Moving (2023)

I enjoyed the exposition of each major character's story, particularly that of Kim Bong Seok's and his mother's. Han Hyo Joo is one of my favorite actors and I thought that Lee Jung Ha did a great job. I loved the way that the writer teased out the connections and tensions with the more minor characters, which made me care about the minor characters almost as much as the major ones. So far so good. But the drama went downhill for me during the climactic battle scenes between the superheroes. The battle seemed like just the usual over-the-top but predictable superheroes battle. The "surprise" plot twists were emphatically not. Argh.

Perhaps I would not have been as disappointed had my expectations not been raised sky high as a result of the earlier episodes as well as by praise from reviewers everywhere? I kept hoping for one of those "I did not see that coming" moments. Maybe it will come in the sequel, in which case, I might reevaluate this review.

Leia Mais

Finally zzzzzzzz
Tbh I’d have liked this more as a 12/13eper 60mins instead, I mean half the eps would end in cliffhangers that just picked up later like two annoying continuations

What I liked, fl in the past, the red shirt dad and the poor tall dude

What I hated, the kids and the time wasted on them, the villain story was stupid like even one “special” person could’ve just said “no we’re not listening to your stupid rules”, the constant back and forth between different characters and different backstories
there were flashbacks in flashbacks and suddenly a new character comes and they get a flashback too
the romance was cheap, the things that dragged out the final was stupid and literally it was as if a switch turned on and poof the years of “not doing anything” ended and bang the end is perfectly wrapped with a bow

Leia Mais

Loved the relationships

It was like watching a Korean Marvel movie. Sure, there were some plot holes, but in general there was plenty of action and plenty of heart. For me, I liked the episodes with the adults the best. How their relationships began and progressed. I also liked the relationship between Joo Won and Doo Shik.

Off of the top of my head, I can't remember the last time I totally fell in love with a character like I did Bong Seok. Just a big teddy bear of a young man, with that intrinsic sweetness always on display. His relationship with Hee Soo was so cute! They seemed like a couple that, on the surface, would never work. But they both had secrets, were loners and I think they found their kindred spirit in the other.

I have already recommended this show to someone. The only reason it doesn't have a higher score from me:
- way too much blood, violence
- terrible language. Sometimes what they were saying was not a curse word, and when it was, why did they have to print it? This is something I feel very strongly about and am really bothered by.
- the setup for a season 2. Why? I'm not liking this current trend of dividing the show in half or having a season 2.
-I would have loved to see a bit of Bong Seok and Hee Soo together at the end.

So, I'd say give it a try. You'll probably like it.

Leia Mais

Good slice of life superhero series

The acting and VFX in the Korean drama series are both excellent, but the editing is so lazy and uninspired that it ruins the entire experience. The series is a snooze fest for the most part, with long stretches of exposition that are interrupted by sudden bursts of violence. The editing is also riddled with continuity errors that break the immersion of the series.

For example, in one scene, a character may be shown crying, but in the next scene, they are suddenly smiling. Or, a character may be shown walking down the street, but in the next scene, they are suddenly standing in a different location. These continuity errors are jarring and can take viewers out of the story.

The series' editing problems are also evident in its pacing. The series is incredibly slow for the most part, with long stretches of nothing happening. The filmmakers seem to be afraid to cut anything, even though there are many scenes that could have been removed or shortened without harming the story.

For example, there may be a long scene in which the main characters are talking, but they are mostly just repeating themselves or saying nothing of importance. Or, there may be a long scene of a character walking from one place to another. These scenes could have easily been cut or shortened without losing any important information.

The series' climax is also often overlong. The action sequences may be well-choreographed, but they go on for too long and become repetitive. The filmmakers could have easily cut the action sequences by a few minutes without losing any of the excitement.

Overall, the series' editing is simply terrible. It's clear that the filmmakers didn't put much thought or effort into it. As a result, the series is a chore to watch, and it's impossible to get invested in the story.

If the filmmakers had taken the time to edit their series more carefully, it could have been a much better series. The acting and VFX are both excellent, and the stories have potential. However, the lazy and uninspired editing ruins the entire experience.

