aimsat
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“No matter which era you live in, life is an agony. There’s no such thing as perfect world”. Indeed life is inevitably a trajectory of agony. So “seize the day!!!” – Carpe Diem. That’s what these hot-blooded youth of ‘30s have done. During the period of convulsion under Japanese colonialism, forgetting everything they jumped into the lion’s den without thinking twice. Revolution is only possible by the youth. This drama is indirectly a wonderful tribute to the martyrs in general. I could feel the selfless strive of these rebellious young people through the depiction of their gallantness. It helped me honour our own national martyrs who sacrificed their precious lives to gift us an independent nation, free of oppression, subjugation and despondency. Chicago Typewriter ignited my ignorant heart to have some realization for those, who gave us this worry free future, for those, we’re breathing free air under this open sky since the country I belong to was under another country’s rule just 45 years ago. I’m utterly grateful towards those brave hearted freedom fighters.These whole 16 episodes did not seem like any drama. It was like an epic elegy which I finished reading with complete satisfaction. I was in a daze for the entire time. The background score and correct blend of beautiful OSTs along with the story gave me a feel of reading an ode. An ode can be classified into three segments: strophe, antistrophe and epode. If CT can be divided into these three segments: strophe (1-5 episodes) produced an excellent feeling; antistrophe (6-11 episodes) produced a neutral feeling and lastly epode (12-16 episodes) produced the most resonant experiences.
The story is nothing new. I remember once Daesung (a member of BigBang band) said in an interview that there’s nothing new under the sky in this era of globalization. We remake it, reproduce it or at best represent in a completely different way with our creativity. Each and every word this singer said is applicable for this exceptional drama. Although story is nothing new but the representation is entirely new. Both 1930 and 2017 scenarios are well construed for the viewers. Having the discernible feature, no confusion is created with the plot.
For instance, if we taste a piece of red velvet cheese cake it might happen that initially the delicate taste doesn’t hit immediately but once swallowed the heavenly taste lingers for long. So, my point is the whole story has an enigmatic texture leaving a palpable aura which may haunt for a longer period of time.
Many attributes of this drama is top-notch, especially acting by the trio ensemble: Yoon Ah In, Im Soo Jung and Go Kyung Po. Their portrayal of every emotion is mesmerizing, especially YAI, this man never seizes to amaze me. Day by day he keeps getting better and better. As a leader he was charismatic and as a modern day writer he was smart, dashing, talented and elegant. ISJ, this lady what can I say ‘bout her? Words fall short to describe her mighty acting skill. Thanks to the writer team who again wrote a valiant woman character. I think no one could live up to the expectation of Jeon Seol character like ISJ did. And GKP, I’m shocked, literally shocked by his power packed performances. He seemed like a cute, lost, adorable and innocent ghost like Casper and at the same time he managed to pull the passionate hot-blooded young rebel, an elegant chaebol of 30s and also a compassionate comrade. Again salute to the casting director who selected these young actors for such roles meticulously. I laughed and cried with the trio’s struggles, happiness and sadness. Kwak Shi Yang did a tremendous job as well as a villain. I pitied his modern antagonist character but had zero tolerance for his character portrayal as “chinilpa” (Korean for traitor). I abominate any traitors in general.
About the technicalities of the drama, cinematography was similar to Goblin which means its extremely wonderful giving a feel of watching cinema. Ambience was on point, based on the necessity of the scene and stories proper lighting and filter has been used. Direction is commendable otherwise CT wouldn't be loved by so many. None of the scenes seemed out of place or just appeared out of nowhere, all of them were well connected. So editing was also good.
On another note, I think CT has also brought out a message on increasing our interests in reading books also. Because of too many distractions in our daily lives, many people are destroying their habit of reading books. So it can be a small showcase to raise our enthusiasm towards reading real pages rather than reading mere virtual pages.
Among the many good points of this drama, I loved the warm friendship, dauntless comradeship and beguiling romanticism among the trio. The relief comedy displayed through the bromance of YAI and GKP is another most amazing thing.
In conclusion, it is an utter satisfaction that their past tragedy did not continue to follow them in the modern time. A small surprising revelation at the end episode was also quite interesting.
I want to keep on writing but it may create disruption as I might give you spoilers unknowingly. So go and watch it without any single doubt. You may not love it like us but you may not regret watching it.
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Amanza depicted a character, who at the age of 27 diagnosed with stage-4 liver cancer where the survival rate is only 5%. He was frustrated, his family was devastated and his friends were remorseful but initially they did not express their dejection. Every single person related with the patient dealt the illness with perseverance except whining or bawling their eyes out. In fact the patient himself make terms with it though time to time he showed a little despair over this abrupt change happening to him.
