Ew....

Well, the poster is completely misleading this is a full fledged makjang from the first frame to the last. Mo Ah & Nam Goo are one of the worst pairings in daily makjang. It's strange when the support cast get better pairings. You got also the usual idiotic forgiveness accompanied by a lackluster ending so don't expect anything at all. Anyway, the verdict is... it's bad. It's a certified stinker.

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Okay but lacks a lot....

Well, the drama is a little bit different but ends up following the same footsteps of its melodrama predecessors, mainly after the 1st half. The drama is definitely one of the tamer ones, the writer just doesn't let things get too far even when things have all the right to be fully escalated. This is why the envelop of forgiveness was aggressively pushed beyond its limits. This is also why the drama had a very very long 12 episodes epilogue just to stress on that one single point. This is also why you may see the influx of positive comments. This is also why feelings in general became disingenuous at the end.

Both main leads had a weak performance and even a weaker written character especially the female lead. The actress is just too stiff, the only scenes she showed some expressions was the ones with the baby while the remainder mostly poker face. Her poorly written character suffered greatly due to its saint-like personality. You know how these kind of personalities go in dramas. Anyway, the 1st half was promising but it didn't live up to my expectations.

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MY EARS!!

Things were kinda fine until the events started to loop endlessly in a corporate setting. This is exactly how most of these daily dramas die and wither away. This drama is manufactured specifically to trigger the viewers by having constant intense shouting with every other sentence, boosted OST playing every 2 seconds to accompany the shouting, unbearable archetypes like the intense hatred and favoritism of the stepmother for one daughters over the other, and the stupid amnesia. The male lead character became absolutely dull after he had the accident, in fact, the entire drama turned for the worse after that.

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Uhh...

Oh god! It's an amnesia drama, the most intense kind too. It feels like the humans who worked on this dram come from an alternate reality or a parallel universe. This drama by far had the highest concentration of "buffoonery" in any makjang out there. Zero chill, ridiculous over the top and a "bruh moment" every other scene. All in all, not in a good way because this is the only thing the drama had going on for it, that is to throw as much makjang elements as fast as possible. The writer/director were speed running any% no-loot the human brain tolerance to "bullshit receptivity". Anyway, wouldn't recommend.

Leia Mais

NAH.....

The drama must have a big identity crises since it couldn't decide between being a family drama or makjang, constantly switching even within the same episode. Right from the beginning, EPISODE 1, when one of the family members took picture of Ji Na's necklace and, for absolutely no logical reason, put it on the internet, I could already smell the fuming hot garbage the writers are about to create. Guess what? I was 100% correct. This drama tips heavily on the baboonish side of the makjang scale.

Although Uhm Jung Hwa did a great job, but it's impossible for me to view her as an evil character. I didn't like how she suddenly became evil for no reason from episode 12. We were initially presented by a strong independent Yoo Ji Na (Uhm Jung Hwa) but 15-20 episodes later the writers made her turn to a bag of dirt and completely ruined any build up she had.

The drama had a strange pacing, it changes weirdly every handful of episodes with the biggest change came from switch between episodes 30 & 31 which created a big gap and disconnect in the story. Speaking of switching and change, I think the switch of the female lead ruined the drama.
Jang Hee Jin is absolutely a great actress but she just didn't fit well in this case. They even went on to replace/recreate all of the flashback scenes.

Another form of change/switching came with the love interest which shamelessly switched three times. It was straight up disgusting watching Hae Dang being with one man while sobbing/begging/crying/caring/dreaming/lusting/bitching/loving/chasing/pitying/thirsting/craving/running around for another man. Despicable and uncomfortable to watch! On the other spectrum, Jung Hae Jin was absolutely the only "good" part about this drama and nothing else.

