care in a cold, rejecting world.
"Motel California" is a complex story with many more deep-seated conflicts and emotional drama than it initially reveals. The recurring flashbacks gradually provide more valuable insights. This helps us better understand what is presented to us "today." Accordingly, only over time do we get emotionally closer to the protagonists, i.e., in the course of the second half.
"Motel California" tells of complicated life, of great pain, and above all of the FLs pain, who barrels through life with a disturbingly repellent shell. But many others also carry injuries and scars. Wonderful actors help us feel the drama within the drama through their strong performances.
The story, based on a novel, tackles demanding material. Quite courageous, because what torments and drives the two protagonists internally is not always pleasing on the outside. Especially the FL, with her incorrigible defiance and exorbitance, is sometimes hard to bear. Moreover, her deep pain, which sometimes almost spills out of her eyes, can be quite intense. Respect!!! For daring to uncompromisingly and soulfully tackling in a KDrama the distressing, uneasy dark side of emotional realities in an otherwise highly polished South Korea. And for Lee Se-young to take on the difficult, deeply wounded, ambivalent, and insecure character of Ji Kang Hee, who fights against the rest of the world from a seemingly lost position.
This is not a light-hearted KDrama. "Motel California" is not easy fare. Nevertheless, the latent severity is repeatedly dissolved by soul-warming scenes or channeled through pointedly inserted, humorous scenes. Additionally, there are soothing details between the lines, e.g. in dialogues, mise en scene, and atmospheric lighting.
What ultimately turns out to be a love story, at first starts of somewhat clumsily. At times, it might feel like a study of an almost toxic emotional dynamic between a man and a woman. In their rather awkward addictive habit and sometimes inappropriate ambivalence the love between them still seeks its way in difficult terrain. Over time we get to know the characters a bit more – their motives and backgrounds, as well as their unresolved, unredeemed feelings of guilt. Compassion may spread. And quite a lot so. This is KDrama par excellence. It's worth sticking with “Motel California” and not abandoning the two main leads (nor everyone else) along the way.
Layer by layer, the cloak of forgetting and suppression is gently removed over the 12 episodes. This cloak protectively covered the unresolved feelings. Yet, ultimately it turns out as emotional prison that has long prevented authentic, sincere encounters and healing communication.
The 'Motel California' ultimately represents a nurturing vessel for such encounters and healing. It is a symbol for origin, stigma and opportunity alike. The 'Motel California' forms an island in the sea of cruel rumor mills, social control, social ostracism, and discrimination. The name of the motel – "California" – represents the dream of another world. The motel as an establishment, in turn, stands for what the protagonist was always ashamed of in her childhood. For what caused her to experience painful 'othering' as a child. She was different and grew up under shattered, disreputable, and ultimately tragic family circumstances. I.e. that she is different – not as she should be – was (and is) mercilessly mirrored by her environment. She was not recognized as a full member of society in a small world where everyone seems to know everything about everyone else . And the 'disreputable' that clung to her was inevitably linked to the 'motel' in her eyes – the motel as a mirror of her inconsolable, almost unbearable, and still unresolved injuries of her childhood and youth. Nevertheless, the motel is also her home and witness to her forgotten (including good) childhood memories. "Home, Bitter Home", so the title of the original novel. At last the Motel also becomes a social hub for those who are ready to find redemption. This is thanks not least to Kang Hee's father, who, with his liberal, unmistakably patient, and trusting manner, opens the field for it.
Nevertheless, I also have criticism:
Quite inappropriate in view of the difficult, emotionally complex theme of this KDrama are, in my eyes, the really intrusive product placements – almost as if a commercial break is being inserted every now and then... Cringey!

Motel California in Korea
For this story, the beginning might start out a little slow, confusing, irritating, at some parts. Two childhood friends, as different in personality as night and day, yet their closeness as fluffy as a teddy bear. Bearing the “shame” of parental uncompromised relationship resulting in tragedy, the pair bore the scrutiny, gossip, pointing fingers of the small town they lived. Unbearable to her, their friendship ended when she left town. With this outline builds this story. It’s a story of overcoming barriers, stigma. It’s a story that gives us a glimpse of life in real time through that of Kang Hee, the main character. There’s the saying that children shouldn’t bear the mistakes of parents. That’s definitely a theme here. KH is definitely a complicated character in the beginning. Stick with her as you will understand. With so many other life lessons, this story unfolds like a beautiful budding flower that by episode eight, I legitimately have adopted myself into it.Lee Se Young (Kang Hee/Gang Hui) is such a versatile actress. Historical, modern, cross cultural, she has really made her mark in acting. I like her in this role. She’s headstrong, stubborn and determined not to be undermined by her painful past and problems of present. Her character is somewhat similar with that in What Comes After Love. Those hard stares can freeze the bones. She really does shine in this character. Her emotional scenes are very well done. Had me teary too as I can identify her pain in those moments.
Na In Woo (Yun Su) plays the character that is hard to adjust to. He’s quiet, slow to respond. However, as it progresses, he grows into you. His role as the foundation to Kang Hees emotional roller coaster life is heartwarming. Kind, understanding, and patient, he’s her solid rock. Episode eight is so beautiful. He is very clear, concise, and becomes a man. You’ll see.
Kang Hees father in the drama is the father everyone can want. Charming, humorous, slow to anger, not a pushover. Yes, his relationship with his daughter is strained yet, their bond and love for each other is obvious.
There’s many other great themes here. Orphan. Childhood bullying. Stigma. Forgiveness. Everything is resolved and by the end i continue to smile. Yes, very satisfying end. Be patient in first few episodes and you’ll be happy you stuck through to the end.