A varied ride

I really like the opening credit sequence. The editing of the sound effects with walla interwoven with the music then with the visuals of color and light splashes over the various sequences is really energetic and cool.

Pavel is the standout performer as Babe with a nice emotional range, charismatic screen presence, and a fully committed performance. He is the best part of the entire show. I really love the confidence he gives Babe, not just as a racer, but of Babe in his own skin as a person. His emotional moments are very well done, it's so nice to see an appropriate response to the intensity of the respective situations. He shows the emotions in his eyes and expressions so nicely. Paval carries the scenes he's in and I really hope to see him in future productions with acting partners on at least a similar level of skill to play off each other. Babe does have insecurities in terms of his relationships with other people stemming from the betrayal from both his bio dad and adopted dad, and later from his best friend which I'll touch on later.

The acting of the rest of the cast range from hit or miss to extremely distractingly green without enough directing to steer them. The second lead who plays Charlie in particular is so lost and needs more direction to go further from just acting cute and with a pouting voice ALL of the time regardless of what the scene is about. It got tiring a few episodes in when it was clear there was no further modes to the character. There are so many scenes where it's supposed to be emotional and Babe is bringing it, but Charlie is giving nothing. The character is also already written so one dimensionally with no purpose outside of being with Babe that it would have given him some bare minimum pathos if his interest in racing was genuine and worked to be good at it. I really watched all the way to the end hoping there would be an improvement once the reveal about his true intentions kicked in, but no change.

The intimate scenes seem to be well coordinated. I'm curious to know if they employed a coordinator, but however it was done like through a scripted breakdown and the director discussing ahead with the actors, there was a clear plan and choreography for every sequence. It's tastefully done even though sometimes it seems like it skirts the line between artistic choice and self-censorship with more freedom in the uncut version. It would have been great if the same level of attention were given to the fight scenes which the actors did their parts very well, but the filming and editing really needed to cheat the angles better to make everything look more believable, which again not the actors fault at all.

The regular sets of Babe's house with the wild interior design of the automobiles and faux broken concrete walls, americana-esque bar, and racing garage were pretty nice. Way's and Alan's house were shockingly expensively looking as well, no wonder Dean is extremely mad he's not getting into the big races because it looks like it pays extremely well. The most hilarious set was the hotel that Kim was staying with the murder scene level amount of blood in the bathroom but Kim is not bleeding anywhere. I guess we can assume it was blood from whoever Kim was fighting off, but nothing in the show indicates that.

The show is the strongest in the first few episodes and then proceeds to lag and drag on the plot points with very surface level coverage of the story and implications. I'm not gonna talk about them all, but I have to talk about Babe and Way's storyline which had a lot of time paid to it, yet still oddly fumbled at the same time. There is a tantalizing scene where Babe tells Alan that Way has been making him feel like he's not worthy of love by telling him that others only want to take advantage of him. It's so fascinating that he realizes that Way has been doing something toxic like that. Way is so certain that Babe must have noticed him being in love with him all these years. There is so much for these two to actually confront each other about. Then the scene where Way attacks Babe was fully horrific and is the most affecting scene from the terror in Babe's reactions to him being immobilized, realizing Way has powers, realizing his best friend has betrayed him, and being assaulted all at once. Serious kudos to Pavel's acting in this scene. You would think after this there would be a huge showdown between the two to air out their years and years of history which includes the shared trauma of being adopted and abused. Way gives an apology followed really quickly by his sacrifice, which he should have had some blood on his face for the severity of his wounds. Babe cries and tells Way that he loves him, after Way is dead which is really ridiculous and funny, he didn't tell Way what way wanted to hear a second earlier when he still could. Pavel's performance is really good, just an odd decision in the writing/directing. Babe being open to him and Way returning to their friendship was a really great opportunity for them to have a much needed deep conversation that would hit on the major themes brought up as supposedly important to the story, but it's such a huge missed necessity that the show didn't bother to do.

A few odds and ends that again does not encompass everything else, Kenta and Pete's story only showed up towards the end, but the set up of their emotional connection and stakes was one of the more interesting ones after Babe and Way. Sadly they didn't get time to finish their story. Kim's whole plot just randomly stops as well. I'm really glad that Jeff who gets paired off with Alan is at least 20, though the power imbalance of his boss constantly disrespecting that he's already said he doesn't like being touched is pretty gross.

Overall, the show had the parts to be better, but wasn't utilized to it's potential.

