Véspera (2022)

Dynamic with high intensity caused by a sheer impossible tension between self-control & surrender

Revenge and KDrama obviously go extremely well together. TV productions are full of it. Actually, the revenge-motiv appears to be eternally young, being grippingly re-staged over and over again. "Eve" from the year 2022 is one of them - idiosyncratic, with an unmistakable coat of paint. "Eve" is about a long-planned vendetta against one of the most powerful Jaebeol clans in the land. "Eve" may join a long list of KDramas in the revenge genre. However, this KDrama scores with its very own charismatic aura.

Premise of the revenge-plan against the most powerful: Perfection should be brought down by perfection.
Maximum control should be conquered by maximum control.

If one wants to control life to perfection, what remains is a lifeless, loveless shell. The price of power is transcending one's humanity. The little Jaebeol preschool daughter vividly fights the emotional price of power: she's already learning to play golf, but she's still peeing her pants - she´s overstrained ... Living the Win are her parents and grandparents: feeling and behaving like deities... The perfection of arrogance finds its direct expression in the control, the unscrupulous abuse and the brutal oppression of others. It goes hand in hand with self-control. Yet, the extent of the staging of their 'beauty' and ´perfection´ becomes downright repulsive and turns 'beauty' into its opposite - disgust.

The (dramaturgically chosen) valve grounding the human being in his earthly transient body is the dance. Here especially the tango. Exotic, erotic, heavy, deep, dark. The dance, the rhythm and the music bring you back into your own body. You have to listen to it - in tango to the body of the partner, too. So it's also about perfection here, but it consists of perfectly balancing your own body movements with personal authenticity, feelings and perception. THIS ´perfection´ draws from itself and is not at the expense of others. It culminates in a state of relinquishment of control - an altered state of consciousness. This condition only lasts for the moment of the dance, for the moment of encounter. (The Andalusian flamenco even coined its own term for bringing the dance to perfection: 'Duende'. This concept stands for an almost ecstatic state of consciousness that results from surrendering to the interplay of different brain areas, physical dance technique and emotion.) This moment makes you feel alive - intense, true, pure and innocent.

Throughout the individual episodes the revenge-hungry protagonist (a fantastic So Yae-ji) maintains an extremely high tension between the poles of maximum possible emotional self-control (in the service of the elaborate revenge plan) on the one hand and complete surrender to the sensual, invigorating movements of tango dance on the other. As the dance draws its power and charisma from the depth of the subjective, authentic emotional world, maintaining this tension is almost impossible. In fact the KDrama thrives on this very special dynamic (of the sheer impossible bearing of the tension between self-control and surrender). The result is a consistently high and gripping intensity.

I have read some reviews that accuse this KDrama of the (missing) chemistry of the protagonists or the ending or the resolution of the revenge motive, or even the revenge motive at all. Well, that is of course a matter of taste, too. In any case, I think the motive for revenge suits South Korean authoritarian society. Even today. I also consider the character of Kang Yoon Gyeom being drawn (and acted) extremely well - if the protagonist were sympathetic, open, tangible (and, if you like, more classically attractive), then the relationship dynamics would be more predictable. His repulsive, calculating side suits him. The fact that he is 40 already plus he doesn't really fit the image of classic male love interest suits the role, too. So do those very subtle nuances that reveal his other (touchable, needy) side. He is not extremely likeable. I agree. Yet, thus the provoking relationship with him subtly, unintentionally and unexpectedly develops its own dynamic. The ambivalence - attractive vs. repulsive - comes across quite well in my opinion. A strange chemical mixture, an unknown factor in the revenge plan equation. The reactions triggered by this in turn leads to an ending, that is what it is. ... Either way, revenge NEVER makes you really 'satisfied'. Because the pain of the old wounds or the memory never goes away, and the loss cannot be reversed either. On the other hand, with revenge new karma comes along and is guaranteed to be saddled on top of everything else, which one has to spoon up ... (This is usually overlooked when one sets out to take revenge...)

From my perspective, "Eve" is a haunting KDrama - with a lasting impression for sure.