After being the nastiest humans ever to walk the earth, suddenly everyone became angelic and have the highest morale of any other human for the ending. Great writing! It feels like their budget was small, it was mostly filmed indoor between 2-3 family houses with very limited number of outdoor scenes. I feel sorry for this cast to be involved in this atrocious project. The drama that followed it after finishing serializing "Man in the Kitchen (2017)" was much better than this. Can't recommend this, barely 3/10 for the cast's sake.

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Bad...

This is the worst long-running drama I've seen from SBS usually they are serviceable, no wonder they canceled the time slot. It's really unfortunate that Choi Jung Yoon came back from 7 years hiatus for this awful project. This is one of the most brainsmooth stories in kdrama I've seen, absolutely mind numbing. This is the writer's first drama and it's showing big time. Amateur writing, cheap production, bad stylists and horrendous cast performance. There are kids shows better written than this, it's hard to believe a human wrote this. A production value from 20 years ago, awful lighting and sound design. These stylists need to be fired, look at the characters' faces, a thick mask of whatever make up they have is about to fall off. Finally the cast, which consists of 85% of unknowns who can't act and are always awkward. For the same reason, the few side stories we had were uninteresting and lacked and characterization. I think what contributed to the death of this drama the most is the lack of familiar faces, the size of the cast and the side stories.

Misleading poster, the redhead was only there for the first 25 episodes then turned to brunette/dark.

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Kinda watchable...

Don't watch it for the romance, this is 90% politics/business/drama and 10% romance. Most of the couples don't get together until around the ending. Speaking of the ending, last 15 episodes was a one big event that got stretched for way too goddamn long. The ending itself was really lame, this weak-ass ending isn't fitting for a 64 eps drama. Many characters didn't get a follow up or update at the end, like Soo Hyuk's mother and her love interest.

The drama also lacked consistency, its pace is all over the place especially the writing quality, as if there are more than one writer going against each other. Episodes 30 to 50 felt like a dry batch. The excessive time skips were another weak part of the drama and a prime example for how not to do a time-skip. Every time there was a skip the drama created a jarring big disconnect with its content and flow. The action/fighting scenes look too staged and artificial. The dramatic thunder clap sound effect radiates extreme cringe energy.

It's weird for Jung Hye's father to feel this entitled for a daughter he didn't raise for 30+ years. He was introduced around the end and his sole purpose was to create some tension with the baddies, another reason why this drama should have been only 50 eps. Speaking of female leads, imagine if the writers gave both female leads more than 1 singular brain cell! That would make the drama a bit more tolerable.

Cha Soo Hyuk (Lee Pil Mo) is the worst part about this drama, this pathetic leech of sub-human with severe inferiority complex and victim complex. He deserves a worse ending, how he ended up wasn't enough.

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Passable, I guess?

The opening scene is a teaser from episode 17, I hate when a drama pull this kind of stuff. It's okay to tease a couple of episodes in advance but not a teaser from the ending. Speaking of the ending, the last two episodes were bad, they were leaning to heavily on old melodrama themes/cliches that doesn't work in the context of this drama. Most of the cast did a half-assed job, their performance came out as awkward and immature, especially from those who work in the campaign. The candidate's son Jang Sung Min was the worst character/actor in the dram, replace him with a stranger might be better.

Regarding the story and its events, there was no real big escalations that you might expect in a political focused drama, it was mostly the known generic jabs in a political context. They forced "In Yeong" and "Min Ki" plot line but then proceeded to brush it off aside without much regard. Their screen time appearance was very limited after that. The drama was passable at best.

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The Slipperiest Time Slip!