In addition to the above, here are some specific examples of editing problems that are common in Korean drama series:

* **Excessive use of slow-motion:** Korean drama series often overuse slow-motion, especially in romantic scenes. This can make the series feel slow-paced and draggy.
* **Unnecessary close-ups:** Korean drama series also often use unnecessary close-ups, especially of the actors' faces. This can be distracting and take viewers out of the story.
* **Poor scene transitions:** Korean drama series sometimes have poor scene transitions, which can make the series feel disjointed and confusing.
* **Inconsistent tone:** Korean drama series sometimes have an inconsistent tone, shifting between comedy, drama, and romance abruptly. This can make the series feel jarring and disorienting.

Despite these editing problems, Korean drama series remain popular with viewers around the world. This is likely due to the fact that they often have well-developed characters, engaging storylines, and high production values. However, it is a shame that the editing of these series often lets them down.

Leia Mais

So hi...

Moving was a drama with amazing cast, acting and storyline. I watched it all, but for me it didn't deserve that 10. Don't hate me for that - taste shouldn't be discussed!!! I only stayed for the kids storyline, the parents' one didn't captivate me. Call me boring, sorry. So my opinions are mostly based on the kids storyline.
Acting was amazing. They were extremely cute and Heesoo and Bongseok were such a pleasure to watch. Show stealer KangHoon ( Kim DoHoon) showed me once again why he is one of my favs.
I am honestly sorry I couldn't like this show as much as the people on tiktok and so. The hype was mindblowing tbh. Everyone was and still is so obsessed with it - it wasn't like that for me ... sadly.

Leia Mais

Unmet Expectations: A Disappointing Experience with "Moving"

Pros:
-FTX and Makeup Quality: The series does shine in terms of FTX and makeup, showcasing a commendable level of technical skill.
-Doo Sik and Mi Hyun's Love Story: The slow-burn love story between Doo Sik and Mi Hyun provides a redeeming element, offering a genuinely enjoyable aspect within the overall narrative.
-Ryu Seung-ryong's acting: He just doesn't fail at delivering his role, truly a versatile actor.

Cons:
-Overrated and Overhyped: Despite high ratings, "Moving" falls short of the hype, leaving viewers with unmet expectations.
-Not Action-Oriented: Contrary to expectations, the series leans more towards romance than action, potentially disappointing fans seeking an adrenaline-fueled experience.
-Cringeworthy Script and Lack of Depth: The script is criticized for being cringeworthy and lacking depth, preventing the narrative from achieving a meaningful impact. The fact that they overused "Who are you?", "Do you want to die?", "Bastards" and things that don't even need to be said make it so hard to watch.
-Excessive Side Characters: The presence of numerous side characters with insignificant stories adds unnecessary complexity, diluting the main plot and contributing to a disjointed narrative.
-Absence of Main Plot Line: The series suffers from a lack of a clear main plot line, resulting in a narrative that feels scattered and disorganized.
-Villains: Black-and-White and Boring: The one-dimensional portrayal of villains with a lack of depth and development adds to the overall disappointment.
-Wasted Talents: Despite a cast of great actors, including Ryu Seung-ryong, Park Hee-soon, Jo Insung, Cha Tae-hyun, and Han Hyo-joo, the series fails to leverage their talents effectively.


"Moving" may have some technical merits and a redeeming love story, but the overwhelming issues, including a lack of villain's motives and main plot line, cringeworthy script, and wasted talent, make it difficult to recommend, especially for fans expecting an engaging action and crime series.

Leia Mais

Super powers, but not for kids (18+)

March 2024
This story started really well. I loved the characters, was captivated and felt the balance between the every day and violent action, was good.

However, as the episodes progressed, that changed and the violence intensified more and more.

Episode 11 was my breaking point. I actually had to skip through a fight scene, purely because it was way too relentless. This is something I very rarely ever do, for any reason.

The younger characters and the actors that portrayed them, were fabulous. I felt invested in their wellbeing and especially loved Bong-seok and Hee-soo, the former having the cutest smile and sweetest personality.

The adult characters and actors were not a broad mix. They were either goodies or baddies, even though that was actually dependent on perspective.

The story flits, a lot, between various key events in the past and present, from the lives of each of the characters. Sometimes I found this waring. For the depth of the stories from the past, I actually think the drama would have been better being told chronologically. Each time I got into an event, its time period and its characters, it would switch again.