Making of this drama was out of the ordinary as they incorporated some animation scenes reflecting the dream, the patient were having. Those are some interesting depiction of how a patient although living in a reality visualizes something indescribable in their mind. They fight in between the life and death situation where their mind becomes gradually foggy of their existence.
Apart from all these artistic depictions, it has some beautiful lessons: all lives are important, there are no lives without regret, living with passion and meaning makes you important, you are also a reason many people around you find their meaning in life and you brought joy to them, it is not only hard for the dying but also the people who would continue living with the dead person’s memories – he was someone’s son, brother, dear friend and lover. We all would meet our inevitable fate one day. Some people get to know in advance when they’re going to die others live like there’s no tomorrow. We are guests of this world, nevertheless, we live in such a manner as if we are going to stay in this earth eternally.
I loved the drama. It was well scripted, well directed, well acted with precision and wholesomeness. Most importantly, I liked the fact that without getting distressed or showing despair how the whole family and friends dealt with the illness is a new way to showcase somewhat a clichéd theme the story is based on. Lastly, life goes on for the living holding the precious memories of their loved ones they already lost.
The filter used for this drama is also impressive. Chrome yellow displays the gloom and melancholy mood while living with the guaranteed tragedy the characters were all living a normal day to day life was an amazing artistic approach.
Overall this short drama was quite impactful, emotional and full of life lessons which I love about in any stories.
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Beauty in Staying Ingenious
It has been a long while since I sat to write something about a drama that touched the deepest part of my heart. Odd how a fantasy drama turned into something completely realistic. Hidden beneath the magic, fantasy, and musicality lay the yearnings of an innocent soul who tried to break all shackles of presumed social stigma. When aberrant from the usual flow, family, friends, and society express ambivalence toward a “different” person. In various scenes few dialogues caught my attention focusing mainly on incinerating the real self of a person. We all need validation and recognition for apprehending the “normalcy” of society. Why can children growing up not just be themselves? Why cannot they follow their own dreams? Why they cannot be just an average person? Why is it always necessary to have a dream? Why is it that being a little deviant earns you the title “abnormal”? What kind of race we are all after? At the end of the day, ninety percent of human beings are just engaged in modern-day slavery. We achieve big degrees to earn money, to gain acknowledgment from society, to impress them, and to satisfy our ends by meeting the ever-unquenchable thirst for materialism. In course of such superficiality, we lose our innocence - our true self.When some people, do not accept insubstantiality being their pillar of existence, they fall victim to other people’s doubt and unnecessary resentment. Sometimes, prison is created by setting high expectations we attach to our own children without even realizing what harm it might cause them. It is alright to remain average, to remain free-spirited, to live in independence, to find peace in solitude – the message given by this beautiful story. Being an adult does not mean being an imposter or following the regular crowd; apparently, some people admire living in an unconventional world where they could unleash their full potential. However, the trivialities of life ultimately ensnare them to nothingness. The extreme competitions we put our children into eventually is futile, rather harm them physically and mentally.
Also, felt a strange attachment with the magician mainly with his 16 years old self. Could relate to the same stress, frustration and mental breakdown I was going through before the important board exam and like him, I was screaming inside for someone to at least hear me out. Alas, my parents who should be the closest were completely in oblivion. These parents could be so cruel sometimes, living in a delusional world of knowing, feeling and giving to their children everything at the same time without understanding their personality or nature, forcing them with their unhealthy greed of winning the rat race of this imbecilic societal system. Now as I realized this, a long time has already passed to mend anything. Still trying hard to fit into the “society’s standard”.
Ji Chang Wook, Choi Sung Eun and Hwang In Youp all played their part sufficiently well. Liked the fact that all three protagonists’ characters and individual stories were depicted properly without exaggerating. It was heart-wrenching to know more about Ji Chang Wook’s character as the story unraveled. The songs were all wonderful with meaningful, hopeful, and positive lyrics.
The story seemed unfinished, do not know whether there will be season 2 or not but I would personally like to watch more about the magician’s character. Yet this first season was well rounded and the makers successfully finished depicting what they intended within six episodes.
Overall, this drama is fantastic. Enjoyed it intensely.