This drama turned out to be a reverse harem in disguise. A handful of princes with varied flavors happened to meet a mentally handicapped girl to start their quest of hunting this wild female from a different timeline. All of these princes have the edgiest troubled teens behaviors with a mix of daddy/mommy issues. Out of all of them, the male lead took the edge in being the ultimate dark and mysterious bad boy, literally. Zooming out, all of this was done for a trail of pathetic emotional baits with no substance, they were begging the viewers for pity points. The moment the female lead knew about them, she approached every single one with the mentality of "I can fix him". While the princes were intentionally irrecoverably broken by the writer to serve a purpose for the female lead, she equally had her own set of problems. Within the span of a few episodes she became weirdly too attached to all of them and going even further to offer sacrifices, while neglecting her brief arrival and the fact that she was transferred to the past, but I guess shirtless bois are irresistible. The romantic entanglements in general were agonizing to tolerate, it kept you wishing the worse for all of them. Although it was bad as is, but why did they decide to make it worse with each passing episode in the second half? It's just too painful knowing the writer is making fun of us. At least the cinematography was okay and I watched it on BluRay.

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Decent

It's a decent drama but a few things held it back. Inconsistent pacing was too obvious to ignore. The inconsistency carries on with the writing, sometimes they are strategic and smart while other times they throw themselves as a human shield, this is coming from the same army and the same leadership. I liked the leading cast they did a good job but I wish they put more effort into writing the character Yi Hyun. While the romance is a side thing, they could have given it more attention to let it mature and develop more appropriately or remove the romance altogether. Their encounters were scarce which made the high moments less impactful due to the lack of investment in their relationship. Anyway, the drama is one of the better historical ones.

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Lazy writing

The insane amount of plot conveniences ruined the drama and killed even the slightest potential it might had which made the writing seems abysmal. Not only it was stupid with every step along the way but it also removed the tension with any serious scene. Moreover, we were over fed the same repeated information like babies. Even if we were to disregard all of that, the pacing was terrible with a big empty gap of nothingness in the middle parts. None of the side cast were interesting enough to make the middle parts worthwhile. Aside from the first episode, there wasn't much appeal left.

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Interesting concept but fails to deliver

That was kinda boring. We are barely given information about the mystery, it's mostly a slice of life with loads of repeated scenes. The actually story is no bigger than a 2-3 hours movie. Almost nothing happens in the first 5 episodes, the story starts at episode 6 with tiny bits of small teasers every now and then. Most of the "previous life" story is condensed in episode 15 and half 16. At least it was nice visually.

On another note, I prefer to see Yoo Ah In in movies rather than long format dramas. He was also the main and the only highlight of this drama.

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Alone in Love

The writer has a good track record of writing good unique shows and this drama was no exception. The drama stood out for its deep rich story and multi-layered narrative, offering a compelling journey through the complexities of life and relationships. Its strength lies in its ability to delve into the human psyche, exploring themes of love, family dynamics, societal expectations, ambition, and identity with a nuanced hand. The drama had a lot of story to tell and explore, yet it didn't feel bloated. The characters went through a tremendous development and growth during its runtime. The drama was filled with great characters and characterizations, each character is meticulously crafted, with their own hopes, fears, trauma and desires, adding depth and dimension to the storyline. I particular liked the subtle humor that lied in their casual interactions and dialogues. However, despite its many strengths, lied flaws that somewhat tarnished some of its brilliance. There were many things that could've been done better but nothing was too major. The entanglement of love square relationship may have lasted for too long and could've been navigated better, though I still love their unconventional dynamic. The drama kind of ended at episode 15 while the last episode was more like a real proper reflection and a graceful send off, I don't think I've seen something like that before in a drama. Despite some missteps and its unconventional approach, the drama remained a strong compelling watch with a star-studded cast.

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Messy

It started with a lousy introduction that was too ambitious on paper and then began to jump between one plot after another until the end. There was a desperate need for a better coherent structure and pacing. The characters were more or less fine but, despite being one of the most important characters, the ghost lacked a better characterization to make her role more impactful. The last 1-2 episodes were fundamentally bad, their main purpose was to lay down a handful of new elements for an imaginary sequel. This is a bad common practice streaming services have been pulling since forever to keep hold of the viewers attention regardless if they were planning for a sequel or not. The only acceptable scenario for such a practice is to have a direct sequel to follow it. Anyway, the drama was very mediocre Sci-Fi with a handful of failures.

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