Esta resenha pode conter spoilers
A take on how meddling with the past is never smart
A compelling take on grief; if we had the chance to bring a dead loved one back to life, we all would without even thinking of the consequences it would bring. Though the movie uses a very direct approach when it comes to what the costs would be (it’s a movie, it has to be entertaining so…), I believe that what it is trying to convey is very much out there on the open; dealing with the loss of a loved one is something you have no other choice but to learn how to do and that the sorrow that comes with it should drive you to hold on to the relationships you have with the living.
You can always trust Korean thrillers to have as many plot twists as they can and this movie sure does not disappoint in that accord. It honestly depends a lot on your own personal taste, but at no point did I find myself bored or wondering how much of the movie was still left. The pace in the beginning is a little off but it’s understandable because it’s only supposed to be the premise and the rest of the movie needs the time to feel as high-tension as it did. I do think that it would not be as interesting on a second watch, but I can’t say that without actually watching it a second time.
The cinematography is not bad but it’s ordinary; some play with the color hues, nothing unforgettable. I also don’t have much to say about the acting; none of the performances will remain in my memory as striking but the two main actresses did a good job either way. The script is one of the things done really well in my opinion, there were no lines that felt out of place or that seemed wrong. As for the most memorable scene in the movie, for me it will be the one of Seo-yeon and her dad in the car.
Many people have already pointed this out, but the last seconds of this movie pretty much ruined it. The ending where everything cycles back to the beginning and it’s just Seo-yeon and her mother but no longer estranged, was the perfect ending. Should’ve turned off my laptop then.
You can always trust Korean thrillers to have as many plot twists as they can and this movie sure does not disappoint in that accord. It honestly depends a lot on your own personal taste, but at no point did I find myself bored or wondering how much of the movie was still left. The pace in the beginning is a little off but it’s understandable because it’s only supposed to be the premise and the rest of the movie needs the time to feel as high-tension as it did. I do think that it would not be as interesting on a second watch, but I can’t say that without actually watching it a second time.
The cinematography is not bad but it’s ordinary; some play with the color hues, nothing unforgettable. I also don’t have much to say about the acting; none of the performances will remain in my memory as striking but the two main actresses did a good job either way. The script is one of the things done really well in my opinion, there were no lines that felt out of place or that seemed wrong. As for the most memorable scene in the movie, for me it will be the one of Seo-yeon and her dad in the car.
Many people have already pointed this out, but the last seconds of this movie pretty much ruined it. The ending where everything cycles back to the beginning and it’s just Seo-yeon and her mother but no longer estranged, was the perfect ending. Should’ve turned off my laptop then.
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