There are some really vile officials in this and human life appears to hold little value for any of them. There is also High School bullying, which is ignored by other students (through fear I hoped to myself, not apathy) and ineffective teachers who dealt with it appallingly. It made my blood boil and, honestly, I'm sick and tired of seeing it, even if it was part of some plan. Name calling, a bit of pushing and shoving, is one thing, but the level I see in so many K-dramas, that has no recourse, or the wrong party gets blamed, and punished, is too much. It's inappropriate in stories with a modern setting, too.

There is also misogyny; plus one character is actually called 'Idiot', a lot, with even his episode titled that. The character wasn't an idiot. I found that offensive, to be honest and was unhappily surprised by it. A big no-no for me, again, this being a drama in a modern setting (fantasy or not; that's irrelevant).

Now and then the plot also went a little askew, because I don't think the writer knew a way around that, or simply got lost.

There were lovely, light and funny scenes, but as said, not enough of them later on. Prolonged violence and threat, with no let-up, is not my thing, it turns out.

However, I liked the idea of the story. The lack of choice or power, to not follow the orders or bidding of others, shown to be felt by both sides, was a bit different. I loved the cast and the soundtrack too. It had a high budget feel and the SFX were very good.

I thought the ending as a whole was OK; the happenings of S1 were tied up and I enjoyed the pre-credits closing scenes (more follow after the credits, too ).

If they decide to make another series, I'd watch it; but I'll be hoping it won't be as intense and heavy going for lengthy periods, without a break, as this one was at times.

Leia Mais

Slow and typical for a superhero series

The pacing was so slow that it was hard to get through the entire series. The first couple of episodes are a Naruto-style set up, where it feels like we are stuck in the same fight for 30 episodes. By the time time the main story line started I was bored, and the build up to the finale felt predictable.

I am only posting a review because I don't understand how it is rated so well on here. 9.1? For a standard superhero story? Sure this drama is absolute genius compared to the garbage Disney releases nowadays, but for a Korean drama it felt a little dry to me. It would be more fair for this to be rated 8.5.

Leia Mais

A blockbuster among Disney+ Series. Action driven, yet luckily with subtle character portraits, too

"Moving" is about people with superpowers. “Moving” tells the stories of a variety of people with such superpowers. These superpowers definitely belong to the realm of fantasy. However, it´s nothing like the 'Marvel' universe, because despite all the action spectacle that "Moving" has to offer, this Disney+ production (based on a successful South Korean webtoon) remains true to the KDrama habitus, that life takes place in the area BETWEEN black and white. It's about shades of gray. Nobody is exclusively good or evil. Well, almost nobody...

“Moving” takes aim at South Korea’s intelligence policy. The KCIA, which became the ANSP and was eventually called the NIS. The connections with the USA and the difficult relationship with North Korea come into play. Difficult, because even within the framework of an official sunshine policy, distrust and hostility are always maintained in the background.

The South Korean secret service has been part of the international elite since the KCIA was founded. The superpowers of the protagonists may be symbolic of this. The name of the secret service has changed several times, as has its official focus. However, this does not mean that the entire workforce can be replaced...

“Moving” finds its balance between political thriller, action thriller and emotionally differentiated Korean habitus. The trick: the tough agents become humanly tangible because they are also parents, worried about their children. And then another trick: the children have inherited their parents' super-powers, but have not (yet) undergone any agent programming. They are children, still relatively naive, pubescent, too...

Worlds collide. The worlds of those, who behind the curtain want to move the world in their favor (for the sake of so called bigger picture and a safer world), the worlds of those executives, more or less blindly obedient (Black Ops) agents who are needed to succeed with their missions, and the world of those, who actually make this world worth living - people with their ordinary families and social relationships.

“Moving” has 20 episodes. Numerous character and relationship portraits are drawn, all of which are somehow intertwined - the old and the young, yesterday and today. And finally altogether now for a tomorrow free from deadly intelligence agency demands.

“Moving” is, first and foremost, a KDrama with a top-class casting that aims to offer streaming delight at the highest international level. “Moving” is explicitly seen as a kind of blockbuster among Disney+ series productions - with a correspondingly hefty budget. As such, the series has entered the streaming market in a self-assured manner and immediately achieved remarkable success worldwide...

However, for my personal taste, this KDrama comes across as a bit too action driven and brutal - with those superpowerful men and women, who (despite their deadly wounds) keep bouncing back again and again and again... I might have dropped it, if not for this variety of subtle and affectionate character portraits, that make a great part of the story, too.

Leia Mais