It might also be worth mentioning:
The staging of the cruelty within the Elite world, their madness as well as the space given for the sexual dimension of the relationship are exceptional for a KDrama. However, these deliberately staged rather animalistic or even archaic aspects of the human species (which are assigned to the evolutionarily older brainstem or reptilian brain) set a sharp contrast to the hypocritical, superhuman self-portrayal of the Jaebeol elite...





---------------------- SIDE NOTE: --- Revenge motive and KDrama - for once wanting to control the elite 'authorities' who otherwise control the rest of the country ---

South Korea (with its comparably recent dictatorship history) is probably one of the places on earth where (perhaps a little bit more than in many other places where rule of law has already gained a somewhat more solid footing) rules still mainly apply to 'simple' people, the masses. The influential Elite, the Jaebeol in particular, namely play their private, own, elitist game. They are isolated from the rest of society. They seem to own the world. They live and rule as they please in their own orbit. When their world collides with the masses, it's annoying, but rarely turns out bad for them. They simply get rid of disruptive factors (or better: let others get rid of them). They enjoy all the freedoms. For them, ordinary people are actually of no worth. They can be substituted. They can be controlled by money or violence.

The state should actually be responsible for objective justice. But 'state' is made up of people. And the less binding the objective rules are handled by these people or the more rules can be bent, stretched and interpreted in favor of the 'perpetrators' from elite circles, the greater the subjective dissatisfaction and the stronger the desire of the 'victims' for vigilantism - the desire for revenge!

However, there is a difference between the desire for revenge/subjective justice and the realistic possibility of actually getting it. For the influential powerful, a few phone calls may suffice. The common people have to be a bit more subtle and sophisticated. Vigilante justice needs to be well planned. Especially if you want revenge on a person from the orbit of the Jaebeol. It costs time and money to be able to penetrate their world at all. In most cases, sworn helpers are also necessary. After all, it is to be expected that the same applies here: a plan is there to be discarded... Not everything can be foreseen. Details have to be improvised. The space for the unexpected can only be calculated with a degree of blurriness.

Against the background of authoritarian South Korean social structure, KDrama and revenge motif often and happily enter into a dramaturgically promising connection. It offers a vicarious valve for the emotions of the many ´victims´ of a corrupt system...

---------------------------------------

Leia Mais

Femme fatale, where?

While I was watching this series many "what if" questions came to my mind. What if the editing was good? What if Park Hee Soon was the male lead? What if the make-up artists could do make-up? But let’s see every aspect separately.

Plot
The plot was obviously full of plot holes, as expected from the genre. The problem is that the series took itself way too seriously to a point that me, as a viewer, expected something better writing-wise. At some points, it was plain stupid.
Let’s take the kids for example that were basically there for décor. When the scriptwriter needed them, she added all those scenes with them, when she didn’t, it was like they didn’t even exist.
When it comes to these series, entertainment is a must. Even though the first half of the series was entertaining to watch, the second half was boring for the most part and all the excitement disappeared.


Directing, Cinematography & Editing
First of all, if someone asked me, when was this series released, I would be confused. The majority of the series looked like a 2016 or a 2015 production, but there were some scenes -not many- that looked visually pleasing, like they were part of a 2021 production. Generally though, it felt cheap.

The lighting was bad, especially in some scenes, like the tango scene in the first episode. I only liked the close-ups in the first few episodes that added to the atmosphere they were trying to create.

The editing was also pretty bad. In one scene the character looks to the right in the other scene, he looks straight ahead.

And then, we have everyone looking fake. Someone told me how it is called, but since I don’t remember it and I can’t find it, I will just use my own words. Everyone’s skin looks fake. It is flawless and not in a "the make-up is great" kind of way. In some scenes, it felt like some characters didn’t have a nose, that’s how bad it was. And to be honest, just why? I had a huge problem with that, especially regarding Seo Yea Ji. She is stunning the way she is, why would you make her look like that? That must be an achievement.


Acting
Oh, Lord. Generally speaking, the acting was mediocre, if I want to be generous, with Yoo Sun as Han So Ra being the only one that I loved watching on screen. She did a great job, portraying her character and I dare say that I would compare her performance with Kim Seo Yeon’s in the Penthouse. Good overacting is not easy to find and she did a magnificent job. Lee Sang Yeob and Park Myung Hoon, Kang Yoon Gyeom's brother, also did a very good job.