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The main theme of the drama is identity theft on which the story is based. Byun/Lee family consists of four siblings and their parents. Each of them having different traits with different approach and attitude towards life makes it joyous to watch. Everyone had their share of stories to tell. The eldest son was perseverant towards achieving a secured career in the govt. department. He withstand self-inflicted mental humiliation when he saw his younger sisters are progressing faster in life whereas he being the eldest were just constantly failing. However, at the end “the slow and steady wins the race”. The eldest daughter of the family was a talented, smart, educated, elite and rebellious woman who knows how to deal with every situation in life with strong mind. She was a lawyer with strong determination to win in anything she puts are mind into. The third sister was an underdog who gradually shone with composed, patient and forgiving attitude towards life. And the youngest sister was extremely cute, witty, outspoken, boisterous, bubbly and the apple of the family’s eye. She was uncompromising when anything or anyone goes against her family. Lastly the parents what I can say about them, they sacrificed their entire life for the sake of raising their four amazing children. They have gone through a great deal of hardships but never forgot to keep their children’s need in the forefront. All these six people were tremendously affectionate towards each other.
Then comes the Na family. Na Yeong Shik was Na Yeong Shil’s younger brother. Their family comprised of four people-wife, mother, son and Mr. Na. I personally loved this family and the character Lee Bo Mi (wife). I could relate to their struggles with life in so many different levels. Their story seemed quite realistic. Hats off to the wife who was very supportive in whatever her husband did and her approach towards life was sarcastically optimistic. They were needy but never put their integrity at stake for the sake of money. Their constant fight to make their genius son’s life easy was sometimes heart wrenching.
Third comes the Cha family, the eldest daughter of Byun/Lee family married the only son of this family. I found the mother Cha’s character quite annoying. The father Cha’s character was somewhat enjoyable. He portrays the character who wants to gain deeper insight of life after retirement which was sometimes amusing to watch especially his interaction with his wife.
On the otherhand, the most interesting, most loveable and most adorable character was played by Lee Joon. He was all through eccentric, affectionate, understanding, righteous and sensitive. His portion of the story development and how his background is intertwined with the Byun/Lee family was the most interesting part of the 52 episodic journey. Lee Joon is always best in whatever role he plays. He puts his mind, body and soul into full action when it comes to acting. Very few have been seen with so much dedication and sincerity towards what they do. His stair of success will definitely keep on going sky high. He makes anyone cry or laugh easily and also make one fall in love with him so easily. He is the most formidable and versatile one among the entire ensemble of this drama. The chemistry both he and Jung So Min portrayed was utterly heart fluttering. They were my favourite couple among all the others.
Now about the overall view of the drama, I think it started off interestingly which can make an audience crave for more but as the episodes progressed, it gradually became draggy and the emotions seemed sometimes bit over the top. Without being a 52 episodic drama it can easily be a 30 episode drama which would help to keep its real essence. Nevertheless, still it is wonderful and to watch two episodes every week did not feel tiring rather after a long exhausting day, this drama always refreshed by mood. The last episode was overdramatic but still it is alright to me since it was a happy ending which can easily bring big smile in anyone’s face.
I will miss Father is Strange and all the amazing casts. It became very dearer to me which will take a while to get over with.
I know it’s hard to bear with so many episodes but if you like to see some reflection of your own family you can give it a try.
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Dive into the Unknown
Oh what a mesmerizing emotional ride for the entire ten episodes! The perspicacious storyline, the role played by each cast with such éclat, the refractory emotions drawn out of every scenes and every dialogues macerated my heart, my mind, my soul and my existence with intense ineffable joy and sorrow both at the same time.Navillera portraying a dirge vibe with its tone, filter and mood, have shaken my whole being with overwhelming emotions. Each and every episode made me cry out bucket of tears. The message of the story has been enunciated through suave sadness. Let me point out the diaphanous depiction of the story one by one which actually resulted into such level of admiration from numerous viewers.
The inevitable and uncontrolled curse of old age, yes that can be changed possessing gargantuan enthusiasm. Looking at life beyond what it is. Celebrating it amidst the flak, malignancy, wretched society, weltering failure, rising and shining again through fiasco is called life; living a wholesome life, living a deserving life. A simple message it contained. Splice up life in all adversities, in all maelstrom it throws and rise and shine again. Life is ephemeral not a single living being denies it yet irrespective of age, situation or whatever the condition a person is facing without debilitating, one must move forward.
The talented, crotchety young ballad student who was living diligently in this harsh competitive society and a 70-year old pertinacious man who was gradually turning senile, both of them come in contact for their greater passion for ballad. Both of them were adamant in their own stand; having extreme grit the first wanted to win renowned national and international competition and the latter wanted to soar at least once in his lifetime. So much of wholesome and platonic love developed between these two. Nearly five decades apart their age were, however, their camaraderie made everyone inebriated of various emotions for sure.
Many issues were depicted via this heartwarming story. The struggles of young people to live a decent life in this robust technological, globalized and competitive era. The struggles of old people who simply have no clue what to do with their life instead waiting for their life to end. The struggle of a person who wants to fulfill their dreams, their hurdles are seemingly endless. When a child, family restricts prospering a dream tagging a taboo, at young age too swayed with the hardships of life, at middle age too inclined in making a living for sustenance for his own family when at an old age the shame of getting revealed to the society or his own children. Shame is to die without trying, shame is to not venturing into one’s dream obtusely, shame is to not being able to satisfy one’s agog.
