Very common drama with Jung Suk in a state of grace.

There are actors and then there are actors, but without a doubt, Jung Suk is at the top shelf. I believe that in the awards season, he and the leads of "A BLOOD LUCKY DAY" will be vying for the Best Actor award for drama. Returning to Jung Suk, he began the drama portraying himself as a sweet and simple prince, but upon ascending the throne, he transformed into a paranoid and suspicious king. However, as the episodes progressed, this image softened. Although I still believe that the crimes he committed three years ago have not been fully justified, I understand that if the characters affected by it have come to terms and moved on, I won't dwell on it.

It's incredible how Shin Sae Kyeong's acting falls short, it's uniquely hammy. The female highlights in terms of acting, for me, are the veterans Park Ye Young (Lady Dong) and Jang Young Man (Queen Park).

My favorite character without any reservations was Kim Myung Ha, who was dismissed by the protagonist early on in the drama and moved on without trying to create a love triangle (thanks to the scriptwriters for that). Many times, he brought Hee Soo back to reality. Usually, secondary protagonists are persistent, but Myung Ha was different; he immediately stepped aside and even helped the couple get together in the end. Yes, I still find the lead couple extremely toxic, but that's a discussion for another topic.

It was an interesting drama that delved well into palace intrigues, and Jung Suk was the maestro behind it all.

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HEART MORE THAN WARM!

I started enchanted with this drama and ended in a state of grace and with a certain nostalgia. Few dramas have moved me as much as this one, a completely unpretentious drama that, when I saw the trailers, I thought I would ignore and forget. However, after watching the first episode, it was clear that there was a story with a simple premise but with immediate magnetism. It's hard to explain, but I feel full and happy with everything that happened and with this ending that was a "fan service" beyond reproach.

I hope that Kim Hye-Yoon takes on roles that don't require her to mould her voice into a cute and almost childish version. Her serene performance with her natural voice in the first episode was of high quality. Now we need to talk about the actor of the moment: Byeon WooSeok, who gave his body and soul to this role. It seems like he lived every moment of Seon-Jae as if it were his own. Moreover, he is an actor who doesn't stay in his comfort zone and constantly challenges himself. In 12 months, he played a villain and this hero in this romantic comedy. WooSeok is the moment and deserves all the possible praise. By the way, in his scene with the grandmother, it was clear that his crying was natural and authentic, not acting. Hearing that from someone should move you, I was choked up.

I cannot forget the Archangel Michael of this drama, Tae Sung, who protected the couple and put an end to all that anguish. It is worth noting that Tae Sung was excellently portrayed by the outstanding Song Geon-Hee, who is long overdue to be the lead in a drama. He is a complete actor as well. The trio of protagonists did very well, and that's why this drama was successful in Korea and worldwide.

I will miss it; the spring snows will never be the same.

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Branca de Neve vive e viverá!

Foi um drama tecnicamente perfeito e bem estruturado, onde o personagem Go Jeong U enfrenta traições das pessoas que ele mais amava. Tramar contra Jeong e fazê-lo pagar por assassinatos que ele não cometeu revela a inveja, obsessão e egoísmo que norteiam os seres humanos. Assim como no título, "Black Out" simboliza o apagamento da verdade e o caos que envolve a vida de Jeong. Ele é nossa "Branca de Neve", um personagem com uma aura de inocência e bondade, mas que precisa “morrer” – ou seja, ser destruído pelas forças escuras ao seu redor.

A escolha do nome sugere que os ideais de pureza e bondade associados a ele estão ameaçados e devem ser sacrificados. Essa interpretação se alinha perfeitamente com a narrativa, pois ao longo do drama, o protagonista lida com a ameaça contínua de ser derrotado pelas pessoas próximas, mas também pela própria sociedade que o condena. As atuações foram impecáveis, especialmente a de Lee Ga Sub, que interpretou gêmeos com sutileza e autenticidade, sem cair no estereótipo comum de personagens neurodivergentes em dramas coreanos.

No final, onde Jeong lança flores no lago para aqueles que perderam a vida nessa tragédia, vemos uma simbologia poderosa de redenção e aceitação. Assim como “Branca de Neve” em seu conto, Go Jeong U parece buscar um encerramento, mas de maneira muito mais trágica e sombria. Ele é uma figura que, mesmo em meio ao caos e destruição, escolhe simbolizar um tributo silencioso e precioso.

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Claudia Kim is AMAZING

We conclude the first season here, with more positives than negatives. I see this as a good outlook for the second season. Clearly, it was a drama made for the global audience with touches of Korean style. Many times, I thought I was watching a series from FOX or AMC because of the script style and the pace of the drama. The creature's CGI still presents issues in terms of art and finishing, but it seems to have improved as the episodes progressed. Nothing that deserves more consistent criticism.

Now, talking about the story, I noticed something that most people didn't catch, but it's quite clear in episodes 8 or 9. I'll explain: Everyone remembers that it was Akiko who drank the water with Najin. However, in the mentioned episodes above, it shows that Najin was administered to Akiko as soon as she entered the hospital. So, who drank the Najin water from the lab? Tae-Sang is my highest probability. For me, the three characters who extended their life expectancies were Tae-Sang, Chae-Ok, and Mrs. Maeda because the trio has Najin in their bodies. Probably, their Najin is asymptomatic in their bodies, and maybe in the second season, they'll erupt, unleashing a whole hell. Possibly, one of the current favorite actors, Bae Hyun-Sung, will be Ishikawa and Akiko's son.

I conclude the review by saying that although Seon-Jun and So-Hee did very well in their roles, their torrid love story seemed exaggerated and superficial to me, not convincing me. But for me, the highlight of the drama without a shadow of a doubt was Claudia Kim, playing Mrs. Maeda. She took the drama for herself, portraying a chilly and restrained yet villainous and determined character. Moreover, she spoke Japanese with an excellent and well-executed cadence.

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NOT EVERY HIERARCHY IS EASILY TOPPLED.

I must confess that when I started watching the drama, I saw the terrible rating of the last episode and thought it had been awful, but I found it consistent with how it began and how we got to this point. I noticed several insights for a second season. Some considerations:

• Finally, Jae-I realised how toxic, obsessive, and abusive her relationship with Ri An was. It was a relief for her to understand that the two of them together, directly or indirectly, brought misery to everyone around them.
• I noticed an interesting insight left by the writer. Did you notice she rode a bicycle, stopped to sit on the bench near the street stall, and bought that snack with Ri An? Clearly, it was her subconscious showing that the moment she was happiest in all the hell she went through was with Kang Ha. In other words…
• I firmly believe that, in the hypothetical second season, the writer will develop the relationship between Jae-I and Kang Ha.
• I also believe that Kang’s smile and the exchange of messages were not him sending messages to Ri An. I think we will have someone violent who wants something. Kang Ha showed throughout the drama that he was a naive and kind young man.

That said, it is a drama with mediocre performances, but I liked the actress who played He Ra and found the actor who played U-Jin stunningly handsome.

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