Zombiecalypse nightmare

All of Us Are Dead is South Korea's latest entry into its esscalating body of undead mayhem (Train to Busan, #Alive, Happiness).

All of Us Are Dead pulls no punches and unleashes a savage and seemingly never-ending assault of fast-running zombies on an unfortunate squad of students who've managed to survive the first wave of a zombiecalypse. With 12 episodes running 1 hr long each, it gets a bit exhausting at times due to continuous gore and violence, yet it sticks to the basics and delivers a positive outcome, although there's nothing new.

All of Us Are Dead's zombie action is never not impressive. Whether it's giant chaotic crowd shots, massive ensemble brawls, or tricky "oners," this is massively kinetic storytelling that will drain you as emotionally as it drains our heroes physically. Likewise, there are dozens of instances involving astounding body acting.

All of Us Are Dead may not offer up anything exactly new in the realm of zombie carnage other than its somewhat cruel and unrelenting nature, but sometimes that's enough to pull off some damn effective survival horror.

My Rating : 7.5/10

Leia Mais

Nostalgia feeling with feel-good breeze

A romance drama about two grown adults who had their documentary shoot 10 years ago and relationship thereafter, which ended eventually. After 10 years, it happens once again and yes it feels nostalgic in every way.

The best thing about Our Beloved Summer that catches the eye is the cast. The charms of Kim Dami and Choi Woo Shik, who radiate youthful energy, fill up the screen, and the chemistry between the two naturally leads the story. The drama emphasizes the images of summer and thanks to this, the play’s overall atmosphere is full of freshness. Also it might feel relatable to many viewers' teenage life they lived.

The cast, whether be the lead or the supporting, had a great connection. The soundtrack is soothing and melodious which fits the setting of the drama. The story had depth, but it was fairly executed, if not efficiently. Also the supporting characters weren't given much exposure as one would have thought. Although it doesn't come close to other feel-good romance drama (like Hometown Cha Cha or When The Weather Is Fine), Our Beloved Summer manages to hold itself through freshness and nostalgic moments of reminiscing the good old teenage life.

To summarise, Our Beloved Summer ends itself as a dama that conveys the sweetness of love and the freshness of youth at the same time. It's effective enough to catch viewers' attention with it's fair, if not excellent story and screenplay.

My Rating : 6.5/10

Leia Mais

Worthy effort of being enjoyable, but not memorable

The Sound of Magic was one of the more eagerly awaited k-dramas of 2022, that had something different to offer than the rest of the shows.

The drama could have offered more, had it not been restricted to 6 episodes. It has lovely visuals, solid performances, impressive song-and-dance numbers, and oodles of charm. Although what I would have loved to see more in the drama was the narrative, which I felt was not much effective.

The Sound of Magic has six episodes, and while they’re long, it sometimes feels like 10 or 12 would have better served the show’s ambition. Nonetheless, the drama is an enjoyable watch, if not memorable.


My Rating : 7/10

Leia Mais

Cathartic, but a bittersweet ending

Queen of Tears is a K-drama of two halves. The first, composed of its early episodes, is an innovative take on K-drama romance. The other is a chaotic second half that squanders much of the potential of its beginning. The Netflix hit ended Sunday with a global audience that exceeded the wildly popular Crash Landing on You.
In terms of chemistry, the leads were a perfect pair. It’s like they were crafted from the cosmic dust of perfect on-screen couples. Unfortunately, the same can’t be said for other characters and sub-plots on the show, which are more disconcerting than fascinating.
Plotwise, the series started losing its charm in the second half as well. The amount of scenes that felt repetitive and the back and forth between the main leads only showed the lack of creativity of the writer. While the show we ended up with remains compelling, even fun, to the end, the decision to dispense with its profoundly tragic and emotional core makes the endeavor more rote and, at times, even boring. The series never recaptures the rare thrill of its early episodes, but nevertheless had a sweet ending that will surely be a satisfactory element.


My Rating : 7.5/10

Leia Mais

Concrete description of human nature when in survival mode

Concrete Utopia doesn't do anything particularly new for the dystopian thriller sub-genre, but it’s consistently engaging and well-executed. is an emotional force of a film. Not concerned with the disaster itself or the spectacle it could employ to focus on the moment of tragedy, the film offers epic landscapes but always keeps an intimate eye on the people in the high rise.

