O Jogo da Morte Parte 2 (2024)

Sometimes Fates can be way worse than Death.

The show and the cast did total justice to the webtoon. Each and every character was played so well you do end up feeling all the emotions they wanted us to feel, from sympathy to hatred. The show sheds light on many dark topics that exist in our society and shows the monstrous side of humans.

Park So Dam's comeback as the entity "Death" was a damn killer. She nailed it with her gothic vibe, cold and mysterious swag.

There were moments where it felt that the emotional development could have been done more like in the case of police inspector and the little girl one but otherwise there were moments which brought tears to my eyes like Yi Jae realizing the pain he ended up giving his mom by killing himself and then living as her watching all the pain and suffering she went through before and after he was born was so hard hitting.

Damn I felt so satisfied with the fate of KimJi Hoon, dude was evil to the core and deserved fate worse than death which he got. Live the rest of his life rotting and wishing for death. KJH really knows how to pull psychopaths off and make everyone hate his characters.

I hoped for a more concluding ending rather than just a 5 sec clip. After all the pain, trauma and self realization he went through I really wanted to see the ending being a happy moment of reunion between him and his mother or Ji Soo.

Overall the show had a stellar star cast and an engaging story which will keep you on the edge. Hell of a start for 2024 with this show.

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OMG THE ONLY THING I CAN THINK ABT

I literally just finished this and all I got to say is wow. This series was something else.
From the first start when I saw the cast I screamed and automatically knew that this series was going to be lit but this lit? Just like we can just start of the acting with THE CAST. Just OMFG THE CAST IS THE CAST. Every EVERY character was on point and was on fire along with the story. Just like Lee Jae Wooks character matched him so well and ofc he killed it but like he killed it SO MUCH. Also Lee Do hyun KILLED IT HIS CHARACTER FITTED HIM SO DAMN WELL! And literally every other. Having Seo in guk as main was a GREAT PLOT HE ABSOLUTELY KILLED THIS SERIES. A clear 10/10 on the acting and cast.

Not even starting at the story cause omg. The story and plot is just so good. Something rare AND I LOVE IT. I can’t describe how much I love them for this story cause it was so good. NOT A SINGLE BORING EPISODE, and I’m also someone how skips like a little here and there but on this I DID NOT SKIP ANYTHING CAUSE OH MY. MY EYES WERE GLUED IN TO THIS.

The ending was just good. Like not bad not kinda opened but I don’t know what I was expecting so I’m happy about it.

I really recommend this series like don’t hesitate if ur trying to choose if ur going to watch it cause ur not going to regret it AT ALL. A clear 10/10 for me l. Want more series like this !

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Don't take life for granted.

I never thought this drama would have me rethinking a lot of stuff in my life. The drama overall was really great. With a great plot and a great cast, a drama can succeed. What started as selfishness ended up being awareness.

With almost all of the lives connecting to Taewoo, I liked the way it ended with him. With all of the lives he cost, he got what he deserved.

Yijae's mom, Jisoo, Hyuksoo, and the baby's deaths made me cry so much. Those kids and Jisoo weren't connected to Taewoo in any way but still died in the hands of absolute psychos, and those deaths hurt the most, especially the kids. I'm glad Yijae's last life was through his mom. He needed that wake-up call because what he did really hurt his mom. She lived her life for him, and in a way, he did the same in return. With that, I'm glad he realized his mistake and got his second chance.

While looking through the lives of others and walking in their shoes can be exciting, it doesn't mean they're your size. Walking in other people's shoes can only be uncomfortable because they're not your shoes to walk in. There is only one of you. Only you can truly be you. That's what this drama has been trying to tell us this whole time.

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You've Got to Watch This Drama!!

Wow! Wow!

I cried a bucket of tears after finishing the last episode and I still feel the reminiscence of this drama lingering even after. I loved season 1 and how it was about death and the games it played with Yi Jae. It felt like a game then and then you come into this season and you realize it was never a game for death, it was never meant to be one as I thought, but rather it was about making Yi Jae realize the worst sin he had committed. Not taking his own life, but the pain he put his loved ones, the ones left behind even after he is gone.

I wasn't expecting the last life to be his Mom. I wondered if death would give his Mom's life as the last one but then thought it would be too cruel. And then when it happened I was just flabbergasted, because yes, it was definitely the most cruel and scariest punishment he could've gotten. To feel the pain his loved one's felt by his actions. And it brought him down to his feet as he should've been. He took his own life thinking it would put all the pain to an end without a thought about what will happen to his partner or his mother. He was selfish and even after dying countless times he still didn't understand what did he do so wrong or why what he did was a selfish act. It was a humbling moment to be put in his loved ones pain and live their life feeling those pain till their end. And while in other soul's he found death easily, death never sought him while he lived as his mother. It took its sweet time, making him live it over and over again.