The portrayal of the story fused between mettlesome and pensive. Mettlesome in the sense that it forces one to hold onto that little straw called hope in one’s life and dive into the unknown without caring a single ounce about readiness with a fiery spirit; pensive in the sense to reflect at least once how to lead a more productive more fulfilling life till the end of our time.
Through terminal illness, through daunting young age, through superficial societal norms, through malicious judgment, through irreversible failure, through harsh rejection, through unbearable dejection – soar at least once. This one life given to us, make it quintessential.
All the casts were pure resplendence to enjoy. Haven’t seen such perfect cast so far. Each role was played meticulously by all the super talented individuals of all ages. I want each of them to soar like an eagle elegantly in their career for many more years to come. They all stole my heart especially one of our cutest duo – Chae Roki and harabuji. Haimoni was also the cutest.
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Move to Heaven beautified this death. Although we come without anything and also leave without anything but each human creates a web of relationships, complex emotions, needs, wants, expression of tastes, longing for a smooth and better life; however, it might cut short. We have stories to tell which are left untold, we have grievances to share which are left grieved upon, we have love to express which are left unexpressed, and we have multifarious wishes to fulfil which are left unfulfilled. All humans are unsung heroes of their own life or someone’s life. The depiction is truly heart rendering. Portrayal of every death was truly magnificent.
We live as if we are immortal beings. Different sorts of love, respect, dignity, sympathy, empathy, ugly human greed, societal issues made its place in this drama from humanistic point of view. Every interaction every words we speak every gesture we make has meaning(s) though often times we try to hide our genuine emotions underneath our superficial façade. The drama basically highlighted all these factors from philosophical perspective. How the living perceive the death and how the end of a person is just his/her mortality and physicality that expires only. Nonetheless, either good or bad, they keep on living as enriched memories of some other people.
Impressive was also the direction, cinematography, editing and some specific camera angle managed to retain the true aesthetics of the story. Individual stories were solid and sufficiently shown without making them too overdramatic or too draggy.
Tang Jun Sang, this child actor stole my heart away with his untainted innocent acting. His talent is boundless. Such adorable young fellow has a really bright future ahead. All the ensemble made their characters believable by putting their heart and soul into displaying a natural acting. They all did exceptionally well.
Cried buckets and learned many things. No one should refrain oneself from watching this gem. Indulge yourself in this short journey, you would not regret.
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There wasn’t anything much to do rather than farming, cooking, eating and sleeping. She tried to remember her mother’s cooking and tried those recipes and ate wholeheartedly.
Little Forest actually portrays the backward linkage of interdependence, which means not necessarily city life can only provide or satisfy to meet one’s end and not necessarily fast living is the only way to satisfy ambitions. However, ordinary, slow paced living can also be satisfying in the countryside. It is alright to live just by sleeping, eating and doing simple jobs. Not everyone in the world has to be shackled within corporate lives or unhealthy competition mostly city life has to offer. Living in the tranquil nature and having only what the nature has to offer can also be more than sufficient as well as sustainable rather when people eventually get detached from their root from their birthplace they start to lose their identity, individualism and most importantly simplicity.
The film was set in four different seasons: Fall, Spring, Summer and Autumn. Every season’s characteristics were nicely captured. Seasonal fruits and vegetables were also highlighted more or less since the protagonist had to prepare her food based on different seasons. The sounds of nature were also carefully incorporated such as the sound of cricket, rustling sound of paddy field due to breeze touching them and so on. The surrounding scenery were also picturesque enough to create pleasant mood in the viewers’ mind.
Moreover, friendship among the two childhood friends with the protagonist also played a significant part in the movie. Their joviality, warmth and mischievousness were pretty interesting to watch.
Kim Tae Ri, Jin Ki Joo and Ryu Joon Yeol played their role exactly what is necessary without any exaggeration. It felt like they naturally and smoothly blended themselves along with the story, rather than acting they were playing their own lives. Very well enacted.
Overall Little Forest creates rejuvenating and soothing effect. No swashbuckler just an aberration for finding solace among myriad of intricate problems is what a girl rediscovered for herself integrated with nature, food and farming is the main theme of this film.
If you want to feel calm and relaxed by watching something light-hearted yet satisfying then give this movie a shot.
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One thing I found interesting is that, each character was pretty aware about their individual attitude. None of them were obnoxious rather each of them knew about what they were doing right and when they are doing wrong. If they realized they were doing something wrong, they were immediately snapped out of it without being too selfish to satisfy their own greed. This fact is pretty likable about this drama.