Concrete Utopia presents a disturbing picture of humanity that dribbles into the absolute worst when the social structure is dismembered and survival becomes the only need of the hour. Talking about the direction, Uhm Tae Hwa did a good job in capturing raw human nature in every possible way. The cinematography and acting, especially by Lee Byung Hun, were also enthralling.

Concrete Utopia is a gripping, disturbing, and powerful representation of the worst of society, yet equally showcasing the best qualities in humans and how hope, community, and decency will always exist through the dust and devastation.

My Rating : 8.5/10

Leia Mais

Blends the story of love and thriller in a well executed drama

Happiness, as the name sounds, isn't all about happiness though. This thriller drama sees an apocalyptic world where virus has created a havoc and residents of an apartment are surviving for their life.

Happiness had a decent story with a very good production and overall visuals. The soundtrack though, was the best part in the entire drama. The music tuned to the perfect rhythm along with the key moments in the series.

Not forgetting about the leads who gave a commendable performance and maintained romantic chemistry among themselves. It might not be a part of my Top 5 drama of the year, but it was a very well made show which blended multiple genres/aspects and delivered a convincing result.

My Rating : 7.5/10

Leia Mais

An innovative concept, but finished a bit hastily

Squid Game had one of the best concepts, with mystery around few people who participates in a game with millions to win. The story is simple yet creative and it works most of the entire series.

The start was strong, with violence and bloodshed during the games which built an intense environment to leave us guessing what would happen next.

The story went through well with a good last episode as well. But it still felt that it was not finished as it should have been ended, with an open ending hinting for Season 2 (Although I would have preferred this to end in a single season).

My Rating : 7/10

Leia Mais

Power packed with action and craziness

Bad and Crazy is an action thriller with a lot of comedy added with suspense as well. Believe me, you will not be bored in this drama due to it's intensity in story and an outstanding techno music to match with it.

With an amazing political corruption plotline, adding with dual personality and drug abuse, Bad and Crazy doesn't leave anything that we cannot be impressed with. The bromance between Lee Dong Wook and Wi Ha Joon was a pleasure to watch, alongside the supporting characters who held this drama and made it power packed. Though some twists and tropes might initially leave viewers feeling muddled, power through them and the pieces slowly start to fall into place, compelling you to sit back, relax and enjoy the wild ride that is Bad and Crazy.


My Rating : 8.5/10

Leia Mais

Folklore occult horror that shouldn't be missed

Exhuma is an enthralling, unique exploration of intergenerational curses, national history, and spectral hauntings. Kim Go-eun easily carries the dramatic load and Choi Min-sik gives his role a grizzled, weary authority. The journey moves viewers from the ghostly to the monstrous with meaning and history behind the horror, and while there are thought-provoking elements at play here there’s also a desire to deliver big, creepy, gory, beautiful thrills. The inclusion of rituals and ceremonies with historical influences craft a tangible world the story exists in, not necessarily adding undeniable plausibility, but certainly introducing disturbing situations steeped in beliefs and tradition.

My Rating : 8/10

Leia Mais

Started good, but lost it's way midway

Though A Killer Paradox delivers on its promise of a slightly uncomfortable thriller, the limited runtime proves to be a hurdle for character development. A tighter focus and keener sense of the message behind the killings could have elevated the series more. But there's some fun when it comes to killer's sheer ambition, not to mention the wish fulfilment of it all.
One of the best aspects of A Killer Paradox is the cinematography. The show features visually stunning images of Tang’s hallucinatory scenes, where the killers haunt him in his dreams. The images play tricks on the viewer and slow-motion shots of him attacking the killers in the action sequences. The series is flooded with bloody red and green lights to show which character is the hero and the villain. The entire second half of the season slows down. Episodes are longer and the plot lags a bit. The scripts lose their crisp structure and become a little sprawling. The ending does leaves loose ends and doesn't satisfy the morality of the show.


My Rating : 5.7/10

Leia Mais

A beautiful piece that holds 3 different perspectives

Lovingly detailed and accented by an aching score from Ryuichi Sakamoto, who died in March, Monster is one of the finest films of the year, and its structure — like its circle of characters — carries secrets that can only be unraveled through patience and empathy. By cutting things up and showing us the perils of fractured perspectives, the director, demonstrates that compassion is more than just a natural state of being. This absorbing, ambiguously titled movie builds to a moving finish, one that reaffirms Kore-eda’s peerless skill at directing young actors in particular.