Leia Mais

Contrived soap within the guise of a modern drama

This is a bridge lakorn style drama, which is a hybrid with elements to appeal to the different generation of tv watchers. I have yet to see one nails the two tones right and this drama is the worst of the ones I've seen so far. Just because it's part soap, doesn't give it undue lenience to be badly done. The premise of the misunderstanding is dragged on for way too long, past the point of sympathy for the Meena. It's actually really creepy that she claimed to be a strangers girlfriend in the first place even if she meant well and it's just way worse the longer she did it but that's just not questioned, just shrugged off by everyone. It did more damage than harm and not in any way that added to the story. The way the show went about extending her lie is frustratingly forced with a sudden interruption every time or she changes her mind, even when the situation makes no sense to keep up the lie to a particular person. Her entire storyline is just consumed dragging out this lie for one excuse or another while making moves on the brother she has the hots for without making things clear to either men. Nothing else goes on for her character to develop. She literally never comes clean to a single member of the family of her own accord. Everyone just conveniently accidentally learned the truth or was told by someone else. So her arc was that she was lonely and wanted a man and lied a whole bunch and got a man with his eventually big loving family, everything she wanted.

I feel a lot of sympathy for the way Than was emotionally abused and bullied by the adopted mother and brother his entire life since his birth father died saving him. He loves his adopted family very much, but very much enabled Arthit's toxic behavior as well as aggressively went after a woman he thought was dating his brother long before he accidentally found out she's actually available. That's never questioned either. The way that he's treated by his mom and brother to the point of a very self harm idealizing sounding message at his adopted father's cremation ceremony is only ever heard by Cathy and not dealt with in the drama.

Cathy turned out to have the most well rounded arc despite not being a lead. The Meena role looked and felt like it would fit the actress Jan very well, especially with her being age appropriate for the part if they didn't want to make the characters in mutually consenting adult age gap relationship which would have been great if it was, but other than that Cathy is probably the best role in the whole show. She started off as not valuing herself very well with Arthit who treated her poorly. She was desperate enough to go along with his twisted scheme to destroy his brother, she actually saw Arthit for the scum he is and played him while helping Than who she sees is a good guy and very good at his import work. He's already a great collaborator even before she sees him as a possible romantic partner. She manipulated Meena into fooling Than and sent the message to the mom with her last straw broken, but actually had the self awareness to feel bad for what she's done. She gains self respect, not getting back with Arthit though she is cordial with his attempt at becoming a better person. Go Cathy!

Arthit has the most unearned redemption arc of the series. He is selfish, spoiled, and enabled by his whole family and even Than, but even beneath that he has a cruel, unhinged nature with a near sociopathic tendency to hide behind a mask of kindness while taking extreme pleasure to torture Than just to see him be miserable and less than him. This is definitely never addressed and too deeply entrenched to believably be changed by Than getting hit by a car in place of him. They never show a single moment where he ever lets up being the biggest douchebag and show kindness or brotherhood to Than that would be that glimmer of hope that would allow for such a drastic change in a short amount of time.That second hit and run is pretty ridiculous too, it makes no sense for Than to swivel Arthit out of the way to take his place. The scriptwriter just needed it to happen and couldn't think of a sensible way. Like every time Meena conveniently gets interrupted.

The second most unearned redemption arc is the mother, they have Arthit say that Than took a lot of the blame for the shenanigans Arthit was up to when they were younger, but that woman hated Than from the start for no reason. He was literally freshly orphaned and she treated him like a cockroach. Arthit learned a lot of that from her too. Her son lying and Than getting hit by a car is not enough for her to believably turn that switch to loving mother. They never showed any moment from her towards Than to build up to this ending

The second couple with the two university kids Alan and Khaotung were so childish they might as well be in high school. The non consensual photo, video, kissing, all just played for laughs and "cuteness". The most disposable storyline. Alan's relationship with his brothers is more interesting. He's the youngest and grew up better with Than's influence while still spoiled by his mother. Than and Alan have the closest familial relationship. Arthit and Alan barely interact besides the former bribing the latter, which already says a bit, but it would have been interesting to explore more.

The character of Than's adopted father was gone too soon from the show. He could have been the source from which moments of redemption of love for Than could have been sown before he kicks the bucket. Character development across the board was sorely lacking, the time wasted on furthering the misunderstanding until the last episode and suddenly they wed. There's no sufficient time to reconcile the characters at all. Even if they didn't do set up for love before the lie, they could have done work for them to bond after instead of random road accident, coma, and wedding.

