O Sangue da Juventude (2022)

Spectacular Wuxia Brotherhood

Didn't think I'd see this day happen when another costume drama got a perfect score from me. I'm notoriously picky so this is only the second one. I think what made me pick it up was that I heard the IP was great from trusted sources and that it was a wuxia. I have never seen any of the cast (save Cao Yu Chen who appeared in maybe 3 episodes as the deity that never left the mountain & when he did, he died) so it would be a totally new experience. A fully worthwhile experience that made me cave and purchase both the VIP & express on the rather crappy Youku international app. This series really was a spectacular Wuxia brotherhood I've always wanted to see fully realized. Let's get into it, shall we?

Pros: The martial arts, special effects especially the explosions were a perfect representation of each character. Each had their very own blend of it. The way they grew and evolved within their styles was worth it in every episode even when there were less fighting scenes. That was by far my favorite part. Favorite character was Xiao Se as even before he regained his quite formidable power, he was a man who thought 17 steps ahead of everyone else and had a contingency plan for his contingency plans most of the time. This character had an aura about him that just screamed leader even when all he did was mumble grumpily under his breath about his best friends being shameless or boring. The actor who played him did so to perfection.

Every character was flawed in one way or another which was wonderful because it made them realistic. Both Wuxin with his comedic smirking and LWJ, the pure-hearted doofus with the open mouth, insert foot syndrome and little tact really combined into a great and complex trio alongside Xiao Se. Add Tang Lian, an intelligent hero except when it came to matters of the heart who acted as big brother to them all, they were a formidable bunch. The two women completed the initial group not to mention every other friend (and LWJ reuniting with his sister) they made along the way.

Usually I can't stand palace politics when introduced into a wuxia or any costume drama but here it was just the right amount without completely overshadowing everything else. The story couldn't really move forward without it. Another usual con that didn't strain this story was the introduction of a plethora of characters simultaneously and you had no idea who was whom and why they were needed. In this series, though the same happened, the characters stayed for as long as they needed to and then left properly. They didn't just vanish, they all had proper exits. This series never once dragged for me, I didn't have to fast forward anything at any time. I wanted to watch everything; in fact I would often rewind to watch a certain scene again and again.

Production was stunning especially the locations and costumes. I mentioned in the comments that Xiao Se's blue with gold or white were my favorite. But just about everyone had costumes that fit their character or personalities and the colors were rich and beautiful. OSTs were perfect everywhere they were placed; especially with Xiao Se's powerful lines, entrances, and exits. It was like "Elvis has left the building."

All of the antagonists were done very well and also were there for as long as they were needed until they got their just comeuppance. My favorite had to be Director eunuch dude that was setup by Chong with dad's help though I wish it was Xiao Se who killed him and destroyed not only his meridians but made every organ explode; he deserved nothing less. Still though, he definitely didn't see that coming from Chong and his back up crew. Even though the emperor was not necessarily a good person all the way around trusting the wrong people and letting 2 out of I don't remember the number of sons he ultimately had, get so badly injured plus killing his own brother essentially, I wouldn't place him in the antagonist pool. He was a power hungry fool but essentially a good emperor for his people.

Losing Tang Lian was really a blow and though I understand why they did that, I really do wish they had brought him back at the end of 40 though he did return in a special episode cut together by the producers though still waiting for it on the international app. Will be completely honest, when I saw him again reuniting with his friends, brought tears to my eyes!

All of the esthetics were beautiful, the comedy was great, this drama made you laugh, it made you tear up, it made you sympathize with many characters. It had many, many positives and wonderful moments. But it also had cons though not many.

Cons: The only character that didn't get the right costume nor hairdo for the majority of the time was Qian Luo; she looked like a child among adults especially with her giant spear. When looking at her doing interviews, didn't even look like the same person; they could have simplified things so much instead of just draping 7 feet of fabric in-cohesively on her. I also had a hard time with her character in general because though it was understandable that she was young; the whining, know-it-all 'tude, foot stamping tantrums were extremely unnecessary. There was zilch chemistry between her and Xiao Se throughout the entire series as all she did was follow him around like a disgruntled puppy. It was a huge turn off but thankfully they evolved her especially when she met Rou Yi and lost her martial brother. So though I wasn't per se a fan of hers throughout the show, she did show her strength when it counted, her fighting scenes were great but she didn't have much screen time, thankfully.

Secondly, wish they released the Tang Lian reunion on all apps simultaneously which if some viewers didn’t know and spread the word, international viewers would have assumed he was dead; unfair. Thirdly, Wuxin for being SML spent very little time on screen after he left in episode 7 and then only briefly returned during the Lei Fortress and Tianqi City arcs before becoming a drugged puppet. And just as he's rescued in episode 39, he leaves again in the beginning of 40. His character was so strong and needed especially in the establishment of the brotherhood of him, Xiao Se, and LWJ. There was a real gap of how he and Xiao Se became best friends other than their banter. It would have been more solid had he had more screen time. The entire comment section is filled with people saying how much they miss him and to bring him back.

Lastly, the main antagonist aka Xiao Yu or Prince asswipe as I called him, had the most copout ending ever! After everything he did himself and orchestrated, the amount of people he harmed, killed, etc, they opted for him to kill himself with a knife to the chest? It was a pussy move for such a strong and angry person with a chip the size of the entire world on his shoulder that he himself created but blamed on others. He was a great antagonist and deserved karma on a much larger scale. Perhaps production ran out of time. So that's it.

