50 Ways To Leave Your Lover
"There must be 50 ways to leave your lover".
- Paul Simon
Indeed, every way to leave your lover is explored here in "Lost You Forever".
What a pleasant surprise this is. I could never stand Yang Zi and her saccharine cuteness, but nonetheless, I gave this a try, and it did not disappoint! The strongest aspect this series has going for it is the dialogue, which is intelligent above any Chinese fantasy drama I have seen to date.
Yang Zi, in opposition to her usual on-screen persona, played an intelligent woman who becomes extremely skilled at life in general as she progresses through the story. It was nice to see a female main character change with time and learning, instead of staying the same.
She gets callouses on her hands in the same way she developes callouses around her heart. Would I have prefered if another actress had played the role? Yes, if I'm being honest. However, Yang Zi killed it (in a good way).
I've talked about Tan Jian Ci before when he stole the show in, "Court Lady". This guy is so, so good, and yes, I am going to mention his sexy voice one last time here. What a sexy baritone! Mmmmm
Anyway, Zhang Wang Yi was the show stealer of this drama. He is phenomenally good here. What his character embodied for me was the impending sense of loss a sibling feels during adolescence, when their sister or brother abandons them for marriage to form their own family. At least, that's the sense I got about it.
This drama explores different types of loss, including how every brother/ sister will one day lose their sibling/s one way or another. We all come into this world alone, and that's the way we leave it.
This series does have its draggy episodes, which has to do with the usual pitfall of too many episodes to fill with content. I can't lie and say I didn't skip over large chunks of it, which I didn't even need to see, as there is a whole lot of recap talked about by the characters within each episode. This could have easily been a great 16 episode drama, but I understand that writers are pretty much forced by contract to stretch ideas out to breaking point, and I can't blame them for something they have no control over.
- Paul Simon
Indeed, every way to leave your lover is explored here in "Lost You Forever".
What a pleasant surprise this is. I could never stand Yang Zi and her saccharine cuteness, but nonetheless, I gave this a try, and it did not disappoint! The strongest aspect this series has going for it is the dialogue, which is intelligent above any Chinese fantasy drama I have seen to date.
Yang Zi, in opposition to her usual on-screen persona, played an intelligent woman who becomes extremely skilled at life in general as she progresses through the story. It was nice to see a female main character change with time and learning, instead of staying the same.
She gets callouses on her hands in the same way she developes callouses around her heart. Would I have prefered if another actress had played the role? Yes, if I'm being honest. However, Yang Zi killed it (in a good way).
I've talked about Tan Jian Ci before when he stole the show in, "Court Lady". This guy is so, so good, and yes, I am going to mention his sexy voice one last time here. What a sexy baritone! Mmmmm
Anyway, Zhang Wang Yi was the show stealer of this drama. He is phenomenally good here. What his character embodied for me was the impending sense of loss a sibling feels during adolescence, when their sister or brother abandons them for marriage to form their own family. At least, that's the sense I got about it.
This drama explores different types of loss, including how every brother/ sister will one day lose their sibling/s one way or another. We all come into this world alone, and that's the way we leave it.
This series does have its draggy episodes, which has to do with the usual pitfall of too many episodes to fill with content. I can't lie and say I didn't skip over large chunks of it, which I didn't even need to see, as there is a whole lot of recap talked about by the characters within each episode. This could have easily been a great 16 episode drama, but I understand that writers are pretty much forced by contract to stretch ideas out to breaking point, and I can't blame them for something they have no control over.
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