I initially thought that it would be an older woman, younger man dynamic, but it seems like the main characters all seem to be around the same age. It's never addressed and it's distracting, but it's the least offensive out of everything else going on. The casting is okay, everyone played their parts well. I hope to see Jan get some female lead roles with great writing for her to sink her teeth into. The music is serviceable. I definitely will not be rewatching and putting myself through this exercise of dragged out frustration, save for maybe some of Cathy's scenes.

Leia Mais

Heartwarming coming of age romcom series

I really like that the lead actors for Gun and Tinn are the same age as each other as well as with the characters they play in the series and that the teens get to exist as teens rather than as cyphers for grown ups with adult soap operatics overlayed on them. Their youth allows for them to be silly during humorous ways in a way that's endearing that's also balanced by each actor's innate screen presence. Their individual characters and collective chemistry carries the series well. It's always good when the main characters are the draw.

The writing shows deep familiarity with both teen school campus drama and rom com tropes and gives the characters good definition that can be understood even underneath the green acting skills of their young, but capable actors and doesn't rely on misunderstandings to pad out the story or manufactured angst. The drama unfolds from the flow of the story that takes place throughout the final high school year of teens which shifts gradually shifts in tone as the anxiety of the impending competition and future heightens at the cusp of graduation and adulthood.

It was interesting they did a perspective shift with the 1st ep from Tinn's pov and then 2nd ep from Gun's and then evenly afterward. I LOVE both guys know their own feelings immediately. Gun having had his crush for years and Tinn immediately picking up on it as soon as Gun let slip that he's been flirting with him and they have their eye connection. The healthy communication between Gun and Tinn is so refreshing, they don't let misunderstandings or jealousies fester. They talk it out and are loving and affectionate. We never see Gun's parents together, but from context they were probably loving like Tinn's parent's. The calm, sweet relationship is a lovely base for their coming of age struggles of

Not to say this show escapes from the angry, petulant, emotionally volatile guy archetype which they pour into Win. I really dislike that character and that ship as well. The writing did try to show he had a loving side with how he's caring with Sound, but the acting did not come through in reconciling the two sides, let alone add more. Sound's actor was better able to convey vulnerability beneath his superiority complex and the writing helped to with him making the deal with Tinn to go to get treatment for his hand.

Tiw is the representative that asks the questions from the audience. It would have been more interesting to give his pairing with Por the screen time of the secondary romance. Tiw has the most thankless job of helping Gun, Tinn, and the entire music club. He always steps up and never even got to go swim with his ducky float. So when Por who has a bit of similarity in setting up and cooking for the others getting to spend time with each other being the two that showed up and Por noticing Tiw spending all the time taking photos of others on their last day of school, it's could have been better developed sooner.

It's wonderfully done how the realization of the main characters sexualities to themselves and to their family is understood and comes with the beautiful vocal support and allyship that queer characters and the very real community they represent deserve to see and feel modeled in the media. The reaction shots from the secondary characters are great. The wish redeeming scene was the best use of the product placement. It made sense they were desperate for any drink, and the raw and brutal break down and the apologies was a powerfully moving scene. On the other hand the harmful forced outing by bl shippers was glossed over and could have been handled better. Some plots beats got lost or were rushed like the implied financial issues of Gun's mom and all the pair the spares plots except for Yak.

The cinematography, editing, and directing were all competently done which is such a relief to my eyes. I never felt the pacing was slow, a lot happens every episode starting with the first one to further the story and to further the relationship. The way they reach the points where imagination ends and sweet reality begins is so lovely. All in all this drama is a definite recommend to watch and rewatch as well.

Leia Mais

Nothing mattered at the end.

The show lingers way too long on scenes where nothing is happening or something that should have been over after a few seconds and relies on jarring attempts of surreal behavior for attempted humor that always falls flat among other editing and writing issues.

Within all of that, the series depicted Guy and Jing who has fundamental differences in expectations for their relationship that neither could meet and were unable to resolve yet wouldn't let go of one another. Guy is a dedicated nurse and Jing is a university student who needs more attention than Guy has the time to provide. Jing knows that Guy has responsibilities that keep him, but he just can't handle it. Guy loves Jing so much that he's willing to leave an unconscious woman on the ground when Jing insisted they leave. They are clearly not in a good place to continue dating any longer and should break up. Jing of course breaks up magically with the last candy wish to make it so they never dated. Guy is now a doctor having not spent his school years dating Jing and Jing is happy with his classmates. They are still within each other's circles but no longer holding each other back. But none of that mattered because it was just the plot of Jing's student film project. The real Jing and Guy are still together and will be into their old age. The film is implied to have their be based on their real issues, but we don't see how the key ones were resolved, just that it did and back to the never ending fanservice fluff scenes.

