Let’s talk about atmosphere because I believe one thing Kim excels in is creating a memorable atmosphere. It’s a quiet and stifling one here, as the Girl and the Old Man live their lives on a boat in the middle of the sea. This tranquil silence is only interrupted by the fishermen who rent it out and bring some life to both the movie and the characters. Just as us, the viewers, these strangers try to interrupt the two’s life and constantly question the relationship between the two. Ultimately, their life changes due to one of these interruptions.
For me, this movie was also a sort of coming-of-age of a sheltered girl. Though we do not know the details of her upbringing, we know she is sheltered and kept from the world (literally), not having the opportunity to mature or progress. That is, until she experiences her first love and shows the viewer how much of a teenager she is. Until the end, it’s a very organic and understandable maturing, despite the ending being rather…mysterious.
Lastly, I have to mention the music – what a score. Quiet, haunting, and beautiful, the score for this movie makes it all the more captivating. Building up the atmosphere of traditions versus the modern (if you can count mp3 players modern, anyway), it’s a score that will captivate you.
This movie ends ambiguously, leaving the viewer to form their own meaning and thoughts. It’s a sort of quiet ending, as is the rest of the movie, but one that will most likely stick with you for a while.
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"...Beautiful Sound Like In The Tautness Of A Bow. I Want To Live Like This Until The Day I Die"
Any movie which you watch directed by Kim Di Kuk has to understand his (I don't know whether to call it 'idiosyncratic' or 'eccentric') outlook on making movies. You have to use your vision; watching the faces and actions of his characters, and you also have to watch how the character acts, or doesn't act, as a normal person would in the situation in which the director places that character..Kim Di Kuk uses the full abilities of his actors and actresses when they appear in one of his films. Being a screenwriter for many of his films [or not, he only directed My Mother, (2013)] he gives them very little dialogue to use to portray their characters or their emotions here, or his other films.
It was the third time I watched this movie that I realized that absolutely NO ONE had a name in this movie!
Every time you watch a Kim Di Kuk film, you will notice something 'different' that you missed before!
Also, until you see the film yourself, don't believe what others say about it; one reviewer said that the 'young man' became interested in the young girl first, which is not true. It was the other way around.
An old man, who many called 'Grandfather' (Jeon Sung Hwan) brought a young, 6-year-old girl (played by Han Yeo Reum, 10 years later) to his boat off Korea's coast. 'Grandfather' charges fisherman to come fish off of his sanctuary from society; after a visit or two the fishermen start gossiping about the relationship between 'Grandfather' and his supposedly 'grand-daughter.'
Both the grandfather and young girl have grown fond of each other; this is shown in various scenes in the beginning. The grandfather has told others that they will marry on her 17th birthday, just a few months from when our look at their lives again. The grandfather uses his bow and arrows to protect the young girl from other men trying to take advantage of her, and she herself is capable of using them as well to protect herself.
Grandfather also tells the fishermen their fortunes, in a very eccentric way!
Unfortunately, grandfather brings to his fishing business a father and his young son, a student (Seo Ji Suk); the girl's eyes light up and she takes an immediate liking to him; also his headset which she has never seen before.
The young student also takes interest in the young girl, and senses that she has been isolated for years in her predicament.
"Grandfather' sees this and does not approve, but the two younger people develop a friendship; and things start to unravel between grandfather and the young lady, who no one believes is his grand-daughter. Plot twists from here one lead to an un-imagined ending to the story!
The main cast are great in this movie; the two main characters effectively portray their affection to each other in their somewhat bizarre relationship; and also effectively show the strain on the relationship as the third character is added.
The third main character, Seo Ji Suk, although his role is limited, shows believable concern and passion for the young girl and disdain toward Grandfather.
The support actors play their limited roles convincingly, which allowed the development of the story between the main characters.
Most of the 'story' is nonverbal, in that it is small details of interaction between the main characters, primarily the grandfather and young girl, that have to be watched and interpreted by the viewer; making the emotions of the film come from visual rather than auditory emotions.
The cinematography was excellent, IMO, but the sound from the bow instrument irritated me. Nothing personal, but it made my skin crawl some. I wonder if this was the 'effect' that Kim Di Kuk wanted, or not?
I like how you have to use all of your senses, except olfactory, to watch and understand this film.
I also like the portrayal of a bathroom onboard a small boat; many people do not realize that this is the 'traditional' was of relieving yourself on small craft!
The young girl grew to hate the grandfather after the many truths came out about her life, but she could not abandon him in the end! She found out what she was missing from life with him, but still had the love of his being her one and only mother, father, brother, sister, medic, confidante and 'grandfather' for ten years of her life!
Try abandoning someone who you love for a decade, even if and when you find how much they lied to you.
I also, the first time I was this movie, realized that the grandfather's last 'act' was the only one he could take; he had been found out as being a kidnapper and also marrying a female under the age of 17...and he couldn't get his (main) boat engine started or fixed.
One of the most 'eerie' things about this movie is the boat itself, in the end; although I am not going to tell you what happened!
This film is 'eerie' but 'tantalizing' at the same time! I keep telling myself that I am never going to watch it again; and also tell myself the same thing halfway through the next time I watch it. Oh, well...
If you are smart, don't ever watch ANY film directed by Kim Di Kuk to being with; you won't be hooked then!
No tissue are needed for watching this movie, but clip your fingernails first, so that you won't make fingernail scratches on your chair or couch as you are glued to your seat, as this movie slowly messes with your mind watching it.
RE-WATCH VALUE: no comment!
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