Now to the rest of the cast. Seo Yea Ji did an okay job as Lee Ra El. I would say that she needs a bit more work in the sentimental-scenes department. Besides that, at some point, I felt like she gave up. It was like she was trying so hard to make Ra El seem like a good person, to a point that she even made her voice sound thinner.

Now to the actual problems. One of those problems is Park Byung Eun. Even though I didn’t find him as bad as everyone else did, another actor would bring the eroticism and chemistry that it was needed. My biggest problem with his acting was the inconsistency. In a close-up shot he looked shocked, eyes red etc and in the full shot of the same scene he looked like he was just staring at some flowers in the park.

I also didn’t like the acting of Jeon Gook Hwan, the actor that portrayed Han Pan Ro, Han So Ra’s father. I get that he is a veteran, but for me he was ridiculous and I am saying that in the least good way possible. I felt like his acting would suit a series from five years ago. Same with his right hand Kim Jung Cheol, portrayed by Jung Hae Kyun.

Don’t even get me started on the foreign actors and how bad they were. Seo Yea Ji spoke better Spanish than the people that were supposed to be from Argentina.


OST
I like the original soundtrack of the series, with Hold Me Tight by Kim Ye Ji being my favourite. The version of Libertango by Astor Piazzolla with the bandoneon in the tango scene was also fantastic.


Femme Fatal
Undoubtedly, Seo Yea Ji is the perfect actress for these types of roles. Besides her beauty that I personally find quite unique in the Korean industry and her deep voice, she can pull of characters like Lee Ra El. However, no matter how good and gorgeous she is, her character was downgraded by everything else.

Firstly, she is supposed to be mesmerizing when dancing tango and she is just not. The way she dances feels amateurish, cringe to watch and it is definitely not as erotic as they want us to believe. Plus the choreography they created didn’t help at all. It made me laugh at times. That’s where the director should enter and actually do a good job alongside the make-up artists and stylists which gets me to my next point.

As everyone noticed, Seo Yea Ji has lost a lot of weight. Even though we can’t know if it was for the role or because of the scandal, the people responsible for her outfits should be fired. Many of the things that she wore didn’t fit her body type. Not only that, but some of the clothing choices were just bad. Same goes with the makeup.

No, the bad make-up wasn’t intentional, as I have heard many people say. Besides the fact that it felt like they were amateurs and had the same three things to work with -colors, eye-shadows etc-, the majority of their work was awful and I am being very kind. The make-up they used in most scenes looked awful on her, it didn’t fit her outfits nor it was nicely applied. The glittery make-up was just offensive to my eyes. It was bad even in her dreams! Plus, in some shots it looked different than in others and in some scenes they made her look like a ghost.

The same problem occurs with the hairstyles. They weren’t too bad, but when you have Seo Yea Ji you must make her look even more beautiful and not degrade her beauty.

Once again, think of the tango scene. I can’t believe they made her wear that awful dress with that awful make up, when they could have dressed her with a blood red colour dress to make her look like a woman you would give up everything for.


Kang Yoon Gyeom VS Seo Eun Pyung
If you were watching this series, while it was airing, then you know that everyone was arguing about who Ra El should end up with, who is better blah blah blah.

This is my unpopular opinion. First of all, for me, Ra El should end up with no one. Confucius had said "Before you embark on a journey of revenge, dig two graves" and that would be the most fitting ending for this type of series.
Now, if I had to choose one, that would be Kang Yoon Gyeom. First of all, I can see why he would love her or obsess over her, take your pick. Also, people seem to forget that Lee Ra El is not a saint. She may have been through a very difficult time, but she is manipulative and uses everyone to achieve her goals, including the kids. So no, I don’t think she would make a good couple with Mr. Perfect Seo Eun Pyung. Her toxic relationship with Kang Yoon Gyeom and their similarities make them the ideal endgame, because that is what fits a series full of morally grey characters.

Leia Mais