This show is a mess to say the least, but Kana and Jing's plotline did stand out as being very competently done. Being childhood friends and Kana is Jing's refuge when he feels down and needs comfort. Kana is clearly in love with Jing, while Jing knows. Earth and Copter's chemistry really shines in their character interactions as Kana and Jing. The ease of their closeness and the palpable tension of the possibility of something more which is sadly unexplored, but the scene where they do finally address the feelings in the room is very well directed, easily the strongest scene in the entire series on all fronts, though the very messy editing with the mismatch expressions and an extra clip that should have been deleted while transitioning to the scene of Guy showing up distracts from the mood sadly. This particular director (and the writers he works with) is so selectively good at either only certain plot lines or a certain series in his entire body of work. I hope to see him nail being consistently good. I feel like he has a knack for complicated friendships type narratives in particular. This series is one of the misses alas.

Leia Mais

A light easy to watch coming of age romance

The core of this show is two young teenage university freshman dealing with their respective struggles that stems from previous trauma and how their actions and words or lack thereof affect other people. I found the conflicts that arose very understandable and true to character and importantly it's dealt with within the narrative for character growth. Daonuea is the art student and extrovert of the two whose cuteness and charm stems from how friendly he is and gets along with everyone. Kluen who plays sports is the introvert and the show progresses, he's shown to genuinely not understand certain kinds of social communication. He reads as socially awkward but is not outwardly noticeable because he's handsome and surrounded by outgoing people, so they just assume he's cool. The story starts off with Daonuea whose primary experience with love is being seemingly rejected by Kluen so he wants to avoid him. I really like that he easily becomes himself around Kluen once it's clear their scholastic activities keep them together for a while. This leads him to not want to hurt others as he himself was hurt so this causes complications when he has to deal with rejecting his own suitors. Kluen does everything he can to spend time with Daonuea coming from the school of thought of actions speak louder than words though he learns that words is also important to speak along with the actions. I quite enjoy the acting of Dunk who plays Daonuea. It's his first role and quite close to his real life personality. He's very natural and effervescent on camera. Joong who plays Kluen does well in communicating with his eyes and little detailed actions. The music is pleasant and the show overall is easy to watch.

Leia Mais

Cinderella in shining armor for a few seconds

It's a trend nowadays where the age difference is downplayed by either the younger actor playing a lot older or the older actor playing a lot younger so the gap is actually so close it's negligible. The difference here is focused on job status, with the female lead as the team leader and the male lead as initially an intern. It was actually pretty cool to see from his memories how she guided him as the responsible boss, the Cinderella in shining armor. It would have been great to see more of that. Their dating days were also cute and I really liked how the first two episodes had subversions like Yun Seo learning from Ju Won's brother that he didn't like horror movies, but went for her and learned to like something new. It would have also been nice if the rest of the show had them learning more about each other, but it quickly slipped into bog standard romcom cliches with the most odious being the faux love triangle with Ju Won always having a jealousy stand off with the painter guy Seong Min, who almost committed suicide, but then his mental health was magically fine afterwards. Yun Seo's storyline with escaping her abusive household and not buckling to her mother's pressure to take on her father's debts was really powerful. Sometimes the people you need to cut out of your life are your blood relatives and to keep them far away for your own well being. I feel it's especially important for Asian audiences to see that it's okay to do so. I like how Yun Seo wanted to break off the relationship because she knows that Seong Min's family would not be accepting of him. I feel like the show could have better connected the fact that it would be yet another parental figure treating her terribly. Yun Seo and Mi Jin's short friendship at the end was really short, I rather they have started their sisterhood sooner and less of Mi Jin and her husband's shenanigans. Yun Seo deserves more supportive friends and family. It would have been nice for Yun Seo to have one more scene with her mother in law, finally in acceptance and support of her, one big happy family.

