Whirlwind of love and revenge on a tourist island

He works for a dolphin and sea lion show at Fantastic Ocean. He works at a karaoke bar on a beach on the Chinese island of Hainan, where they both live. He is a talented trainer of aquatic mammals. He succeeds in his traveling business, in part because he bears a striking resemblance to the late Chinese actor and singer Leslie Cheung. He waits for him with dinner ready and both of their underwear clean. He is a daring and handsome boy who also has sexual relations with women and walks around the beach, the streets and the house half-naked. He, in silence, awaits your return. He, drunk, comes home late after playing with other men. Both help in an illicit business, while committing petty robberies and other mischief, such as recovering their assets seized by the police.
Li Qi (Shen Shiyu) and Ren Yu (Zhao Bingrui) are two young men who live a wonderfully simple life as a couple. Happy, between the two of them they have built their own earthly paradise.
However, things change when an attractive young woman, Bai Ling (Yue Yue), comes into their lives and drastically shakes their reality. When the daughter of the illegal beach food vendor joins the two men, a three-way relationship seems possible. Li Qi shines around him. She shines around Ren Yu ('Marriage Proposal Say Yes!', 2013 and 'Love in Late Autumn, 2016'). In this classic love triangle, does the girl know about Qi and Ren Yu? Does he know they are a couple? The truth is that the three of them intend to test the limitations of their own sexuality.
The lovers now face difficult decisions because they want to explore their sexuality further and include Bai Ling ('A Woman', 2022; 'Mother in the Mist', 2021), in their relationship. At times, the loving trio disappears to become a secret couple again, but now between Bai Ling and Ren Yu. But the latter will not accept his proposal to be her boyfriend and live in a distant city. Could love for Li Qi be the reason for his rejection? Don't you want to enter an uncertain, but promising future? Why then does he kiss her and while they are living their idyll, the tragedy occurs that will shake the three of them to the depths of their being?
The film, which begins at the end, initially tells us how one of the main characters commits a heinous crime motivated by revenge and then goes to the roots of the conflict to expose the reasons that motivated the revenge.
Also skillful is the location of the plot in one of the tropical and paradisiacal beach areas of Hainan (in Chinese, 海南; pinyin, Hǎinán; literally, 'South Sea'), the smallest and southern province of the People's Republic of China. The site surprises by becoming another protagonist, the fourth, of the film. Its streets and shops show the wounds of the passage of successive typhoons that hit what is now the largest Special Economic Zone of the Asian giant.
Like an island from which you can only leave by air or sea, our protagonists will also find themselves unable to escape their own destiny. This is marked from the very title of the film. The main reason to chew Asian betel nut or areca nut is for its stimulating and slightly euphoric effects. The person who consumes it obtains a greater feeling of alertness, a sensation of heat throughout the body.
Subtle and masterful use of metaphor to mark the destruction of the paradise in which Li Qi and Ren Yu have lived with the interweaving of the Chinese tradition of consuming betel nuts with the risks to human health associated with the prolonged use of these seeds. , since this practice has led thousands of people to an early death.
Released in April 2017, the film, by Chinese director and screenwriter Hu Jia, won the China Stard Best Film Award 2018. It was also presented at the Berlin International Film Festival, Seattle International Film Festival and Hong Kong International Film Festival, in its 2017 editions.
The yaoi genre romantic drama 'The Taste of Betel Nut' (槟榔血) depicts a story of revenge and young love, a story about the growing desire for intimacy between two men and a woman.
Very cleverly, Hu Jia makes unique decisions in writing the script and developing the plot of the film. The choice to include few dialogues does not discourage the viewer. On the contrary, it awakens in us an interest in discovering where the film story will take us. This way, the audience will be able to appreciate the images and focus more on the characters' actions.
The writer and director creates a fractured storyboard that unfolds like a puzzle: fundamental pieces are missing to finish the work. Together, he and the viewer, we will have the task of, as the footage rolls, compare the fragments we have with those intentionally omitted, in order to advance through the incomplete scenes that have kept us in the dark until we reach the light. and with this the understanding of the narrated events.
The ending is open. The viewer, once again behind the cameras, has several pieces of the puzzle in their hands. According to his wishes, only one of them may be the right one to complete the puzzle: on the terrace of his house, between sheets swinging in the air, Ren Yu, with obvious scars on his shaved head and with a slow, hesitant step, has been able come out of the coma and now turns his face and smiles at someone who approaches. Is it Li Qi who has been able to escape the fury of the bullies? Has Ren Yu waited for him during his years in prison for the crime committed? Is it just Ren Yu's imagination? Like Ren Yu, Li Qi has also died at the hands of the gang and they both meet again in another paradise, but this time heavenly?

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We are faced with a filmic gem:
Song Young Jun, 30 (Song Jae Ha) and Seo Joon Suk, 23 (Jo Hye Hoon) are a very happy gay couple despite living their love in secret. Both actors, who play their roles perfectly, are not afraid to show their naked torsos during the 65 minutes of the film and have explicit sex scenes, all achieved in an artistic way.
The young people decide to create a memory they never had in celebrating their 5th anniversary. They rent a room in a motel in Jongno (Seoul's popular gay neighborhood) to record their precious memory on a video camera.
Between a celebration cake, confidences, naked baths, sex and complicities, all in front of the camera in which they record themselves, the room is filled with the memories that unite them, like the day on the beach to which they promise. go back. Likewise, they vow to never change their love for each other.
However, there is a feeling in the air that today is going to be their last day.
On the one hand, the excellent performances, the control of the body and voice of the two actors to interpret the emotions, the direction, script and other technical elements of the film and, on the other, the viewer's refusal to accept the obvious, but All the signs of what will happen are cleverly shown: Joon Suk is reluctant to allow himself to be filmed from the first scene, the bathroom scene. He claims to be nervous, then worries that the video could be taken as pornography. Only your boyfriend's insistence will lead him to agree to participate in everything that will happen inside the room.
As Young Jun prepares to leave, Joon Suk is awake, but he pretends to sleep and doesn't want to say goodbye. It is evident that he knew in advance that the relationship would end, and of the existence of a prior agreement between the two that it would end in this way.
Young Jun will also ask “When did you hate me the most?”, to which Joon Suk will respond: “When you tell me 'we don't have a future', 'we should marry women' or 'the gay community in Korea hasn't changed'.” Young Jun will also confess that “there is a fantastic recording ready for you,” referring to the recorded video that he leaves for her to watch after he leaves.
In my opinion, not knowing how to appreciate the true emotions and feelings that the characters convey is the reason for the negative reviews and low ratings. The characters themselves, very subtly, are responsible for answering the reason why the film does not have an ending like the one we would like. The film makes a very intelligent, very subtle criticism of the discrimination that exists in South Korea against members of the LGBT+ community.
South Korea is a conservative country, with strong patriarchal and heteronormative traditions, where homosexuals have difficulty fitting into society. Coming out is still not welcomed in most conservative Korean families, who consider their children's homosexuality as something close to a crime.
Lesbian, gay, bisexual and transgender people in South Korea face legal challenges and discrimination not experienced by non-LGBT+ South Koreans. Same-sex sexual activity is legal, but Gay Marriage, Equal Marriage or Same-sex Marriage or other forms of legal partnership are not available to same-sex couples.
It's true: we would like a happy ending for the two young people, but reality prevailed. Young Jun leaves an envelope on the nightstand containing an invitation to his wedding to a woman. His destiny is decided by his family. Your destiny is determined by society. He doesn't have the strength to fight this and accepts not being happy and also making his boyfriend unhappy.
An ending, which would only be syrupy, melodramatic and unrealistic, perhaps bordering on the worst film productions, would have been for Young Jun to have rebelled against his family and society and not have abandoned his boyfriend. For a moment, before the end credits, I thought that they were not a couple, that Joon Suk was a prostitute (because of the envelope on the table I even speculated that it could be money) and they both pretended to be boyfriend and girlfriend for some reason. A happy ending, in this case, could be that the connection created between the two turns them into a couple. Young Jun would return to the room to confess to loving him and Joon Suk would claim that he also developed feelings for him during the hours they shared in the motel room.