My Rating : 8.5/10

Leia Mais

Two Worlds, Two Stories, One Fate

It is not unusual for Netflix to release Korean remakes of popular shows. Money Heist and Designated Survivor have already recently proved that the formula works; a decent story is a decent story in any language, and the trademark quality of acting and production found in Kdrama tends to provide a little uplift overall. But A Time Called You is riskier territory, as it’s not just a remake, but a remake of a beloved Taiwanese classic titled Someday or One Day.

There’s a lot of intrigue from the get-go, as the names of the characters who resemble each other aren’t revealed until the end of the first episode. Given the constant back and forth, body swapping, and parallel timelines, writer Choi Hyo-bi remains largely consistent with the sharp, pacy writing throughout the show. There’s a steady build-up in intrigue, especially with regard to the whodunit element. Every plot point in this show’s complex narrative finds a place in a time loop, and the effort that has gone into the writing is evident from how it all unravels neatly.

The pace also, in a way, becomes this K-Drama’s biggest enemy as it robs the show of much of its emotional nuance and depth. The show instead constantly shifts focus, and proceeds to march forward in an inexplicable hurry. While it goes without saying that A Time Called You requires a willing suspension of disbelief given the paradoxes of the world it is set in, the writing in the last two episodes stretches this to the hilt. Nevertheless, for a show that’s packed to the brim and has a convoluted plot towards the end, the writing remains taut, and manages to nearly tie up all its loose ends. Music plays the most important and positive part in this 12 episode drama.

For a show which started with great promise in the first half, felt a litte flat in the second half with loosen grip in writing and focusing more on romance between the leads, rather than expanding the friendship of the trio. Nonetheless, it's a good one time watch.

My Rating : 7/10

Leia Mais

Humans are worse than ghosts, the moral of this drama

Revenant, starring Kim Tae-ri who is known for her acclaimed projects The Handmaiden, Mr. Sunshine, Twenty-Five Twenty-One and more, is a supernatural horror drama that questions wishes that comes with sacrifice.

Revenant’s supernatural chase has a beginning and hopefully an ending (that doesn’t end with many more deaths). The evil spirit that goes on possessing the characters is an outcome of inhumane cruelty and greed of the society which has to reap the seed it has sown. It is not just a tale about a supernatural mystery chase but a tale about regressive traditions, of unravelling the darkness that lies in being human, of denying the right to live.

Overall, the show is fast paced with thrilling and simultaneously terrifying scenes. The mystery lies in identifying the spirit while the spirit is aware of every step that one takes. And the stakes are high, especially when the professionals have been killed in the process. Needless to mention, the cast is doing a fantastic job especially Kim Tae-ri who changes into a different person in every episode.

My Rating : 9/10

Leia Mais

Gratifies with ruminative revenge-driven story

The Glory is a brutal, gory revenge drama through and through and the first part that comprises eight episodes shows that there is no space for redemption, forgiveness or peace.

High-school bullying and its scarring repercussions is always an unsettling, chilling presence in Korean dramas. While serving as the uncomfortable backstory, The Glory also provides a rather keen insight into the torments of Don-Eung and how it made her vengeful towards her perpetrators.

The Glory pragmatically asserts how extremely bullied people carry the scars from those experiences in life. The cast has done a good work indeed along with the teen ones as well. The story is well written and paced cautiously without any boring moments. Hopefully we will see more story of Do-Hyun in the 2nd season.

My Rating : 8.5/10

Leia Mais

Social issues tackled, but with plot full of flaws

At first glance, Revenge Of Others indeed has all the makings of a fantastic teen revenge-thriller. It’s stylish and has that early ’00s teen horror charm – set in a creepy, gothic school, with bullies that invoke unimaginable fear among their peers, however the script and the storyline at times are overwhelming.

Major bombshells are dropped and new characters and potential arcs are introduced so quickly it feels like one is barely even explored before there’s another. Moreover, some scenes were made hastily just to make a connection between the events. Despite the many letdowns in the plot (yes although it did tackle the problem of bullying), the actors’ performances are eye-catching. In particular, Shin Ye Eun’s solid acting is outstanding. I have seen a better and fast paced high school action thriller of 2022 (Weak Hero Class 1), which had a better output, whether be it in terms of social issues or storyline.

Despite it's heavy atmosphere and many flaws in plot, Revenge Of Others is a satisfactory watch, dealing with bullying, broken justice system and desperation of the teens to seek justice.

My Rating : 6.5/10

Leia Mais