A Ascensão de Ning (2024)

A PLEASANT SURPRISE!!!!

"Rise of Ning" is a captivating historical drama that tells the story of Yining, a girl who returns home after being cast away by her father as punishment. Upon her return, she navigates the complexities of her family relationships and the intricate politics surrounding them. The drama delves into the mysteries of her mother's death and the secrets of her birth, adding layers to the narrative.

As Yining reconnects with her family, she encounters a man who is intricately linked to her past and is also ostracized due to his origins. This relationship adds depth to the story, as both characters work together to confront the adversities posed by their family dynamics. The series primarily focuses on the various family relationships and the political intrigue within them, showcasing how the female and male leads support each other in their individual battles.

I initially watched this drama for the cast, particularly Ren Min, who portrays the female lead. I have admired her work in various projects before. Similarly, I was drawn to Zhang Wanyi, the male lead, who I had previously seen in the historical drama "Are You the One." However, beyond the impressive casting, I found myself falling in love with the story's buildup and development.

The narrative, centered around family, adversities, and complicated relationships, is both intriguing and engaging. The writer skillfully navigates potential pitfalls in the plot, ensuring that the story remains cohesive and captivating. Although the pacing starts off a bit slow, it serves as an essential part of the overall buildup, ultimately keeping me entertained and invested in the characters' journeys.

Given that this drama revolves around family politics, one might expect it to lean heavily into darker themes. However, despite its deep and heavy plot, "Rise of Ning" manages to maintain a light and relaxing tone, which I found refreshing.

One of the standout aspects of the series is the way its characters are written, particularly the main leads. The female lead is portrayed as quick-witted, smart, and emotionally and mentally strong. While she may not be physically powerful, her vulnerability makes her relatable and human. I loved how she embodies both strength and vulnerability; she isn't a warrior and doesn't rely on physical combat but instead uses her intelligence to navigate various challenges. She also assists the male lead in overcoming his own obstacles.

On the other hand, the male lead is characterized by his calm and gentle demeanor, combined with a sharp intellect. He possesses a tough side that emerges only when provoked, which I admired. Together, these two characters shine throughout the series. For the first time, I felt that neither lead overshadowed the other; instead, they both stood out in their own right, complementing each other beautifully. Their dynamic as a team was incredible, and I loved their teamwork.

Additionally, the supporting characters were interesting and added depth to the story. This drama features a diverse cast, and whether good or bad, each character contributed to making the show even more engaging.

The character development and the balance between the leads created a captivating viewing experience. It's great to see a drama that successfully highlights the strengths and vulnerabilities of its characters while keeping the tone enjoyable.....

The relationship between the leads is developed in a slow yet delicate manner, considering they start off as a sort of family and then evolve into something more. I love how they drew that line; as family, their bond was portrayed in a pure and heartwarming way, allowing the audience to feel the fondness between them. When they transitioned into lovers, it was a simple yet profound change. The shift was nothing grand but rather subtle, with each step taken carefully, which I appreciated a lot.

The chemistry between the leads was beautiful to watch. Their interactions made me giggle, and I adored seeing them together—both as supportive family members and as romantic partners. It was a beautiful, delicate, and heartwarming relationship that felt comfortable.

What stood out to me was the equality in their relationship. The writer made a conscious effort to avoid misunderstandings between them by emphasizing communication. This, combined with the carefully built trust, made their bond even stronger. He was always willing to protect her, even when she didn’t ask for it, and she was equally willing to help him out. Their overall dynamic was amazing to watch.

They don’t delve into the romantic aspect until later in the series, but the buildup of their relationship was so well done that the transition felt smooth.

I also loved how they inserted moments of comedy here and there, which lightened the mood even more. This balance made the series not only engaging but also enjoyable to watch!

The ending was beautiful, I love how they tied the knots and everything felt pretty much sorted out....this drama was such a wonderful experience..from a personal view and perspective...I loved every moment of it and actually needed more..but it was wrapped up beautifully.

Overall rise of Ning was such a pleasant surprise, and I'm really glad I gave it a chance! From the impressive cast to the engaging plot, everything just clicked. I know some people have reservations about the female lead, but honestly, she nailed her role! And of course, Zhang Wanyi did it again—his performance was fantastic, and I can't wait to see more of his work in the future.

The characters were well-written, and the relationship development between the leads was so captivating. The plot execution was spot on, and I never felt like the drama fell short at any moment. This has definitely become one of the best Chinese dramas I've watched this year!

Do I recommend it ? YES like there is no other answer I would give exept give it a chance and it might be exactly what you want.....

Leia Mais

She's just not into you anymore.

The Luo family is in gentle decline as the second generation is unable to match their late patriarch's illustrious career in civil service. They look towards the complacent and entitled third generation to revive the family's fortunes with a growing sense of anxiety. It is to this backdrop that Luo Yining returns from the family's country villa to celebrate her ailing grandmother's birthday after falling out with Luo Chengzhang and concubine Qiao as a child. Chengzhang is a frustrated and resentful civil servant of middling talent with a very small heart that only has room for Qiao's children. Yining is appalled to find her "third brother" Shenyuan shunned and bullied by the family and as unfavored children and they become fast allies. They are both not who they appear to be and gradually they uncover and keep each other's secrets as together, they navigate treachery both within and outside the Luo household.