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The cliché of engineering students in BL series: from 'Sotus' to 'Secretly Love'

University environment? A university in Bangkok? Faculty of Engineering? Hazing boss? A secret love between two boys? A boy in love with a sundere, that is, a person whose initial behavior is cold and reserved, but who gradually transforms into someone warm, sensitive and friendly? One of them who, after a while, turns from hostile and unfriendly into an individual whose behavior is affectionate? Is one of them from a year older than the other? One called Khonprot, a name very similar to Kongphob? All this in a Thai BL?
This is how I reflected while reading the synopsis of 'A Secretly Love'. Then, other recurring questions would arise: By some chance one of the boys gives the other a "gear", that small toothed wheel, symbol of the Faculty of Engineering? Are you sure it's not SOTUS?
With this idea I immersed myself in the first episode of the series that tells the romance between Khonprot, a role assumed by Kut-Thanawat Sukfuengfueng, a third-year hazing leader at the Faculty of Engineering, and Pluem, played by actor Kimmon-Warodom Khemmontha.
Since I started watching BL dramas, I have found that if you ask any fan of the genre what the biggest cliché is in this type of productions, they will undoubtedly answer that placing the plot in the Faculty of Engineering and its protagonists are future engineers. I don't consider it bad to repeat the same cliché over and over again, especially if it is developed well. But this requirement is rarely met, which undermines the success of the drama.
The main problem with these series is not the use of the much-questioned cliché ad nauseum, but the fact that it is not even made good use of, in addition to ignoring a cruel reality, such as the hegemonic masculinity prevailing in the faculties of Engineering.
Homosexual engineering students in Thailand suffer from violence perpetrated by homophobes, both inside and outside the University, as well as mockery and harassment from students in higher years. This affects their self-esteem and daily life, to the extent that many have been forced to leave their studies because they feel harassed, while others commit suicide.
Future engineers and other careers, especially the "effeminate" ones, describe psychological, physical and sexual violence against them, demonstrating the articulation of homophobia and misogyny in Thai universities. Much of his narratives describe the role of alcohol in strengthening masculine bonds, negotiating manhood before groups of peers, and evading feelings and frustrations. Others, to hide their homosexuality, are forced to seduce and have sex with several women and separate them from their true feelings and emotions.
Let us remember that Thailand is a sexist and conservative society in which marriage between people of the same gender is not yet legal and in which homosexuality is taboo and frowned upon by both family and religion.
Topics such as the need to seek new ways of “being human and free” in the university environment, or how boys construct new ways of being a man and being young in the society in which they live, as well as the other problems highlighted in this review. to 'A Scretly Love' are absent in the plots of BL series, which do not take into account the social and historical nature of masculinity. This is a social construction recreated, reproduced and reinvented daily by social actors differentiated by age, sexual orientation and other factors.
Whether it happens organically due to the environment in which they grew up, due to their desires for expression through physical appearance, due to experiences lived in the school environment or, on the contrary, due to their feeling of not aligning with the paradigm, the Engineering students assume the consciousness of being a male subject who develops daily in a sexist environment or environment, exalting masculinity and even homophobic, which expects from them strength and resistance, sporting inclination, independence, self-sufficiency, passion, determination, open mind and abruptness as concepts associated with them.
Thai BL dramas, and others, do not take into account the reasons why these situations and beliefs have arisen. They do not tell how homosexual engineering students (and other majors) are excited about the possibility of reimagining and deconstructing the reality that surrounds them. They do not reflect on how they expect to live in a community in which no one feels pressured to align with certain thoughts or be forced to act in a certain way that is foreign to their personalities and characters.
Given this reality, the series on this topic within the BL genre suffer from not addressing the necessary equality policies that must be established in Engineering faculties in Thailand and other places in the world, and for which so many members of the LGBT+ community have fought and still fight to make them a global reality.
These dramas are limited to reflecting a homosexual romance and leave aside everything related to equity, justice and equal opportunities as the benefits that everyone would receive as a result of actions being implemented for their benefit. These dramas ignore everything that has to do with the need to recognize problems, question behaviors and join the essential changes that do not come and do not focus their attention on something more rooted in the freedom with which each person experiences life. .
In this context, the interest of scriptwriters and directors in presenting engineering students in romances with other boys of the same sex is striking and, above all, if they all dream of training as engineers, ignoring everything else.
All of the above would change if the premise were better supported within the script. It can get tiring, due to oversaturation, that creators want us to believe over and over again, that engineers, so “masculine”, can also love other boys, especially when in most cases they represent to these not so masculine.
'A Secretly Love' shows that it is not necessary to place the protagonists as students of the Faculty of Engineering. In the series, as in other previous ones, this fact has no relevance within the plot. Apart from using the faculty as a setting for various scenes, the interest in demonstrating a supposed superiority of some students over others depending on the faculty in which they study, or the much-used gear as a symbol that represents the official acceptance of the student at the faculty, or the representation of the actors proudly wearing the blue shirt that becomes another emblem of future Thai engineers, do not seem to have greater importance than the role they play in the story.
The series repeats the same mistake of its predecessors determined to place the story and the characters in an Engineering faculty, by attempting to show the great importance that this career has, when this circumstance collides with the little value that it truly represents in the plot line.
As is the case in other Thai BL productions, 'A Secretly Love' confirms that it would not suffer any alteration in its plot if the protagonists were placed in any other faculty other than Engineering.
At the opposite extreme, stands SOTUS: The Series and SOTUS S: The Series (2016-2017), by director Pongpisit Sri, based on a BL novel by BitterSweet, a pioneering work par excellence within this type of series of this Thai genre.
Sotus is the perfect demonstration of the evolution and development of the main plot, subplots and characters, both main and secondary, in an environment of students from the Faculty of Engineering. The entire cast manages to cope and develop within this reality in such a deep and emotional way, as has never been seen before or since in a BL, by achieving a good balance between romance and the everyday life of engineering students.
It would be meritorious for Odd Ramet Ruangpratum, the director of the television adaptation of Avery Pie's novel of the same name, if he managed, without repeating Sotus, to show us in a more profound and convincing way than his predecessors within these BL-themed series, a romance between engineering students, renewing formulas and ignoring clichés.
I just hope that the fictional characters that represent one a noble boy who keeps his word and has leadership qualities, the one who tries to act strong all the time, although inside he is a very sensitive person, and the other a young athlete who speaks little, but hits hard and likes to be pretentious, but deep down he is a sensitive person with a fragile heart, easy to love and difficult to forget, so that the young Engineering students that they embody can live in freedom. , equality, equity and justice, and their human rights are respected.
I would like Khonprot and Pluem to be able to live up to Arthit and Kongphob, the two heroes of Sotus, by convincingly showing us situations such as hazing, the upper-year student-lower year hierarchy relationship, the effort involved in achieving the long-awaited gear, or achieve the title of engineer, while their romantic relationship matures, grows and becomes as strong as the metal from which the small cogwheel, symbol of the Faculty of Engineering, is made.

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In recent decades, the proliferation of social networks has allowed the emergence of problems such as post-truth or distortion of reality in the creation of content. The lack of legitimacy of traditional media has given way to a collective thought that prefers to believe in content shared on networks by a family member or friend, rather than that which has been verified and contrasted.
This situation gives rise to a public opinion formed based on untrue information, giving rise to hyperreality. This favors fake news, as there is no proper selection, verification and construction of information.
Since becoming a public figure, FueangNakhon (Job Krisz Ahandrik), the protagonist of the Thai BL series 'City of Stars', has mastered the pressure from journalists and the persecution of his fans. Being a well-known face has not been easy for him. If you ever thought that being recognized on the streets would be a dream, reality proved you wrong. The pressure of always having the press watching his every move is exhausting. The emergence of his followers on social networks doesn't help either. After the latest “scandal” in which you have been involved, how to proceed on your social media profiles? Is it appropriate to take a season off to “detox”? Would it be preferable to abandon social networks permanently?
His “mistake” was to register and publish on “Zendaya” a first message that said: "let's transmit positive energy to each other." Due to the condition that each publication contains only positive content, the platform, whose offices are located in Silicon Valley, California, is not popular among Thai users. However, the message from the self-proclaimed “Thailand's most popular villain” will provoke an avalanche of attacks from Internet users in the Asian country. In response, Zendaya's managers intend to "monitor" FueangNakhon.
Who better to fulfill this task than Krommatha (Porsche Sitha Kanchana-alongkorn), Zendaya's only Thai programmer. Shouldn't he take his vacation in Thailand? Wouldn't he then be the right one to keep a close eye on “provocateurs” like FueangNakhon? How to protect the digital application from villains like this, if not by acting energetically so that situations like this are not repeated?
Who would have thought that Krommatha wouldn't have to work hard to track down the cause of the chaos, as he would take a seat at the same table occupied by Zendaya's programmer upon her arrival at the Bangkok airport? Who would think that the villain is called son by Krommatha's mother? Does Krommatha wish to pursue the “infamous” one or rest with his parents? What will happen between the two boys when they start dating?