Leia Mais

Erase it all

The series opened with such meaty angst with Lee Gun driven to deep mental unwellness by his family treating him as a second class citizen after his tragic tennis accident from when he was just a kid. His pain when he finally snapped and let his family have a piece of his mind was so palpable. It all goes down hill after the extremely ethically questionable procedure done to his brain to take away the bad memories and his personality turns into an annoying, obnoxious cartoon character. The actor can't bring any grounded nuance to balance Lee Gun out. Ju Yeon also just becomes annoying whenever she's with Lee Gun and gets worse as she falls in love with him. The chemistry for the two main couples are all mismatched. Lee Gun is actually way more interesting with his Sae Yan whose wacky personality actually levels out his cartoonish over the top behavior to something bearable. Lee Shin and Ju Yeon are also more interesting together with him having his own mental health issues that are more on the level that Ju Yeon can help with without lies and they can relate to each other better. 16 episode is way too long for this show as well, it might have been slightly more tolerable if it was maybe 10. The twist that Ju Yeon was the actual first love all along is extremely uninspired.

Leia Mais

Another no kiss, exploitative fanservice drama

I didn't know anything about this drama or the actors, so I gave it a fair objective watch and it's so disappointing. If the actors cannot commit to fully playing gay characters that includes even one plain kissing scene, then they should not be playing the leads of a gay romance. If they did at least commit to that minimal professional extent, then it would at least give the drama some sort of legitimate artistic grounding, but since they didn't it just makes it so many meta layers of bad, undermining any possible critique of the hypocritical kpop industry of making money off the the appearance of a gay romantic actions without any support for any actual gay rights or artists by literally embodying the hypocrisy.

The premise itself is a very real issue of using gay as concept to attract attention which the character Ji Hoon plays lip service to being against. Using skin ship and other actions as fanservice to pander to real people shipper fans that many idols are forced to do that have now gone from the once ubiquitous homophobia laced pocky game to non committed queer roles with no kissing. The in drama company so clearly is using the "Business gay" concept but also having their artists staunchly deny and have to avoid the media questioning their shady tactics like the media is wrong to question them. This is playing into the delusional fantasies of real people shippers that idols that are denying relationships are lying to them.

The in drama ceo is also quick to sell her artists to J who wants to work with his first love, and Hyun Bin who has roofied both Ji Hoon and Eden and had them both assaulted by an actress. He took photos of it happening to Ji Hoon and almost tanked his whole career. That's a huge criminal deal and the drama just brushes past it just like it has with everything else that's also a disturbing very real thing that kpop idols have to contend with, their management selling them for sexual favors. There are so many heavy industry things that the drama is lamp shading but does nothing with.

Leia Mais

Weirdly transphobic

The first episode is the strongest being very atmospheric with nice cinematography and color grading that isn't a lazy gray tone that the other episodes do. The isolation and growing fear is very palpable and the vibes is a mix of psychological and supernatural. It reminds me of a Junji Ito story that also had to do with peeping eyes and being spied on.

The final episode is straight up Backrooms: Korea with the newbie security guard getting lost in ASync and everything. That other security guy working there didn't try very hard to warn her, though she most definitely wouldn't have believed him anyways. Poor newbie. Kdramas don't do backdoor pilots, but this certainly looks like a backdoor pilot of a kdrama if such a thing existed lol.

The home shopping story and the convenience store stories were about not taking weird jobs no matter how much money is offered. Besides that as a common theme, multiple times the episode monster is a guy wearing women's clothes and make up. That transphobia is really outdated and really telling of the prejudice from the production.

Leia Mais

C grade

The adults act so childish while the teenagers get all the emotional heavy stakes and interesting plot developments. The best parts of the drama were actually the teenagers and their struggle to meet these physically and mentally taxing educational standards and expectations of their parents and society as well as the mother daughter relationship between the aunt and niece. The wildness of the the hagwon institutions like how the parents have to line up everyday to get the best seating for their children was interesting as well. The murder mystery part of the drama was okay, but it was dragged on for like 3 or 4 episodes too long. When it was revealed that the brother is a red herring and assistant guy is the murderer, that's when they should have wrapped it up.

I quite enjoy seeing pairings where both grown consenting adult characters have the female lead as older than the male lead and the corresponding actors, but the casting here is really distractingly off with the actress not looking anywhere near believable as the character age range she is portraying. It didn't really need to be a noticeable issue except for the drama itself making it awkward by throwing lines like "she doesn't look old enough to be a mom to a teenager" and showing that only a decade has elapsed between the past and the present the story takes place in. It's compounded by the fact that the costume department didn't make a single effort to at least style her to look like she's in her 30s or even 40s and always put her in clothes and hair styling that made her look very middle aged.