This drama handles a very sensitive and triggering topic. One that can't be made fun of or taken lightly and I was scared that this would make it look too insignificant. So, I loved it when this drama showed the graveness of suicide and what happens when you choose an easy way out. What happens to the ones left behind. That it is the most sinful act you could do to them, not to yourself but to the loved ones.

Lastly, the rest of the supporting cast in this drama is A++++. It's insane how the casting director casted these characters so aptly and I was just impressed with the whole cast and how I loved each character. Though I knew death was around the corner for each and every single one of them, the story telling made me want to just let them live. Let them not have this unfair ending.

I would definitely recommend this drama to every drama lover out there. I don't think I would rewatch this since it's a painful topic and it was triggering here and there, I am glad I did watch it once.

Truly an amazing story with an amazing stellar cast!

Rating: 9.5/10

P.S. I wish the director would make a variety show with all the casts in this drama so the ache would go away a bit!

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There is only one you in the world

Part one was near perfection, and this was a masterpiece.

I'm still reeling from what I witnessed because what began as a revenge plot turned into one of the most poignant retrospect about life.

It's all too complicated to explain the experiences and emotions that Yi Jae is put through his 12 reincarnations, the pain of leaving his loved ones behind, losing someone he loves, living not knowing who he is, and living as if he isn't really living. It isn't until he finally experiences the memories and feelings of the 12 people in full does he truly start living.

Once again, the cast just, wow. I have no other words to describe how amazing this cast was. The guest stars, it is incredible how each of them portrayed their own characters, in addition to portraying their character as Yi Jae. Seo In Guk and Park Seo Dam get an extra round of applause, they played off each other so well, and boy can Seo In Guk act! Admittedly, these four episodes were much more emotional than the previous ones and he brought his A game.

This was a genuinely incredible drama, it is difficult to deal with this many genres and still provide a flawless production in just 8 episodes. However the interpretation, whatever it was that caught your attention, this is an enjoyable ride, through and through.

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I have some thoughts ig

So I did like the show itself, idk about the storyline cause I heard there was a plottwist, but if there was, I didnt see it.

There were many plotpoints I wanted that could have added more dimention to the show that never happened.

I also dont like the way the show practically guilttrips Yi Jae when he was already miserable.
The message feels very backhanded at the end because it's basically just saying. "Life sucks, but dying sucks more".

I obviously think suicide isnt the only option when you're struggling, but I dont think we should guilt the people who do not feel they have anything to live for.
Those people already get enough shit as it is

I really love the cast though so I enjoyed watching the actors in the show and I liked the fact that I could laugh at the serious plots because I already found some of the show goofy.

I do recommend watching the show though, it was very entertaining.

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Eita atras de eita

Simplesmente continuou na mesma pegada da primeira parte, aqui sim temos o verdadeiro plot.
Atuação perfeita, historia comovente que nos ajuda a repensar nossos valores.
Prepara o lencinho pois é de chorar muito.
Realmente precisamos dar valor pra nossa vida, pode ser difícil, nada dar certo, mas podemos mudar tudo sim sem precisar cometer o Sui****. E vendo o fim do jogo da morte fica tudo mais claro.
a cada vida pensei que ele podia sim viver e sobreviver que era o mais importante, passei raiva com cada burrice dele e como foi muito tenso esse dorama com dois psicopatas juntos, loucura.
Ja começou o ano com um dos melhores sim. para quem é sensível, tome cuidado pois é muito tenso. alerta de gatilho.

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An Unexamined Life

A young graduate (Seo In-guk) doing it very tough in the existential scramble for jobs, has come to the end of his tether. After several years of juggling part-time jobs and not achieving that holy grail — a corporate position at Taekang Group — he concludes that his life has been an absolute failure. From the top of a high rise, he takes the plunge, ends his life, leaving behind a loving single mother and his longtime ex-girlfriend. It is important to note that his despair is exacerbated by a particularly bad day that culminates in a break-up with his girlfriend which he initiates after seeing her with another man. One thing after another he believes that his death is the solution to all his problem and will end all the agony that paralyzes him. That is until he wakes up and finds himself in a kind of purgatorial location face to face with Death herself played by a suitably menacing Park So-dam. This begins a drawn out debate between Death and our protagonist about the value of his life and life in general.