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Sprite, the 'Trojan Horse' of the BL series or the debate around homosexuality in sports (I)

Sprite, the 'Trojan Horse' of the BL series or the debate around homosexuality in sports (I)

INTRODUCTION
Produced by Lovemedia Thailand, “Twins”, also known as “Two Bodies, One Heart”, was released on November 3, 2023 and consists of 12 episodes. Starring Sprite and First (a couple formed by actors Frame Ritchanon Sriprasitdacha and Ryan Panya Mcshane, respectively), the series shows a love relationship between two young high-performance athletes who mutually discover their homosexuality and accept it as such.
Although innovative in many ways, “Twins” is actually a fairly conventional love story. However, its strength lies in its elegant simplicity and in making visible topics rarely covered in BL series.
Siwasit Phondongnok and Ball Kanathorn Tabvilai came on board this time to direct the series. Both are renowned Thai directors, the former also a screenwriter and assistant director. His creations include “Night Dream”, “Red Wine in the Dark Night”, “Club Friday Season 8: True Love… or Bond”, “Eclipse”, “609 Bedtime Story”, and the two seasons of “Our Skyy” and “Love Area”, among others.
The progression of the story is spot on. The transition from the protagonist's initial fear and uncertainty as he is forced to leave his comfort zone to have to face an unexpected reality to personal improvement is measured. In the new scenario, the protagonist must quickly connect with strangers and with an unknown sports universe, very demanding and competitive because it is a collective and very popular sport, with a high presence in the media, such as volleyball.

RELATIONSHIP OF THE SERIES WITH OTHER AUDIOVISUALS

Since I read the synopsis, before its premiere, “Twins” reminded me of “Not Me”, the famous 2021 GMMTV series, starring White (Gun Atthaphan Poonsawas) and Sean (Off Jumpol Adulkittiporn). In this BL, the story revolves around White, who receives a call from Tod, a childhood friend, to inform him that his twin, Black, whom he has not seen in years, has been betrayed by one of his companions and He is torn between life and death after receiving a severe beating. This is why White will disguise himself as Black and infiltrate the group of friends to find out who the traitor is, while avoiding being discovered.
The main difference between both series is that “Not Me” includes a political background, the fight for human rights and against discrimination, which still exists, towards LGBT+ people in Thailand, and focuses more on suspense and action, while “Twins” has sports as a background and focuses on romance.

INTERESTING

The interesting thing about the series, in addition to the multiple romances, between these three homosexuals and one heterosexual, is the fact that the protagonist has a twin and will try to prevent anyone from discovering his true identity while he impersonates him.
On the other hand, the audiovisual highlights sports espionage, a very common practice today, when one of the volleyball players will spy for an opposing team by gathering sports strategy data for obvious motivations as old as sport and espionage themselves: information, competitiveness, money. “Twins” also shows the communication and interpersonal relationships between athletes and between them and coaches and managers.
It is also striking that the series aims to make visible harassment in sport, the use of violence, blackmail, threats, verbal and physical aggression between athletes, all favored by social pressure, rivalry between players and teams, emotional stability, the type of competition and its importance and the interests that are involved, topics that are rarely addressed in audiovisual productions, much less in BL.
“Twins” also takes an approach to a health issue with little, if not no, treatment in BL, such as the loss of autonomy and temporary disability, as well as the necessary rehabilitation after an accident. That is to say, the series aims to, and succeeds in, making visible problems that help us raise awareness and rethink these realities.
In my opinion, the most significant thing about the series is the possibility of reopening the debate around the secrecy surrounding homosexuality in sports and the fear of discrimination suffered by athletes from the LGBT+ community if they came out of the closet. Since the first athlete to declare herself homosexual, a woman, the French car racer Hélène Van Zuylen, publicly confirmed having a lesbian relationship with the English poet Renée Vivien, in 1898, many others have followed in her footsteps.
Although homosexuality is illegal in Thailand and homosexual athletes are afraid to identify as such for fear of discrimination and social exclusion, among the international elite there are more and more athletes who have declared their homosexuality after several years of hiding it. However, it is a reality that today the commercial image of those who decide to come out of the closet is revalued by becoming icons for the LGTB+ community and symbols of progress in sport as a stage for the visibility of the group.

PLOT

Zee and Sprite are identical twins who were separated in childhood after their parents divorced. Zee has become the star of a university volleyball team with the support of her mother, while Sprite, a brilliant fighter in a jiu jitsu club, has the support of his father. The unfriendly separation of their parents would lead to the siblings being raised separately, not having a good relationship and each one not knowing about the other's life. The story is told from Sprite's point of view.
The relevant sporting results achieved by Sprite arouse the envy of several of his colleagues in the fight club, who conspire to cause him harm and keep him away from active sports. To do this, they will hire some thugs. Unaware that Sprite has a twin, they confuse the brothers and beat up Zee thinking he is Sprite. Under these circumstances, feeling guilty for having caused collateral damage to his brother, who is in a coma in the hospital, and in response to a request from his mother, who perceives that Zee's life is threatened, Sprite is forced to impersonate his identity until he recovers his health and resumes his place.
His secret mission is to preserve Zee's starting position on the volleyball team with a view to becoming part of the Thai national team, and in the process solve the crime for which his brother's life hangs in the balance. Contributing to the deception will be Salmon (Mimi Ruethaiphat Phatthananapaphangkorn), the coach's assistant, a friend of the twins since childhood and Zee's future love interest.
Zee is a self-centered and antisocial character, lacking ties to others, including his own mother. Self-titled “the key to the team,” he despises everyone equally and is rude to his teammates. The arrival of Sprite, with a completely opposite personality, will initially generate friction. Sprite will immediately sense that his brother enjoys prestige for being a good player, but not popularity. Then, your priority will be to gain everyone's trust, while mastering a sport you have never practiced.
Your primary steps will be aimed at gaining First's friendship, since this is your roommate, and will be the person you will spend the most time with. Being friends with the relevant volleyball player and son of the coach would open the way for him to be friends with others. Also needing to master the dynamics of the game and the rules of volleyball, Sprite understands the need to have someone by his side to train with, but without raising suspicions that he has never actually hit volleyball. His life will change when he falls in love with First.
For his part, First, willing not to interact with an insensitive and arrogant person like Zee, whom he has known since when he was taken by his mother for the first time to a volleyball court, when they were both children, will raise a barrier around him that is difficult to overcome penetrate.

SENTIMENTAL HISTORY

As if it were surrendering a fortified city, in an undeclared war, Sprite would first lay siege to it and then launch all its firepower from the catapults and trebuchets until destroying the strong walls that it could not overcome with kindness and good intentions. Like the Achaean army at the siege of Troy, Sprite would employ battering rams and assault towers in a long-awaited attempt to take the besieged city.
Could the creators have intentionally conceived Sprite as the horse-shaped device used by the Achaeans to enter the Troy of the Homeric poems? I would like to think that they designed the character taking into consideration this mythical creation or, if it existed, the war machine transfigured by the chroniclers' fantasy, introducing an important variation in the myth for the conception of our hero: it would not be a destructive deception.
It would be Jack, Mike, Sam, Deddeaw, Tom, Ko and other talented athletes who would take the spirited wooden steed as a sign of their victory, introduce it inside the walls about to be demolished and take it to the volleyball courts without knowing that inside was hidden a boy willing to love another boy, without foreseeing that instead of a fierce warrior prepared to kill, a young man capable of dying of love would emerge from the hollow ambush.
Thus begins a sexy game of cat and mouse with increasing sexual tension. Sprite would never suspect that his feelings would soon change and that friendship would turn into love. In this way, the old and classic trope of “enemies to friends and friends to lovers” is gradually woven.
Sprite has to alternate volleyball training with his combat sport practices, which he does not give up. Exercising volleyball during the day and jiu jitsu at night exhausts him physically and mentally. On and off the field of play, Zee's coldness and arrogance are quickly overcome by Sprite's simplicity and sociability. Little by little the twin will create strong bonds of friendship, loyalty and camaraderie with the young athletes.
The best moment of each day for Sprite is when he arrives at his bedroom at night. Despite being tired after endless training sessions, he seeks to create a deep connection with First. He always receives a cordial and friendly “Zee” with suspicion. This will make him doubt why his roommate is acting so strange. “Has Zee gone crazy or have they changed people?” First would surely think on more than one occasion.
Step by step, Sprite will get closer to First, break the ice and end up falling in love with him. Both will discover love for the first time in their short lives. Although Sprite was always the one to initiate the flirting, it will be First who first confesses to being in love when he assures him that he didn't know when he started having feelings for him, but it bothered him when Sprite was around other people. “Is it jealousy? “Does this mean I like you?” he will ask you point-blank.
However, First will frequently be plagued by uncertainty as to whether Sprite really loves him or is playing with his feelings, since on several occasions he observes him in a romantic attitude with Salmon, unaware that the person who is interacting with the girl at that time is the real Zee. This will cause jealousy and misunderstandings, fueled by Sprite's inability to still recognize who he really is. Their relationship becomes tense, suffocating at times. The love between them will also be put to the test, towards the end, with the arrival of a friend of First, who has secretly been in love and intends to win him over.
Once Zee has recovered, Sprite will ask him to allow him to continue impersonating him for a while longer. When asked why, Sprite will confess to his brother and Salmon that the reason is having fallen in love with First and wanting to stay by her side to get to know each other better.
What many BL fans will like about the sexy series that doesn't shy away from showing passion and bare torsos, are the sizzling relationship scenes. You will be pleased to know that the two main actors, with well-sculpted bodies, have numerous passionate exchanges whether in the bedroom, on the volleyball court, the dining room or the hallways of the building, secretly, although in view of others.
Their kisses and looks are passionate; and their sexy interactions are highlighted with a refined cinematic style. Every time they kiss, look into each other's eyes, touch each other's bodies or make love, there is an elegant atmosphere that creates an intimate and pleasant atmosphere. The stage is not broken even in the moments of greatest hostility. The sexual tension that surrounds the boys is vivid, palpable, and demonstrates the chemistry between the characters.
These performers feel very comfortable with each other, immersing themselves in the physical relationship in a sensual and aggressive way. The artists do a convincing job and make their attraction seem authentic.
Frame does a plausible job of showing multiple emotions from the first to the last scene, from a contemplative look to one of surprise, from suppressed anguish to the euphoric cry of triumph, from hesitation to complete self-confidence, from a cute sulking to an expression of placidity, from the pose of an innocent person to that of an aggressive appearance, from the confusion of a frightened fawn to the attitude of a lion ready to devour its prey. That says a lot about his acting ability.
However, in my opinion, the character played by Ryan is the most adorable of all. Behind his taciturn, doubtful, desolate appearance most of the time, first because he cannot understand the behavior of the boy he believes is Zee, and then because he thinks that the person he loves is playing with his feelings, there is an immense honest human being, loving, hopeful, principled, true to himself and others, especially Zee.