The background score here is another exceptionally wonderful thing. All the phenomenal English pop songs of early 80s would produce a sensational nostalgia. Although I wasn’t born that time but I grew up listening to those songs on radio with my father. Brought back so many fond memories of my father and me dancing together. Moreover, the OSTs are also beautiful and soothing to listen to.
This drama has its own charm to revitalize ones mood. Fresh young actors playing their roles diligently adds another pleasure of watching. If critically judged, lots of flaws can be identified. However, sometimes no judgment is better. We can keep our life simple just by watching some simple, rejuvenating stuffs after a long day of boring work or in any lazy weekend evening, seeping through a cup of warm coffee.
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The fact is people are weak and helpless towards some fatal diseases. If I am not wrong, this short film tried to portray the positive side of living with your shortcomings. Here none of the characters are shown in despair or none shown a bit frustrated with their situation. Such a biggest gift they are gradually losing but they have learnt to accept it wholeheartedly and living it through diligently. Although they are losing sight but they have found the means to artificially capture the real moments with beaming happiness which they can cherish all through their life.
Accepting darkness, they have been adapting positivity of life through embracing hope of light. The message is clear and simple: always be positive no matter what.
Beautiful, meaningful and wonderful short film with some wonderful casts.
It can be watched multiple times. So what are you waiting for? Give it a shot. You won’t regret.
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Yes, it happened to me after I finished Tunnel in one sitting for two days. After the last and final episode I just couldn't see myself in the mirror. Well that doesn't necessarily mean this drama is a perfection or a masterpiece. Despite having number of flaws and loopholes, it could live up to my expectations.
Although practically the concept of time traveling is superfluous and unrealistic but the integration of both past and present to solve the crime is riveting yet not extraordinary. As a viewer I appreciate the way the writers managed to maintain a cliff-hanger per episode and how one by one a particular mystery unraveled. Any sort of art/literature/entertainment can be preposterous but to make it credulous to the viewers is where the makers can show their creativity. All the credit goes to the scriptwriters who managed it pretty nicely.
In the beginning, few episodes have individual crime story which were solved meticulously by the detective team, however, the main story was there and gradually each puzzle pieces were weaved in a single thread. Though all the bits and pieces were scattered initially but the story maintained coherence till the end. Much confusion was not created with the time traveling factor. The whole drama is like a web of riddle solved rigorously. Overall the story writing was commendable but during episodes 12-16 it became excessive. For instance, if we squeeze too much lemon juice in our rice rather than giving a slight sour flavor, the whole rice would turn bitter in taste. This is what happened with Tunnel during these episodes. The flow was fascinating but due to excessive twists and turns for finding the main culprit, it kind of lost the ultimate thrilling essence in the middle part in my opinion.
One interesting thing is, they tried to depict prisoner's dilemma (a concept of game theory in economics) in a theft case but did not show it vividly. I can remember clearly this whole concept was portrayed exquisitely in the drama named "I Hear Your Voice".
On another note, indignation is inevitable upon any murderers or in general any wrong doers, nonetheless it made me ponder upon a particular thing. That is, giving a child a healthy and fine environment to grow up is extremely crucial. It is true that all the heinous murders took over negligible issues but when the culprit was a little boy from then on he had nurtured grave darkness inside him. From his early childhood the unsound experiences he gathered, later triggered him to exploit himself in a psychotic manner towards gaining aberrant pleasure. It all comes down to the upbringing, nurturing and giving a child a loving environment. Compassion can change a person at a tender age.
Moreover, I appreciate the depiction of the female character, Professor Shin Jae Yi. For goodness sake, they refrained for at least once by not showing a sassy, unintelligent and screaming woman. Shin Jae Yi is stoic but a smart, competent and educated woman who came up with brilliant clues regarding solving the cases. Loved the tough at the same time sweet bromance of Gwang Ho and Sun Jae. Love the comradeship among the fellow colleagues. As I always say Korean writers are best at portraying human relationship and emotion among each other. Hats off to the writers for that. All the casts more or less shown good acting skill though not phenomenal.
Necessary to mention that the last episode is utterly heart wrenching and is beautifully wrapped up. Especially visiting every victim's home and paying respect to each of their family was wonderfully done. This little message "Saving Life is important" is laudable.
On the other hand, background score is reasonable with the situation and I could find only one OST named Circle of Life by Kim Dong Uk. It's soft rock which gets slightly heavy at the end sounds superb.
In conclusion, this drama has the characteristics to put a viewer at the edge of their sit but comes with few flaws. If the errors and flaws can be overlooked, it's pretty interesting. I felt like I have completed reading a thriller novel. For a crime drama genre lover, I don't think it would be a bad choice for giving it a shot.