Her character is also like an emotionally volatile doormat, it would have been nice to see her have some smarts and effectively save or stand up for herself and her loved ones from time to time. Her version of acting cute was really off putting as well with the over the top laughing as she covers her face and violently hits whoever is in front of her. The romance plots of all of the adults were the least interesting parts of the story. None of them had chemistry and it would have been better to keep those as brief as possible. The teenagers were more interesting, I like how the two boys actually developed a friendship despite being love rivals.

For a single mom with younger man romance that also includes a serial killer plot, I recommend watching When the Camellia Blooms instead of this drama.

Leia Mais

Family fantasy that's also about individual growth and change

It's difficult or impossible to root for the leads of most kdramas to reconcile because the writing simply does not do the work to allow them to learn and confront the core problems that drove them apart in the first place, just skipping through romantic moments and calling it a day. This drama thankfully does have the main characters fully separate so they can gain a new point of view and move forward in their lives before finally understanding and see eye to eye. Da Jung delayed her schooling and working in her dream job in reporting/hosting while Dae Yeong completely abandoned his childhood dreams of becoming a professional basketball player in order for the two to become teen parents to twins. They both aged from still looking like their teen selves through their 20s to looking like they are in their 40s (as their actors are) even though they are supposedly 30s. within a few years (like John and Mary from Supernatural). At least she's pursuing her dream despite, while he's deeply embittered at his dead end job that he turns to drinking away his sorrows and saying the most unforgivable thing he could to his wife in public at their school reunion, blaming her for how his life turned out and forgets about it while being black out drunk. It takes two to conceive and was contraceptives even involved? This snowballs with his other bad behavior into being served divorce papers by Da Jung.

Dae Yeong caches in all the good karma he accumulated in his life both when he get given some magic tea that's implied to be perhaps a mix of science and magic by an mysterious elder that turns him back to his young charismatic handsome self and he has a very rich best friend Deok Jin who can house and pretend to be his father. All the scenes with him makes me wonder if this show was partially sponsored by Disney/Marvel. Deok Jin keeps pursuing Ms. Ok despite her constantly saying no until she agrees to date him at the end. It doesn't matter if she's also a fellow nerd, this is just awful. This storyline is awful when they did the other ones pretty well. Ji Hoon the baseball player was always respectful of Da Jung's space and wishes from beginning to end, being a fantastic friend to her even when she doesn't return his feelings. She in turns gives him observant and experience advice to raise his niece/adopted daughter. He was always the mature adult when ever Dae Yeong was being jealous territorial too and only got stern with him when Dae Yeong looked to be getting inappropriate and violent with a fearful Da Jung. He also had to learn that he can't force people to become parents when they don't want to. Him forcing his daughter's unwilling bio mom to meet her was cruel to both regardless of what she chose to say. It turns out that he had been looking for Dae Yeong as well as he was the one who was able to save the niece's life with his handyman tools by breaking the car window and taking her away from the car before a big truck careened fatally into her father and Ji Hoon's brother's car. It's pretty convenient that they are connected this way, but I'll chalk it up to part of Dae Yeong's magical karma.

Dae Yeong initially self serving wish to become young again to do what he missed out on became a way to understand his estranged family members. He finally sees all of his negative behavior towards them while his loving actions as Woo Yeong makes them think of Dae Yeong's caring side. His twins Si Ah and Si Yu seem to have zero interest of ever looking at his photos or videos of him when he was young, while in contrast Si Ah's boyfriend who has fond memories of Dae Yeong stepping up to race with him when he was young does and is the only one other than the adults to figure it out. It took Dae Yeong to transform into the body of his former self to stop yelling so much and be a more communicative person, finally getting to know his children fully as the people they have become. His stereotypical macho father outrage at boys being interested in his daughter was awful though, as Si Ah is more than capable of handling herself on that front. I hope both his kids are fully informed about contraceptives though. It's really lovely how the parallels were done between Da Jung and Si Ah's personalities. Da Jung was actually a bad ass that kicked a girl gang down to save the girl that bullied her, turning her into a life long friend and continues kicking ass with further self defense classes with Si Ah. Si Ah is a bit too old to learn the hard way to avoid dark alleys and picking fights in alleys no matter how good a fighter she is, but better late than never.