OTHER HOMOSEXUAL RELATIONSHIPS

Sam (Team Tatchanon Thongpao), the team's libero, has been secretly in love with Zee for years. The Zee now before him disturbs and confuses him. He can't understand it. He will soon understand that he has no hope, as he is the only one to realize that Sprite loves First. Pursuing him, Sam will meet Thun (Pooh Phiangphor), Sprite's best friend and fight club partner. Thun will fall in love at first sight with Sam and his feelings will end up being reciprocated. Consoling Sam from his disappointment in love is the strategy used to get closer to him. The couple provides humor. Will the couple be able to reach port happily? Will Thurn manage to get out of the pedestrian accident? Will the traffic incident catch Sprite's attention and make him return to find his friends?
Another homosexual relationship is that of Jack and Mike (played by Tuss Thotsawat Sing-uppo and Ten Apivit Ueamahasopa, respectively). This is the only romantic couple on the team upon Sprite's arrival. The romance they live is not exploited to the fullest. There is constant tension between the two boys without the reason for this being clearly explained, and their characters lack development and time on screen. Their love affair is only shown in sporadic sexual dalliances. Will Jack's dreams of deepening the relationship come true or, on the contrary, will it remain the same as it has been until now, as Mike suggests?

AS AN EPILOGUE

Towards the conclusion of the series, the viewer's fatigue is noticeable due to the delay in Sprite revealing his true identity to First and putting an end to mistrust once and for all. The creators overlong the suspense caused by the crime and the resulting lie, since it is assumed that the deception will be revealed once it is discovered who hit Zee and the danger is then eliminated, but he fails to advance the investigation for much of the story. series, dedicated at the last minute to pursuing Salmon. She will be in charge of discovering how to unmask the culprits.
Perhaps two fewer episodes would have given the possibility of reaching the climax sooner and would have been useful to round out the story with more nuances, add depth to the events and the development of the characters.
However, I commend Sprite for sticking to his moral convictions and keeping the fraud a secret until the right time to reveal it. His character would have seemed pathetic if, out of love for First or a quick return to his favorite sport or fear of the ruse being discovered, he had unmasked himself when his mission was not yet finished. I'm glad Sprite stood up for his principles, even when it could ruin his love relationship and inner peace. I respect and admire the never-die spirit of his character.
The truth will cause the wall that previously separated the two to rise once again in front of Sprite and First, who were always positioned on the same side of the playing field.
Will Sprite manage to accomplish his secret mission? What will happen to Sprite and First's relationship when the latter discovers that the person he loves has cheated on him? Will the two be able to stand again on the same side of the volleyball field or will they have to content themselves with looking at each other, as rivals, each from the opposite area, through a rectangular mesh one meter wide by 9.50 meters long located 2 10 meters high? Will the 'Trojan Horse' manage to penetrate and conquer the fortified wall again?

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The multifaceted nature of queer relationships in the tone of romantic tragedy

The multifaceted nature of queer relationships in the tone of romantic tragedy
"When your adventure is an adventure with everyone around you"

Experiencing fun and warmth is the proposal of the daring and heartbreaking 'The Outing', the Thai LGBTQIA+ romantic tragedy that will present the different dynamics of 22 people from three families who attend the annual excursion of a major advertising agency in a resort.
The drama is about three families - those of Anan, Phupha and Taurus - founders of a successful advertising agency, who meet at a resort to participate in an annual excursion. All members of each family and their employees must bring a partner to this holiday without knowing that their relationship will change forever.
From the first moment, several questions will arise: who organized an annual company trip? Could there be hidden agendas in inviting 22 strangers to a party over a weekend? Is this a trip to cover up an affair? What will happen when the true intentions of each of the guests are known?
At the party at which these characters, unknown to each other, will be present and against the backdrop of the many interests at stake, as those gathered intend to raise an enormous amount of capital before their company is listed on the stock market, the complexities in the relationships will be revealed. human like never before, by showing the multifaceted nature of queer relationships.
Very innovative to include 22 main actors from the Thai entertainment industry.
The script by Pete Kasidej Sundararjun, Three Supawith Utama and Rose Chanasorn Makhiew, which skillfully mixes suspense, thriller, mystery, romance and drama, will entrust us with the darkest secrets of the private lives of those involved in 12 episodes, kept safe from their closest family and friends. In this way, human relationships are filled with the wounds of love and the taste of betrayal.
The camera, skillfully manipulated by Pai Ekkapop Paiaree, will follow each of the 22 characters to reveal their different points of view on love and sexual and romantic relationships, in the midst of jealousy, greed, envy, strong sex scenes, misunderstandings. and marital instability. The love, greed, madness and ferocity of human relationships will be revealed through the bond of those present at this outing. A bitter conflict will affect everyone in one way or another.
In these circumstances, in which suspense, mystery, romance and drama are mixed, everyone will choose to betray their lovers, no matter if the person they are married to or their boyfriends. The annual outing will never be the same.
By presenting a cast full of famous Thai stars who manage to show an unusual dynamic in LGBTIQ+ series, revealing the dark secrets of 22 people while they navigate different points of view on love, fans of the genre have been waiting since its announcement for the series in which Nothing is out of the ordinary, from secret adventures to occasional bloodshed, from apparent naivety to the most complex human emotions that ultimately lead some to betray their loved ones.
I liked that the show also includes 14 expert artists in the Thai music industry, who will present 13 songs that make up the Original Soundtrack, to tell the characters' feelings in their entirety. Tul and Vaidun are some of the guest singers.
For his part, M.R. Chalermchatri Yukol or Khun Chai Adam, the leader of "Bison Idea", presents the topic of infidelity between couples.
In this work by Viu Original, its director, whom we know from 'Remember 15' (2022), and as producer of 'Nha Harn' (2019), seems to have taken the pulse of telling complex stories, with striking underlines and highlights , in which each character will have their own plot, to convey a secret love story, which is both spicy and will attract the attention of the most demanding fans.
If the successful BL series 'KinnPorsche' (2022) opened the appetite of Thai drama fans for thrillers, 'The Outing' proposes not to disappoint them.

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And how better could it be if each of the boys is the other's home?