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One day following a tragic event he ended up being the subject of the “happiness” experiment of that research centre. Gradually he felt exuberance with his life where everything was picture perfect. There was no sorrow, no remorse, no regret and no despondency. He was living a perfect life with his parents and girlfriend. Eventually by some small incidents he started to realize he needs to exit from his so called reality.
It is a small drama depicted bit differently with a typical theme. We all seek happiness and we constantly wants to be happy which is actually impossible. Living and life as a whole is challenging. Being happy doesn’t necessarily mean living in a perfect world without agony and pain. Being content with whatever little, one has is all what matters at the end of the day. It takes effort to achieve something which ultimately brings happiness. Happiness is always lurking on our way, we just need little patience and hard work to achieve such pursuit.
Exit is an interesting drama with an old concept depicted in a new way. Entire two hours were engrossing for me and I thoroughly enjoyed it.
Choi Tae Joon was natural, strong and intense in playing his role and the rest of the casts also did pretty good job.
Background score is quite good thought it has no OSTs.
Two hours is not much. If you want to pass some time and don't want to watch anything lengthy just give this drama a shot.
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May be I would have never watch this among all the hyped airing dramas but thankfully I did. To my utter astonishment I enjoyed this more than any other airing dramas which started with Oh My Baby.
The story writing, representation and organization of scenes were excellently done. The main subject matter was “baby”. Everything is related and revolved around the one particular issue. A serious issue about artificial insemination has been raised, how society views an unmarried woman to have IVF, what the law of the country states and how to deal with all these struggles along with the subfertiility issue. The biological clock is ticking for the female lead. So how she should approach to have a baby of her own? There were large mountains she needed to overcome just to achieve her goals. No miracles no surprise occurred to the main protagonist Jang Ha Ri.
The whole point of this story is to give a generic view on infertility, subfertility and fertility. All sorts of characters were there single father, single mother, married couple struggling to have kids, married couple who don’t want to have kids, working woman with kids, mother who took break from work for kids but want to return to work life badly, woman who gave up kids for pursuing her career and also woman who gave up work to care for kids. It is a portrayal of today’s society – where we stand with our perception of having children with or without partner, with or without marriage.
The protagonists never gave up nor did they bawl their eyes out all day long due to the failure of not getting what they want. They faced booms and troughs of their life - enjoying their romance, working like normal people and at the same time going through their own troublesome life sportingly. Isn’t this the real life?
Another interesting fact was the patience and resilience of a mother of an early 40s daughter. She might not have agreed to whatever her daughter did or want but she understood her and supports her all along. The serious conversation between the mother and daughter seemed light hearted but was deeply edifying.
The story is also focused on the fight of a magazine company to keep their business amidst the sea of “online” era. It was appreciable to show the practical approach of keeping the company or not and how the female lead went out to open her own one.
Oh My Baby is very aesthetically presented story with laughter, tears, comedy, practicality, rationality and romance. All the characters depicted have given appropriate approach to a same issue from their individual perspective in a different way is just what can be seen in our surroundings.
I have grown huge respect for the scriptwriters, directors and ensembles of this drama. It’s been so long I have seen such a beautiful drama with a realistic approach of a particular subject matter. The OSTs are also wonderful. Jang Na Ra and Go Joon were quite natural with their acting. They are my favourite from now on. I appreciate and like every scenes every story portrayed in this drama.
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The whole story started with one utmost tragic turning point of PSJ’s life which ultimately led him to the success he always desired. The main moral of the story depicted was that whatever it is if people are put forth foremost before anything then any venture will be successful. Greed, arrogance, self-absorption in the end engulfs into nothingness. PSJ’s character was an overall package of level headedness, gritty, charismatic and an undaunted true leader. A true leader tries to encourage and motivate people under him/her which this character exactly portrays. All the other characters both the antagonists and protagonists have their own story to share but the focus was mainly the lead male protagonist who after facing plethora of hurdles thrown at him by his enemies could get out of it scathed but much stronger than before. The more he faced the trials and tribulations of life the grittier he became in achieving his goal. The point is to portray that life for each and every living human soul would throw lemons but we have to know how to make lemonade out of it.
Moreover, this drama through another characteristic of the main lead’s character portrayed that not necessarily every single person has to gain higher education. Without gaining much education, having right attitude, morals, values and righteousness it is possible to reach any apex in life, of course with the help of some true companions. Sae Ro Yi (main character played by PSJ) had some wonderful people working for him who turned into his family members. His love interest is also one woman among them.