I went into this not knowing much except the bare essentials and on hindsight the surprises increased my engagement with the plot. The element of surprise pumps an extra layer of enjoyment as there are plenty of thrills in the offing especially in the first 4 episodes aka Part 1. Be warned: It’s not for the faint-hearted. The crime elements are unyielding in this and there’s bloody violence all about in precarious situations. If violence is no barrier to entry, this can be an amazing adrenaline rush as the viewer embarks on this seemingly convoluted journey of discovery with Yee-jae who reluctantly… and often defiantly takes on each challenge to prove his case.

From the perspective of a seasoned viewer, it’s undoubtedly one of the more creative K drama endeavours I’ve seen in awhile. The plotting here is everything. On the surface it appears to be just another one of those transmigration stories that have become K drama staple but from the way it blends genres, it’s a superior work of art to all the others.

The other highlight has got to be the top tier cast. Plenty of familiar faces and the director certainly used the best of the best to optimize the storytelling. It’s also good to see the underrated Kim Ji-hoon getting a lot more work these days in these bigger high profile productions. But the star of the enterprise is the script begging the question... when was the last time a K drama had plotting this good?

My analysis — best read after viewing and not before… Spoilers ahead.

Somewhere between the third and fourth episodes, it occurs to me that Death’s Game is a darker, certainly more violent reimagining of Frank Capra’s It’s a Wonderful Life. And while we’re at it, why not throw in Charles Dickens’ great classic, A Christmas Carol for good measure? We know which inspired which there. So what do these stories have in common? For one they are second chance stories but the protagonists in these stories aren’t necessarily aware that they are being offered a second chance at the start. They undergo an arduous punishing journey of self-discovery that on the surface is more excruciating than edifying. If Death is to be believed, then Yee-jae is being punished for committing suicide.

But is he, really? Should we really take Death at face value or are her threats strategically made to egg him on to play the game game and force him out of his despondency? Is she manipulating him with reverse psychology. Hell awaits if he fails and it’s a terrifying thought now that he’s seen what it looks like. If punishment is really the endgame, then why take Yee-jae on this journey to solve a matter of grave injustice but to give him a glimpse of what’s life like for those who are left behind? If he was the burden he believed himself to be, why are his mother and ex-girlfriend, Ji-su still grieving for him?

Because the first “body” belongs to the second son of Taekang Group, it signals immediately that these challenges are somehow linked to Yee-jae’s life before death. But how do these pieces of the puzzle fit together? Why can’t he see the forest for the trees? Corporations in K dramas are seldom portrayed positively and yet it seems to be the dream of every university graduate to seek employment in these detached monoliths. Yee-jae attends two interviews at Taekang. The first is a write-off as a result of his encounter with a suicide victim on his way. In the second seven years later he interacts with Park Tae-woo (Kim Ji-hoon) the oldest son and CEO of Taekang Group and mistakenly assumes he has had a positive encounter with his potential employer. It’s an illusion. One of many. Park Tae-woo is a double-faced psychopath with violent tendencies. He’s a fraud. His benign public image is a cover for something far more sinister. He uses his clout as CEO of a corporation with deep pockets to pay off corrupt officials to cover up his crimes. He can use his infinite resources to engage organized crime. He sets himself above the law. He styles himself as Milton’s Satan ruling in hell. No one can get to him. Except through a miracle.

Furthermore the purpose of Taekang Group in the narrative is not only that it represents a festering merciless evil behind the facade of wealth but it is a symbol of a larger critique of materialism that drives the rat race and the participants to despair. The society in which these people live define success in terms of wealth, status, possessions. Yee-jae mentions this more than once that everyone has the same goals — a good job at a large company, marriage, children who do well at school, financial security. The reality however is that not everyone can achieve all of this. Nor might they want to. It is in the interest of these corporations with the help of governments to turn men and women into economic units — slaves of a system that tethers them to the economic engines of the nation with no regard for their spiritual, mental, physical well-being that make up the whole person. Big Business is first and foremost about profits. Governments are about control. They don’t see their clientele or electorates as individuals but entities to be exploited managed.

This perspective is given added merit by the fact that when Yee-jae finally realises that the people around him are more important to him than clinging on to wealth that’s not even his, he finally has clarity about the nature of Death’s game. It isn’t punishment per se but revelations/insights into his life that were not available to him previously. These insights serve a dual purpose insofar as they offer him an opportunity to re-evaluate his life and a compelling reason to exist. He didn’t have much by way of material wealth. In the order of things he was a “nobody” but he loved and was loved. His life had value by virtue of the fact that he was born.