Welcome to Your Home and our world

What would the world be like where the homosexual does not have to repress himself, hide his condition, fear being judged, harassed, discriminated against by others? What would that great house be like for the inhabitants of the Earth in which love between children can be free and you do not have to fear critical glances and finger pointing or hide your own essence?
From the first episode, the Pinoy BL audiovisual 'Your Home The Series', produced by Arcana Studios Inc, defines what "home" is for each of the main characters.
Thus we can follow Bart, who lives in the modest comforts of the house he has known all his life, the picturesque fictional town of Barrio Balay, an area of ​​mountains and lakes; and also to Bryce, who lives in a world of comfort in a space that he alone occupies. Each of them represents the type of home in which the viewers themselves have lived, expressing their respective definitions and how it plays a vital role in their future.
However, they both feel alone in the world, and they need to have someone by their side to accompany them, to help them make life more bearable: the first, because his parents died when he was a child, and the second, because their parents live abroad.
'Your Home The Series' takes an approach to imagining the "ideal world" that many people dream of, focusing on members of the LGBTQ+ community who fight daily for acceptance and respect in society in a tenacious fight to end to prejudices.
From director Amiel Kirby Ballagtas, the series serves as a letter of introduction to actors Kurt Mendoza ('Fit Check'), who plays the humble and dreamy probinsyano Bart Arceo, and Renz Kieser, who plays the arrogant, haughty and conceited boy rich man from the city Bryce Fajardo.
They are joined by Marc David ('Stay-In Love', 2020-2021) as Bryce's childhood best friend, Josh Villareal, Eurwin Canzana ('Rainbow Prince', 2022) as famous beatboxer Edwin Panganibanm and Angelica Radaza like Brendalynne Apurado, Bart's friend, all also in their first acting job.
Amiel Kirby Ballagtas, who also works as a screenwriter, joins Donna Rey and Jonathan Penarejo, to write a story that is born from an original idea by Dale Reciña about the coming of age of two young people who seek to find that special place where they can finally go call “home,” even if that means venturing outside your comfort zone.
The sound and music of Nhiko Victor contribute in the effort to tell us about the youthful adventures of accepting who you are, the different discoveries and the adventures of finding love, friendship and making dreams come true.
Jonathan Penarejo's editing and beautiful photography take us to stunning locations in the Philippines, each chosen with great attention to detail. The mountainous and city landscapes enhance the narrative, adding layers of cultural and emotional depth. From the waters of the lake near Bart's house and where the boys' emotional meetings take place, drawing the colors of the rainbow in the lens and with natural light, to the vibrant streets of the city, both day and night, Each scenario feels like another character, and contributes to enriching the general narrative.
As the producer describes it, this coming-of-age story is full of possibilities, creating a world where boys' love can be accepted by society, where it doesn't matter who you're attracted to, where you can be different because of your sexual preferences. It will not generate comments from those who do not know or deny this type of relationship, since judgment is left aside.
From the beginning, reflections abound in the form of monologues loaded with poetry, as we all do in times of loneliness, spending time mentally thinking about how this life has made the protagonists and their lives what they are, how to face situations can offer a sense of satisfaction, longing, or perhaps hope for the next day.
Using first-time actors brings a genuine, raw energy to their performances, making the characters incredibly relatable. Their performances are so natural and spontaneous that the viewer can at times consider that we are not watching a television series, but rather that we are witnessing from our window or balcony how real-life events unfold with ourselves or our neighbor as protagonists beside.
The characters' journeys, struggles and triumphs are portrayed with such honesty that they reflect the experiences of many members of the LGBT+ community.
And how better could it be if each of the boys is the other's home?

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Until recently, romantic relationships tended to last longer. The members of a couple tried to bring the relationship to a happy conclusion and fought to be with someone they loved.
But somehow, the emergence of dating apps into our lives causes people, when faced with loneliness, disconnection and discouragement, to leave their lover and look for another partner online. "Why put in the effort to make what I have work, when there are so many fish in the sea?" is a reality many face.
The idea of ​​reflecting the feelings of many people (queer or not) who experience this situation comes from director HJ Habac.
'Meet Me Outside', the Filipino series from the creators of the fabulous 'Gaya Sa Pelíkula' and 'Marahuyo Project', blames the lack of romance on the thousands of human beings who prefer not to want to make the effort to commit because "it is much more easy to pick up your cell phone and connect with someone else to hang out".
With a script by Juan Miguel Severo ('Gaya Sa Peíkula', 'Dear Karl', 'Heaven's Waiting') and newcomer Jesse Rey Baban, we see the birth of a love relationship within the entire range of possible relationships in the dating world virtual, as well as the imposition that surrounds those first dates in which we try to give a better version of ourselves.
I find the creativity of the people behind the camera very striking when designing the opening credits as text message notifications. And in this sense, Mark Vince Gregorio also contributes in editing and photography.
The plot revolves around James, a rich young influencer from Manila with thousands of followers on social media, who has just suffered a tough breakup. However, upon arriving at the La Estreas resort, located in Rizal, his life will change when he decides to leave his wounded heart behind and get back into the game of the dating universe. In this case, he establishes a connection both in the digital world and in the real world, with Dale, a hotel worker, who for some time has had a secret crush on the idol he follows on social networks.
Here Kaloy Tingcungco and Genesis Redido, who play James and Dale, respectively, prove themselves again as actors, after their respective debuts in series precisely with LGBT+ themes, since the first is known for playing Martin Ilagan, a secondary character in 'Boys' Lockdown', from 2020, while Redido gave life to Joseph "Otep" Malaya, in the drama 'In Between', starring him alongside Migs Villasis, also from the same year.
'Meet Me Outside' is better written and performed by its two leads, a department in which they did not excel in their respective acting debuts.
The audience will get to know the characters as they talk in a friendly manner, which is pleasant to see as they feel as if they were two real characters. It seems very genuine to me, as I feel like a connection was forming in a world where, no matter how connected we may seem, we are often very far apart.
In this way, we can get to know that Dale is a humble local, breadwinner of the family economy, very clingy and playful in sexual and romantic matters, who considers that physical contact is his main language in love, so it would be difficult to get involved in a long distance relationship.
On the other hand, we will learn that James had an open relationship with his partner, but his ex-boyfriend violates the only rule of the agreement: falling in love with the other boy, the reason for the recent breakup.
While Jame wanted to see the face of the person he's talking to, Dale thinks that the guy on the other end of the line is only interested in proposing sex. However, Dale has never established a relationship with a guest because he considers it inappropriate due to his status as a hotel worker, in addition to the fact that the visitor is only on vacation, and would eventually leave in a few days.
And despite acknowledging that relationships are difficult to maintain with someone you meet online, since everything moves so quickly, Dale and James meet, talk, and establish a loving connection. As James assures us, he and Dale are taking risks and hoping their romance works.
The viewer will find convincing in Episode 2's use of Tchaikovsky's "Waltz of the Flowers" to represent the nervousness, the hesitation, the growing tension between the two protagonists as they interact via text messages via the dating app gay.
The structure of shorter episodes than usual for this type of series makes the show work, giving it a certain charm and keeping everything at a really good pace. However, this undermines the possibility of better developing the characters and conflicts.
'Meet Me Outside' also shows that kisses and erotic scenes are not necessary to show great chemistry between the two protagonists.
The soundtrack, in which you can hear the songs "Pavement" and "Danger", composed by April Hernandez and performed by TheSunManager, as well as "Silent Night", a traditional song, and "Pahintulo", by Shirebound & Busking, It fulfills its function of emotionally reinforcing and underlining the tones during various specific moments of the series.
So, dear reader, I invite you to watch 'Meet Me Outside'.

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An honest and emotionally captivating love story