Next about the two female leads, the one PSJ chose is one of the best written female characters in the history of Korean dramas. Never have I seen a female character given so much empowerment, strong self-determination, confidence and free spirit like the character Jo Yi Seo. Without a single regret she always chose her destination exactly responding to her mind. It is interesting to watch how she accomplishes her goal as per her set target. She was shown as a bit eccentric unsocial person yet she was sacrificial for the one whom she truly loved with pure dedication. Her self interest never stumbled on her way since she made that one single person her final target.
Although the story is nothing new about the same old subjugation and corruption by the rich to the poor strata of the society but the interesting part of this drama which made it truly beautiful are the characters. More or less it can be referred as a character based drama. PSJ was the scene stealer in every single of his expressions and dialogue throwing. It is undoubtedly his best performance so far. Dedication is evident from his natural acting skill. Truly commendable job he has done. The rest of the ensemble cast did justice to their roles but PSJ overshadowed everyone.
This drama through the various characters had basically tried to teach and preach about maintaining humane quality no matter what and to remain honest irrespective of hardships of life. The moral and philosophical base of the story is quite strong.
Although it has gained humongous popularity so there’s no harm in watching it if you haven’t yet watched it.
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For the first time I have seen a neat comedy show without raunchiness. Creativity of the writers of this show is simply extraordinary. None can claim that their lives are free of trouble or they are living a life of constant happiness. These Waikiki people are no different. They are living an average regular life like most of us. They have dreams, aspiration and goals to achieve which is common for almost all of us. However, the only difference is how they handle the situations. As the genre is comedy, the humour is depicted through each character’s problem they face in their day to day life. Their troubles are unique and their technique to fight back or to solve a particular problem is also unique.
It is impossible to feel bored during watching this drama. Interestingly the whole drama is full of sarcasm within which there are mindboggling comic relief scenes enough to make viewers laugh their heart out. The story is typical yet could make a place in everyone’s heart due to its excellent unpredictable sense of humour ingrained in every dialogue and in every scene. Those were puckish but not obscene. Never for a second had it seemed that the humour was over the top or cringe worthy but rather capable of making viewers crave for more.
The story involves the struggle of three young men and three young women, who by the twist of fate somehow ended up living together at a guesthouse named Waikiki. Among three men: one was an aspiring actor, another aspiring director and another aspiring manga writer. Among three women: one was an aspiring pastry maker, another aspiring reporter and another fashion designer. We can all relate to their struggles and various difficulties they face everyday while making their dream come true. What they teach us is that it is extremely hard to live up to a particular target. We may fail repeatedly, our whole world may crumble after us but still to stand up and fight back with all honesty and sincerity is all what living means. Life is a bed of roses full of thorns. Nevertheless should we cry often getting pricked by the thorns or just pluck the thorns and keep on moving. The choice is all ours.
Through the depiction of these characters it is taught no matter how tough a situation is, at the end of the day it has to be taken lightly. Only then we can live life to the fullest. Being positive or always thinking positive is not the solution as a matter of fact. As a human being we are all fragile, we feel dejected, anxious, doubtful, tensed, emotional, resentful and so many other negative thoughts always dwell in our minds but to embrace these feelings and making them our strength can only make living possible. On top if we have supportive family or friends it s easier to relieve our stress. People of Waikiki though do not have any blood connection (except a pair of siblings) among them, had relationships much deeper and stronger. They stand strong for each other; give utmost support and assistance to each other. They fight and squabble with one another, abominate and reprimand each other yet confront crisis together. Their unity is lovable and deep down their affection for each other is commendable.
Having comedy as the main theme all through, though all the six main casts did justice to their individual roles, the show stealer was definitely Lee Ki Yung who played the role of ever unfortunate Lee Joon Ki. His dialogue delivery, acting, gesticulations, expressions and postures everything is tremendously funny. He is a well sorted, adept and a marvelous actor. Every single situation he faced in the drama was exceptionally hilarious and my heart seemed to explode while laughing. The second actor I personally feel did good job was Go Won Hee who played the character Kang Seo Jin. She also made me role on the floor literally. Except for professional comedienne, I don’t find any regular female actress funny. But this woman blew my conventional thought; she was on point with her role.
Oh how can I forget this tiny little character baby Sol played by Ah Reum. She was so adorable and one of the cutest creatures I have seen till date. I felt like biting that cutie pie every time she appeared on screen cackling with her chubby cheeks. She was out of this world adorable.
The background score composition was also intelligently done. Most of the sounds or music is blended comically regarding the scenes. Sometime it felt like rather than the dialogue or expressions of the ensemble these sounds made us laugh more or may be these sounds made the expressions even funnier.
The OSTs are also subtle and soothing.