It was really interesting the way the drama dealt with the various bullies. Both the lawyer and the young anchor were saved by Da Jung fighting people that picked on them like the other bullies and the upskirt filming producer creep. The coach that bullied Deok Jin in high school took bribes due to his father never believing in him and paying his way onto the team. He became an example used by Da Jung to compel the parents to whistleblow together for their kids. This actually made the parent of Ja Seong that was bullying Si Yu for witnessing the bribe become a better dad and so his son becomes a better person too. Dae Yeong's dad didn't give into the bribe because he believed his son's abilities speak for itself. This storyline connects to the all the characters so well. Deok Jin appearing on the news and the anchor describing his incoherence in speaking as evidence of how badly he was beaten up by the coach was so funny. Dae Yeong reunites with his father who also turned to drinking and hitting him after Dae Yeong's mother died. With time and distance, his father had recovered from his grief and was able to change as well. Dae Yeong watching the back of his aged father, both sitting in the senior seating on the bus to driving the bus for work was heartbreaking. He interacts with him a for a few times, before finally revealing himself to his father through the sign language they both learned for Dae Yeong's mother. It's the most moving scene in the series.

I liked that Da Jung got to date Dae Yeong in his young form for a bit. The chemistry between the actors is very nice. Because there was so much change between the characters, it wasn't too disappointing that he switched back to true age after he made the decision to abandon a basketball career a second time, reaffirming what he wants is just life with Da Jung and their family. He even becomes her manager for a while before he becomes a teacher to little kiddos once his own kiddos have gone off to college. I assume it's because she made enough money in her flourishing career to afford to hire a team. The series is only a about 1hr4m most episodes, but each one feels longer than that, but in a good way. It packs in a lot of interpersonal connection and growth than dramas with episodes over 90minutes long. This is why years later when Da Jung and Dae Yeong have found their identities and have learned healthy ways to communicate after disagreements, it makes sense for them to tie the knot once again. Their guests include the mysterious magic elder who also offered Da Jung who helped him across the street a wish, but she didn't take it. I wonder if he offers everyone who helps him a wish, there might be a whole connected universe of magical mayhem stories because of him.

Leia Mais

A fun, at times silly and at times a bit spicy harem drama

The fantasy drama consists of bite sized episodes of well worn tropes that doesn't break the mold, but is done in an entertaining way. The main character who has lived over 1000 loops of life has maxed out his skill tree and becomes the ultimate business strategist, suave fighter guy that women of all ages become attracted to despite his physical body still being a teenager. There is a fine line between confident and cool vs arrogant and annoying, and the actor manages to keep the show in the former which makes it a fun watch as he competence porns his way through most of the situations . The show actually manages some actual spicy chemistry moments certain female leads. The story ends very abruptly though like there would be a next episode even though all the listed episodes has been aired. I hope there is another season to continue and finish out the story.

Leia Mais

A thriller of Culpability

The story kicks off with a mystery of all the teens being forced to play Mafia and is propelled with fear of death and bullying at every point. The deaths themselves become spectacles. All of the head hits are impactful, as are the ones where they throw themselves over the railing. The self strangulation one was too silly, they should have rethought that one. Selfish bullies push people to the edge just as much as the assigned Mafia do. Everyone is forced to be complicit participants in someone's death by voting. Friends turn against one another. Kids blame themselves. The selfish flourish until their time is up. Intrepid asthmatic Yeon Seo analyzes the crime scenes and tries to find clues out of this giant, murderous Mafia themed escape room. Aside from her observational skills, she's also special in that there is a force who wants her to see beyond the code.

Jung Won turns out to be this force, a character designed to win the game and causing discord and murder in the wake of it, decided to lose it to save the two players who became her friends instead. She's the virtual stand-in, the virtual ghost of Se Eun who took her only life from bullying. The intense loneliness being targeted everyone around you is truly suffocating and it may be hard to understand by those who have not experienced it themselves. It doesn't matter what type of reason was used to bully her, it mattered that it was the people's attitude and actions or inactions towards her. Her parents took it upon themselves to kidnap her entire class and use them to mentally and physically hurt each other. There is no legal recourse that would give them justice for the daughter they lost. Yeon Seo gets to see the set up she's trapped in so the parents could find out what made Jung Won go against her programming to help. They are unwilling to see that Jung Won/Se Eun has found the feeling of friendship and loyalty that she didn't have before. Jung Won found a catharsis in the game that the parents are not willing to embrace yet outside of it even though they have engineered the repeated suffering of the key perpetrators and bystanders. Jung Won is reset along with the rest and she was not able to free Yeon Seo by letting the citizens win as Yeon Seo is only able to awaken when the parents allow her to. The kids aren't there to learn a lesson, they are just to suffer indefinitely. I wonder if aside from Jung Won, the other roles are randomized? If Yeon Seo is put into the mafia role, what would she do? Ultimately her morality doesn't matter to her jailers. Even Se Eun is trapped in this virtual hell until her parents can find their way out of their grief.