'Hello Stranger' follows the life of Mico Ramos, the shy and socially inept college freshman, whose future revolves around four well-planned goals: get a college scholarship, graduate with honors, attend medical school and be rich. Having a girlfriend is not part of his plans, since a courtship could be, as he himself expresses, a distraction from his studies.
It has the best three friends that any teenager could dream of: Kookai (Vivoree Esclito), Seph (Patricio Quiroz) and Junjun (Miguel Almendras). The four are part of an unpopular group of virgins and nerds, the Young Padawans, of which Mico is the leader.
The new coronavirus pandemic has caused the only contact between them and between them and the outside world to be through cell phones and, above all, virtual online meetings.
However, the protagonist's plans will be turned upside down when he organizes an online trivia night with his barkada, and Xavier de Guzmán, a popular and arrogant basketball player on the university team, arrives uninvited, insults them and virtually, without intending it. …changes everything Mico had planned with his life.
What would be Mico's surprise when he discovers, the next day, that his lively Literature teacher, Ms. Tina, whom the four friends call Jedi Master in a parallel universe, entrusts him with a rescue mission: to partner with Xavier to Make a school project together for your subject.
Xavier cannot refuse, as he is about to be kicked off the basketball team due to his low grades in Literature class. And this time he will not have the help of his girlfriend Crystal (Gillian Vicencio), who always does his academic work for him. He has to wade into the water even if it is up to his neck, as the student project, which consists of creating a dialogue based on a selected poem, “ Sa Kasintahang Nilimot Na,” by Benilda S. Santos, will be graded after being performed virtually.
Mico, for his part, will not be able to avoid contacting the haughty and failed student, since the final result of the other in the subject depends on the evaluation of one.
Did she know what the Jedi Master was doing when she paired Xavier and Mico for the class project? Did you know that this circumstance would cause significant changes in the lives of these two strangers, who didn't seem to like each other very much?
It is evident that all this happens with a well-defined objective: there would not be a story to tell if Xavier and Mico had not begun their relationship between insults and bad faces due to the hostility created beforehand, if there were not a school assignment to complete and the two of them paired to carry it out.
The truth is that if they learned anything from their schoolwork, it is to be honest with everyone, especially with yourself, and express what you really feel or you risk losing the person you love. In this sense, from the Literature teacher we will hear: "Happiness should not be based on how people perceive us, but on how we really see ourselves."
The series, filmed with zoom, revolves around this premise, and is revealing for those who hide their true identity. With just the right drama, it exposes only honest feelings waiting to be expressed from one to the other, seen from Kookai's confession to Mico, Seph's to Kookai and, above all, the one that the public impatiently awaits: the declaration of love. from Mico to Xavier.
It is never easy to confess deep emotions, but the protagonists find the courage to express their feelings, and thus find the freedom that is denied to them by a patriarchal and heteronormative society that tells you that loving someone of the same sex is not correct.
Even knowing that their feelings may not be reciprocated, the protagonists are convinced that choosing silence always leads to regrets and that those who are brave enough to be honest with themselves will be rewarded with the truth, because our own destiny is in our hands, we love who we want to love, and our choice and decisions in life will always win.
Therefore, the series strongly insists that what matters is that LOVE will always remain LOVE, and no one can break that.
'Hello Stranger' is not perfect. But what distinguishes it from other BL series is its simplicity and at the same time a great love story; its good writing and execution, in which each episode advances and deepens the story and makes the viewer intensely anticipate the next chapter.
At the same time as a romantic comedy and about coming of age, the series is directed by Filipino filmmaker Petersen Vargas, who has several films and series focused on identity and sexual diversity, such as '2 Cool 2 Be 4gotten', winner of the Best Film award at the Cinema One Originals Film Festival (2016) and Audience Award at the Turin LGBTQI Film Festival (2017). He is also known for being the creator and director of the first Filipino gay web series, 'Hanging Out', and the short film 'How to Die Young in Manila', starring Elijah Canlas and Kokoy de Santos.
A team of screenwriters led by Patrick R. Valencia (Always Be My Maybe) and made up of Kookai Labayen, Ella A. Palileo, Isabella Policarpio, Joanna Marie T. Reyes, Rhed Sandico, Daniel Saniana and Kris Ann de la Peña, are the charged with drawing characters and developing conflicts that revolve around the love attraction and unlikely relationship of Mico and Xavier, two seemingly straight boys, as they navigate schoolwork in the midst of a pandemic as strangers, enemies, partners, friends and much more further.
Although the series is not the most innovative in its plot, it makes up for it in the way in which all the characters do their staging and carry the plot.
The team behind the cameras, in which Carlos Mauricio also excels in Photography, comes together to provoke a roller coaster of emotions, while they let us visualize a calm and sincere story about the healthy love relationship of Mico and Xavier.
The acting of the protagonists is great. The character of Mico, played by actor JC Alcantara in his usual self, will bring tears to your eyes through his pain, and laughter due to his contagious joy and overwhelming joy, with his expressive eyes, sometimes tearful, sometimes smiling, and marked dimples that furrow his face. With a convincing performance, he adorably looks, shyly, away when he realizes that he has found love.
"Why do we have to become partners in this project? Why do you have to become friends with me? Why are you always teasing me? Why do you listen to me talk about my problems? Why did you give me the chance to find out who I really am I met the real Mico thanks to you. I learned to love because of you. I didn't want this to happen. And to be honest, this isn't really your fault. I like you, Xavier. You are the only thing that was never in my plans. But you are the only thing that makes me happy. I thought you taught me to fall, but honestly you are the one who taught me and showed me that I can fly," Mico will confess to Xavier.
And he, at another time, will respond: "Mico believed in me more than I believed in myself. He not only changed me. He made me a better person."
As for Tony Labrusca, he categorically dispels all doubts that the viewer may have about his character in the first episodes, proving himself worthy of the role of Xavier as the 8 chapters of about 20 minutes each progress, exuding the development of a character from a very popular bad boy image on social networks with more than 25 thousand followers on Instagram, to growing personally and spiritually as a man who deals with the confusion of having fallen in love with another man, at the same time that capable of feeling pain and expressing emotions.
Both actors, with amazing chemistry that exudes genuineness, convey love outside the heteronormative bubble with such reverence and authenticity.
With exquisite cinematography, all the supporting roles have their fair share of on-screen moments, achieving high marks.
I don't want to end the review without mentioning the soundtrack, in which its main theme stands out, "Kahit Na Anong Sabihin Ng Iba", performed by the same actors, which already occupies an important place among my favorite music.

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We have the closure of Nam Yi and Jae Min's love story.

A young and sexy South Korean gay couple must face different obstacles to achieve happiness. Both would like to seal their union and live together, perhaps even get married, but equal marriage is not legal in the country and homosexuals are discriminated against and rejected even by their families, who see homosexuality as a crime.
Let us remember that in the first season of this South Korean miniseries of four episodes each, the love relationship between Kim Nam Yi, played by Lee Hoo Rim, and Choi Jae Min, a role assumed by Choi Seung Jin, did not have a happy ending, because between The two intersected the homophobia that persists in South Korean society, in which LGBTIQ+ people face legal challenges and discrimination not experienced by the rest of South Koreans.
Once this obstacle is overcome by the two boys' decision to move forward in their relationship, the couple's harmony and happiness is put to the test once again, when Tae Ha (Jeong Ri U), a handsome university student, is placed between the two. two after falling in love with Jae Min and causes him to doubt his love for Nam Yi.
Will adversity be stronger than love between young homosexuals Kim Nam Yi and Choi Jae Min?
The bad news is that this is a low-budget miniseries, so the visuals and sets aren't as impressive as blockbusters. But isn't that the case with so many works of art that emerge in support of gay aesthetics?
Being low budget, it needs a good plot to captivate the viewers. This is how it tells a moving story of eternal love between two high school friends who meet again some time later, living between their 20s and 20s. They have both lived their lives trying to conform to heteronormativity, but have failed because they have essentially sought each other and long to form a couple.
Even though they face social pressure and jealousy, their love still manages to become something beautiful.

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A film that leaves BL lovers with a bad taste in their mouths.

Teen films are always a good idea. Portraits of a generation are like fascinating stories that allow us to understand the unique characteristics and experiences of those who make it up in a specific era. The transition from adolescence to adulthood, known as "coming of age", is presented differently depending on the cultural and temporal context in which it is situated. Furthermore, maturity is not reached in the same way for everyone and it is these stories that increasingly interest the public because they allow us to analyze society and also ourselves a little.
Kamijo Daisuke, in his directorial debut, is responsible for the film proposal 'Hidamari ga Kikoeru' (ひだまりが聴こえる), from 2017, the real-time adaptation of the shōnen-ai genre manga of the same name written and illustrated by Yūki Fumino, a mangaka who began her professional career in 2013. With her delicate and poetic style, her work was published for the first time on October 27, 2014 by Printemps Shuppan.
The script is written by Takahashi Natsuko, known for writing the series 'Hana Yori Dango' and the films 'No Touching At All' ('Doushitemo Furetakunai'), 'Seven Days: Monday - Thursday', 'Seven Days: Friday - Sunday', 'Does the Flower Bloom?', among others.
The plot of this romantic drama of the youth, school and Yaoi genre begins by narrating the difficulties that Kōhei Sugihara has hearing, since the current university student had suffered from a sudden sensorineural hearing loss during high school. Circumstances have led him to become a lonely, distrustful, introverted, unsociable and distant young man with great difficulties relating to other people. He himself admits to feeling "out of place wherever he goes."
Thus, Kamijo Daisuke presents us with a love story between two teenagers of the same gender, and analyzes the problems that the world can pose for a person with hearing problems.
Kōhei's entire life changes when he accidentally meets Taichi Sagawa, who offers to take notes in classes for him in exchange for the lunch that the disabled student gives him every day. Kōhei will soon discover that he can hear the loud voice of the new acquaintance without difficulty.
This is how a friendship develops between a boy who had always had problems socializing, because his hearing problems caused him to be marginalized by his classmates, and another cheerful, optimistic, determined and empathetic, energetic boy and extrovert who lives practically in poverty, needing to work while attending university in order to survive. Both will help each other and, little by little, they will give in to their feelings, unleashing a beautiful story of friendship and love.
Taichi will make Kōhei open up to the world once he assures him that his hearing loss is not his fault. Taichi's kind words pierce through Kohei's usual defense mechanisms and open his heart, causing his feelings for Taichi to turn into love. Now they are more than friends and less than lovers. Still, this relationship changes Kohei forever.
Thanks to Taichi, Kōhei begins to smile and integrate into the social life of the campus. Others also begin to see him with different eyes. Taichi becomes the friend he never had or perhaps lost when he lost his hearing and was ostracized. Taichi teaches him "that there may also be a place for him on the other side."
Taichi and Kōhei challenge gender norms on a journey of self-discovery. His story takes us into themes such as the search, the formation of identity, personal growth and the transition to adulthood. But it also addresses feelings such as loneliness, happiness, marginalization or improvement.
It is not a simple love story between two teenagers, but rather it represents the problems that can arise in a romantic relationship when one of the two members of the relationship has a hearing disability. Thus, beyond a standard love theme, 'Hidamari ga Kikoeru' is a call to eradicate the mistreatment and discrimination that society carries out on minority groups, be it the disabled or the members of the group. LGBTIQ+.
In this way, the film becomes a manifesto to demand the equality of all human beings. Being different, something highly punished in Japan, should not be seen as something bad, but rather should be integrated into society until, one day, there is no discrimination of any kind for the mere fact of being different from others.
The main roles of the film distributed by Nippon Shuppan Hanbai are played by Hideya Tawada and Akira Onodera as Kōhei and Taichi, respectively. The former is known for his role as Takigawa Kinji in the series 'Shuriken Sentai Ninninger' and in the films 'Shuriken Sentai Ninninger the Movie: The Dinosaur Lord's Splendid Ninja Scroll!', from 2015, 'Shuriken Sentai Ninninger vs. ToQGer the Movie: Ninjas in Wonderland', from 2016, among others.
For his part, Onodera Akira has his first leading role in Taichi, after playing the character Amamiya Masaki [Young] in 'High&Low: The Red Rain', Inukai Manabu [Classmate] in 'Daytime Shooting Star' or Sakamata Kiyone [Mysterious teenage boy] in the series 'Rinsho Hanzai Gakusha Himura Hideo no Suiri'.
The cast is completed by Mitsuya Ryo as Yokoyama Tomonori, Takashima Reiko as Sugihara Ryoko, Yamazaki Ami, Igeta Hiroe, Fukumoto Yuki, Hiranuma Norihisa, Nakamaru Shinsho.
The ending of the film is to be regretted. Although the development of the plot is very similar to the story created by Yūki Fumino, its closure has nothing to do with the original. Instead of the magical and emotional ending of the manga, the one in the film directed by Kamijo Daisuke leaves BL lovers with a bad taste in their mouths.