All in all Waikiki is a riveting comedy show without a single profanity. I am not emphasizing that having profanity or raunchiness is outward wrong or unacceptable. Nonetheless, I could never imagine that a comedy can also be presented in such an aesthetically pleasing manner where a pure dose of laughter was only intended.
Hats off to the production team. My utmost respect for their hard work.
This is the best comedy Kdrama out there. So do not even give a second thought. Just watch it.
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Magnanimous, undeterred baseball player Kim Je Hyuk, most trustworthy and loyal friend Lee Joon Ho, incredible buffoonery of Yoo Han Yang a.k.a Looney, composed and cultured Choi Moo Sung, lovable and sacrificing brothers Jung Moon Sung and Lee Soon Dol, most sweet-hearted and loving Lieutenant Paeng, confident and disciplined Captain Yoo, humorous Kang Chul Doo a.k.a KAIST, sycophantic Crony, ever supportive and unconditional lover Kim Ji Ho, ever faithful Kim Yeong Cheol, impulsive but tough and determined Lee Joo Hyung, authoritarian Captain Na, talkative Song Gi Dong and many other characters surmounted Prison Playbook in a different level. Excitement has been created gradually in a slower pace. Every episode has something different to present. The fondness of each character would eventually grow in a viewer as the episode progresses which imprints a deep mark in the mind. The main focus is the eclectic characters indicted for wrongdoings which are basically not wrong as a matter of fact and finally acquitted after much hardships.
It started with the high-flier baseball player Ki Je Hyuk getting arrested for defensing a crime took place against his younger sister. After being captivated in the penitentiary, the journey of his life while he was serving his terms was the main theme. He met with different inmates of various age, professions, habits and personalities and the relationship he established with each of them through interaction was most amusing, sometimes heart rendering and sometimes empathetic. Remaining within the confined boundary he tried to help his cellmates and other inmates as much as possible. Also he established excellent relationship with other wardens and correction officers as well.
What makes this drama different from rest of the prison dramas/movies is that there is no single protagonist fighting against all the diabolism or morbidity a prison life can offer or how the protagonist fight against all odds to finally get released. What makes it distinguishable is that each character has their own endearing story and background to share. Not necessary that just because they are prisoners they are all heinous criminals. The story emphasized more on the positivity of different characters. Within 16 episodes every story of every character were written and presented meticulously. Eventually enamoured the viewers with the wonderful story telling. This is not the single story. There are multiple stories brought under one place, i.e. prison. This is the story started with a one famous person but there were more than ten to twenty stories. No one is shown as pure evil rather shown their aspirations, dreams or the purpose of doing certain act or how they had fallen prey to a certain situation/incident. It is a character oriented drama. Even the wardens and correction officers have their own story to tell. Not all wardens and correction officers are brutal. Here they displayed the warm hearted and kind team of law enforcement people who were very understanding of the prisoners’ needs and wants. The wonderful affability among these people made the overall story spectacular. All were strangers to one another but ended up having compassion for one another. The stories were simple but the portrayal is elucidated sublimely.
Correspondingly, the sarcastic comedy depicted by all the characters is another charming strength. In a moment it would make one cry and in next would make one burst into laughter. None of the scenes can be said superfluous. When any scenes were important it was there precisely rather than in a prolonged version.
I would like to bow in front of the entire cast and crew for giving us such a joyful thing to watch. I have grown tremendous respect towards them. It was more like reading a wonderful book. The life of this drama were its casts. Each of them poured their heart and soul to perfect their characters given to depict. It is difficult to praise only one actor. All of them did utterly tremendous job. My personal favourites are the characters called Looney and Lieutenant Paeng. Looney’s character was ravishing. Needless to mention that ninety percent of the actors acted here are either struggling or aspiring actors. Hats off to the production company for giving them this lifetime opportunity. Many actors especially Park Hae Soo and Lee Kyu Hyung gave outstanding performances and would definitely leap to fame in the near future. Actually it is pretty difficult to praise a single actor and criticize others. They were all diligent in playing their role no matter how small it is.
Another interesting things are the OSTs and background scores. The intelligent incorporation of certain sounds in the background while showing a humorous scenes were extremely enjoyable. In fact the sounds itself brought laughter along with the blank expressions of the actors. The OSTs are pretty decent and ear catching as well.
I am always a penchant for “prison” related stories but this one by far the best one I have seen till date and definitely going to my most favourtie list. Prison Playbook is the best example of swashbuckling drama and a best example of aesthetically pleasing art piece. The writers and director should be applauded for their creativity and adept story writing and direction respectively. Good things come once in a while and leave everyone awestruck. This drama should be cherished till the end of the world.
Those who haven’t watched it should watch it immediately.
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