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Mostly age appropriate sweet coming of age romance

The make up, hair, and styling for the show is very nicely done. The cinematography and the editing could be better, but I appreciate that they tried to do something a bit different. The casting of the three high school leads are very nicely done, they're new comers with a lot of great chemistry with each other and good presence. Qi Zhang and Ye Guang's relationship is really lovely, two gentle boys that actually get time to get to know each other. I like that it's not an opposite personality attracts situation and they are both kind and nice to each other. Ray's chosen pronouns was unclear, but their storyline is the edgier one dating adult men and being more physical quicker. I dislike the trope of high school teenagers dating grown men being shown as normalized. Ah Jian's age hasn't been stated, but I hope he's only just a year or two older. The surprise double date scene was immensely cute and the most natural all the actors were as their characters. I really like how the main high schoolers aren't portrayed as too childish or too adultified, outside of the cartoony guy that was bullying Ye Guang that disappears from the story.

This show definitely had more story to tell than it had time for with it's 22nd per ep runtime. Most of the plot lines feel finished still in media res like it was meant to continue for another season, but that's not usually how asian dramas work. The storylines introduced are usually wrapped up in one season and have new storylines even if there is a second one. The rivalry with that bully kid that's too obsessed with his sister joining the student council elections went nowhere. Ye Guang didn't have a final face to face understanding talk with his parents, though it could be that they could only reach one with space between them via phone as they had been suffocatingly controlling to their son. There's a lot of potential for more of this story, but it doesn't look like that will happen. It's still a good watch for folks looking for something wholesome and sweet that doesn't talk down to the audience.

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Refreshing take on the reincarnation romance

The two things I thought was interestingly explored was how the familial structure would work with one really long lived immortal relative actively living with his descendants and how the reincarnated soul is completely their own person or even persons separate from their former lives. The weaker elements was how sudden and arbitrary the abilities and the punishments of the miracle stone are. It can heal, which is broad enough that anyone could figure it out. But how did the savant guy suddenly know that he can feed half to San and it would give him exactly 100 years of immortality with him being stricken by pain every midnight, and transforming into a child every 15 days until he is able to find Wat's reincarnation for a blessing/curse breaking ceremony? Maybe a scene of him divining instructions from the goddess or having a instruction book from the ancestors would have tied things together better. Also the youngest generation of the savant guy is pretty much San's best friend, which is kind of odd since San would have been like his uncle, having been part of his family's life for generations and there is no sense of that from their interactions. Also the show doesn't deal with why San deserves the destruction of the healing stone for him? Especially when the story immediately follows into scenes with Vee's terminally ill grandmother, the type of people the stone could be used to help. The stone could be used to heal and help people, but now it's used up for a pretty random guy in the grand scheme of things.

I really liked that Vee and Wat have no memories or any personality quirks or similarities to their past life as 1920's Wat aside from Wat having the same face and that they were incarnations split from the same soul as confirmed by the stone reacting to both of them and they both needed to be present to lift the blessing/curse from San. Vee and San may have been drawn together supernaturally, but they fell for each other on their own terms. Though San didn't treat him very nicely for a lot of their meetings, so maybe Vee may have been more influenced that it seems. It's so fascinating and there isn't much media that I can remember that explores this aside from the mention of splitting souls, which was mostly from older Cantonese supernatural stories. But then the implication is that Wat is somehow exempt from San's promise to love and cherish her in this current life even though she's also the soul that was bound to the promise. The potential for a bisexual polyamorous thruple is just plain ignored. Wat was a rich girl and reborn as a regular guy and a girl that seem to both be in the lower income bracket and both get intwined with San. It would have been nice if the show explored why Wat's soul was split, like as a side effect of her soul being tethered to a rock and a man or something? Doctor Tri is also an interesting case who has also been reborn looking like his past self who was a violent jealous man, but his current self is an amazing friend who goes above and beyond. He didn't really get any karmic punishment that was evident in the storytelling except for falling for Vee in this life as well, but he's also deals with it with the utmost maturity which was really nice to see.

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