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Two boyfriends who return to make the viewer fall in love

In 'Stay by My Side', the romantic and supernatural comedy broadcast between July 7 and September 1, 2023, Isaac Yang plays Jiang Chi, the son of a renowned family of doctors who defies his parents, because they They want the young man to follow in their footsteps in a career in Medicine while he dreams of being a lawyer.
The boy who in the early years of the century dreamed of specializing in Fine Arts, had to wait until 2023 to star in his first LGBTIQ+ themed series, after his debut in the film 'Leaving Virginia', from 2020.
The mastery with The way the actor plays the characters he has played until today distinguishes him as one of the most promising faces on the current and future Taiwanese acting scene.
For his part, Hong Wei Zhe plays Bu Xia, an Anthropology student and owner of a sports scholarship as one of the best players on the university basketball team. With this role, the Taiwanese singer of Yue Hua, also taking his first steps in the television industry of that Asian island.
Throughout the series, his character, rich in nuances, goes through dramatic moments, as well as hilarious ones, as he discovers that he has a paranormal ability to be able to hear ghosts murmuring in his ears. However, he will understand that being close to Jian Chi, his enemy and new dormmate, will allow him to escape the nightmare of having to face annoying "apparitions" every day.
Bu Xia's interest in having Jiang Chi help him, with his close presence, to "exorcise" the ghosts, will be interpreted by him as his dormmate having fallen in love with him.
This misunderstanding will lead to an unexpected and unlikely romance between these two young people with great differences in personalities, giving rise to a pleasant and fun series.
Vidol, the Taiwanese streaming platform that makes BL series such as 'VIP Only' (2023), 'Anti-Reset' (2024) and 'You Are Mine' (2023), gets 'Stay by My Side Special' (免疫屏蔽番外篇), update the viewer on the evolution of the romance between these two boys, a year after the events narrated in the series.
Bu Xia and Jiang Chi, who seem to us, due to their tender and constant romantic interaction, to be two college sweethearts living the fullness of romantic happiness, allow the viewer to expand their vision of the couple's bond from a physical and emotional point of view. and spiritual, while, with the same intensity, it exposes old and new conflicts of the lovers, because in addition to dealing with economic problems or the possibility of coexistence after graduating, now the ghosts "haunt" Jiang Chi, because already in the finals from 'Stay by My Side' this character had agreed to be the one who heard the voices of the spirits or wandering or lost souls, instead of Bu Xia.
The Special episode will allow us to appreciate the personal growth and as a couple of the protagonists. Bu Xia is able to recognize that he has been a child protected all his life by his grandfather, his sister and the apprentices of the temple owned by his family, and now by Jiang Chi, but today, thanks to love, he can take the reins of his life and take responsibility for both himself and the man he loves.
Although Jiang Chi does not have the support of his relatives for rejecting his parents' impositions, this does not prevent his determination to love, care for and protect Bu Xia, demonstrating that he is a character who has gained maturity and growth.
Bu Xia and Jiang Chi, who seem to us, due to their tender and constant romantic interaction, to be two college sweethearts living the fullness of romantic happiness, allow the viewer to expand their vision of the couple's bond from a physical and emotional point of view. and spiritual, while, with the same intensity, it exposes old and new conflicts of the lovers, because in addition to dealing with economic problems or the possibility of coexistence after graduating, now the ghosts "haunt" Jiang Chi instead of Bu Xia, Well, already at the end of 'Stay by My Side' the future lawyer had agreed to be the one who listened to the voices of the spirits or wandering or suffering souls.
The Special episode will allow us to appreciate the personal growth and as a couple of the protagonists. Bu Xia is able to recognize that he has been a child protected all his life by his grandfather, his sister and the apprentices of the temple owned by his family, and now by Jiang Chi, but today, thanks to love, he can take the reins of his life and take responsibility for both himself and the man he loves.
Although Jiang Chi does not have the support of his relatives for rejecting his parents' impositions, this does not prevent his determination to love, care for and protect Bu Xia, demonstrating that he is a character who has gained maturity and growth.
Bu Xia and Jiang Chi are lavish in showing the love and affection they have for each other, in showing their constant concern for each other, and they will take the step of continuing their life together after graduating, which demonstrates the constant evolution of the couple. The chemistry between the two is evident.
The Special Episode gives us Hong Wei Zhe performing "Newton and Apple", the opening theme of the series, accompanied by Isaac Yang, who is not a singer.
'Stay by My Side Special' has the added bonus of incorporating two new faces from the world of Taiwanese entertainment, as singers Chu Yv Ching and Eason Lee make their debut as actors by giving body to the Sanctuary trainees. Let us remember that the latter is the one who performs the closing theme: "Answer If You Hear", in addition to "Falling in Love", another of the songs that make up the soundtrack of the series, along with "Changed", by Yu Ching, and "Mr. Ya Li Shan Da", by Luna.
Joining the cast are Liao Wei Po as Guo Zheng Hong, Superway Hsu as Bai Yun Haom and Kevin Chang as Lan Bai Wei, members of the university basketball team and friends of the two protagonists.
Cai Fei Qiao is in charge of closing the cast, playing Haunting ghost.
The script for 'Stay by My Side Special' is in the hands of this actress, recognized for writing the script for the acclaimed drama 'Unknown', 2024 and being the executive producer of other classics of the genre: 'We Best Love: No. 1 For You' and 'We Best Love: Fighting Mr. 2nd', as well as for playing Mrs. Yao, Shun Yu's mother, in 'You Are Mine Special', released in May 2024.
We have already seen the Special Episodes of 'VIP Only', 'You Are Mine', and 'Stay by My Side Special'. The only thing missing is the 'Anti-Reset' Special, scheduled to be released soon.
The public could consider that this audiovisual is a perfect closing to the series, as it manages to answer questions that remained latent, but Vidol seems to think otherwise, periodically returning us to the protagonists of the BL series in one way or another.
With the introduction of Chu Yv Ching and Eason Lee, the creators may be considering the relevance of developing a series in the future in which the two of them are the protagonists, while Isaac Yang and Hong Wei Zhe intervene in supporting roles or as guest artists.
Or is it my desire to continue watching this couple of actors?
The success of 'Stay by My Side Special' could be decisive in this endeavor. So from now on I give my support.

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'Pray in Love Special' follows in the footsteps of police officer Yuan Shao Hu (Zheng Nan Zhong), and Yang Qi An (Huang Li Feng), the first concerned about the danger that threatens the illegitimate son of the Yang family, interested in this in seeking revenge for his mother's suicide due to a political conspiracy in which his father is involved, events narrated in 'Pray in Love', the series that follows the love relationship that emerged between these two young people as they seek justice.
The short film, a prequel to Taiwan's first Ganghood-style LGBTIQ+-themed romantic series, which mixes mystery and crime, begins when the character played by Zheng Nan Zhong, remembered for his participation in the Taiwanese drama 'Amazing Grace', from 2020, He arrives home at night, drunk, after participating with his coworkers in the celebrations for his promotion, to discover that the character played by Yang Qi An, the renowned actor leading the Taiwanese drama 'Anti Reset' (2024), the Chinese film 'Kinematics Theory' (2018) and the also Chinese series 'The Ambiguous Focus' (2018), has abandoned it.
In compliance with his police work, Yuan Shao Hu must attend the wedding of the son of a renowned politician the next day, where he is surprised to learn that the person who is getting married is none other than his vengeful boyfriend Yang Qi An. , who has pretended to agree to a marriage that, for political reasons, has been arranged by his biological father, Yang Qing Hai.
'Pray in Love Special', which does not even have the entire short film, the latter containing 20 minutes in length, seeks to raise funds to be able to film the second story created by "Xia Hua Art" after 'Wu Xie', since its creators, director and screenwriter Maxine Hsieh, and producers Kumi Fu and Willson Chiang, after obtaining the Arts and Culture Grant from the Film and Television Office of the Taiwanese Ministry of Culture in 2021, have not been able to obtain the financial resources necessary to carry out their work.
Let's support the work of SoulChill, the same studio that produces 'Innocent'.