In his case Yee-jae’s depression arose from unrealistic, unhealthy social values that just don’t account for individual differences and the unpredictability of life. Working for Taekang isn’t that pot of gold at the end of the rainbow but it has become a lie perpetuated in his world to prop up a class based social system that devalues the “losers” based on their monetary value. This is also reiterated in the other highlighted suicide where unlike Yee-jae, the individual makes it at Taekang for a while and lives the South Korean dream only for the bubble to burst in middle age when all his accomplishments and attempts to climb up the corporate ladder are rendered meaningless in a single moment. The problem with material possessions is their transience and lifelong pursuit of them is meaningless. Our ability to cling on to them in life is tenuous at best. And no can take it with them when they die.

At the core of this is the question of what makes us human. Are we just mere bodies to be “filled” by a soul? Are we just a sum of our memories? Like in Neo in The Matrix, Yee-jae is able to “download” abilities ie. access the abilities of his “hosts” and use them for a far greater purpose that transcends the lives of any of these morally dubious men. He is able to co-opt their memories for a greater cause — justice for victims of heinous crimes.

Hence the analogue to It’s A Wonderful Life and to a lesser degree A Christmas Carol. Instead of Clarence the angel or the three Christmas ghosts, Yee-jae’s instructor and messenger is the hard task master Death who brings out the whip and cracks it with unholy glee to keep him on his toes. As with the case in these second chance stories, these men come to realise that material prosperity isn’t everything but the relationships, the people we leave behind when we die are the true legacy of our lives. It’s not punishment at all but compassion to be shown how you’ve been led astray and be given another chance to refashion one’s life not governed by the materialistic impulses of our culture.

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So Good, It'll Make You Want to Live... Forever (Just Kidding)

As I started watching the second part of "Death’s Game," I carried with me a mix of anticipation and apprehension. The first season had set up an intriguing premise but stumbled in its execution. I hoped part 2 would build on the foundation and address the issues that held back its predecessor. However, my excitement started to wane after episode one. The quality of the narrative took a sharp downturn. Episode two felt like it belonged to a different series altogether, resembling a generic crime drama filled with exaggerated corruption and untouchable chaebols. The over-the-top acting and simplistic resolutions left me feeling disappointed.


The most problematic aspect of this part was its handling of the suicide theme. The last two episodes, in particular, hammered home a singular message: suicide is selfish, and one should endure suffering for the sake of others. This approach felt incredibly narrow and, frankly, irresponsible.

One part that did stand out to me was the story of the suicidal salaryman. This narrative arc shed light on the harsh reality of the societal and governmental pressures in South Korea. It was a brief yet poignant exploration of the protagonist’s disillusionment with the dream he had been brainwashed to pursue. However, the show didn’t delve deeper into this critical insight. Instead, it reverted to guilt-shaming the main character through his interactions with his mother, missing a crucial opportunity to explore his true desires and struggles.


As someone who values a comprehensive approach to storytelling, I was frustrated by the show’s failure to address the root causes of the high suicide rates in South Korea, such as poverty and unemployment. Instead, it seemed to push a government-endorsed narrative, urging viewers to endure suffering for the greater good. This approach felt like a cheap shot, especially when considering the complex realities of mental health and personal agency.

The show’s narrow perspective on suicide was particularly infuriating by the end. It didn’t explore the mental health states of suicidal individuals or the various circumstances leading to such a difficult decision. For instance, while the main character had a caring mother and a girlfriend, their lack of support when he needed it most was glaring. His mother’s revelation about hoarding money that could have helped him years ago added to my frustration. This aspect of the story felt underdeveloped and missed the mark on addressing the protagonist’s real-life pressures.


I found it difficult to connect emotionally with the characters. While the cast delivered strong performances, the relationships and dynamics felt superficial. The main character’s relationship with his girlfriend followed a clichéd template, and their interactions lacked depth.

The ending left me feeling conflicted. While the main character got a second chance at life, it seemed to invalidate everything he experienced in other people’s bodies. The deaths that were supposed to happen would still occur, and the villains remained unpunished. This resolution felt hollow and unsatisfying.


Reflecting on part 2 of "Death’s Game," I’m left with mixed feelings. The production quality and cast were superb, but the controversial message and disappointing ending overshadowed these strengths. The show had moments of brilliance and potential but ultimately fell short due to its flawed execution and narrow-minded approach to sensitive topics.


Part 2 of "Death’s Game" attempted to explore profound themes but was marred by controversial messaging and missed opportunities. While the quality of the production and the cast’s performances were commendable, the series failed to deliver a satisfying and thoughtful narrative.

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