Would I recommend it? With a perfect score, what do you think lol? This show will go into my permanent watchlist and I will definitely rewatch it over time. This was really a fantastic wuxia and if that's your thing, then you'll love this!

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Sword in hand, righteous in heart. 手中握剑, 心中有义.

It was a windy and snowy day. Lei Wujie, a young swordsman wanders into a remote snow-capped inn. Xiao Se, the richly garbed innkeeper is set upon by bandits. The valiant Wujie intervenes and a fiery battle ensues. Appalled by the destruction, Xiao Se travels with Wujie to Xueyue City to collect usurious compensation. Along the way, they are caught in a vicious multi party melee over a mysterious golden coffin. They are swept out of harm's way by Wuxin, a powerful and enigmatic unordained monk. Thus begins the adventures of a loan shark innkeeper, an intrepid airhead and an irreverent monk. On their journey, they make as many deadly enemies as they do lifelong friends. Sword in hand, righteous in heart 手中握剑, 心中有义, the young friends set out on a quest for justice and their vision of jianghu or the martial world. In jianghu there is no absolute right or wrong, just an individual sense of morality and righteousness; the higher values that each swordsman is willing to give their life to protect.

This addictive, high fantasy wuxia captures the spirit of rivers and lakes and the thirst of the wanderer to see where the skies end. The hilarious banter and unlimited friendship between the trio and their ever growing circle is immersive and exhilarating. I love that despite his superpowers, Wuxin needs Xiao Se to bankroll their travels and Lei Wujie has no sense of direction and gets Xiao Se lost all the time. Xiao Se (萧瑟; desolate) is a lonely and guarded character with a subtle air of loss and disappointment cloaked in sarcasm and arrogance. From the first instance he shares a curious understanding with Wuxin, another itinerant character with a cryptic past. They are both brilliant, complex and somewhat broken characters seeking answers and redress. Though younger in years, Wuxin is a wise, almost omniscient old soul, who is more at peace with his past than Xiao Se is. They find solace in Lei Wujie's simplistic, pure hearted idealism; his fearless youthful optimism and sense of invincibility. They are the core that attracts other great talents such as the redoubtable eldest martial brother Tang Lian, the strategic Ye Ruoyi, the divine healer Hua Jin and the sticky as fly paper Sikong Qianluo.

There is a lot to unpack in this story, beginning with the abundance of flamboyant and formidable jianghu characters. My personal favorite is Baili Dongjun, lush brewmaster and first city lord of Xueyue City. The prequel 少年白马醉春风 The Young Brewmaster's Adventure chronicles the youthful adventures of the colorful older generation of martial heroes. This explains the richly defined jianghu universe of legendary heroes and weapons and the fully realised characters with deep relationships and substantive backstories. Many surrounding characters are heroes of their own sub-plots that unfold alongside without seeming to digress from the main storyline. Loyalties notwithstanding, all five sword deities are moving and fascinating characters that make me want to know how their journeys begin. This drama is said to stay true to the original and the well loved manhua. This is likely due to the involvement of the novelist Zhou Munan (周木楠), whose prose is witty and simple, yet profoundly zen.

As the heroes converge on the capital, Tianqi City, the plot takes a political turn. The emperor is ailing and they are caught up in the battle for the throne between Prince Bai and Prince Chi. They race against time to unravel the old conspiracy that led to the downfall of Lord Langya many years ago. Fans of Langya List 琅琊榜 or Nirvana in Fire will recognise immediately that beyond the ranking of heroes, large chunks of this story pays homage to that masterpiece. The plot climaxes in an epic and heartbreaking denouement that reveals all the hard truths. While some villains could be better fleshed out and get off too lightly, the ending ties up all loose ends. Nirvana in Fire left me inconsolable but I am uplifted by how this version of the age-old battle for the throne story ends. Heaven's will does not always prevail over man's will; we have a choice in whether to take the lonely road or the one that is filled with friends.

It is obvious from the production values that the budget is modest at best but money is spent in all the right places. The styling of each characters is distinct and eye-catching and their weapons are badass. The fight scenes are intense, well choreographed, fast moving and exciting; the hallmark of a good wuxia. Each sect and swordsman have signature battle techniques and advantages that are well conceived and awe inspiring.

The acting is impressive and anchored by charismatic portrayals and compelling chemistry between Liu Xueyi's Wuxin and Li Hongyi's Xiao Se. Both characters are by far the fan favorites. Many characters were so well portrayed they deliver lingering impact beyond their screen time. The only notable exception is Sikong Qianluo, a cartoon character that has zero chemistry with Xiao Se. Someone must have sent them the wrong script because they seem to be acting out the role of the lovesick fangirl accosting a celebrity actor. But romance is peripheral in this saga and there are more riveting ones such as Li Hanyi and Zhao Yuzhen's story as well as that of Tang Lian and Fairy Rui.

This is a must watch wuxia, one that delivers all the best loved aspects of the genre. It has small flaws but I enjoyed it too much to want to pick at them. I will just leave it at that it would have been nice to see more of Wuxin and while the final fight scene was meaningful and satisfying, there were a few other clashes I would have loved to see. All considered, I am happy to rate this 9.0/10.0 and crown it the best wuxia of 2022.

PS - Don't forget to watch the 5 minute special ending episode.

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