O Lamento (2016)

Although this movie reminds me of "The exorcist" in some aspects this isn't a horror film. It seems kind of cliché but it really isn't. There are important twists, it's full of tension moments well d'uh it's a thriller but it's a complex puzzle that it's hard to understand until the ending and still I see lot of people who did't get that ending. At the same time this great story is a mix of genres like comedy, horror, exorcism, gore, etc.
STORY
When a mysterious stranger moves to a small village in South Korea, the village becomes plagued by sickness. The police think a wild mushroom is to blame, but police officer Jong-goo thinks it may have something to do with the stranger. He meets a woman who gives him some information about this mysterious man, and slowly begins to fall down a rabbit hole that consumes his life. When his daughter starts to show signs of the sickness, it gets personal and he must figure out who to trust and who to avoid.
ACTING
the performers have a lot of range, from facial expressions to downright melodramatic wailing. Child actor Kim Hwan-hee stands out even among a veteran ensemble cast that includes Hwang Jung-min and Jun Kunimura.These characters are dynamic; the protagonists increasingly vulnerable, and the antagonists all the more menacing. I hope that after this movie Kwak Do Won gets more main roles.
REWATCH VALUE
I need to watch this movie again because I need to find more clues and I have too many questions. I'm gonna recommend this movie to all my friends because it's that good but don't let those 2,5 hours fool you because it isn't boring at all.
OVERALL
It runs over 2.5 hours and one leaves the theater wishing there was more to explain. This would devaluate from the experience because one of the film objectives is to make think the audience go back and look at the clues and turning points, to look into one's own sense of values and want to go back to look at some references upon which the script builds. For me it's another masterpiece of Na (the movie director)

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I don't often use the word masterpiece. I've seen 1,040 films in my life, totalling 1,549 hours of filmography. There's maybe 7 I would label a masterpiece with full usage and definition of the word.

The Wailing is the eighth film of one thousand and forty films I very willingly, gladly and without hesitation give the title of Masterpiece to.

I'm not too big of a fan of Asian supernatural horror. Whilst I very much enjoy it and give most films a pretty decent average rating, I find a lot of them bleed into one another with similar plots and a very safe view on the supernatural. In Japan it tends to be curses that have people die in mysterious ways, South Korea, a cursed object that has people murder each other are the most common ones I come across.

When I clicked The Wailing was supernatural, I prepared myself for a 6 or maybe 7 out of 10 movie that was good but wouldn't hold its own too well in the vast expanse of horror.

The Wailing gave me some stunning frames. The cinematography in this is beautiful. The gore frames are gruesome, unadulterated and unapologetic. The ritualism and belief of South Korea are shown in their full glory without fear. Na Hong Jin doesn't shy away from racial tension between the Japanese and South Koreans with a slightly historical take with a beautiful twisting story that left me with my mouth gaping open but still feeling just slightly uncomfortable - something I believe Hong Jin did on purpose. I was shown acting that was so well done, no matter what I watch these actors in from now on, I will always know them from The Wailing. The varying supernatural aspects were unique, something that stunned me, unafraid to step out of genre restrictions and lead the way with something new. With a story line that is intriguing, stunning and just raw, this two and a half hour journey was worth watching.

This is a film deserving of the hype that numerous other Asian horrors got but turned out to be predictable messed. THIS is the Korean horror of 2016, the one that should have lead the forefront of South Korean, or even Asian, horror into 2017. This is a film that shows prowess, promise and skill. Hong Jin treats us to such wonderful skills from not just himself but his script writer, his cast, his editing team, his make up team, etc, everyone involved. You can feel the passion and love and pure dedication that went into this movie.

A full 10/10 is just not enough for this film.

A twisting, numbing, horrifying masterpiece.

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