Sasamoto Sawa é uma esposa com um casamento feliz à 5 anos, que trabalha em um emprego de meio período como caixa em um supermercado. Takigawa Rikako também é uma esposa que se mudou recentemente para a vizinhança de Sawa. Rikako é a esposa de um editor de uma enorme editora, e junto com as suas 2 filhas, eles vivem em uma casa recém construída. Embora eles sejam uma bela e feliz família, Rikako na verdade está tendo relações extra conjugais no período da tarde, quando seu marido está no trabalho e suas filhas na escola. Um dia, Rikako está com um de seus numerosos amantes, um jovem homem cujo nome é Hagiwara Tomoya, mas enquanto ele estava no estacionamento do supermercado, um estudante, Kentaro, tenta roubá-lo. A polícia aparece e Rikako precisa acobertar o fato de que ela estava tendo um encontro ilícito com Tomoya. Espionando Sawa pegando um batom escondida e vendo ela saindo do supermercado para sua casa, Rikako rapidamente puxa Sawa para seu lado, usando de pretexto o roubo, alegando à polícia, que ela na verdade estava no supermercado com Tomoya para se encontrarem com Sawa, pois os três haviam programado tomarem café juntos. Sentindo o desespero de Rikako, Sawa decide acobertar o fato e confirma a história de Rikako. Enquanto resolvem o caso na polícia, o professor de Kentaro, Kitano Yuichi, aparece para afiançar o seu estudante. Após este encontro com Kentaro, Sawa percebe que não consegue esquecer Yuichi, e logo depois, os dois se tornam amantes... Editar Tradução
- Português (Portugal)
- Español
- English
- magyar / magyar nyelv
- Título original: 昼顔
- Também conhecido como:
- Roteirista: Inoue Yumiko
- Diretor: Nishitani Hiroshi
- Gêneros: Romance, Drama
Elenco e Créditos
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![Saito Takumi in Hirugao Japanese Movie (2017)]( "Saito Takumi in Hirugao Japanese Movie (2017)")
Saito Takumi Papel Principal -
![Ueto Aya in Hirugao Japanese Movie (2017)]( "Ueto Aya in Hirugao Japanese Movie (2017)")
Ueto Aya Papel Principal -
![Hirayama Hiroyuki in Hirugao Japanese Movie (2017)]( "Hirayama Hiroyuki in Hirugao Japanese Movie (2017)")
Hirayama HiroyukiSugisaki NaotoPapel Secundário -
![Ito Ayumi in Hirugao Japanese Movie (2017)]( "Ito Ayumi in Hirugao Japanese Movie (2017)")
Ito AyumiKitano NorikoPapel Secundário -
![Kurosawa Asuka in Hirugao Japanese Movie (2017)]( "Kurosawa Asuka in Hirugao Japanese Movie (2017)")
Kurosawa Asuka Papel Secundário -
![Hagiwara Minori in Hirugao Japanese Movie (2017)]( "Hagiwara Minori in Hirugao Japanese Movie (2017)")
Hagiwara Minori Papel Secundário
Resenhas
Every Action Has Consequences
The story continues three years after the original drama. Sawa is living alone in Mihama, a small coastal town where everyone seems to know each other. She gets a job working at a local restaurant and vows to leave her past completely behind her. This all changes when Sawa reunites with Kitano-sensei, who comes to Mihama to present a lecture on fireflies. As you can expect, a series of dramatic events unfold.Personally, I thought this movie was perfect ending to this series. Not 'perfect' as in "everyone ends up happy", but perfect as in the movie really encapsulates the essence of drama. It left me feeling as if someone punched me in the gut and quickly helped me up off the ground. The movie was emotional, dark, and intense. The final scenes are shocking, yet still manage to leave the audience with a sliver of hope for what could happen next. Just like the drama, the scenes were simplistic but draw you in. This movie highlights the ugly side of infidelity and reminds the viewer that every choice has real consequences that must be faced one way or another.
Because the drama ended with Noriko placing a restraining order on Sawa, the viewer starts the movie with an appetite for either retribution or rebellion, maybe even a strange mix of both. Even after seeing what they've been through, one can't help but get angry at Kitano-sensei and Sawa for the choices they make, and the things they do. One's happiness is important, but at what cost, and at who's sacrifice? The movie does not hold back on questioning the audience's moral compass, and this is one of the main reasons I enjoyed the film so much.
The music was the same from the drama, with a few enhancements to memorable tracks. The theme song "Place of Love" by LOVE PSYCHEDELICO added a great touch to the movie's soundtrack. The cinematography was nice and really did the story justice.
As for the acting, hands down the best performance goes to Ito Ayumi who played Noriko. The movie actually gave emotional depth to her character that helped me empathize with her better than I ever did watching the drama. As the story progresses, we slowly see Noriko descend into a place of helplessness and pain, a very stark difference to the angry, condescending personality we see towards the end of the drama. Ueto Aya's delivery was flawless as well; she easily convinces us that she *is* Sasamoto Sawa.
This is one of the very few compelling dramas on adultery I have seen, and if this genre suits your interests then it's definitely worth a watch. I would recommend this movie only after watching the original drama for context (both are great!).