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Love overcomes misunderstandings, rivalries, differences and ghosts

A love that overcomes misunderstandings, rivalries, personality differences and ghosts

'Stay by My Side' begins with an unexpected and involuntary collision between Gu Bu Xia, the Anthropology student and owner of a sports scholarship as he is one of the best players on the university basketball team, and Jiang Chi, the future lawyer and son from a famous family of doctors who has just been transferred to Yong Yu University.
After several setbacks, these two young people, soon declared enemies, begin to live in the bedroom occupied by Bu Xia, since Jiang Chi has been forced to make a living by his own means after defying his parents, who want the boy to continue his steps in the career of Medicine.
Starring Isaac Yang as Jiang Chi, and Hong Wei Zhe as Bu Xia, the romantic and supernatural comedy with an LGBTIQ+ theme revolves around the unlikely romance between these two young college students with major personality differences, marked by paranormal ability of one of the protagonists, which provides a pleasant and fun novelty to the audiovisual product.
Soon the tender, light and happy series will introduce us to the lives of both characters. While Jiang Chi is an excellent basketball player, he does not seem interested in joining the varsity team, not wanting anything to distract him from his studies. Additionally, he works several part-time jobs to avoid being financially dependent on his parents.
For his part, the orphan Bu Xia has been raised by his grandfather, a spiritual medium, in a temple run by his sister Gu Bu Tao (Jin Cheng). After the death of the old man, the shy and insecure Bu Xia hears ghost voices murmuring in his ears, a circumstance that will worsen just as the new roommate enters his life.
Bu Xia, who has lived alone in his bedroom until Jiang Chi's arrival, will soon come to a conclusion: being close to the boy who now sleeps a few meters from his bed brings him peace, as the ghosts feel self-conscious and flee before him. Your presence. The more he interacts with Jiang Chi, the less he hears the voice of those who "pull the chain." That is why he will try to always have him around him..., but he hides the reason from him.
For his part, the law student mistakes Bu Xia's camaraderie as if the boy was flirting with him. "Could it be that Bu Xia has fallen in love with me?" he will ask himself. Jiang Chi comes to think that he is the object of his dormmate's love interest.
As a result, the supernatural element spices up a series with greater originality than the classic college romances, while the relationship between the two boys takes us on a journey surrounded by mystery and intrigue and in which love can overcome misunderstandings, differences in personalities and even outwit the ghost chase.
Likewise, the series will allow us to appreciate how two rivals can come to love each other with such madness and passion, to the point of one of them accepting the transfer of the uncomfortable ability to hear ghost voices that the other suffers.
Vidol, the Taiwanese streaming platform that makes BL series such as 'VIP Only' (2023), 'Anti-Reset' (2024) and 'You Are Mine' (2023), commissions Cai Fei Qiao, known for being the screenwriter of the acclaimed drama 'Unknown', 2024, the executive producer of another classic of the genre: 'We Best Love: No. 1 For You' and 'We Best Love: Fighting Mr. 2nd', and for playing Mrs. Yao, Shun Yu's mother, in 'You Are Mine Special', released in May 2024.
Lovers of the genre will be pleased with 'Stay by Me Side' for its strong BL content, for the tender and constant romantic interaction of the protagonists, for portraying two college sweethearts living the fullness of romantic happiness, for exploring the bond of the physical, emotional and spiritual couple, for their happy ending.
Likewise, fans of BL series will like the complicity of Bu Xia's sister and Jiang Chi, both interested in the young man's well-being and happiness.
I like the character played by Hong Wei Zhe: a boy who shows traits of insecurity and cowardice in the face of paranormal phenomena, who doesn't? But he leaves us with a memorable memory, especially when he discovers that he has fallen in love with another boy, and there he acts not infrequently in a childish and insecure way as well. What sometimes overreacts? His contagious laugh, his innocent eyes, his angelic face redeem him from excesses.
The mysterious and reserved character played by Isaac Yang is equally convincing, especially when he seeks to protect Bu Xia from ghosts and everything that could affect him. He is a lover who gives himself completely to the loved one.
I would have liked the series to delve deeper into the denunciation of possible homophobia (the reasons are not clear), perceived when Bu Xia and Jiang Chi's relationship becomes gossip among the other university students, who will try to obtain invasive photos of the loving couple, or make annoying comments in physical and virtual settings.
Isn't Taiwan the only Asian territory where Equal Marriage or Homosexual Marriage has been approved? Is sexual diversity not widely accepted by the Taiwanese population? Are same-sex sexual relations not legal? Why then consider the fact that two boys holding hands and attracting each other on a university campus or on the street in Taipei a public spectacle?

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A love that surpasses the arc of time and the lives of the two lovers

Liu Li is a BL-themed novelist who wants to love vehemently, so that he can then express his thoughts in writing. Under the pseudonym Morris, he has published two best-selling novels based on his real-life experiences, but today, after the rejection of his platonic love, he suffers from writer's block and cannot find inspiration to write the third book, which he has already demands his editor.
Seeking inspiration, he sits at the same table every day at Old House, his favorite meat noodle and hot sauce shop, located in the lower part of the building where he rents an apartment, and where he makes blue origami birds for hours, while waiting for the arrival of the muse.
Gu Jin, or Boss Gu, as his employees call him, who was a successful advertising executive until his resignation, caused by a scandal involving his despotic mother, decides not to give up in the face of adversity and takes advantage of his culinary vocation to set up his own restaurant. business as chef and owner of Old House, where he will meet Liu Li.
Starring Stan Huang as Gu Jing, and Chen Xuan Yu as Liu Li, 'VIP Only' (保留席位 / Pao Liu Hsi Wei (Bao Liu Xi Wei), the Taiwanese LGBTIQ+-themed romantic comedy-drama spins in around the love relationship between the handsome and attractive chef who owns the creative and retro restaurant, and the shy boy with a vocation as a novelist who, although he has never been in a relationship, recognizes that as a writer he has many ideas about what it means to be in love.
Director another dreams of continuing to promote his career as a writer.
Based on the script written by Cai Fei Qiao, Xiao Yi Wei and Chen Liang Ci, 'VIP Only' is a tender and delicious story of love and improvement marked by literature and cooking, a relationship that arises between stoves and tables restaurant; a chef with high culinary skills and a regular customer.
Vidol is the Taiwanese streaming platform that makes this and other BL series such as 'Stay by My Side' (2023), 'Anti-Reset' (2024) and 'You Are Mine' (2023).
Like many of the dishes prepared by the chef, the love between the two young people simmers. It all begins when Gu asks Liu Li to go on dates with him to stimulate his imagination and inspire him to continue his work as a writer.
This is how in the middle of a role-play in which they both date each other and pretend to be in love, love surprises them.
Between plates of food, Gu reading Liu Li's novels, hearing about each other's lives while folding origami, or the novelist's determination to learn to cook because Gu is very passionate about the culinary art, both boys will leave getting to know each other and becoming closer, until they discover that they have much more in common than they think, since they were friends in childhood.
Liu Da Ren (Tim Cheng) and Lai Dai Yi / "Lai Tsai" (Kurt Huang), Gu's employee at the restaurant the first and Liu Li's friend the second, will help the two boys in their romance. However, their love will be put to the test when Wu Shin (Kevin Chang), the boy the writer was in love with, returns and tries to win him over.
The cast is completed with the performances of Hsiao Hung as Yao Shun Yu, and Parker Mao in the role of Xia Shang Zhou, protagonists of the Taiwanese BL drama 'You Are Mine', in which they embody these same characters.
The chef will also hallucinate with joy/madness when he discovers that Liu Li thanks Wu Shin for having inspired him to write two best-selling novels, and for teaching him to be brave and confess his love to the person he loves, and chooses him.
The love that unites Liu Li and Gu will surpass the arc of their lives and time, through the book written by the former and inspired by the latter and the romance they live.
Almost everything in 'VIP Only' could be on the verge of crossing the thin line of cheesy, or vulgar melodrama, but it is redeemed by the tenderness of its story, the truth of characters who support each other and manage to overcome difficulties while experiencing personal growth, the chemistry between the two protagonists and the interpretive flexibility of Stan Huang and Chen Xuan Yu.

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