This kind of saga that depicts the rise and decline of a family has been a popular genre since the 18th century classic vernacular novel 红楼梦 Hónglóumèng/Dream of the Red Chamber resonated deeply with its philosophical questions and social critique of feudal patriarchal society. While the narrative unfolds around the main protagonists it is not just about them; it explores broader social themes through related character stories and sub-plots told from their point of view. Every character has their own cross to bear. Chengzhang for example, is at surface a bad dad but he was also someone whose ambitions never materialised and who twice had to marry a woman not of his own choosing. Yining's return ruined the three people who meant the most to him. Maybe he gets off lightly or maybe fate was already unkind enough to him.

This drama gives the strong impression that it is a lighter, more accessible version of The Story of Minglan (SOML). The production quite cheekily acknowledges this by installing Yining in Haitang Pavilion and naming her mother Gu Minglan. Many of the main character blueprints of the Luo family down to the costumes and styling and the plot arcs around the inner harem rivalries and the mystery of Yining's mother's death smack of SOML. As someone who didn't enjoy SOML, I don't have a problem with it. Even though SOML is undeniably a more sophisticated and culturally impactful production, I found the pacing and the narrative approach suffocating. Even though it is less well written and not that original, The Rise of Ning is a more enjoyable watch overall. The biggest difference for me is Shenyuan is more interesting, better written, better portrayed and more empathetic than the male lead in SOML. Zhang Wanyi never disappoints in delivering yet another immersive and complex portrayal of this seemingly mild mannered and humble unfavored son with hidden depths. His strength is in being too casually overlooked and underestimated by his enemies. The story's biggest drawback is the romance is held back for so long that Zhang Wanyi and Ren Min's chemistry as a couple is under-explored.

Even though the narrative does incorporate a few interesting and new ideas, they are not fleshed out properly and are bogged down by lazy writing, shallow character designs and logic that does not hold up to close scrutiny. The main romance is weighed down by the fact that Yining and Shenyuan remain "siblings" for almost three quarters of the drama. I understand this was so she could remain in the Luo mansion but I think that the truth should have been revealed to both Shenyuan and Yining at the same time. They could keep it from everyone else while they try to solve the mystery of her mother's death and figure out who she really is. This would allow their romance to progress earlier on in the storyline and not leave the audience with such an entrenched impression of their chemistry as siblings. Another better approach could have been to skip the boring, tropey harem squabble arcs and move up the reveal because the characters in the Wei manor are more original and engaging. This would have also allowed a fuller development of Yining's relationship with Wei Ying, who is such a fantastic and memorable character who is both funny and moving at the same time. None of the women in this drama, nasty or nice, are prone to shrill, ear-piercing screeching, which was what I found most off-putting about SOML. In fact the smart, sassy and sarcastic Lin Hairu is one of my favorite characters and a huge upgrade from SOML.

Even though I enjoyed Ren Min's charming portrayal of Yining, her acting is still a work in progress. Her lines are too tentative and lack the depth of expression needed to capture the maturity, sensibility and intelligence of the character. Her voice is so distinctive that I also didn't for one moment buy it that Lu Jiaxue did not instantly recognise her as Meimei. I think she could have credibly dubbed herself as Meimei but when she grows up to become Yining, a more nuanced professional voice actor should have taken over. Her character is also not that consistently written. She indulged in a reckless and inappropriate dalliance with a much older man but showed enough good sense not to tell him who she really was. It is a relationship that mortifies and haunts her and when she encounters him again, she clearly fears and loathes him. What is not well conveyed is how he may have still occupied a space in her heart. This didn't come out until the end; which made me wonder why she never gave Lu Jiaxue a chance to clear up the misunderstanding or severe past ties with him neatly. The way she handled the situation was very immature and not like the Yining who faces her problems calmly and frankly. As a result, she never gave him or herself closure and in this, she was also not fair to Shenyuan.

As a villain, Ci Sha's portrayal of Lu Jiaxue deserves top marks. He was almost too powerful, seemed to answer to no one and was able to walk prisoners in and out of jail and cut down his enemies in plain sight. He was so intensely menacing and brutal that every time he showed up, my throat went dry and I felt a knot of fear in the pit of my stomach. But the character is too one dimensional and not well written. It is difficult to reconcile such a heavy handed portrayal of an irredeemably cruel and callous bad guy with someone even a pubescent Yining could have fallen for. It is equally disturbing and difficult to understand a grown man's obsession such a very young and very naive girl. The "she's not into you anymore" trope is one that should win audience sympathy because it is much easier to get over unrequited love than it is once-requited love. However, the portrayal of Lu Jiaxue as a love rival missed the mark and completely alienated me. It was nothing short of offensive to watch him paw Yining and manhandle her time after time. That is not the way to woo a girl, nor is openly trying to kill her favorite brother! These are not the actions of a character that is allegedly cunning, manipulative and smart. I would have liked to see a more multi-faceted, subtle and refined love rival, one that actually is a credible challenger instead of one that is so obviously beyond redemption. This tiresome obsession went on for too long and overshadowed the development of Yining's feelings for Shenyuan.

Even though the plot builds to a satisfying ending climax, I rolled my eyes at how how the final episodes descended into a Phantom of the Opera like theatrics. I didn't think Lu Jiaxue got his just deserts and found everyone's willingness to forgive baffling and out of character. But overall the storytelling and pacing was consistent and engaging throughout and the supporting cast really pulled their weight. I enjoyed the second couple and many characters beyond the leads. Overall a very solid and entertaining watch that I rate 8.0/10.0.

Leia Mais